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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7535A5 it is the complementary color #8ACA5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7535A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7535A5 shade: #7A35A0, #8B47B3, #9C59C6, #AD6BD9 and #BE7DEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7535A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7535A5 shade: #7535A5, #642392, #53117F, #42006C and #310059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7535A5 shade: #7535A5, #9335A5, #A53599, #A5357B and #A5355C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7535A5 shade: #7535A5, #5735A5, #3935A5 and #3535A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7535A5 shade matches the following richer shades: #7535A5, #7823B7, #7A12C9 and #7D00DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7535A5 shade: #7535A5, #734793, #705982, #6E6A70 and #6B7C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7535A5 shade: #3935A5, #5735A5, #7535A5, #9235A5 and #A5359A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7535A5 shade: #492167, #5F2B86, #7535A5, #8B42C1 and #9E61CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7535A5 shade: #7535A5, #A5354F and #35A548

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7535A5 shade: #7535A5, #A57535 and #35A575

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7535A5 shade: #7535A5, #A5354F, #66A535 and #35A58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7535A5 shade: #7535A5, #A53D35, #66A535 and #359EA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

Complementary color

CMYK 32 / 0 / 55 / 21

HEX #8ACA5A

RGB 138 202 90

HSL 94.29, 0.51%, 0.57%

LAB 75.07, -39.52, 48.79

 

CMYK 24 / 67 / 0 / 37

HEX #7A35A0

RGB 122 53 160

HSL 278.69, 0.5%, 0.42%

LAB 36.41, 48.12, -45.61

 

CMYK 22 / 60 / 0 / 30

HEX #8B47B3

RGB 139 71 179

HSL 277.78, 0.43%, 0.49%

LAB 43.14, 47.55, -46.01

 

CMYK 21 / 55 / 0 / 22

HEX #9C59C6

RGB 156 89 198

HSL 276.88, 0.49%, 0.56%

LAB 49.85, 46.78, -46.24

 

CMYK 20 / 51 / 0 / 15

HEX #AD6BD9

RGB 173 107 217

HSL 276, 0.59%, 0.64%

LAB 56.5, 45.96, -46.39

 

CMYK 19 / 47 / 0 / 7

HEX #BE7DEC

RGB 190 125 236

HSL 275.14, 0.74%, 0.71%

LAB 63.07, 45.12, -46.49

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 32 / 76 / 0 / 43

HEX #642392

RGB 100 35 146

HSL 275.14, 0.61%, 0.35%

LAB 29.38, 48.39, -48.59

 

CMYK 35 / 87 / 0 / 50

HEX #53117F

RGB 83 17 127

HSL 276, 0.76%, 0.28%

LAB 22.9, 47.71, -47.38

 

CMYK 39 / 100 / 0 / 58

HEX #42006C

RGB 66 0 108

HSL 276.67, 1%, 0.21%

LAB 16.7, 45.8, -45.41

 

CMYK 45 / 100 / 0 / 65

HEX #310059

RGB 49 0 89

HSL 273.03, 1%, 0.17%

LAB 11.79, 39.47, -40.97

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 11 / 68 / 0 / 35

HEX #9335A5

RGB 147 53 165

HSL 290.36, 0.51%, 0.43%

LAB 40.35, 54.97, -42.09

 

CMYK 0 / 68 / 7 / 35

HEX #A53599

RGB 165 53 153

HSL 306.43, 0.51%, 0.43%

LAB 42.53, 57.2, -31.26

 

CMYK 0 / 68 / 25 / 35

HEX #A5357B

RGB 165 53 123

HSL 322.5, 0.51%, 0.43%

LAB 41.18, 52.74, -15.06

 

CMYK 0 / 68 / 44 / 35

HEX #A5355C

RGB 165 53 92

HSL 339.11, 0.51%, 0.43%

LAB 40.11, 49.06, 2.69

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 47 / 68 / 0 / 35

HEX #5735A5

RGB 87 53 165

HSL 258.21, 0.51%, 0.43%

LAB 32.46, 41.94, -55.23

 

CMYK 65 / 68 / 0 / 35

HEX #3935A5

RGB 57 53 165

HSL 242.14, 0.51%, 0.43%

LAB 29.74, 36.9, -59.77

 

CMYK 68 / 68 / 0 / 35

HEX #3535A5

RGB 53 53 165

HSL 240, 0.51%, 0.43%

LAB 29.46, 36.35, -60.24

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 34 / 81 / 0 / 28

HEX #7823B7

RGB 120 35 183

HSL 274.46, 0.68%, 0.43%

LAB 35.23, 60.31, -61.28

 

CMYK 39 / 91 / 0 / 21

HEX #7A12C9

RGB 122 18 201

HSL 274.1, 0.84%, 0.43%

LAB 35.57, 68.96, -71.29

 

