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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7535C4 it is the complementary color #8ACA3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7535C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7535C4 shade: #7A35BF, #8B47D2, #9C59E5, #AD6BF8 and #BE7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7535C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7535C4 shade: #7535C4, #6423B1, #53119E, #42008B and #310078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7535C4 shade: #7535C4, #9B35C4, #C235C4, #C4359F and #C43579

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7535C4 shade: #7535C4, #4F35C4 and #3535C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7535C4 shade matches the following richer shades: #7535C4, #7321D8 and #710DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7535C4 shade: #7535C4, #7749AF, #795E9B, #7B7287 and #7D8673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7535C4 shade: #3543C4, #4D35C4, #7335C4, #9935C4 and #BF35C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7535C4 shade: #4E2383, #622CA3, #7535C4, #8B53CF and #A073D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7535C4 shade: #7535C4, #C43569 and #35C43A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7535C4 shade: #7535C4, #C47335 and #35C473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7535C4 shade: #7535C4, #C43569, #86C435 and #35C48F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7535C4 shade: #7535C4, #C4353F, #86C435 and #35C4BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

Complementary color

CMYK 32 / 0 / 71 / 21

HEX #8ACA3B

RGB 138 202 59

HSL 86.85, 0.57%, 0.51%

LAB 74.8, -42.13, 61.5

 

CMYK 36 / 72 / 0 / 25

HEX #7A35BF

RGB 122 53 191

HSL 270, 0.57%, 0.48%

LAB 38.63, 55.35, -60.44

 

CMYK 34 / 66 / 0 / 18

HEX #8B47D2

RGB 139 71 210

HSL 269.35, 0.61%, 0.55%

LAB 45.15, 54.78, -60.79

 

CMYK 32 / 61 / 0 / 10

HEX #9C59E5

RGB 156 89 229

HSL 268.71, 0.73%, 0.62%

LAB 51.69, 53.98, -60.94

 

CMYK 30 / 57 / 0 / 3

HEX #AD6BF8

RGB 173 107 248

HSL 268.09, 0.91%, 0.7%

LAB 58.2, 53.07, -60.99

 

CMYK 25 / 51 / 0 / 0

HEX #BE7DFF

RGB 190 125 255

HSL 270, 1%, 0.75%

LAB 64.03, 49.37, -55.44

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 44 / 80 / 0 / 31

HEX #6423B1

RGB 100 35 177

HSL 267.46, 0.67%, 0.42%

LAB 32, 55.84, -63.1

 

CMYK 47 / 89 / 0 / 38

HEX #53119E

RGB 83 17 158

HSL 268.09, 0.81%, 0.34%

LAB 25.89, 55.01, -61.76

 

CMYK 53 / 100 / 0 / 45

HEX #42008B

RGB 66 0 139

HSL 268.49, 1%, 0.27%

LAB 20.13, 52.9, -59.59

 

CMYK 59 / 100 / 0 / 53

HEX #310078

RGB 49 0 120

HSL 264.5, 1%, 0.24%

LAB 15.53, 47.03, -55.22

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 21 / 73 / 0 / 23

HEX #9B35C4

RGB 155 53 196

HSL 282.8, 0.57%, 0.49%

LAB 43.51, 62.81, -55.25

 

CMYK 1 / 73 / 0 / 23

HEX #C235C4

RGB 194 53 196

HSL 299.16, 0.57%, 0.49%

LAB 49.5, 70.82, -45.32

 

CMYK 0 / 73 / 19 / 23

HEX #C4359F

RGB 196 53 159

HSL 315.52, 0.57%, 0.49%

LAB 47.99, 65.74, -25.95

 

CMYK 0 / 73 / 38 / 23

HEX #C43579

RGB 196 53 121

HSL 331.47, 0.57%, 0.49%

LAB 46.53, 61.14, -5.24

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 60 / 73 / 0 / 23

HEX #4F35C4

RGB 79 53 196

HSL 250.91, 0.57%, 0.49%

LAB 34.38, 49.76, -70.5

 

CMYK 73 / 73 / 0 / 23

HEX #3535C4

RGB 53 53 196

HSL 240, 0.57%, 0.49%

LAB 32.46, 46.79, -73.75

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 47 / 85 / 0 / 15

HEX #7321D8

RGB 115 33 216

HSL 266.89, 0.73%, 0.49%

LAB 37.28, 67.78, -77.21

 

CMYK 52 / 94 / 0 / 7

HEX #710DEC

RGB 113 13 236

HSL 266.91, 0.9%, 0.49%

LAB 37.58, 76.48, -88.16

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 32 / 58 / 0 / 31

HEX #7749AF

RGB 119 73 175

HSL 267.06, 0.41%, 0.49%

LAB 40.87, 40.56, -47.42

 

