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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74FC82 it is the complementary color #8B037D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74FC82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74FC82 shade: #79FC7D, #8AFF90, #9BFFA3, #ACFFB6 and #BDFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74FC82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74FC82 shade: #74FC82, #63EA6F, #52D85C, #41C649 and #30B436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74FC82 shade: #73FC81, #89FC73, #AEFC73, #D3FC73 and #F8FC73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74FC82 shade: #73FC81, #73FCA6, #73FCCB, #73FCF0 and #73E3FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74FC82 shade matches the following richer shades: #73FC81

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74FC82 shade: #73FC81, #7EF08A, #8AE593, #95D99C and #A1CDA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74FC82 shade: #AEFC73, #89FC73, #73FC80, #73FCA5 and #73FCC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74FC82 shade: #22FA38, #4AFB5C, #73FC81, #9BFCA5 and #C3FDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74FC82 shade: #74FC82, #73D3FC and #FC739C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74FC82 shade: #74FC82, #8073FC and #FC8073

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74FC82 shade: #74FC82, #73D3FC, #FC73EE and #FC9C73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74FC82 shade: #74FC82, #73A9FC, #FC73EE and #FCC573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 48 / 1

HEX #74FC82

RGB 116 252 130

HSL 126.18, 0.96%, 0.72%

LAB 89.37, -61.49, 47.11

 

Complementary color

CMYK 0 / 98 / 10 / 45

HEX #8B037D

RGB 139 3 125

HSL 306.18, 0.96%, 0.28%

LAB 31.89, 60.03, -31.13

 

CMYK 52 / 0 / 50 / 1

HEX #79FC7D

RGB 121 252 125

HSL 121.83, 0.96%, 0.73%

LAB 89.47, -60.93, 49.62

 

CMYK 46 / 0 / 44 / 0

HEX #8AFF90

RGB 138 255 144

HSL 123.08, 1%, 0.77%

LAB 91.21, -55.06, 42.9

 

CMYK 39 / 0 / 36 / 0

HEX #9BFFA3

RGB 155 255 163

HSL 124.8, 1%, 0.8%

LAB 92.19, -47.45, 35

 

CMYK 33 / 0 / 29 / 0

HEX #ACFFB6

RGB 172 255 182

HSL 127.23, 1%, 0.84%

LAB 93.31, -39.35, 27.1

 

CMYK 26 / 0 / 21 / 0

HEX #BDFFC9

RGB 189 255 201

HSL 130.91, 1%, 0.87%

LAB 94.55, -30.88, 19.3

 

CMYK 54 / 0 / 48 / 1

HEX #74FC82

RGB 116 252 130

HSL 126.18, 0.96%, 0.72%

LAB 89.37, -61.49, 47.11

 

CMYK 58 / 0 / 53 / 8

HEX #63EA6F

RGB 99 234 111

HSL 125.33, 0.76%, 0.65%

LAB 83.26, -61.31, 48.41

 

CMYK 62 / 0 / 57 / 15

HEX #52D85C

RGB 82 216 92

HSL 124.48, 0.63%, 0.58%

LAB 77.09, -60.93, 49.68

 

CMYK 67 / 0 / 63 / 22

HEX #41C649

RGB 65 198 73

HSL 123.61, 0.54%, 0.52%

LAB 70.87, -60.26, 50.87

 

CMYK 73 / 0 / 70 / 29

HEX #30B436

RGB 48 180 54

HSL 122.73, 0.58%, 0.45%

LAB 64.59, -59.16, 51.82

 

CMYK 54 / 0 / 49 / 1

HEX #73FC81

RGB 115 252 129

HSL 126.13, 0.96%, 0.72%

LAB 89.32, -61.86, 47.52

 

CMYK 46 / 0 / 54 / 1

HEX #89FC73

RGB 137 252 115

HSL 110.36, 0.96%, 0.72%

LAB 89.94, -57.86, 54.9

 

CMYK 31 / 0 / 54 / 1

HEX #AEFC73

RGB 174 252 115

HSL 94.16, 0.96%, 0.72%

LAB 91.62, -46.32, 57.3

 

CMYK 16 / 0 / 54 / 1

HEX #D3FC73

RGB 211 252 115

HSL 77.96, 0.96%, 0.72%

LAB 93.76, -33.1, 60.33

 

CMYK 2 / 0 / 54 / 1

HEX #F8FC73

RGB 248 252 115

HSL 61.75, 0.96%, 0.72%

LAB 96.33, -18.86, 63.96

 

CMYK 54 / 0 / 49 / 1

HEX #73FC81

RGB 115 252 129

HSL 126.13, 0.96%, 0.72%

LAB 89.32, -61.86, 47.52

 

CMYK 54 / 0 / 34 / 1

HEX #73FCA6

RGB 115 252 166

HSL 142.34, 0.96%, 0.72%

LAB 89.87, -56.06, 30.13

 

CMYK 54 / 0 / 19 / 1

HEX #73FCCB

RGB 115 252 203

HSL 158.54, 0.96%, 0.72%

LAB 90.59, -48.76, 12.23

 

CMYK 54 / 0 / 5 / 1

HEX #73FCF0

RGB 115 252 240

HSL 174.74, 0.96%, 0.72%

LAB 91.49, -40.16, -5.63

 

CMYK 54 / 10 / 0 / 1

HEX #73E3FC

RGB 115 227 252

HSL 190.95, 0.96%, 0.72%

LAB 84.8, -25.25, -21.91

 

CMYK 54 / 0 / 49 / 1

HEX #73FC81

RGB 115 252 129

HSL 126.13, 0.96%, 0.72%

LAB 89.32, -61.86, 47.52

 

