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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74BF2B it is the complementary color #8B40D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74BF2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74BF2B shade: #79BF26, #8AD139, #9BE34C, #ACF55F and #BDFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74BF2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74BF2B shade: #74BF2B, #63AD18, #529B05, #418900 and #307700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74BF2B shade: #74BF2B, #9CBF2B, #BFBA2B, #BF922B and #BF6A2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74BF2B shade: #74BF2B, #4CBF2B, #2BBF32, #2BBF5A and #2BBF81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74BF2B shade matches the following richer shades: #74BF2B, #74D218 and #73E505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74BF2B shade: #74BF2B, #74AC3E, #749951, #758664 and #757377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74BF2B shade: #BFBA2B, #9CBF2B, #75BF2B, #4DBF2B and #2BBF30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74BF2B shade: #4B7B1C, #5F9D23, #74BF2B, #88D340 and #9DDB61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74BF2B shade: #74BF2B, #2BBF92 and #BF2BB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74BF2B shade: #74BF2B, #2B75BF and #BF2B75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74BF2B shade: #74BF2B, #2BBF92, #752BBF and #BF2B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74BF2B shade: #74BF2B, #2BBFBF, #752BBF and #BF2B2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

Complementary color

CMYK 34 / 70 / 0 / 17

HEX #8B40D4

RGB 139 64 212

HSL 270.41, 0.63%, 0.54%

LAB 44.1, 58.56, -63.64

 

CMYK 37 / 0 / 80 / 25

HEX #79BF26

RGB 121 191 38

HSL 87.45, 0.67%, 0.45%

LAB 70.5, -44.71, 63.93

 

CMYK 34 / 0 / 73 / 18

HEX #8AD139

RGB 138 209 57

HSL 88.03, 0.62%, 0.52%

LAB 76.86, -45.25, 64.27

 

CMYK 32 / 0 / 67 / 11

HEX #9BE34C

RGB 155 227 76

HSL 88.61, 0.73%, 0.59%

LAB 83.14, -45.61, 63.96

 

CMYK 30 / 0 / 61 / 4

HEX #ACF55F

RGB 172 245 95

HSL 89.2, 0.88%, 0.67%

LAB 89.35, -45.85, 63.29

 

CMYK 26 / 0 / 55 / 0

HEX #BDFF72

RGB 189 255 114

HSL 88.09, 1%, 0.72%

LAB 93.26, -42.53, 59.85

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 43 / 0 / 86 / 32

HEX #63AD18

RGB 99 173 24

HSL 89.8, 0.76%, 0.39%

LAB 63.84, -45.49, 61.17

 

CMYK 47 / 0 / 97 / 39

HEX #529B05

RGB 82 155 5

HSL 89.2, 0.94%, 0.31%

LAB 57.32, -44.45, 58.75

 

CMYK 53 / 0 / 100 / 46

HEX #418900

RGB 65 137 0

HSL 91.53, 1%, 0.27%

LAB 50.7, -42.93, 54.04

 

CMYK 60 / 0 / 100 / 53

HEX #307700

RGB 48 119 0

HSL 95.8, 1%, 0.23%

LAB 43.98, -41.09, 48.48

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 18 / 0 / 77 / 25

HEX #9CBF2B

RGB 156 191 43

HSL 74.19, 0.63%, 0.46%

LAB 72.56, -31.11, 65.1

 

CMYK 0 / 3 / 77 / 25

HEX #BFBA2B

RGB 191 186 43

HSL 57.97, 0.63%, 0.46%

LAB 73.78, -13.93, 67.18

 

CMYK 0 / 24 / 77 / 25

HEX #BF922B

RGB 191 146 43

HSL 41.76, 0.63%, 0.46%

LAB 63.18, 7.25, 57.46

 

CMYK 0 / 45 / 77 / 25

HEX #BF6A2B

RGB 191 106 43

HSL 25.54, 0.63%, 0.46%

LAB 53.56, 29.18, 48.21

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 60 / 0 / 77 / 25

HEX #4CBF2B

RGB 76 191 43

HSL 106.62, 0.63%, 0.46%

LAB 68.73, -58.01, 60.13

 

CMYK 77 / 0 / 74 / 25

HEX #2BBF32

RGB 43 191 50

HSL 122.84, 0.63%, 0.46%

LAB 68.02, -63.78, 56.83

 

CMYK 77 / 0 / 53 / 25

HEX #2BBF5A

RGB 43 191 90

HSL 139.05, 0.63%, 0.46%

LAB 68.4, -59.26, 40.03

 

CMYK 77 / 0 / 32 / 25

HEX #2BBF81

RGB 43 191 129

HSL 154.86, 0.63%, 0.46%

LAB 69.01, -52.21, 20.73

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 45 / 0 / 89 / 18

HEX #74D218

RGB 116 210 24

HSL 90.32, 0.79%, 0.46%

LAB 75.99, -54.52, 71.85

 

