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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74F753 it is the complementary color #8B08AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74F753. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74F753 shade: #79F74E, #8AFF61, #9BFF74, #ACFF87 and #BDFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74F753. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74F753 shade: #74F753, #63E540, #52D32D, #41C11A and #30AF07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74F753 shade: #75F654, #A1F654, #CCF654, #F6F554 and #F6C954

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74F753 shade: #75F654, #54F65F, #54F68B, #54F6B7 and #54F6E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74F753 shade matches the following richer shades: #75F654

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74F753 shade: #75F654, #7DE862, #86DA71, #8FCB7F and #97BD8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74F753 shade: #CEF654, #A3F654, #77F654, #54F65C and #54F687

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74F753 shade: #38ED0B, #55F52D, #75F654, #95F87B and #B4FAA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74F753 shade: #74F753, #54F6F4 and #F654B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74F753 shade: #74F753, #5477F6 and #F65477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74F753 shade: #74F753, #54F6F4, #D354F6 and #F65457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74F753 shade: #74F753, #54C8F6, #D354F6 and #F68254

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 66 / 3

HEX #74F753

RGB 116 247 83

HSL 107.93, 0.91%, 0.65%

LAB 87.42, -64.85, 65.29

 

Complementary color

CMYK 19 / 95 / 0 / 33

HEX #8B08AC

RGB 139 8 172

HSL 287.93, 0.91%, 0.35%

LAB 35.28, 67.04, -54.51

 

CMYK 51 / 0 / 68 / 3

HEX #79F74E

RGB 121 247 78

HSL 104.73, 0.91%, 0.64%

LAB 87.55, -63.94, 67.37

 

CMYK 46 / 0 / 62 / 0

HEX #8AFF61

RGB 138 255 97

HSL 104.43, 1%, 0.69%

LAB 90.68, -60.57, 63.5

 

CMYK 39 / 0 / 55 / 0

HEX #9BFF74

RGB 155 255 116

HSL 103.17, 1%, 0.73%

LAB 91.57, -53.61, 56.56

 

CMYK 33 / 0 / 47 / 0

HEX #ACFF87

RGB 172 255 135

HSL 101.5, 1%, 0.76%

LAB 92.59, -46.06, 49.26

 

CMYK 26 / 0 / 40 / 0

HEX #BDFF9A

RGB 189 255 154

HSL 99.21, 1%, 0.8%

LAB 93.74, -38.05, 41.78

 

CMYK 53 / 0 / 66 / 3

HEX #74F753

RGB 116 247 83

HSL 107.93, 0.91%, 0.65%

LAB 87.42, -64.85, 65.29

 

CMYK 57 / 0 / 72 / 10

HEX #63E540

RGB 99 229 64

HSL 107.27, 0.76%, 0.57%

LAB 81.33, -64.26, 65.78

 

CMYK 61 / 0 / 79 / 17

HEX #52D32D

RGB 82 211 45

HSL 106.63, 0.65%, 0.5%

LAB 75.18, -63.35, 65.73

 

CMYK 66 / 0 / 87 / 24

HEX #41C11A

RGB 65 193 26

HSL 105.99, 0.76%, 0.43%

LAB 69, -62.01, 64.78

 

CMYK 73 / 0 / 96 / 31

HEX #30AF07

RGB 48 175 7

HSL 105.36, 0.92%, 0.36%

LAB 62.76, -60.08, 62.46

 

CMYK 52 / 0 / 66 / 4

HEX #75F654

RGB 117 246 84

HSL 107.78, 0.9%, 0.65%

LAB 87.16, -64.14, 64.64

 

CMYK 35 / 0 / 66 / 4

HEX #A1F654

RGB 161 246 84

HSL 91.48, 0.9%, 0.65%

LAB 88.98, -50.9, 67.13

 

CMYK 17 / 0 / 66 / 4

HEX #CCF654

RGB 204 246 84

HSL 75.56, 0.9%, 0.65%

LAB 91.41, -35.35, 70.42

 

CMYK 0 / 0 / 66 / 4

HEX #F6F554

RGB 246 245 84

HSL 59.63, 0.9%, 0.65%

LAB 94.11, -18.29, 74.13

 

CMYK 0 / 18 / 66 / 4

HEX #F6C954

RGB 246 201 84

HSL 43.33, 0.9%, 0.65%

LAB 82.92, 3.72, 62.5

 

CMYK 52 / 0 / 66 / 4

HEX #75F654

RGB 117 246 84

HSL 107.78, 0.9%, 0.65%

LAB 87.16, -64.14, 64.64

 

CMYK 66 / 0 / 61 / 4

HEX #54F65F

RGB 84 246 95

HSL 124.07, 0.9%, 0.65%

LAB 86.32, -70.5, 58.99

 

CMYK 66 / 0 / 43 / 4

HEX #54F68B

RGB 84 246 139

HSL 140.37, 0.9%, 0.65%

LAB 86.83, -64.61, 39.39

 

CMYK 66 / 0 / 26 / 4

HEX #54F6B7

RGB 84 246 183

HSL 156.67, 0.9%, 0.65%

LAB 87.59, -56.35, 18.2

 

CMYK 66 / 0 / 8 / 4

HEX #54F6E3

RGB 84 246 227

HSL 172.96, 0.9%, 0.65%

LAB 88.61, -46, -3.19

 

CMYK 52 / 0 / 66 / 4

HEX #75F654

RGB 117 246 84

HSL 107.78, 0.9%, 0.65%

LAB 87.16, -64.14, 64.64

 

CMYK 52 / 0 / 66 / 4

HEX #75F654

RGB 117 246 84

HSL 107.78, 0.9%, 0.65%

LAB 87.16, -64.14, 64.64

 

