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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7502EE it is the complementary color #8AFD11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7502EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7502EE shade: #7A02E9, #8B14FC, #9C26FF, #AD38FF and #BE4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7502EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7502EE shade: #7502EE, #6400DB, #5300C8, #4200B5 and #3100A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7502EE shade: #7402ED, #B402ED, #ED02E7, #ED02A7 and #ED0268

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7502EE shade: #7402ED, #3502ED and #0202ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7502EE shade matches the following richer shades: #7402ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7502EE shade: #7402ED, #7515D9, #7529C6, #763CB3 and #764F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7502EE shade: #020EED, #3502ED, #7302ED, #B202ED and #ED02E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7502EE shade: #4C019B, #6001C4, #7402ED, #891CFC and #9E45FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7502EE shade: #7502EE, #ED024C and #02ED15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7502EE shade: #7502EE, #ED7302 and #02ED73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7502EE shade: #7502EE, #ED024C, #7BED02 and #02EDA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7502EE shade: #7502EE, #ED0206, #7BED02 and #02EDE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 99 / 0 / 7

HEX #7502EE

RGB 117 2 238

HSL 269.24, 0.98%, 0.47%

LAB 37.84, 78.56, -88.85

 

Complementary color

CMYK 45 / 0 / 93 / 1

HEX #8AFD11

RGB 138 253 17

HSL 89.24, 0.98%, 0.53%

LAB 89.72, -63.95, 84.47

 

CMYK 48 / 99 / 0 / 9

HEX #7A02E9

RGB 122 2 233

HSL 271.17, 0.98%, 0.46%

LAB 37.96, 77.9, -85.8

 

CMYK 45 / 92 / 0 / 1

HEX #8B14FC

RGB 139 20 252

HSL 270.78, 0.97%, 0.53%

LAB 42.79, 81.13, -88.47

 

CMYK 39 / 85 / 0 / 0

HEX #9C26FF

RGB 156 38 255

HSL 272.63, 1%, 0.57%

LAB 46.54, 79.88, -83.89

 

CMYK 32 / 78 / 0 / 0

HEX #AD38FF

RGB 173 56 255

HSL 275.28, 1%, 0.61%

LAB 50.61, 76.98, -77.16

 

CMYK 25 / 71 / 0 / 0

HEX #BE4AFF

RGB 190 74 255

HSL 278.45, 1%, 0.65%

LAB 55.14, 73.4, -69.7

 

CMYK 51 / 99 / 0 / 7

HEX #7502EE

RGB 117 2 238

HSL 269.24, 0.98%, 0.47%

LAB 37.84, 78.56, -88.85

 

CMYK 54 / 100 / 0 / 14

HEX #6400DB

RGB 100 0 219

HSL 267.4, 1%, 0.43%

LAB 33.61, 73.5, -85.06

 

CMYK 59 / 100 / 0 / 22

HEX #5300C8

RGB 83 0 200

HSL 264.9, 1%, 0.39%

LAB 29.44, 68.17, -81.01

 

CMYK 64 / 100 / 0 / 29

HEX #4200B5

RGB 66 0 181

HSL 261.88, 1%, 0.35%

LAB 25.24, 62.8, -76.78

 

CMYK 70 / 100 / 0 / 36

HEX #3100A2

RGB 49 0 162

HSL 258.15, 1%, 0.32%

LAB 21.06, 57.42, -72.32

 

CMYK 51 / 99 / 0 / 7

HEX #7402ED

RGB 116 2 237

HSL 269.11, 0.98%, 0.47%

LAB 37.61, 78.27, -88.67

 

CMYK 24 / 99 / 0 / 7

HEX #B402ED

RGB 180 2 237

HSL 285.45, 0.98%, 0.47%

LAB 46.79, 84.73, -73.24

 

CMYK 0 / 99 / 3 / 7

HEX #ED02E7

RGB 237 2 231

HSL 301.53, 0.98%, 0.47%

LAB 55.9, 91.99, -54.67

 

CMYK 0 / 99 / 30 / 7

HEX #ED02A7

RGB 237 2 167

HSL 317.87, 0.98%, 0.47%

LAB 52.77, 84.17, -22.7

 

CMYK 0 / 99 / 56 / 7

HEX #ED0268

RGB 237 2 104

HSL 333.96, 0.98%, 0.47%

LAB 50.74, 78.86, 12.24

 

CMYK 51 / 99 / 0 / 7

HEX #7402ED

RGB 116 2 237

HSL 269.11, 0.98%, 0.47%

LAB 37.61, 78.27, -88.67

 

CMYK 78 / 99 / 0 / 7

HEX #3502ED

RGB 53 2 237

HSL 253.02, 0.98%, 0.47%

LAB 31.61, 75.25, -98.81

 

CMYK 99 / 99 / 0 / 7

HEX #0202ED

RGB 2 2 237

HSL 240, 0.98%, 0.47%

LAB 29.84, 74.6, -101.82

 

CMYK 51 / 99 / 0 / 7

HEX #7402ED

RGB 116 2 237

HSL 269.11, 0.98%, 0.47%

LAB 37.61, 78.27, -88.67

 

CMYK 51 / 99 / 0 / 7

HEX #7402ED

RGB 116 2 237

HSL 269.11, 0.98%, 0.47%

LAB 37.61, 78.27, -88.67

 

CMYK 46 / 90 / 0 / 15

HEX #7515D9

RGB 117 21 217

HSL 269.39, 0.82%, 0.47%

LAB 36.61, 71.27, -78.89

 

