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Color name
HEX #74FF2E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74FF2E it is the complementary color #8B00D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74FF2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74FF2E shade: #79FF29, #8AFF3C, #9BFF4F, #ACFF62 and #BDFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74FF2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74FF2E shade: #74FF2E, #63ED1B, #52DB08, #41C900 and #30B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74FF2E shade: #73FF2D, #ACFF2D, #E4FF2D, #FFE02D and #FFA82D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74FF2E shade: #73FF2D, #3BFF2D, #2DFF58, #2DFF91 and #2DFFC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74FF2E shade matches the following richer shades: #73FF2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74FF2E shade: #73FF2D, #79EE3E, #7FDD4F, #84CC60 and #8ABB71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74FF2E shade: #E6FF2D, #AEFF2D, #77FF2D, #3FFF2D and #2DFF54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74FF2E shade: #49DA00, #58FF04, #73FF2D, #8FFF57 and #AAFF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74FF2E shade: #74FF2E, #2DFFDF and #FF2DCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74FF2E shade: #74FF2E, #2D77FF and #FF2D77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74FF2E shade: #74FF2E, #2DFFDF, #B52DFF and #FF2D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74FF2E shade: #74FF2E, #2DDFFF, #B52DFF and #FF4D2D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 82 / 0

HEX #74FF2E

RGB 116 255 46

HSL 99.9, 1%, 0.59%

LAB 89.59, -69.96, 79.1

 

Complementary color

CMYK 33 / 100 / 0 / 18

HEX #8B00D1

RGB 139 0 209

HSL 279.9, 1%, 0.41%

LAB 38.01, 74.93, -71.85

 

CMYK 53 / 0 / 84 / 0

HEX #79FF29

RGB 121 255 41

HSL 97.57, 1%, 0.58%

LAB 89.74, -68.86, 80.42

 

CMYK 46 / 0 / 76 / 0

HEX #8AFF3C

RGB 138 255 60

HSL 96, 1%, 0.62%

LAB 90.44, -63.23, 76.44

 

CMYK 39 / 0 / 69 / 0

HEX #9BFF4F

RGB 155 255 79

HSL 94.09, 1%, 0.65%

LAB 91.26, -56.85, 71.27

 

CMYK 33 / 0 / 62 / 0

HEX #ACFF62

RGB 172 255 98

HSL 91.72, 1%, 0.69%

LAB 92.21, -49.81, 65.21

 

CMYK 26 / 0 / 54 / 0

HEX #BDFF75

RGB 189 255 117

HSL 88.7, 1%, 0.73%

LAB 93.29, -42.25, 58.56

 

CMYK 55 / 0 / 82 / 0

HEX #74FF2E

RGB 116 255 46

HSL 99.9, 1%, 0.59%

LAB 89.59, -69.96, 79.1

 

CMYK 58 / 0 / 89 / 7

HEX #63ED1B

RGB 99 237 27

HSL 99.43, 0.85%, 0.52%

LAB 83.6, -68.8, 77.52

 

CMYK 63 / 0 / 96 / 14

HEX #52DB08

RGB 82 219 8

HSL 98.96, 0.93%, 0.45%

LAB 77.56, -67.25, 74.72

 

CMYK 68 / 0 / 100 / 21

HEX #41C900

RGB 65 201 0

HSL 100.6, 1%, 0.39%

LAB 71.49, -65.21, 70.47

 

CMYK 74 / 0 / 100 / 28

HEX #30B700

RGB 48 183 0

HSL 104.26, 1%, 0.36%

LAB 65.35, -62.72, 65.44

 

CMYK 55 / 0 / 82 / 0

HEX #73FF2D

RGB 115 255 45

HSL 100, 1%, 0.59%

LAB 89.56, -70.26, 79.29

 

CMYK 33 / 0 / 82 / 0

HEX #ACFF2D

RGB 172 255 45

HSL 83.71, 1%, 0.59%

LAB 91.9, -52.9, 82.26

 

CMYK 11 / 0 / 82 / 0

HEX #E4FF2D

RGB 228 255 45

HSL 67.71, 1%, 0.59%

LAB 95.25, -31.82, 86.46

 

CMYK 0 / 12 / 82 / 0

HEX #FFE02D

RGB 255 224 45

HSL 51.14, 1%, 0.59%

LAB 89.28, -5.8, 82.26

 

CMYK 0 / 34 / 82 / 0

HEX #FFA82D

RGB 255 168 45

HSL 35.14, 1%, 0.59%

LAB 75.73, 23.06, 70.74

 

CMYK 55 / 0 / 82 / 0

HEX #73FF2D

RGB 115 255 45

HSL 100, 1%, 0.59%

LAB 89.56, -70.26, 79.29

 

CMYK 77 / 0 / 82 / 0

HEX #3BFF2D

RGB 59 255 45

HSL 116, 1%, 0.59%

LAB 88.28, -81, 77.66

 

CMYK 82 / 0 / 65 / 0

HEX #2DFF58

RGB 45 255 88

HSL 132.29, 1%, 0.59%

LAB 88.34, -79.48, 63.9

 

CMYK 82 / 0 / 43 / 0

HEX #2DFF91

RGB 45 255 145

HSL 148.57, 1%, 0.59%

LAB 88.98, -71.8, 39.11

 

CMYK 82 / 0 / 21 / 0

HEX #2DFFC9

RGB 45 255 201

HSL 164.57, 1%, 0.59%

LAB 90, -60.42, 12.23

 

CMYK 55 / 0 / 82 / 0

HEX #73FF2D

RGB 115 255 45

HSL 100, 1%, 0.59%

LAB 89.56, -70.26, 79.29

 