CMYK 50 / 0 / 98 / 10

HEX #73E505

RGB 115 229 5

HSL 90.54, 0.96%, 0.46%

LAB 81.67, -62.22, 78.72

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 33 / 0 / 64 / 33

HEX #74AC3E

RGB 116 172 62

HSL 90.55, 0.47%, 0.46%

LAB 64.62, -36.7, 49.26

 

CMYK 24 / 0 / 47 / 40

HEX #749951

RGB 116 153 81

HSL 90.83, 0.31%, 0.46%

LAB 59.06, -25.74, 33.64

 

CMYK 13 / 0 / 25 / 47

HEX #758664

RGB 117 134 100

HSL 90, 0.15%, 0.46%

LAB 53.76, -12.72, 16.31

 

CMYK 2 / 3 / 0 / 53

HEX #757377

RGB 117 115 119

HSL 270, 0.02%, 0.46%

LAB 48.73, 1.58, -1.94

 

CMYK 0 / 3 / 77 / 25

HEX #BFBA2B

RGB 191 186 43

HSL 57.97, 0.63%, 0.46%

LAB 73.78, -13.93, 67.18

 

CMYK 18 / 0 / 77 / 25

HEX #9CBF2B

RGB 156 191 43

HSL 74.19, 0.63%, 0.46%

LAB 72.56, -31.11, 65.1

 

CMYK 39 / 0 / 77 / 25

HEX #75BF2B

RGB 117 191 43

HSL 90, 0.63%, 0.46%

LAB 70.33, -45.86, 62.21

 

CMYK 60 / 0 / 77 / 25

HEX #4DBF2B

RGB 77 191 43

HSL 106.22, 0.63%, 0.46%

LAB 68.76, -57.76, 60.16

 

CMYK 77 / 0 / 75 / 25

HEX #2BBF30

RGB 43 191 48

HSL 122.03, 0.63%, 0.46%

LAB 68.01, -63.93, 57.51

 

CMYK 39 / 0 / 77 / 52

HEX #4B7B1C

RGB 75 123 28

HSL 90.32, 0.63%, 0.3%

LAB 46.64, -32.43, 43.8

 

CMYK 39 / 0 / 78 / 38

HEX #5F9D23

RGB 95 157 35

HSL 90.49, 0.64%, 0.38%

LAB 58.67, -39.68, 53.32

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 36 / 0 / 70 / 17

HEX #88D340

RGB 136 211 64

HSL 90.61, 0.63%, 0.54%

LAB 77.4, -46.34, 62.26

 

CMYK 28 / 0 / 56 / 14

HEX #9DDB61

RGB 157 219 97

HSL 90.49, 0.63%, 0.62%

LAB 81.12, -39.64, 52.91

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 77 / 0 / 24 / 25

HEX #2BBF92

RGB 43 191 146

HSL 161.76, 0.63%, 0.46%

LAB 69.36, -48.38, 12.05

 

CMYK 0 / 77 / 8 / 25

HEX #BF2BB0

RGB 191 43 176

HSL 306.08, 0.63%, 0.46%

LAB 46.89, 70.04, -37.79

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 77 / 39 / 0 / 25

HEX #2B75BF

RGB 43 117 191

HSL 210, 0.63%, 0.46%

LAB 48.26, 3.42, -45.23

 

CMYK 0 / 77 / 39 / 25

HEX #BF2B75

RGB 191 43 117

HSL 330, 0.63%, 0.46%

LAB 44.36, 62.57, -6.11

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 77 / 0 / 24 / 25

HEX #2BBF92

RGB 43 191 146

HSL 161.76, 0.63%, 0.46%

LAB 69.36, -48.38, 12.05

 

CMYK 39 / 77 / 0 / 25

HEX #752BBF

RGB 117 43 191

HSL 270, 0.63%, 0.46%

LAB 36.5, 58.71, -63.94

 

CMYK 0 / 77 / 54 / 25

HEX #BF2B57

RGB 191 43 87

HSL 342.16, 0.63%, 0.46%

LAB 43.5, 59.89, 11.3

 

CMYK 39 / 0 / 77 / 25

HEX #74BF2B

RGB 116 191 43

HSL 90.41, 0.63%, 0.46%

LAB 70.28, -46.21, 62.15

 

CMYK 77 / 0 / 0 / 25

HEX #2BBFBF

RGB 43 191 191

HSL 180, 0.63%, 0.46%

LAB 70.55, -36.33, -10.8

 

CMYK 39 / 77 / 0 / 25

HEX #752BBF

RGB 117 43 191

HSL 270, 0.63%, 0.46%

LAB 36.5, 58.71, -63.94

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

Description

Color code: HEX #74BF2B | qconv.com Color code: HEX #74BF2B | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 191 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 191 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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