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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #752DAC it is the complementary color #8AD253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #752DAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #752DAC shade: #7A2DA7, #8B3FBA, #9C51CD, #AD63E0 and #BE75F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #752DAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #752DAC shade: #752DAC, #641B99, #530986, #420073 and #310060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #752DAC shade: #762CAE, #992CAE, #AE2CA0, #AE2C7D and #AE2C5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #752DAC shade: #762CAE, #532CAE, #302CAE and #2C2CAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #752DAC shade matches the following richer shades: #762CAE, #781BC0 and #7B09D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #752DAC shade: #762CAE, #733E9C, #71508A, #6F6279 and #6C7367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #752DAC shade: #312CAE, #532CAE, #762CAE, #982CAE and #AE2CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #752DAC shade: #491C6C, #60248D, #762CAE, #8C38CB and #9F59D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #752DAC shade: #752DAC, #AE2C4B and #2CAE42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #752DAC shade: #752DAC, #AE762C and #2CAE76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #752DAC shade: #752DAC, #AE2C4B, #65AE2C and #2CAE90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #752DAC shade: #752DAC, #AE352C, #65AE2C and #2CA5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 74 / 0 / 33

HEX #752DAC

RGB 117 45 172

HSL 274.02, 0.59%, 0.43%

LAB 35.28, 53.44, -54.67

 

Complementary color

CMYK 34 / 0 / 60 / 18

HEX #8AD253

RGB 138 210 83

HSL 94.02, 0.59%, 0.57%

LAB 77.35, -43.7, 54.55

 

CMYK 27 / 73 / 0 / 35

HEX #7A2DA7

RGB 122 45 167

HSL 277.87, 0.58%, 0.42%

LAB 35.6, 53.29, -51.12

 

CMYK 25 / 66 / 0 / 27

HEX #8B3FBA

RGB 139 63 186

HSL 277.07, 0.49%, 0.49%

LAB 42.14, 53.05, -51.73

 

CMYK 24 / 60 / 0 / 20

HEX #9C51CD

RGB 156 81 205

HSL 276.29, 0.55%, 0.56%

LAB 48.71, 52.46, -52.08

 

CMYK 23 / 56 / 0 / 12

HEX #AD63E0

RGB 173 99 224

HSL 275.52, 0.67%, 0.63%

LAB 55.27, 51.71, -52.29

 

CMYK 22 / 52 / 0 / 5

HEX #BE75F3

RGB 190 117 243

HSL 274.76, 0.84%, 0.71%

LAB 61.78, 50.89, -52.42

 

CMYK 32 / 74 / 0 / 33

HEX #752DAC

RGB 117 45 172

HSL 274.02, 0.59%, 0.43%

LAB 35.28, 53.44, -54.67

 

CMYK 35 / 82 / 0 / 40

HEX #641B99

RGB 100 27 153

HSL 274.76, 0.7%, 0.35%

LAB 28.88, 53.09, -53.69

 

CMYK 38 / 93 / 0 / 47

HEX #530986

RGB 83 9 134

HSL 275.52, 0.87%, 0.28%

LAB 22.85, 51.39, -51.89

 

CMYK 43 / 100 / 0 / 55

HEX #420073

RGB 66 0 115

HSL 274.43, 1%, 0.23%

LAB 17.44, 47.37, -48.76

 

CMYK 49 / 100 / 0 / 62

HEX #310060

RGB 49 0 96

HSL 270.63, 1%, 0.19%

LAB 12.59, 41.15, -44.35

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 12 / 75 / 0 / 32

HEX #992CAE

RGB 153 44 174

HSL 290.31, 0.6%, 0.43%

LAB 40.62, 61.43, -46.97

 

CMYK 0 / 75 / 8 / 32

HEX #AE2CA0

RGB 174 44 160

HSL 306.46, 0.6%, 0.43%

LAB 43.27, 63.61, -34.2

 

CMYK 0 / 75 / 28 / 32

HEX #AE2C7D

RGB 174 44 125

HSL 322.62, 0.6%, 0.43%

LAB 41.66, 58.73, -15.42

 

CMYK 0 / 75 / 48 / 32

HEX #AE2C5A

RGB 174 44 90

HSL 338.77, 0.6%, 0.43%

LAB 40.47, 54.98, 4.69

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 52 / 75 / 0 / 32

HEX #532CAE

RGB 83 44 174

HSL 258, 0.6%, 0.43%

LAB 31.11, 48.54, -62.85

 

CMYK 72 / 75 / 0 / 32

HEX #302CAE

RGB 48 44 174

HSL 241.85, 0.6%, 0.43%

LAB 28.08, 44.15, -67.95

 

CMYK 75 / 75 / 0 / 32

HEX #2C2CAE

RGB 44 44 174

HSL 240, 0.6%, 0.43%

LAB 27.83, 43.78, -68.37

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 38 / 86 / 0 / 25

HEX #781BC0

RGB 120 27 192

HSL 273.82, 0.75%, 0.43%

LAB 35.17, 64.72, -66.69

 

CMYK 41 / 96 / 0 / 18

HEX #7B09D1

RGB 123 9 209

HSL 274.2, 0.92%, 0.43%

LAB 36, 72.12, -75.23

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 26 / 60 / 0 / 39

HEX #733E9C

RGB 115 62 156

HSL 273.83, 0.43%, 0.43%

LAB 36.91, 40.89, -42.44

 