CMYK 46 / 0 / 58 / 9

HEX #7DE862

RGB 125 232 98

HSL 107.91, 0.74%, 0.65%

LAB 83.42, -55.34, 54.72

 

CMYK 39 / 0 / 48 / 15

HEX #86DA71

RGB 134 218 113

HSL 108, 0.59%, 0.65%

LAB 79.84, -45.15, 43.58

 

CMYK 30 / 0 / 37 / 20

HEX #8FCB7F

RGB 143 203 127

HSL 107.37, 0.42%, 0.65%

LAB 76.12, -33.59, 31.92

 

CMYK 20 / 0 / 25 / 26

HEX #97BD8E

RGB 151 189 142

HSL 108.51, 0.26%, 0.65%

LAB 72.84, -21.71, 19.69

 

CMYK 16 / 0 / 66 / 4

HEX #CEF654

RGB 206 246 84

HSL 74.81, 0.9%, 0.65%

LAB 91.54, -34.59, 70.59

 

CMYK 34 / 0 / 66 / 4

HEX #A3F654

RGB 163 246 84

HSL 90.74, 0.9%, 0.65%

LAB 89.08, -50.23, 67.26

 

CMYK 52 / 0 / 66 / 4

HEX #77F654

RGB 119 246 84

HSL 107.04, 0.9%, 0.65%

LAB 87.23, -63.62, 64.73

 

CMYK 66 / 0 / 63 / 4

HEX #54F65C

RGB 84 246 92

HSL 122.96, 0.9%, 0.65%

LAB 86.29, -70.82, 60.21

 

CMYK 66 / 0 / 45 / 4

HEX #54F687

RGB 84 246 135

HSL 138.89, 0.9%, 0.65%

LAB 86.77, -65.24, 41.26

 

CMYK 76 / 0 / 95 / 7

HEX #38ED0B

RGB 56 237 11

HSL 108.05, 0.91%, 0.49%

LAB 82.61, -77.3, 78.34

 

CMYK 65 / 0 / 82 / 4

HEX #55F52D

RGB 85 245 45

HSL 108, 0.91%, 0.57%

LAB 85.72, -73.78, 75.52

 

CMYK 52 / 0 / 66 / 4

HEX #75F654

RGB 117 246 84

HSL 107.78, 0.9%, 0.65%

LAB 87.16, -64.14, 64.64

 

CMYK 40 / 0 / 50 / 3

HEX #95F87B

RGB 149 248 123

HSL 107.52, 0.9%, 0.73%

LAB 89.37, -51.81, 50.68

 

CMYK 28 / 0 / 35 / 2

HEX #B4FAA3

RGB 180 250 163

HSL 108.28, 0.9%, 0.81%

LAB 92.01, -37.54, 34.97

 

CMYK 53 / 0 / 66 / 3

HEX #74F753

RGB 116 247 83

HSL 107.93, 0.91%, 0.65%

LAB 87.42, -64.85, 65.29

 

CMYK 66 / 0 / 1 / 4

HEX #54F6F4

RGB 84 246 244

HSL 179.26, 0.9%, 0.65%

LAB 89.08, -41.53, -11.37

 

CMYK 0 / 66 / 25 / 4

HEX #F654B8

RGB 246 84 184

HSL 322.96, 0.9%, 0.65%

LAB 61.13, 70.72, -19.65

 

CMYK 53 / 0 / 66 / 3

HEX #74F753

RGB 116 247 83

HSL 107.93, 0.91%, 0.65%

LAB 87.42, -64.85, 65.29

 

CMYK 66 / 52 / 0 / 4

HEX #5477F6

RGB 84 119 246

HSL 227.04, 0.9%, 0.65%

LAB 53.74, 27.62, -67.43

 

CMYK 0 / 66 / 52 / 4

HEX #F65477

RGB 246 84 119

HSL 347.04, 0.9%, 0.65%

LAB 59.22, 64.05, 15.3

 

CMYK 53 / 0 / 66 / 3

HEX #74F753

RGB 116 247 83

HSL 107.93, 0.91%, 0.65%

LAB 87.42, -64.85, 65.29

 

CMYK 66 / 0 / 1 / 4

HEX #54F6F4

RGB 84 246 244

HSL 179.26, 0.9%, 0.65%

LAB 89.08, -41.53, -11.37

 

CMYK 14 / 66 / 0 / 4

HEX #D354F6

RGB 211 84 246

HSL 287.04, 0.9%, 0.65%

LAB 58.83, 71.92, -58.62

 

CMYK 0 / 66 / 65 / 4

HEX #F65457

RGB 246 84 87

HSL 358.89, 0.9%, 0.65%

LAB 58.62, 61.88, 33.05

 

CMYK 53 / 0 / 66 / 3

HEX #74F753

RGB 116 247 83

HSL 107.93, 0.91%, 0.65%

LAB 87.42, -64.85, 65.29

 

CMYK 66 / 19 / 0 / 4

HEX #54C8F6

RGB 84 200 246

HSL 197.04, 0.9%, 0.65%

LAB 75.98, -18.82, -32.3

 

CMYK 14 / 66 / 0 / 4

HEX #D354F6

RGB 211 84 246

HSL 287.04, 0.9%, 0.65%

LAB 58.83, 71.92, -58.62

 

CMYK 0 / 47 / 66 / 4

HEX #F68254

RGB 246 130 84

HSL 17.04, 0.9%, 0.65%

LAB 66.67, 40.69, 44.39

 

Description

Color code: HEX #74F753 | qconv.com Color code: HEX #74F753 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 247 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 247 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 66 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 66% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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