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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7524C6 it is the complementary color #8ADB39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7524C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7524C6 shade: #7A24C1, #8B36D4, #9C48E7, #AD5AFA and #BE6CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7524C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7524C6 shade: #7524C6, #6412B3, #5300A0, #42008D and #31007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7524C6 shade: #7524C6, #A024C6, #C624BF, #C62494 and #C62468

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7524C6 shade: #7524C6, #4924C6 and #2424C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7524C6 shade matches the following richer shades: #7524C6 and #7511D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7524C6 shade: #7524C6, #7537B3, #754AA0, #755D8D and #75707A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7524C6 shade: #2429C6, #4A24C6, #7524C6, #A024C6 and #C624C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7524C6 shade: #4C1780, #601DA3, #7524C6, #8939DA and #9E5CE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7524C6 shade: #7524C6, #C62454 and #24C634

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7524C6 shade: #7524C6, #C67524 and #24C675

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7524C6 shade: #7524C6, #C62454, #75C624 and #24C695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7524C6 shade: #7524C6, #C62424, #75C624 and #24C6C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

Complementary color

CMYK 37 / 0 / 74 / 14

HEX #8ADB39

RGB 138 219 57

HSL 90, 0.69%, 0.54%

LAB 79.82, -49.41, 67.17

 

CMYK 37 / 81 / 0 / 24

HEX #7A24C1

RGB 122 36 193

HSL 272.87, 0.69%, 0.45%

LAB 36.46, 62.5, -65.15

 

CMYK 34 / 75 / 0 / 17

HEX #8B36D4

RGB 139 54 212

HSL 272.28, 0.65%, 0.52%

LAB 42.58, 62.86, -66.11

 

CMYK 32 / 69 / 0 / 9

HEX #9C48E7

RGB 156 72 231

HSL 271.7, 0.77%, 0.59%

LAB 48.85, 62.61, -66.66

 

CMYK 31 / 64 / 0 / 2

HEX #AD5AFA

RGB 173 90 250

HSL 271.13, 0.94%, 0.67%

LAB 55.17, 62.03, -66.97

 

CMYK 25 / 58 / 0 / 0

HEX #BE6CFF

RGB 190 108 255

HSL 273.47, 1%, 0.71%

LAB 60.69, 58.13, -60.77

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 44 / 90 / 0 / 30

HEX #6412B3

RGB 100 18 179

HSL 270.56, 0.82%, 0.39%

LAB 30.39, 61.61, -66.94

 

CMYK 48 / 100 / 0 / 37

HEX #5300A0

RGB 83 0 160

HSL 271.13, 1%, 0.31%

LAB 24.88, 59.14, -64.64

 

CMYK 53 / 100 / 0 / 45

HEX #42008D

RGB 66 0 141

HSL 268.09, 1%, 0.28%

LAB 20.37, 53.37, -60.45

 

CMYK 60 / 100 / 0 / 52

HEX #31007A

RGB 49 0 122

HSL 264.1, 1%, 0.24%

LAB 15.79, 47.53, -56.08

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 19 / 82 / 0 / 22

HEX #A024C6

RGB 160 36 198

HSL 285.93, 0.69%, 0.46%

LAB 42.48, 69.66, -58.03

 

CMYK 0 / 82 / 4 / 22

HEX #C624BF

RGB 198 36 191

HSL 302.59, 0.69%, 0.46%

LAB 48.3, 75.43, -44.28

 

CMYK 0 / 82 / 25 / 22

HEX #C62494

RGB 198 36 148

HSL 318.52, 0.69%, 0.46%

LAB 46.18, 69.59, -22.12

 

CMYK 0 / 82 / 47 / 22

HEX #C62468

RGB 198 36 104

HSL 334.81, 0.69%, 0.46%

LAB 44.61, 65.04, 2.47

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 63 / 82 / 0 / 22

HEX #4924C6

RGB 73 36 198

HSL 253.7, 0.69%, 0.46%

LAB 31.24, 57.7, -76.87

 

CMYK 82 / 82 / 0 / 22

HEX #2424C6

RGB 36 36 198

HSL 240, 0.69%, 0.46%

LAB 28.68, 55.08, -81.2

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 46 / 92 / 0 / 15

HEX #7511D9

RGB 117 17 217

HSL 270, 0.85%, 0.46%

LAB 36.35, 72.04, -79.31

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 35 / 69 / 0 / 30

HEX #7537B3

RGB 117 55 179

HSL 270, 0.53%, 0.46%

LAB 37.42, 50.54, -55.35

 

