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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7507D9 it is the complementary color #8AF826. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7507D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7507D9 shade: #7A07D4, #8B19E7, #9C2BFA, #AD3DFF and #BE4FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7507D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7507D9 shade: #7507D9, #6400C6, #5300B3, #4200A0 and #31008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7507D9 shade: #7506D9, #AE06D9, #D906CC, #D90693 and #D9065A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7507D9 shade: #7506D9, #3C06D9 and #0606D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7507D9 shade matches the following richer shades: #7506D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7507D9 shade: #7506D9, #7418C7, #732BB5, #723DA3 and #714F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7507D9 shade: #060AD9, #3B06D9, #7306D9, #AB06D9 and #D906CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7507D9 shade: #4A0489, #5F05B1, #7506D9, #8A11F7 and #9E3AF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7507D9 shade: #7507D9, #D90642 and #06D91F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7507D9 shade: #7507D9, #D97306 and #06D973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7507D9 shade: #7507D9, #D90642, #6CD906 and #06D99D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7507D9 shade: #7507D9, #D90A06, #6CD906 and #06D6D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 97 / 0 / 15

HEX #7507D9

RGB 117 7 217

HSL 271.43, 0.94%, 0.44%

LAB 35.88, 73.48, -80.09

 

Complementary color

CMYK 44 / 0 / 85 / 3

HEX #8AF826

RGB 138 248 38

HSL 91.43, 0.94%, 0.56%

LAB 88.29, -61.59, 80.03

 

CMYK 42 / 97 / 0 / 17

HEX #7A07D4

RGB 122 7 212

HSL 273.66, 0.94%, 0.43%

LAB 36.07, 72.9, -76.87

 

CMYK 40 / 89 / 0 / 9

HEX #8B19E7

RGB 139 25 231

HSL 273.2, 0.81%, 0.5%

LAB 41.14, 75.83, -79.33

 

CMYK 38 / 83 / 0 / 2

HEX #9C2BFA

RGB 156 43 250

HSL 272.75, 0.95%, 0.57%

LAB 46.58, 77.49, -81.05

 

CMYK 32 / 76 / 0 / 0

HEX #AD3DFF

RGB 173 61 255

HSL 274.64, 1%, 0.62%

LAB 51.2, 75.27, -76.19

 

CMYK 25 / 69 / 0 / 0

HEX #BE4FFF

RGB 190 79 255

HSL 277.84, 1%, 0.65%

LAB 55.85, 71.4, -68.55

 

CMYK 46 / 97 / 0 / 15

HEX #7507D9

RGB 117 7 217

HSL 271.43, 0.94%, 0.44%

LAB 35.88, 73.48, -80.09

 

CMYK 49 / 100 / 0 / 22

HEX #6400C6

RGB 100 0 198

HSL 270.3, 1%, 0.39%

LAB 31.32, 68.92, -76.65

 

CMYK 54 / 100 / 0 / 30

HEX #5300B3

RGB 83 0 179

HSL 267.82, 1%, 0.35%

LAB 27, 63.41, -72.61

 

CMYK 59 / 100 / 0 / 37

HEX #4200A0

RGB 66 0 160

HSL 264.75, 1%, 0.31%

LAB 22.64, 57.84, -68.42

 

CMYK 65 / 100 / 0 / 45

HEX #31008D

RGB 49 0 141

HSL 260.85, 1%, 0.28%

LAB 18.26, 52.24, -64.01

 

CMYK 46 / 97 / 0 / 15

HEX #7506D9

RGB 117 6 217

HSL 271.56, 0.95%, 0.44%

LAB 35.83, 73.61, -80.16

 

CMYK 20 / 97 / 0 / 15

HEX #AE06D9

RGB 174 6 217

HSL 287.77, 0.95%, 0.44%

LAB 44.43, 80.12, -65.74

 

CMYK 0 / 97 / 6 / 15

HEX #D906CC

RGB 217 6 204

HSL 303.7, 0.95%, 0.44%

LAB 50.97, 84.72, -47.36

 

CMYK 0 / 97 / 32 / 15

HEX #D90693

RGB 217 6 147

HSL 319.91, 0.95%, 0.44%

LAB 48.25, 77.83, -18.05

 

CMYK 0 / 97 / 59 / 15

HEX #D9065A

RGB 217 6 90

HSL 336.11, 0.95%, 0.44%

LAB 46.47, 73.13, 14.34

 

CMYK 46 / 97 / 0 / 15

HEX #7506D9

RGB 117 6 217

HSL 271.56, 0.95%, 0.44%

LAB 35.83, 73.61, -80.16

 

CMYK 72 / 97 / 0 / 15

HEX #3C06D9

RGB 60 6 217

HSL 255.36, 0.95%, 0.44%

LAB 29.67, 70.04, -90.58

 

CMYK 97 / 97 / 0 / 15

HEX #0606D9

RGB 6 6 217

HSL 240, 0.95%, 0.44%

LAB 27.24, 69.01, -94.69

 

CMYK 46 / 97 / 0 / 15

HEX #7506D9

RGB 117 6 217

HSL 271.56, 0.95%, 0.44%

LAB 35.83, 73.61, -80.16

 

CMYK 46 / 97 / 0 / 15

HEX #7506D9

RGB 117 6 217

HSL 271.56, 0.95%, 0.44%

LAB 35.83, 73.61, -80.16

 

CMYK 42 / 88 / 0 / 22

HEX #7418C7

RGB 116 24 199

HSL 271.54, 0.78%, 0.44%

LAB 34.98, 66.51, -71.12

 