CMYK 55 / 0 / 82 / 0

HEX #73FF2D

RGB 115 255 45

HSL 100, 1%, 0.59%

LAB 89.56, -70.26, 79.29

 

CMYK 49 / 0 / 74 / 7

HEX #79EE3E

RGB 121 238 62

HSL 99.89, 0.84%, 0.59%

LAB 84.77, -61.78, 70.13

 

CMYK 43 / 0 / 64 / 13

HEX #7FDD4F

RGB 127 221 79

HSL 99.72, 0.68%, 0.59%

LAB 80.06, -52.23, 59.08

 

CMYK 35 / 0 / 53 / 20

HEX #84CC60

RGB 132 204 96

HSL 100, 0.51%, 0.59%

LAB 75.41, -41.81, 46.31

 

CMYK 26 / 0 / 40 / 27

HEX #8ABB71

RGB 138 187 113

HSL 99.73, 0.35%, 0.59%

LAB 70.96, -29.82, 32.38

 

CMYK 10 / 0 / 82 / 0

HEX #E6FF2D

RGB 230 255 45

HSL 67.14, 1%, 0.59%

LAB 95.38, -31.02, 86.63

 

CMYK 32 / 0 / 82 / 0

HEX #AEFF2D

RGB 174 255 45

HSL 83.14, 1%, 0.59%

LAB 92, -52.2, 82.39

 

CMYK 53 / 0 / 82 / 0

HEX #77FF2D

RGB 119 255 45

HSL 98.86, 1%, 0.59%

LAB 89.69, -69.23, 79.46

 

CMYK 75 / 0 / 82 / 0

HEX #3FFF2D

RGB 63 255 45

HSL 114.86, 1%, 0.59%

LAB 88.34, -80.47, 77.73

 

CMYK 82 / 0 / 67 / 0

HEX #2DFF54

RGB 45 255 84

HSL 131.14, 1%, 0.59%

LAB 88.31, -79.86, 65.41

 

CMYK 67 / 0 / 100 / 15

HEX #49DA00

RGB 73 218 0

HSL 99.91, 1%, 0.43%

LAB 77.02, -68.96, 74.94

 

CMYK 65 / 0 / 98 / 0

HEX #58FF04

RGB 88 255 4

HSL 99.92, 1%, 0.51%

LAB 88.73, -77.35, 84.1

 

CMYK 55 / 0 / 82 / 0

HEX #73FF2D

RGB 115 255 45

HSL 100, 1%, 0.59%

LAB 89.56, -70.26, 79.29

 

CMYK 44 / 0 / 66 / 0

HEX #8FFF57

RGB 143 255 87

HSL 100, 1%, 0.67%

LAB 90.8, -59.96, 67.66

 

CMYK 33 / 0 / 50 / 0

HEX #AAFF80

RGB 170 255 128

HSL 100.16, 1%, 0.75%

LAB 92.41, -47.53, 52.28

 

CMYK 55 / 0 / 82 / 0

HEX #74FF2E

RGB 116 255 46

HSL 99.9, 1%, 0.59%

LAB 89.59, -69.96, 79.1

 

CMYK 82 / 0 / 13 / 0

HEX #2DFFDF

RGB 45 255 223

HSL 170.86, 1%, 0.59%

LAB 90.51, -55.02, 1.59

 

CMYK 0 / 82 / 21 / 0

HEX #FF2DCA

RGB 255 45 202

HSL 315.14, 1%, 0.59%

LAB 59.34, 86.37, -32.58

 

CMYK 55 / 0 / 82 / 0

HEX #74FF2E

RGB 116 255 46

HSL 99.9, 1%, 0.59%

LAB 89.59, -69.96, 79.1

 

CMYK 82 / 53 / 0 / 0

HEX #2D77FF

RGB 45 119 255

HSL 218.86, 1%, 0.59%

LAB 52.92, 26.38, -73.82

 

CMYK 0 / 82 / 53 / 0

HEX #FF2D77

RGB 255 45 119

HSL 338.86, 1%, 0.59%

LAB 56.55, 78.43, 11.83

 

CMYK 55 / 0 / 82 / 0

HEX #74FF2E

RGB 116 255 46

HSL 99.9, 1%, 0.59%

LAB 89.59, -69.96, 79.1

 

CMYK 82 / 0 / 13 / 0

HEX #2DFFDF

RGB 45 255 223

HSL 170.86, 1%, 0.59%

LAB 90.51, -55.02, 1.59

 

CMYK 29 / 82 / 0 / 0

HEX #B52DFF

RGB 181 45 255

HSL 278.86, 1%, 0.59%

LAB 50.59, 81.44, -77.13

 

CMYK 0 / 82 / 70 / 0

HEX #FF2D4D

RGB 255 45 77

HSL 350.86, 1%, 0.59%

LAB 55.76, 76.07, 35.65

 

CMYK 55 / 0 / 82 / 0

HEX #74FF2E

RGB 116 255 46

HSL 99.9, 1%, 0.59%

LAB 89.59, -69.96, 79.1

 

CMYK 82 / 13 / 0 / 0

HEX #2DDFFF

RGB 45 223 255

HSL 189.14, 1%, 0.59%

LAB 82.14, -31.82, -27.7

 

CMYK 29 / 82 / 0 / 0

HEX #B52DFF

RGB 181 45 255

HSL 278.86, 1%, 0.59%

LAB 50.59, 81.44, -77.13

 

CMYK 0 / 70 / 82 / 0

HEX #FF4D2D

RGB 255 77 45

HSL 9.14, 1%, 0.59%

LAB 58.75, 65.67, 55.81

 

Description

Color code: HEX #74FF2E | qconv.com Color code: HEX #74FF2E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 255 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 255 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 82 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 82% 0% C M Y K

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