CMYK 43 / 100 / 0 / 15

HEX #7D00DA

RGB 125 0 218

HSL 274.4, 1%, 0.43%

LAB 36.78, 75.29, -79.13

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 22 / 52 / 0 / 42

HEX #734793

RGB 115 71 147

HSL 274.74, 0.35%, 0.43%

LAB 38.3, 33.66, -34.78

 

CMYK 14 / 32 / 0 / 49

HEX #705982

RGB 112 89 130

HSL 273.66, 0.19%, 0.43%

LAB 41.53, 17.84, -19.43

 

CMYK 2 / 5 / 0 / 56

HEX #6E6A70

RGB 110 106 112

HSL 280, 0.03%, 0.43%

LAB 45.35, 2.78, -2.8

 

CMYK 14 / 0 / 24 / 51

HEX #6B7C5E

RGB 107 124 94

HSL 94, 0.14%, 0.43%

LAB 49.92, -12.18, 14.35

 

CMYK 65 / 68 / 0 / 35

HEX #3935A5

RGB 57 53 165

HSL 242.14, 0.51%, 0.43%

LAB 29.74, 36.9, -59.77

 

CMYK 47 / 68 / 0 / 35

HEX #5735A5

RGB 87 53 165

HSL 258.21, 0.51%, 0.43%

LAB 32.46, 41.94, -55.23

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 12 / 68 / 0 / 35

HEX #9235A5

RGB 146 53 165

HSL 289.82, 0.51%, 0.43%

LAB 40.2, 54.74, -42.34

 

CMYK 0 / 68 / 7 / 35

HEX #A5359A

RGB 165 53 154

HSL 305.89, 0.51%, 0.43%

LAB 42.58, 57.37, -31.79

 

CMYK 29 / 68 / 0 / 60

HEX #492167

RGB 73 33 103

HSL 274.29, 0.51%, 0.27%

LAB 21.88, 32.87, -33.67

 

CMYK 29 / 68 / 0 / 47

HEX #5F2B86

RGB 95 43 134

HSL 274.29, 0.51%, 0.35%

LAB 29.11, 40.69, -41.62

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 28 / 66 / 0 / 24

HEX #8B42C1

RGB 139 66 193

HSL 274.49, 0.51%, 0.51%

LAB 43.12, 53.21, -54.24

 

CMYK 22 / 52 / 0 / 20

HEX #9E61CB

RGB 158 97 203

HSL 274.53, 0.5%, 0.59%

LAB 51.98, 44.17, -45.7

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 0 / 68 / 52 / 35

HEX #A5354F

RGB 165 53 79

HSL 346.07, 0.51%, 0.43%

LAB 39.77, 47.83, 10.39

 

CMYK 68 / 0 / 56 / 35

HEX #35A548

RGB 53 165 72

HSL 130.18, 0.51%, 0.43%

LAB 60.01, -51.02, 38.72

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 0 / 29 / 68 / 35

HEX #A57535

RGB 165 117 53

HSL 34.29, 0.51%, 0.43%

LAB 52.93, 12.3, 41.77

 

CMYK 68 / 0 / 29 / 35

HEX #35A575

RGB 53 165 117

HSL 154.29, 0.51%, 0.43%

LAB 60.74, -42.93, 15.91

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 0 / 68 / 52 / 35

HEX #A5354F

RGB 165 53 79

HSL 346.07, 0.51%, 0.43%

LAB 39.77, 47.83, 10.39

 

CMYK 38 / 0 / 68 / 35

HEX #66A535

RGB 102 165 53

HSL 93.75, 0.51%, 0.43%

LAB 61.65, -39.4, 49.67

 

CMYK 68 / 0 / 16 / 35

HEX #35A58B

RGB 53 165 139

HSL 166.07, 0.51%, 0.43%

LAB 61.25, -37.65, 4.37

 

CMYK 29 / 68 / 0 / 35

HEX #7535A5

RGB 117 53 165

HSL 274.29, 0.51%, 0.43%

LAB 36.07, 48.15, -49.2

 

CMYK 0 / 63 / 68 / 35

HEX #A53D35

RGB 165 61 53

HSL 4.29, 0.51%, 0.43%

LAB 40.56, 42.41, 27.53

 

CMYK 38 / 0 / 68 / 35

HEX #66A535

RGB 102 165 53

HSL 93.75, 0.51%, 0.43%

LAB 61.65, -39.4, 49.67

 

CMYK 68 / 4 / 0 / 35

HEX #359EA5

RGB 53 158 165

HSL 183.75, 0.51%, 0.43%

LAB 59.82, -27.04, -12.4

 

Description

Color code: HEX #7535A5 | qconv.com Color code: HEX #7535A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 53 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 53 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 68 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 68% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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