CMYK 27 / 54 / 0 / 37

HEX #754AA0

RGB 117 74 160

HSL 270, 0.37%, 0.46%

LAB 39.94, 35.68, -39.99

 

CMYK 17 / 34 / 0 / 45

HEX #755D8D

RGB 117 93 141

HSL 270, 0.21%, 0.46%

LAB 43.56, 19.7, -22.91

 

CMYK 4 / 8 / 0 / 52

HEX #75707A

RGB 117 112 122

HSL 270, 0.04%, 0.46%

LAB 47.98, 3.97, -4.83

 

CMYK 82 / 79 / 0 / 22

HEX #2429C6

RGB 36 41 198

HSL 238.15, 0.69%, 0.46%

LAB 29.51, 52.66, -79.82

 

CMYK 63 / 82 / 0 / 22

HEX #4A24C6

RGB 74 36 198

HSL 254.07, 0.69%, 0.46%

LAB 31.34, 57.8, -76.72

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 19 / 82 / 0 / 22

HEX #A024C6

RGB 160 36 198

HSL 285.93, 0.69%, 0.46%

LAB 42.48, 69.66, -58.03

 

CMYK 0 / 82 / 3 / 22

HEX #C624C0

RGB 198 36 192

HSL 302.22, 0.69%, 0.46%

LAB 48.35, 75.58, -44.78

 

CMYK 41 / 82 / 0 / 50

HEX #4C1780

RGB 76 23 128

HSL 270.29, 0.7%, 0.3%

LAB 22.68, 44.67, -48.42

 

CMYK 41 / 82 / 0 / 36

HEX #601DA3

RGB 96 29 163

HSL 270, 0.7%, 0.38%

LAB 29.44, 54.1, -58.9

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 37 / 74 / 0 / 15

HEX #8939DA

RGB 137 57 218

HSL 269.81, 0.69%, 0.54%

LAB 43.22, 62.66, -68.52

 

CMYK 30 / 59 / 0 / 12

HEX #9E5CE1

RGB 158 92 225

HSL 269.77, 0.69%, 0.62%

LAB 52.24, 51.94, -57.79

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 0 / 82 / 58 / 22

HEX #C62454

RGB 198 36 84

HSL 342.22, 0.69%, 0.46%

LAB 44.1, 63.51, 14.21

 

CMYK 82 / 0 / 74 / 22

HEX #24C634

RGB 36 198 52

HSL 125.93, 0.69%, 0.46%

LAB 70.18, -66.63, 58.27

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 0 / 41 / 82 / 22

HEX #C67524

RGB 198 117 36

HSL 30, 0.69%, 0.46%

LAB 56.93, 25.94, 54.67

 

CMYK 82 / 0 / 41 / 22

HEX #24C675

RGB 36 198 117

HSL 150, 0.69%, 0.46%

LAB 70.9, -57.97, 29.57

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 0 / 82 / 58 / 22

HEX #C62454

RGB 198 36 84

HSL 342.22, 0.69%, 0.46%

LAB 44.1, 63.51, 14.21

 

CMYK 41 / 0 / 82 / 22

HEX #75C624

RGB 117 198 36

HSL 90, 0.69%, 0.46%

LAB 72.43, -49.06, 66.15

 

CMYK 82 / 0 / 25 / 22

HEX #24C695

RGB 36 198 149

HSL 161.85, 0.69%, 0.46%

LAB 71.51, -51.19, 13.44

 

CMYK 41 / 82 / 0 / 22

HEX #7524C6

RGB 117 36 198

HSL 270, 0.69%, 0.46%

LAB 36.22, 62.91, -68.51

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 41 / 0 / 82 / 22

HEX #75C624

RGB 117 198 36

HSL 90, 0.69%, 0.46%

LAB 72.43, -49.06, 66.15

 

CMYK 82 / 0 / 0 / 22

HEX #24C6C6

RGB 36 198 198

HSL 180, 0.69%, 0.46%

LAB 72.79, -38.1, -11.29

 

Description

Color code: HEX #7524C6 | qconv.com Color code: HEX #7524C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 36 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 36 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 82 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 82% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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