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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74E451 it is the complementary color #8B1BAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74E451. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74E451 shade: #79E44C, #8AF65F, #9BFF72, #ACFF85 and #BDFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74E451. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74E451 shade: #74E451, #63D23E, #52C02B, #41AE18 and #309C05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74E451 shade: #75E452, #9CE452, #C3E452, #E4DD52 and #E4B652

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74E451 shade: #75E452, #52E457, #52E47E, #52E4A5 and #52E4CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74E451 shade matches the following richer shades: #75E452 and #6DF442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74E451 shade: #75E452, #7DD463, #86C373, #8EB383 and #97A393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74E451 shade: #C4E452, #9DE452, #77E452, #52E455 and #52E47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74E451 shade: #46C51E, #59DE2F, #75E452, #92E976 and #AEEF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74E451 shade: #74E451, #52E4DC and #E452B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74E451 shade: #74E451, #5277E4 and #E45277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74E451 shade: #74E451, #52E4DC, #BF52E4 and #E4525A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74E451 shade: #74E451, #52BFE4, #BF52E4 and #E47752

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 64 / 11

HEX #74E451

RGB 116 228 81

HSL 105.71, 0.73%, 0.61%

LAB 81.73, -58.03, 59.95

 

Complementary color

CMYK 20 / 84 / 0 / 32

HEX #8B1BAE

RGB 139 27 174

HSL 285.71, 0.73%, 0.39%

LAB 36.61, 63.93, -53.55

 

CMYK 47 / 0 / 67 / 11

HEX #79E44C

RGB 121 228 76

HSL 102.24, 0.74%, 0.6%

LAB 81.88, -57.03, 62.16

 

CMYK 44 / 0 / 61 / 4

HEX #8AF65F

RGB 138 246 95

HSL 102.91, 0.89%, 0.67%

LAB 88.04, -57.29, 61.39

 

CMYK 39 / 0 / 55 / 0

HEX #9BFF72

RGB 155 255 114

HSL 102.55, 1%, 0.72%

LAB 91.55, -53.82, 57.43

 

CMYK 33 / 0 / 48 / 0

HEX #ACFF85

RGB 172 255 133

HSL 100.82, 1%, 0.76%

LAB 92.57, -46.3, 50.17

 

CMYK 26 / 0 / 40 / 0

HEX #BDFF98

RGB 189 255 152

HSL 98.45, 1%, 0.8%

LAB 93.71, -38.31, 42.71

 

CMYK 49 / 0 / 64 / 11

HEX #74E451

RGB 116 228 81

HSL 105.71, 0.73%, 0.61%

LAB 81.73, -58.03, 59.95

 

CMYK 53 / 0 / 70 / 18

HEX #63D23E

RGB 99 210 62

HSL 105, 0.62%, 0.53%

LAB 75.51, -57.59, 60.57

 

CMYK 57 / 0 / 78 / 25

HEX #52C02B

RGB 82 192 43

HSL 104.3, 0.63%, 0.46%

LAB 69.23, -56.87, 60.67

 

CMYK 63 / 0 / 86 / 32

HEX #41AE18

RGB 65 174 24

HSL 103.6, 0.76%, 0.39%

LAB 62.9, -55.72, 59.85

 

CMYK 69 / 0 / 97 / 39

HEX #309C05

RGB 48 156 5

HSL 102.91, 0.94%, 0.32%

LAB 56.5, -54.01, 57.62

 

CMYK 49 / 0 / 64 / 11

HEX #75E452

RGB 117 228 82

HSL 105.62, 0.73%, 0.61%

LAB 81.77, -57.66, 59.6

 

CMYK 32 / 0 / 64 / 11

HEX #9CE452

RGB 156 228 82

HSL 89.59, 0.73%, 0.61%

LAB 83.53, -45.23, 62.02

 

CMYK 14 / 0 / 64 / 11

HEX #C3E452

RGB 195 228 82

HSL 73.56, 0.73%, 0.61%

LAB 85.86, -30.69, 65.2

 

CMYK 0 / 3 / 64 / 11

HEX #E4DD52

RGB 228 221 82

HSL 57.12, 0.73%, 0.61%

LAB 86.41, -14.01, 66.53

 

CMYK 0 / 20 / 64 / 11

HEX #E4B652

RGB 228 182 82

HSL 41.1, 0.73%, 0.61%

LAB 76.41, 5.96, 55.82

 

CMYK 49 / 0 / 64 / 11

HEX #75E452

RGB 117 228 82

HSL 105.62, 0.73%, 0.61%

LAB 81.77, -57.66, 59.6

 

CMYK 64 / 0 / 62 / 11

HEX #52E457

RGB 82 228 87

HSL 122.05, 0.73%, 0.61%

LAB 80.72, -65.68, 56.05

 

CMYK 64 / 0 / 45 / 11

HEX #52E47E

RGB 82 228 126

HSL 138.08, 0.73%, 0.61%

LAB 81.17, -60.51, 38.51

 

CMYK 64 / 0 / 28 / 11

HEX #52E4A5

RGB 82 228 165

HSL 154.11, 0.73%, 0.61%

LAB 81.84, -53.32, 19.52

 

CMYK 64 / 0 / 11 / 11

HEX #52E4CC

RGB 82 228 204

HSL 170.14, 0.73%, 0.61%

LAB 82.72, -44.32, 0.26

 

CMYK 49 / 0 / 64 / 11

HEX #75E452

RGB 117 228 82

HSL 105.62, 0.73%, 0.61%

LAB 81.77, -57.66, 59.6

 

CMYK 55 / 0 / 73 / 4

HEX #6DF442

RGB 109 244 66

HSL 105.51, 0.89%, 0.61%

LAB 86.18, -66.86, 70.07

 

