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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #750B93 it is the complementary color #8AF46C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #750B93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #750B93 shade: #7A0B8E, #8B1DA1, #9C2FB4, #AD41C7 and #BE53DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #750B93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #750B93 shade: #750B93, #640080, #53006D, #42005A and #310047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #750B93 shade: #750B93, #930B8C, #930B67, #930B43 and #930B1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #750B93 shade: #750B93, #500B93, #2B0B93 and #0B0B93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #750B93 shade matches the following richer shades: #750B93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #750B93 shade: #750B93, #6D1786, #662479, #5F316C and #583E5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #750B93 shade: #2A0B93, #4F0B93, #730B93, #930B8E and #930B6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #750B93 shade: #370546, #56086C, #750B93, #930DB9 and #B210DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #750B93 shade: #750B93, #930B0F and #0B933C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #750B93 shade: #750B93, #93730B and #0B9373

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #750B93 shade: #750B93, #930B0F, #2A930B and #0B938E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #750B93 shade: #750B93, #932F0B, #2A930B and #0B6E93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

Complementary color

CMYK 43 / 0 / 56 / 4

HEX #8AF46C

RGB 138 244 108

HSL 106.76, 0.86%, 0.69%

LAB 87.58, -55.2, 55.26

 

CMYK 14 / 92 / 0 / 44

HEX #7A0B8E

RGB 122 11 142

HSL 290.84, 0.86%, 0.3%

LAB 30.23, 58.53, -44.57

 

CMYK 14 / 82 / 0 / 37

HEX #8B1DA1

RGB 139 29 161

HSL 290, 0.69%, 0.37%

LAB 35.87, 60.98, -46.94

 

CMYK 13 / 74 / 0 / 29

HEX #9C2FB4

RGB 156 47 180

HSL 289.17, 0.59%, 0.45%

LAB 41.84, 62.11, -48.55

 

CMYK 13 / 67 / 0 / 22

HEX #AD41C7

RGB 173 65 199

HSL 288.36, 0.54%, 0.52%

LAB 47.99, 62.44, -49.64

 

CMYK 13 / 62 / 0 / 15

HEX #BE53DA

RGB 190 83 218

HSL 287.56, 0.65%, 0.59%

LAB 54.23, 62.3, -50.42

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 22 / 100 / 0 / 50

HEX #640080

RGB 100 0 128

HSL 286.88, 1%, 0.25%

LAB 24.54, 54.44, -45.23

 

CMYK 24 / 100 / 0 / 57

HEX #53006D

RGB 83 0 109

HSL 285.69, 1%, 0.21%

LAB 19.81, 48.27, -40.86

 

CMYK 27 / 100 / 0 / 65

HEX #42005A

RGB 66 0 90

HSL 284, 1%, 0.18%

LAB 14.93, 41.91, -36.37

 

CMYK 31 / 100 / 0 / 72

HEX #310047

RGB 49 0 71

HSL 281.41, 1%, 0.14%

LAB 9.86, 35.3, -31.73

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 0 / 93 / 5 / 42

HEX #930B8C

RGB 147 11 140

HSL 303.09, 0.86%, 0.31%

LAB 34.67, 62.66, -35.96

 

CMYK 0 / 93 / 30 / 42

HEX #930B67

RGB 147 11 103

HSL 319.41, 0.86%, 0.31%

LAB 32.75, 57.66, -15.67

 

CMYK 0 / 93 / 54 / 42

HEX #930B43

RGB 147 11 67

HSL 335.29, 0.86%, 0.31%

LAB 31.46, 54.15, 5.98

 

CMYK 0 / 93 / 80 / 42

HEX #930B1E

RGB 147 11 30

HSL 351.62, 0.86%, 0.31%

LAB 30.73, 52.09, 29.27

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 46 / 93 / 0 / 42

HEX #500B93

RGB 80 11 147

HSL 270.44, 0.86%, 0.31%

LAB 23.84, 53.56, -58.38

 

CMYK 71 / 93 / 0 / 42

HEX #2B0B93

RGB 43 11 147

HSL 254.12, 0.86%, 0.31%

LAB 19.47, 50.33, -65.75

 

CMYK 93 / 93 / 0 / 42

HEX #0B0B93

RGB 11 11 147

HSL 240, 0.86%, 0.31%

LAB 17.54, 49.11, -69.02

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 19 / 83 / 0 / 47

HEX #6D1786

RGB 109 23 134

HSL 286.49, 0.71%, 0.31%

LAB 28.34, 51.92, -42.76

 