CMYK 22 / 39 / 0 / 39

HEX #795E9B

RGB 121 94 155

HSL 266.56, 0.24%, 0.49%

LAB 44.85, 23.79, -29.23

 

CMYK 9 / 16 / 0 / 47

HEX #7B7287

RGB 123 114 135

HSL 265.71, 0.08%, 0.49%

LAB 49.49, 7.79, -10.23

 

CMYK 7 / 0 / 14 / 47

HEX #7D8673

RGB 125 134 115

HSL 88.42, 0.08%, 0.49%

LAB 54.71, -7, 9.11

 

CMYK 73 / 66 / 0 / 23

HEX #3543C4

RGB 53 67 196

HSL 234.13, 0.57%, 0.49%

LAB 35.51, 38.45, -68.72

 

CMYK 61 / 73 / 0 / 23

HEX #4D35C4

RGB 77 53 196

HSL 250.07, 0.57%, 0.49%

LAB 34.21, 49.49, -70.79

 

CMYK 41 / 73 / 0 / 23

HEX #7335C4

RGB 115 53 196

HSL 266.01, 0.57%, 0.49%

LAB 38.16, 55.32, -64.17

 

CMYK 22 / 73 / 0 / 23

HEX #9935C4

RGB 153 53 196

HSL 281.96, 0.57%, 0.49%

LAB 43.22, 62.41, -55.73

 

CMYK 3 / 73 / 0 / 23

HEX #BF35C4

RGB 191 53 196

HSL 297.9, 0.57%, 0.49%

LAB 49.02, 70.19, -46.11

 

CMYK 40 / 73 / 0 / 49

HEX #4E2383

RGB 78 35 131

HSL 266.88, 0.58%, 0.33%

LAB 25.14, 40.33, -46.29

 

CMYK 40 / 73 / 0 / 36

HEX #622CA3

RGB 98 44 163

HSL 267.23, 0.57%, 0.41%

LAB 31.9, 48.12, -54.87

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 33 / 60 / 0 / 19

HEX #8B53CF

RGB 139 83 207

HSL 267.1, 0.56%, 0.57%

LAB 47.21, 47.91, -55.74

 

CMYK 26 / 47 / 0 / 15

HEX #A073D8

RGB 160 115 216

HSL 266.73, 0.56%, 0.65%

LAB 56.77, 37.82, -45.47

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 0 / 73 / 46 / 23

HEX #C43569

RGB 196 53 105

HSL 338.18, 0.57%, 0.49%

LAB 46.04, 59.57, 3.87

 

CMYK 73 / 0 / 70 / 23

HEX #35C43A

RGB 53 196 58

HSL 122.1, 0.57%, 0.49%

LAB 69.85, -63.2, 55.82

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 0 / 41 / 73 / 23

HEX #C47335

RGB 196 115 53

HSL 26.01, 0.57%, 0.49%

LAB 56.34, 26.86, 46.59

 

CMYK 73 / 0 / 41 / 23

HEX #35C473

RGB 53 196 115

HSL 146.01, 0.57%, 0.49%

LAB 70.51, -55.52, 30.14

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 0 / 73 / 46 / 23

HEX #C43569

RGB 196 53 105

HSL 338.18, 0.57%, 0.49%

LAB 46.04, 59.57, 3.87

 

CMYK 32 / 0 / 73 / 23

HEX #86C435

RGB 134 196 53

HSL 86.01, 0.57%, 0.49%

LAB 72.76, -41.36, 61.55

 

CMYK 73 / 0 / 27 / 23

HEX #35C48F

RGB 53 196 143

HSL 157.76, 0.57%, 0.49%

LAB 71.02, -49.83, 16.03

 

CMYK 40 / 73 / 0 / 23

HEX #7535C4

RGB 117 53 196

HSL 266.85, 0.57%, 0.49%

LAB 38.4, 55.67, -63.77

 

CMYK 0 / 73 / 68 / 23

HEX #C4353F

RGB 196 53 63

HSL 355.8, 0.57%, 0.49%

LAB 45.14, 56.56, 28.41

 

CMYK 32 / 0 / 73 / 23

HEX #86C435

RGB 134 196 53

HSL 86.01, 0.57%, 0.49%

LAB 72.76, -41.36, 61.55

 

CMYK 73 / 0 / 5 / 23

HEX #35C4BA

RGB 53 196 186

HSL 175.8, 0.57%, 0.49%

LAB 72.08, -38.96, -5.78

 

Description

Color code: HEX #7535C4 | qconv.com Color code: HEX #7535C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 53 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 53 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 73 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 73% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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