CMYK 49 / 0 / 64 / 11

HEX #75E452

RGB 117 228 82

HSL 105.62, 0.73%, 0.61%

LAB 81.77, -57.66, 59.6

 

CMYK 41 / 0 / 53 / 17

HEX #7DD463

RGB 125 212 99

HSL 106.19, 0.57%, 0.61%

LAB 77.49, -47.15, 47.3

 

CMYK 31 / 0 / 41 / 24

HEX #86C373

RGB 134 195 115

HSL 105.75, 0.4%, 0.61%

LAB 73.11, -34.68, 34.08

 

CMYK 21 / 0 / 27 / 30

HEX #8EB383

RGB 142 179 131

HSL 106.25, 0.24%, 0.61%

LAB 69.2, -21.72, 20.53

 

CMYK 7 / 0 / 10 / 36

HEX #97A393

RGB 151 163 147

HSL 105, 0.08%, 0.61%

LAB 65.66, -7.32, 6.86

 

CMYK 14 / 0 / 64 / 11

HEX #C4E452

RGB 196 228 82

HSL 73.15, 0.73%, 0.61%

LAB 85.92, -30.3, 65.29

 

CMYK 31 / 0 / 64 / 11

HEX #9DE452

RGB 157 228 82

HSL 89.18, 0.73%, 0.61%

LAB 83.58, -44.88, 62.09

 

CMYK 48 / 0 / 64 / 11

HEX #77E452

RGB 119 228 82

HSL 104.79, 0.73%, 0.61%

LAB 81.85, -57.09, 59.71

 

CMYK 64 / 0 / 63 / 11

HEX #52E455

RGB 82 228 85

HSL 121.23, 0.73%, 0.61%

LAB 80.7, -65.89, 56.87

 

CMYK 64 / 0 / 46 / 11

HEX #52E47C

RGB 82 228 124

HSL 137.26, 0.73%, 0.61%

LAB 81.15, -60.83, 39.46

 

CMYK 64 / 0 / 85 / 23

HEX #46C51E

RGB 70 197 30

HSL 105.63, 0.74%, 0.45%

LAB 70.41, -62.1, 65.18

 

CMYK 60 / 0 / 79 / 13

HEX #59DE2F

RGB 89 222 47

HSL 105.6, 0.73%, 0.53%

LAB 78.79, -65.33, 68.62

 

CMYK 49 / 0 / 64 / 11

HEX #75E452

RGB 117 228 82

HSL 105.62, 0.73%, 0.61%

LAB 81.77, -57.66, 59.6

 

CMYK 37 / 0 / 49 / 9

HEX #92E976

RGB 146 233 118

HSL 105.39, 0.72%, 0.69%

LAB 84.84, -47.1, 47.46

 

CMYK 27 / 0 / 36 / 6

HEX #AEEF9A

RGB 174 239 154

HSL 105.88, 0.73%, 0.77%

LAB 88.48, -35.83, 34.75

 

CMYK 49 / 0 / 64 / 11

HEX #74E451

RGB 116 228 81

HSL 105.71, 0.73%, 0.61%

LAB 81.73, -58.03, 59.95

 

CMYK 64 / 0 / 4 / 11

HEX #52E4DC

RGB 82 228 220

HSL 176.71, 0.73%, 0.61%

LAB 83.15, -40.17, -7.57

 

CMYK 0 / 64 / 22 / 11

HEX #E452B1

RGB 228 82 177

HSL 320.96, 0.73%, 0.61%

LAB 57.75, 65.78, -21.03

 

CMYK 49 / 0 / 64 / 11

HEX #74E451

RGB 116 228 81

HSL 105.71, 0.73%, 0.61%

LAB 81.73, -58.03, 59.95

 

CMYK 64 / 48 / 0 / 11

HEX #5277E4

RGB 82 119 228

HSL 224.79, 0.73%, 0.61%

LAB 52.5, 21.14, -59.39

 

CMYK 0 / 64 / 48 / 11

HEX #E45277

RGB 228 82 119

HSL 344.79, 0.73%, 0.61%

LAB 55.95, 59.32, 10.29

 

CMYK 49 / 0 / 64 / 11

HEX #74E451

RGB 116 228 81

HSL 105.71, 0.73%, 0.61%

LAB 81.73, -58.03, 59.95

 

CMYK 64 / 0 / 4 / 11

HEX #52E4DC

RGB 82 228 220

HSL 176.71, 0.73%, 0.61%

LAB 83.15, -40.17, -7.57

 

CMYK 16 / 64 / 0 / 11

HEX #BF52E4

RGB 191 82 228

HSL 284.79, 0.73%, 0.61%

LAB 54.77, 64.91, -55.19

 

CMYK 0 / 64 / 61 / 11

HEX #E4525A

RGB 228 82 90

HSL 356.71, 0.73%, 0.61%

LAB 55.35, 57.09, 26.54

 

CMYK 49 / 0 / 64 / 11

HEX #74E451

RGB 116 228 81

HSL 105.71, 0.73%, 0.61%

LAB 81.73, -58.03, 59.95

 

CMYK 64 / 16 / 0 / 11

HEX #52BFE4

RGB 82 191 228

HSL 195.21, 0.73%, 0.61%

LAB 72.67, -20.03, -27.69

 

CMYK 16 / 64 / 0 / 11

HEX #BF52E4

RGB 191 82 228

HSL 284.79, 0.73%, 0.61%

LAB 54.77, 64.91, -55.19

 

CMYK 0 / 48 / 64 / 11

HEX #E47752

RGB 228 119 82

HSL 15.21, 0.73%, 0.61%

LAB 61.91, 39.24, 39.2

 

Description

Color code: HEX #74E451 | qconv.com Color code: HEX #74E451 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 228 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 228 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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