CMYK 36 / 76 / 0 / 29

HEX #732BB5

RGB 115 43 181

HSL 271.3, 0.62%, 0.44%

LAB 35.42, 56.02, -59.81

 

CMYK 30 / 63 / 0 / 36

HEX #723DA3

RGB 114 61 163

HSL 271.18, 0.46%, 0.44%

LAB 37.04, 42.89, -46.46

 

CMYK 22 / 46 / 0 / 43

HEX #714F91

RGB 113 79 145

HSL 270.91, 0.29%, 0.44%

LAB 39.83, 27.86, -31.18

 

CMYK 97 / 95 / 0 / 15

HEX #060AD9

RGB 6 10 217

HSL 238.86, 0.95%, 0.44%

LAB 27.48, 68.27, -94.29

 

CMYK 73 / 97 / 0 / 15

HEX #3B06D9

RGB 59 6 217

HSL 255.07, 0.95%, 0.44%

LAB 29.59, 70.01, -90.71

 

CMYK 47 / 97 / 0 / 15

HEX #7306D9

RGB 115 6 217

HSL 271, 0.95%, 0.44%

LAB 35.57, 73.43, -80.61

 

CMYK 21 / 97 / 0 / 15

HEX #AB06D9

RGB 171 6 217

HSL 286.92, 0.95%, 0.44%

LAB 43.94, 79.72, -66.56

 

CMYK 0 / 97 / 5 / 15

HEX #D906CF

RGB 217 6 207

HSL 302.84, 0.95%, 0.44%

LAB 51.14, 85.13, -48.82

 

CMYK 46 / 97 / 0 / 46

HEX #4A0489

RGB 74 4 137

HSL 271.58, 0.94%, 0.28%

LAB 21.39, 52.17, -56.22

 

CMYK 46 / 97 / 0 / 31

HEX #5F05B1

RGB 95 5 177

HSL 271.4, 0.95%, 0.36%

LAB 28.68, 63.08, -68.58

 

CMYK 46 / 97 / 0 / 15

HEX #7506D9

RGB 117 6 217

HSL 271.56, 0.95%, 0.44%

LAB 35.83, 73.61, -80.16

 

CMYK 44 / 93 / 0 / 3

HEX #8A11F7

RGB 138 17 247

HSL 271.57, 0.93%, 0.52%

LAB 42.03, 80.45, -86.92

 

CMYK 36 / 77 / 0 / 3

HEX #9E3AF8

RGB 158 58 248

HSL 271.58, 0.93%, 0.6%

LAB 48.35, 72.47, -77.01

 

CMYK 46 / 97 / 0 / 15

HEX #7507D9

RGB 117 7 217

HSL 271.43, 0.94%, 0.44%

LAB 35.88, 73.48, -80.09

 

CMYK 0 / 97 / 70 / 15

HEX #D90642

RGB 217 6 66

HSL 342.94, 0.95%, 0.44%

LAB 46.01, 71.88, 28.59

 

CMYK 97 / 0 / 86 / 15

HEX #06D91F

RGB 6 217 31

HSL 127.11, 0.95%, 0.44%

LAB 75.92, -75.29, 69.55

 

CMYK 46 / 97 / 0 / 15

HEX #7507D9

RGB 117 7 217

HSL 271.43, 0.94%, 0.44%

LAB 35.88, 73.48, -80.09

 

CMYK 0 / 47 / 97 / 15

HEX #D97306

RGB 217 115 6

HSL 31, 0.95%, 0.44%

LAB 59, 34.36, 65.38

 

CMYK 97 / 0 / 47 / 15

HEX #06D973

RGB 6 217 115

HSL 151, 0.95%, 0.44%

LAB 76.62, -66.6, 37.93

 

CMYK 46 / 97 / 0 / 15

HEX #7507D9

RGB 117 7 217

HSL 271.43, 0.94%, 0.44%

LAB 35.88, 73.48, -80.09

 

CMYK 0 / 97 / 70 / 15

HEX #D90642

RGB 217 6 66

HSL 342.94, 0.95%, 0.44%

LAB 46.01, 71.88, 28.59

 

CMYK 50 / 0 / 97 / 15

HEX #6CD906

RGB 108 217 6

HSL 91, 0.95%, 0.44%

LAB 77.77, -59.91, 75.42

 

CMYK 97 / 0 / 28 / 15

HEX #06D99D

RGB 6 217 157

HSL 162.94, 0.95%, 0.44%

LAB 77.34, -58.25, 17.31

 

CMYK 46 / 97 / 0 / 15

HEX #7507D9

RGB 117 7 217

HSL 271.43, 0.94%, 0.44%

LAB 35.88, 73.48, -80.09

 

CMYK 0 / 95 / 97 / 15

HEX #D90A06

RGB 217 10 6

HSL 1.14, 0.95%, 0.44%

LAB 45.61, 70.1, 57.77

 

CMYK 50 / 0 / 97 / 15

HEX #6CD906

RGB 108 217 6

HSL 91, 0.95%, 0.44%

LAB 77.77, -59.91, 75.42

 

CMYK 97 / 1 / 0 / 15

HEX #06D6D9

RGB 6 214 217

HSL 180.85, 0.95%, 0.44%

LAB 77.96, -41.08, -13.82

 

Description

Color code: HEX #7507D9 | qconv.com Color code: HEX #7507D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 7 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 7 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 97 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 97% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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