CMYK 41 / 79 / 0 / 22

HEX #7529C6

RGB 117 41 198

HSL 269.04, 0.66%, 0.47%

LAB 36.83, 61.13, -67.5

 

CMYK 34 / 66 / 0 / 30

HEX #763CB3

RGB 118 60 179

HSL 269.24, 0.5%, 0.47%

LAB 38.44, 48.28, -53.7

 

CMYK 26 / 50 / 0 / 38

HEX #764F9F

RGB 118 79 159

HSL 269.25, 0.34%, 0.47%

LAB 41.13, 32.81, -37.5

 

CMYK 99 / 94 / 0 / 7

HEX #020EED

RGB 2 14 237

HSL 236.94, 0.98%, 0.47%

LAB 30.5, 72.55, -100.71

 

CMYK 78 / 99 / 0 / 7

HEX #3502ED

RGB 53 2 237

HSL 253.02, 0.98%, 0.47%

LAB 31.61, 75.25, -98.81

 

CMYK 51 / 99 / 0 / 7

HEX #7302ED

RGB 115 2 237

HSL 268.85, 0.98%, 0.47%

LAB 37.49, 78.2, -88.88

 

CMYK 25 / 99 / 0 / 7

HEX #B202ED

RGB 178 2 237

HSL 284.94, 0.98%, 0.47%

LAB 46.48, 84.48, -73.77

 

CMYK 0 / 99 / 2 / 7

HEX #ED02E9

RGB 237 2 233

HSL 301.02, 0.98%, 0.47%

LAB 56.02, 92.27, -55.62

 

CMYK 51 / 99 / 0 / 39

HEX #4C019B

RGB 76 1 155

HSL 269.22, 0.99%, 0.31%

LAB 23.42, 57.2, -64.03

 

CMYK 51 / 99 / 0 / 23

HEX #6001C4

RGB 96 1 196

HSL 269.23, 0.99%, 0.39%

LAB 30.63, 68.01, -76.64

 

CMYK 51 / 99 / 0 / 7

HEX #7402ED

RGB 116 2 237

HSL 269.11, 0.98%, 0.47%

LAB 37.61, 78.27, -88.67

 

CMYK 46 / 89 / 0 / 1

HEX #891CFC

RGB 137 28 252

HSL 269.2, 0.97%, 0.55%

LAB 43.03, 79.45, -88.09

 

CMYK 38 / 73 / 0 / 1

HEX #9E45FD

RGB 158 69 253

HSL 269.02, 0.98%, 0.63%

LAB 50.24, 69.29, -76.73

 

CMYK 51 / 99 / 0 / 7

HEX #7502EE

RGB 117 2 238

HSL 269.24, 0.98%, 0.47%

LAB 37.84, 78.56, -88.85

 

CMYK 0 / 99 / 68 / 7

HEX #ED024C

RGB 237 2 76

HSL 341.11, 0.98%, 0.47%

LAB 50.18, 77.34, 28.59

 

CMYK 99 / 0 / 91 / 7

HEX #02ED15

RGB 2 237 21

HSL 124.85, 0.98%, 0.47%

LAB 82.18, -81.09, 76.67

 

CMYK 51 / 99 / 0 / 7

HEX #7502EE

RGB 117 2 238

HSL 269.24, 0.98%, 0.47%

LAB 37.84, 78.56, -88.85

 

CMYK 0 / 51 / 99 / 7

HEX #ED7302

RGB 237 115 2

HSL 28.85, 0.98%, 0.47%

LAB 61.89, 42.28, 69.3

 

CMYK 99 / 0 / 51 / 7

HEX #02ED73

RGB 2 237 115

HSL 148.85, 0.98%, 0.47%

LAB 82.82, -73.09, 45.68

 

CMYK 51 / 99 / 0 / 7

HEX #7502EE

RGB 117 2 238

HSL 269.24, 0.98%, 0.47%

LAB 37.84, 78.56, -88.85

 

CMYK 0 / 99 / 68 / 7

HEX #ED024C

RGB 237 2 76

HSL 341.11, 0.98%, 0.47%

LAB 50.18, 77.34, 28.59

 

CMYK 48 / 0 / 99 / 7

HEX #7BED02

RGB 123 237 2

HSL 89.11, 0.98%, 0.47%

LAB 84.37, -62.8, 81.24

 

CMYK 99 / 0 / 32 / 7

HEX #02EDA2

RGB 2 237 162

HSL 160.85, 0.98%, 0.47%

LAB 83.54, -64.54, 23.27

 

CMYK 51 / 99 / 0 / 7

HEX #7502EE

RGB 117 2 238

HSL 269.24, 0.98%, 0.47%

LAB 37.84, 78.56, -88.85

 

CMYK 0 / 99 / 97 / 7

HEX #ED0206

RGB 237 2 6

HSL 358.98, 0.98%, 0.47%

LAB 49.57, 75.68, 61.96

 

CMYK 48 / 0 / 99 / 7

HEX #7BED02

RGB 123 237 2

HSL 89.11, 0.98%, 0.47%

LAB 84.37, -62.8, 81.24

 

CMYK 99 / 0 / 2 / 7

HEX #02EDE9

RGB 2 237 233

HSL 178.98, 0.98%, 0.47%

LAB 85.23, -46.6, -11.44

 

Description

Color code: HEX #7502EE | qconv.com Color code: HEX #7502EE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 2 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 2 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 99 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 99% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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