CMYK 18 / 42 / 0 / 46

HEX #71508A

RGB 113 80 138

HSL 274.14, 0.27%, 0.43%

LAB 39.72, 25.55, -27.1

 

CMYK 8 / 19 / 0 / 53

HEX #6F6279

RGB 111 98 121

HSL 273.91, 0.11%, 0.43%

LAB 43.5, 9.92, -10.98

 

CMYK 6 / 0 / 10 / 55

HEX #6C7367

RGB 108 115 103

HSL 95, 0.06%, 0.43%

LAB 47.53, -5.07, 5.73

 

CMYK 72 / 75 / 0 / 32

HEX #312CAE

RGB 49 44 174

HSL 242.31, 0.6%, 0.43%

LAB 28.14, 44.25, -67.84

 

CMYK 52 / 75 / 0 / 32

HEX #532CAE

RGB 83 44 174

HSL 258, 0.6%, 0.43%

LAB 31.11, 48.54, -62.85

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 13 / 75 / 0 / 32

HEX #982CAE

RGB 152 44 174

HSL 289.85, 0.6%, 0.43%

LAB 40.46, 61.22, -47.23

 

CMYK 0 / 75 / 7 / 32

HEX #AE2CA1

RGB 174 44 161

HSL 306, 0.6%, 0.43%

LAB 43.32, 63.77, -34.72

 

CMYK 32 / 74 / 0 / 58

HEX #491C6C

RGB 73 28 108

HSL 273.75, 0.59%, 0.27%

LAB 21.32, 36.78, -37.84

 

CMYK 32 / 74 / 0 / 45

HEX #60248D

RGB 96 36 141

HSL 274.29, 0.59%, 0.35%

LAB 28.57, 45.98, -46.84

 

CMYK 32 / 75 / 0 / 32

HEX #762CAE

RGB 118 44 174

HSL 274.15, 0.6%, 0.43%

LAB 35.42, 54.52, -55.63

 

CMYK 31 / 72 / 0 / 20

HEX #8C38CB

RGB 140 56 203

HSL 274.29, 0.59%, 0.51%

LAB 42.33, 60.19, -61.31

 

CMYK 25 / 58 / 0 / 17

HEX #9F59D4

RGB 159 89 212

HSL 274.15, 0.59%, 0.59%

LAB 51, 50.7, -52.4

 

CMYK 32 / 74 / 0 / 33

HEX #752DAC

RGB 117 45 172

HSL 274.02, 0.59%, 0.43%

LAB 35.28, 53.44, -54.67

 

CMYK 0 / 75 / 57 / 32

HEX #AE2C4B

RGB 174 44 75

HSL 345.69, 0.6%, 0.43%

LAB 40.09, 53.74, 13.63

 

CMYK 75 / 0 / 62 / 32

HEX #2CAE42

RGB 44 174 66

HSL 130.15, 0.6%, 0.43%

LAB 62.68, -56.54, 44.6

 

CMYK 32 / 74 / 0 / 33

HEX #752DAC

RGB 117 45 172

HSL 274.02, 0.59%, 0.43%

LAB 35.28, 53.44, -54.67

 

CMYK 0 / 32 / 75 / 32

HEX #AE762C

RGB 174 118 44

HSL 34.15, 0.6%, 0.43%

LAB 54.17, 15.26, 47.64

 

CMYK 75 / 0 / 32 / 32

HEX #2CAE76

RGB 44 174 118

HSL 154.15, 0.6%, 0.43%

LAB 63.44, -47.79, 19.05

 

CMYK 32 / 74 / 0 / 33

HEX #752DAC

RGB 117 45 172

HSL 274.02, 0.59%, 0.43%

LAB 35.28, 53.44, -54.67

 

CMYK 0 / 75 / 57 / 32

HEX #AE2C4B

RGB 174 44 75

HSL 345.69, 0.6%, 0.43%

LAB 40.09, 53.74, 13.63

 

CMYK 42 / 0 / 75 / 32

HEX #65AE2C

RGB 101 174 44

HSL 93.69, 0.6%, 0.43%

LAB 64.34, -44.22, 55.84

 

CMYK 75 / 0 / 17 / 32

HEX #2CAE90

RGB 44 174 144

HSL 166.15, 0.6%, 0.43%

LAB 64.02, -41.63, 5.54

 

CMYK 32 / 74 / 0 / 33

HEX #752DAC

RGB 117 45 172

HSL 274.02, 0.59%, 0.43%

LAB 35.28, 53.44, -54.67

 

CMYK 0 / 70 / 75 / 32

HEX #AE352C

RGB 174 53 44

HSL 4.15, 0.6%, 0.43%

LAB 40.78, 48.56, 33.49

 

CMYK 42 / 0 / 75 / 32

HEX #65AE2C

RGB 101 174 44

HSL 93.69, 0.6%, 0.43%

LAB 64.34, -44.22, 55.84

 

CMYK 75 / 5 / 0 / 32

HEX #2CA5AE

RGB 44 165 174

HSL 184.15, 0.6%, 0.43%

LAB 62.08, -28.96, -14.09

 

Description

Color code: HEX #752DAC | qconv.com Color code: HEX #752DAC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 45 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 45 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 74 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 74% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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