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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74E4BD it is the complementary color #8B1B42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74E4BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74E4BD shade: #79E4B8, #8AF6CB, #9BFFDE, #ACFFF1 and #BDFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74E4BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74E4BD shade: #74E4BD, #63D2AA, #52C097, #41AE84 and #309C71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74E4BD shade: #72E3BB, #72E39D, #72E37F, #84E372 and #A2E372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74E4BD shade: #72E3BB, #72E3DA, #72CDE3, #72AFE3 and #7290E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74E4BD shade matches the following richer shades: #72E3BB, #64F0C0 and #57FEC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74E4BD shade: #72E3BB, #80D5B7, #8DC7B3, #9BBAAF and #A8ACAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74E4BD shade: #72E37F, #72E39D, #72E3BB, #72E3D9 and #72CEE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74E4BD shade: #2DD59B, #50DCAB, #72E3BB, #94EACC and #B7F0DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74E4BD shade: #74E4BD, #7283E3 and #E38E72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74E4BD shade: #74E4BD, #BB72E3 and #E3BB72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74E4BD shade: #74E4BD, #7283E3, #E37299 and #E3D272

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74E4BD shade: #74E4BD, #8372E3, #E37299 and #D2E372

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 17 / 11

HEX #74E4BD

RGB 116 228 189

HSL 159.11, 0.67%, 0.67%

LAB 83.38, -41.17, 9.25

 

Complementary color

CMYK 0 / 81 / 53 / 45

HEX #8B1B42

RGB 139 27 66

HSL 339.11, 0.67%, 0.33%

LAB 31.03, 48.26, 5.81

 

CMYK 47 / 0 / 19 / 11

HEX #79E4B8

RGB 121 228 184

HSL 155.33, 0.66%, 0.68%

LAB 83.45, -41.05, 12.01

 

CMYK 44 / 0 / 17 / 4

HEX #8AF6CB

RGB 138 246 203

HSL 156.11, 0.86%, 0.75%

LAB 89.69, -40.87, 11.06

 

CMYK 39 / 0 / 13 / 0

HEX #9BFFDE

RGB 155 255 222

HSL 160.2, 1%, 0.8%

LAB 93.35, -36.62, 6.58

 

CMYK 33 / 0 / 5 / 0

HEX #ACFFF1

RGB 172 255 241

HSL 169.88, 1%, 0.84%

LAB 94.59, -28.05, -1.33

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 49 / 0 / 17 / 11

HEX #74E4BD

RGB 116 228 189

HSL 159.11, 0.67%, 0.67%

LAB 83.38, -41.17, 9.25

 

CMYK 53 / 0 / 19 / 18

HEX #63D2AA

RGB 99 210 170

HSL 158.38, 0.55%, 0.61%

LAB 77.07, -41.26, 10.25

 

CMYK 57 / 0 / 21 / 25

HEX #52C097

RGB 82 192 151

HSL 157.64, 0.47%, 0.54%

LAB 70.68, -41.28, 11.33

 

CMYK 63 / 0 / 24 / 32

HEX #41AE84

RGB 65 174 132

HSL 156.88, 0.46%, 0.47%

LAB 64.21, -41.18, 12.52

 

CMYK 69 / 0 / 28 / 39

HEX #309C71

RGB 48 156 113

HSL 156.11, 0.53%, 0.4%

LAB 57.65, -40.89, 13.84

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 50 / 0 / 31 / 11

HEX #72E39D

RGB 114 227 157

HSL 142.83, 0.67%, 0.67%

LAB 82.35, -47.7, 24.53

 

CMYK 50 / 0 / 44 / 11

HEX #72E37F

RGB 114 227 127

HSL 126.9, 0.67%, 0.67%

LAB 81.86, -52.71, 39.09

 

CMYK 42 / 0 / 50 / 11

HEX #84E372

RGB 132 227 114

HSL 110.44, 0.67%, 0.67%

LAB 82.41, -49.42, 46.24

 

CMYK 29 / 0 / 50 / 11

HEX #A2E372

RGB 162 227 114

HSL 94.51, 0.67%, 0.67%

LAB 83.88, -39.65, 48.37

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 50 / 0 / 4 / 11

HEX #72E3DA

RGB 114 227 218

HSL 175.22, 0.67%, 0.67%

LAB 83.75, -34.37, -5.53

 

CMYK 50 / 10 / 0 / 11

HEX #72CDE3

RGB 114 205 227

HSL 191.68, 0.67%, 0.67%

LAB 77.75, -21.34, -19.3

 

CMYK 50 / 23 / 0 / 11

HEX #72AFE3

RGB 114 175 227

HSL 207.61, 0.67%, 0.67%

LAB 69.31, -5.52, -32.2

 

CMYK 50 / 37 / 0 / 11

HEX #7290E3

RGB 114 144 227

HSL 224.07, 0.67%, 0.67%

LAB 60.84, 12.13, -45.44

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 58 / 0 / 20 / 6

HEX #64F0C0

RGB 100 240 192

HSL 159.43, 0.82%, 0.67%

LAB 86.42, -49.11, 11.96

 

CMYK 66 / 0 / 23 / 0

HEX #57FEC4

RGB 87 254 196

HSL 159.16, 0.99%, 0.67%

LAB 90.27, -56.24, 15.29

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 40 / 0 / 14 / 16

HEX #80D5B7

RGB 128 213 183

HSL 158.82, 0.5%, 0.67%

LAB 79.38, -32.6, 6.78

 