CMYK 54 / 0 / 49 / 1

HEX #73FC81

RGB 115 252 129

HSL 126.13, 0.96%, 0.72%

LAB 89.32, -61.86, 47.52

 

CMYK 48 / 0 / 43 / 6

HEX #7EF08A

RGB 126 240 138

HSL 126.32, 0.79%, 0.72%

LAB 86.3, -53.14, 39.45

 

CMYK 40 / 0 / 36 / 10

HEX #8AE593

RGB 138 229 147

HSL 125.93, 0.64%, 0.72%

LAB 83.73, -43.77, 31.68

 

CMYK 31 / 0 / 28 / 15

HEX #95D99C

RGB 149 217 156

HSL 126.18, 0.47%, 0.72%

LAB 80.97, -33.52, 23.41

 

CMYK 21 / 0 / 20 / 20

HEX #A1CDA5

RGB 161 205 165

HSL 125.45, 0.31%, 0.72%

LAB 78.44, -22.26, 15.26

 

CMYK 31 / 0 / 54 / 1

HEX #AEFC73

RGB 174 252 115

HSL 94.16, 0.96%, 0.72%

LAB 91.62, -46.32, 57.3

 

CMYK 46 / 0 / 54 / 1

HEX #89FC73

RGB 137 252 115

HSL 110.36, 0.96%, 0.72%

LAB 89.94, -57.86, 54.9

 

CMYK 54 / 0 / 49 / 1

HEX #73FC80

RGB 115 252 128

HSL 125.69, 0.96%, 0.72%

LAB 89.31, -62, 47.98

 

CMYK 54 / 0 / 35 / 1

HEX #73FCA5

RGB 115 252 165

HSL 141.9, 0.96%, 0.72%

LAB 89.85, -56.23, 30.61

 

CMYK 54 / 0 / 20 / 1

HEX #73FCC9

RGB 115 252 201

HSL 157.66, 0.96%, 0.72%

LAB 90.54, -49.19, 13.2

 

CMYK 86 / 0 / 78 / 2

HEX #22FA38

RGB 34 250 56

HSL 126.11, 0.96%, 0.56%

LAB 86.5, -81.54, 73.01

 

CMYK 71 / 0 / 63 / 2

HEX #4AFB5C

RGB 74 251 92

HSL 126.1, 0.96%, 0.64%

LAB 87.59, -74.18, 61.6

 

CMYK 54 / 0 / 49 / 1

HEX #73FC81

RGB 115 252 129

HSL 126.13, 0.96%, 0.72%

LAB 89.32, -61.86, 47.52

 

CMYK 38 / 0 / 35 / 1

HEX #9BFCA5

RGB 155 252 165

HSL 126.19, 0.94%, 0.8%

LAB 91.37, -45.85, 32.91

 

CMYK 23 / 0 / 21 / 1

HEX #C3FDC9

RGB 195 253 201

HSL 126.21, 0.94%, 0.88%

LAB 94.34, -28.04, 19.06

 

CMYK 54 / 0 / 48 / 1

HEX #74FC82

RGB 116 252 130

HSL 126.18, 0.96%, 0.72%

LAB 89.37, -61.49, 47.11

 

CMYK 54 / 16 / 0 / 1

HEX #73D3FC

RGB 115 211 252

HSL 197.96, 0.96%, 0.72%

LAB 80.33, -17.21, -28.73

 

CMYK 0 / 54 / 38 / 1

HEX #FC739C

RGB 252 115 156

HSL 342.04, 0.96%, 0.72%

LAB 66.03, 56.1, 3.74

 

CMYK 54 / 0 / 48 / 1

HEX #74FC82

RGB 116 252 130

HSL 126.18, 0.96%, 0.72%

LAB 89.37, -61.49, 47.11

 

CMYK 49 / 54 / 0 / 1

HEX #8073FC

RGB 128 115 252

HSL 245.69, 0.96%, 0.72%

LAB 55.97, 39.81, -67.02

 

CMYK 0 / 49 / 54 / 1

HEX #FC8073

RGB 252 128 115

HSL 5.69, 0.96%, 0.72%

LAB 67.55, 46.04, 28.97

 

CMYK 54 / 0 / 48 / 1

HEX #74FC82

RGB 116 252 130

HSL 126.18, 0.96%, 0.72%

LAB 89.37, -61.49, 47.11

 

CMYK 54 / 16 / 0 / 1

HEX #73D3FC

RGB 115 211 252

HSL 197.96, 0.96%, 0.72%

LAB 80.33, -17.21, -28.73

 

CMYK 0 / 54 / 6 / 1

HEX #FC73EE

RGB 252 115 238

HSL 306.13, 0.96%, 0.72%

LAB 68.85, 67.24, -38.01

 

CMYK 0 / 38 / 54 / 1

HEX #FC9C73

RGB 252 156 115

HSL 17.96, 0.96%, 0.72%

LAB 73.36, 31.82, 36.46

 

CMYK 54 / 0 / 48 / 1

HEX #74FC82

RGB 116 252 130

HSL 126.18, 0.96%, 0.72%

LAB 89.37, -61.49, 47.11

 

CMYK 54 / 33 / 0 / 1

HEX #73A9FC

RGB 115 169 252

HSL 216.35, 0.96%, 0.72%

LAB 68.79, 5.54, -46.65

 

CMYK 0 / 54 / 6 / 1

HEX #FC73EE

RGB 252 115 238

HSL 306.13, 0.96%, 0.72%

LAB 68.85, 67.24, -38.01

 

CMYK 0 / 22 / 54 / 1

HEX #FCC573

RGB 252 197 115

HSL 35.91, 0.96%, 0.72%

LAB 82.84, 10.38, 48.23

 

Description

Color code: HEX #74FC82 | qconv.com Color code: HEX #74FC82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 252 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 252 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 48 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 48% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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