CMYK 16 / 70 / 0 / 53

HEX #662479

RGB 102 36 121

HSL 286.59, 0.54%, 0.31%

LAB 28.03, 42.77, -35.15

 

CMYK 12 / 55 / 0 / 58

HEX #5F316C

RGB 95 49 108

HSL 286.78, 0.38%, 0.31%

LAB 28.67, 31.25, -25.9

 

CMYK 7 / 35 / 0 / 63

HEX #583E5F

RGB 88 62 95

HSL 287.27, 0.21%, 0.31%

LAB 30.27, 17.96, -15.14

 

CMYK 71 / 93 / 0 / 42

HEX #2A0B93

RGB 42 11 147

HSL 253.68, 0.86%, 0.31%

LAB 19.38, 50.27, -65.9

 

CMYK 46 / 93 / 0 / 42

HEX #4F0B93

RGB 79 11 147

HSL 270, 0.86%, 0.31%

LAB 23.7, 53.45, -58.62

 

CMYK 22 / 93 / 0 / 42

HEX #730B93

RGB 115 11 147

HSL 285.88, 0.86%, 0.31%

LAB 29.39, 58.33, -49.08

 

CMYK 0 / 93 / 3 / 42

HEX #930B8E

RGB 147 11 142

HSL 302.21, 0.86%, 0.31%

LAB 34.79, 62.97, -37

 

CMYK 0 / 93 / 28 / 42

HEX #930B6A

RGB 147 11 106

HSL 318.09, 0.86%, 0.31%

LAB 32.88, 58.02, -17.39

 

CMYK 21 / 93 / 0 / 73

HEX #370546

RGB 55 5 70

HSL 286.15, 0.87%, 0.15%

LAB 11.71, 33.79, -27.96

 

CMYK 20 / 93 / 0 / 58

HEX #56086C

RGB 86 8 108

HSL 286.8, 0.86%, 0.23%

LAB 20.96, 46.52, -38.32

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 21 / 93 / 0 / 27

HEX #930DB9

RGB 147 13 185

HSL 286.74, 0.87%, 0.39%

LAB 37.83, 69.92, -58.04

 

CMYK 20 / 93 / 0 / 13

HEX #B210DF

RGB 178 16 223

HSL 286.96, 0.87%, 0.47%

LAB 45.86, 80.72, -66.83

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 0 / 93 / 90 / 42

HEX #930B0F

RGB 147 11 15

HSL 358.24, 0.86%, 0.31%

LAB 30.59, 51.69, 37.65

 

CMYK 93 / 0 / 59 / 42

HEX #0B933C

RGB 11 147 60

HSL 141.62, 0.86%, 0.31%

LAB 53.24, -51.95, 36.39

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 0 / 22 / 93 / 42

HEX #93730B

RGB 147 115 11

HSL 45.88, 0.86%, 0.31%

LAB 50.08, 3.47, 54.04

 

CMYK 93 / 0 / 22 / 42

HEX #0B9373

RGB 11 147 115

HSL 165.88, 0.86%, 0.31%

LAB 54.21, -40.7, 7.79

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 0 / 93 / 90 / 42

HEX #930B0F

RGB 147 11 15

HSL 358.24, 0.86%, 0.31%

LAB 30.59, 51.69, 37.65

 

CMYK 71 / 0 / 93 / 42

HEX #2A930B

RGB 42 147 11

HSL 106.32, 0.86%, 0.31%

LAB 53.37, -52.06, 54.01

 

CMYK 93 / 0 / 3 / 42

HEX #0B938E

RGB 11 147 142

HSL 177.79, 0.86%, 0.31%

LAB 54.96, -32.96, -6.62

 

CMYK 20 / 93 / 0 / 42

HEX #750B93

RGB 117 11 147

HSL 286.76, 0.86%, 0.31%

LAB 29.73, 58.64, -48.51

 

CMYK 0 / 68 / 93 / 42

HEX #932F0B

RGB 147 47 11

HSL 15.88, 0.86%, 0.31%

LAB 34.52, 40.58, 42.35

 

CMYK 71 / 0 / 93 / 42

HEX #2A930B

RGB 42 147 11

HSL 106.32, 0.86%, 0.31%

LAB 53.37, -52.06, 54.01

 

CMYK 93 / 25 / 0 / 42

HEX #0B6E93

RGB 11 110 147

HSL 196.32, 0.86%, 0.31%

LAB 43.26, -11.9, -27.39

 

Description

Color code: HEX #750B93 | qconv.com Color code: HEX #750B93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 11 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 11 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 93 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 93% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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