CMYK 29 / 0 / 10 / 22

HEX #8DC7B3

RGB 141 199 179

HSL 159.31, 0.34%, 0.67%

LAB 75.92, -22.96, 4.02

 

CMYK 17 / 0 / 6 / 27

HEX #9BBAAF

RGB 155 186 175

HSL 158.71, 0.18%, 0.67%

LAB 73.01, -12.71, 2.07

 

CMYK 2 / 0 / 1 / 33

HEX #A8ACAB

RGB 168 172 171

HSL 165, 0.02%, 0.67%

LAB 70.01, -1.6, 0.01

 

CMYK 50 / 0 / 44 / 11

HEX #72E37F

RGB 114 227 127

HSL 126.9, 0.67%, 0.67%

LAB 81.86, -52.71, 39.09

 

CMYK 50 / 0 / 31 / 11

HEX #72E39D

RGB 114 227 157

HSL 142.83, 0.67%, 0.67%

LAB 82.35, -47.7, 24.53

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 50 / 0 / 4 / 11

HEX #72E3D9

RGB 114 227 217

HSL 174.69, 0.67%, 0.67%

LAB 83.72, -34.62, -5.04

 

CMYK 50 / 9 / 0 / 11

HEX #72CEE3

RGB 114 206 227

HSL 191.15, 0.67%, 0.67%

LAB 78.03, -21.84, -18.87

 

CMYK 79 / 0 / 27 / 16

HEX #2DD59B

RGB 45 213 155

HSL 159.29, 0.67%, 0.51%

LAB 76.38, -54.8, 17.08

 

CMYK 64 / 0 / 22 / 14

HEX #50DCAB

RGB 80 220 171

HSL 159, 0.67%, 0.59%

LAB 79.52, -49.11, 13.11

 

CMYK 50 / 0 / 18 / 11

HEX #72E3BB

RGB 114 227 187

HSL 158.76, 0.67%, 0.67%

LAB 82.97, -41.63, 9.72

 

CMYK 37 / 0 / 13 / 8

HEX #94EACC

RGB 148 234 204

HSL 159.07, 0.67%, 0.75%

LAB 86.75, -32.56, 6.39

 

CMYK 24 / 0 / 8 / 6

HEX #B7F0DC

RGB 183 240 220

HSL 158.95, 0.66%, 0.83%

LAB 90.58, -22.03, 3.79

 

CMYK 49 / 0 / 17 / 11

HEX #74E4BD

RGB 116 228 189

HSL 159.11, 0.67%, 0.67%

LAB 83.38, -41.17, 9.25

 

CMYK 50 / 42 / 0 / 11

HEX #7283E3

RGB 114 131 227

HSL 230.97, 0.67%, 0.67%

LAB 57.42, 19.83, -50.86

 

CMYK 0 / 37 / 50 / 11

HEX #E38E72

RGB 227 142 114

HSL 14.87, 0.67%, 0.67%

LAB 67.2, 29.32, 28.44

 

CMYK 49 / 0 / 17 / 11

HEX #74E4BD

RGB 116 228 189

HSL 159.11, 0.67%, 0.67%

LAB 83.38, -41.17, 9.25

 

CMYK 18 / 50 / 0 / 11

HEX #BB72E3

RGB 187 114 227

HSL 278.76, 0.67%, 0.67%

LAB 60.02, 48.19, -46.32

 

CMYK 0 / 18 / 50 / 11

HEX #E3BB72

RGB 227 187 114

HSL 38.76, 0.67%, 0.67%

LAB 77.93, 5.36, 42.14

 

CMYK 49 / 0 / 17 / 11

HEX #74E4BD

RGB 116 228 189

HSL 159.11, 0.67%, 0.67%

LAB 83.38, -41.17, 9.25

 

CMYK 50 / 42 / 0 / 11

HEX #7283E3

RGB 114 131 227

HSL 230.97, 0.67%, 0.67%

LAB 57.42, 19.83, -50.86

 

CMYK 0 / 50 / 33 / 11

HEX #E37299

RGB 227 114 153

HSL 339.29, 0.67%, 0.67%

LAB 62.22, 47.99, -0.51

 

CMYK 0 / 7 / 50 / 11

HEX #E3D272

RGB 227 210 114

HSL 50.97, 0.67%, 0.67%

LAB 83.78, -6.56, 49.3

 

CMYK 49 / 0 / 17 / 11

HEX #74E4BD

RGB 116 228 189

HSL 159.11, 0.67%, 0.67%

LAB 83.38, -41.17, 9.25

 

CMYK 42 / 50 / 0 / 11

HEX #8372E3

RGB 131 114 227

HSL 249.03, 0.67%, 0.67%

LAB 54.46, 33.86, -55.51

 

CMYK 0 / 50 / 33 / 11

HEX #E37299

RGB 227 114 153

HSL 339.29, 0.67%, 0.67%

LAB 62.22, 47.99, -0.51

 

CMYK 7 / 0 / 50 / 11

HEX #D2E372

RGB 210 227 114

HSL 69.03, 0.67%, 0.67%

LAB 86.93, -21.79, 52.75

 

Description

Color code: HEX #74E4BD | qconv.com Color code: HEX #74E4BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 228 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 228 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 17 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 17% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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