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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7530DF it is the complementary color #8ACF20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7530DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7530DF shade: #7A30DA, #8B42ED, #9C54FF, #AD66FF and #BE78FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7530DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7530DF shade: #7530DF, #641ECC, #530CB9, #4200A6 and #310093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7530DF shade: #742FDE, #A32FDE, #D32FDE, #DE2FBB and #DE2F8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7530DF shade: #742FDE, #452FDE and #2F2FDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7530DF shade matches the following richer shades: #742FDE and #701CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7530DF shade: #742FDE, #7843CB, #7C56B7, #8069A4 and #857D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7530DF shade: #2F49DE, #442FDE, #722FDE, #A12FDE and #D02FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7530DF shade: #4F19A2, #601EC6, #742FDE, #8C53E4 and #A477E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7530DF shade: #7530DF, #DE2F78 and #32DE2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7530DF shade: #7530DF, #DE722F and #2FDE72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7530DF shade: #7530DF, #DE2F78, #9BDE2F and #2FDE95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7530DF shade: #7530DF, #DE2F44, #9BDE2F and #2FDECA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 78 / 0 / 13

HEX #7530DF

RGB 117 48 223

HSL 263.66, 0.73%, 0.53%

LAB 39.95, 64.47, -76.82

 

Complementary color

CMYK 33 / 0 / 85 / 19

HEX #8ACF20

RGB 138 207 32

HSL 83.66, 0.73%, 0.47%

LAB 76.15, -45.59, 70.8

 

CMYK 44 / 78 / 0 / 15

HEX #7A30DA

RGB 122 48 218

HSL 266.12, 0.7%, 0.52%

LAB 40.1, 63.95, -73.69

 

CMYK 41 / 72 / 0 / 7

HEX #8B42ED

RGB 139 66 237

HSL 265.61, 0.83%, 0.59%

LAB 46.31, 63.64, -74.26

 

CMYK 39 / 67 / 0 / 0

HEX #9C54FF

RGB 156 84 255

HSL 265.26, 1%, 0.66%

LAB 52.54, 62.71, -74.1

 

CMYK 32 / 60 / 0 / 0

HEX #AD66FF

RGB 173 102 255

HSL 267.84, 1%, 0.7%

LAB 57.66, 57.29, -65.73

 

CMYK 25 / 53 / 0 / 0

HEX #BE78FF

RGB 190 120 255

HSL 271.11, 1%, 0.74%

LAB 63.01, 52, -57.06

 

CMYK 48 / 78 / 0 / 13

HEX #7530DF

RGB 117 48 223

HSL 263.66, 0.73%, 0.53%

LAB 39.95, 64.47, -76.82

 

CMYK 51 / 85 / 0 / 20

HEX #641ECC

RGB 100 30 204

HSL 264.14, 0.74%, 0.46%

LAB 33.98, 64.17, -75.77

 

CMYK 55 / 94 / 0 / 27

HEX #530CB9

RGB 83 12 185

HSL 264.62, 0.88%, 0.39%

LAB 28.39, 62.62, -73.88

 

CMYK 60 / 100 / 0 / 35

HEX #4200A6

RGB 66 0 166

HSL 263.86, 1%, 0.33%

LAB 23.38, 59.26, -70.85

 

CMYK 67 / 100 / 0 / 42

HEX #310093

RGB 49 0 147

HSL 260, 1%, 0.29%

LAB 19.05, 53.72, -66.43

 

CMYK 48 / 79 / 0 / 13

HEX #742FDE

RGB 116 47 222

HSL 263.66, 0.73%, 0.53%

LAB 39.61, 64.48, -76.81

 

CMYK 27 / 79 / 0 / 13

HEX #A32FDE

RGB 163 47 222

HSL 279.77, 0.73%, 0.53%

LAB 45.76, 71.57, -66.52

 

CMYK 5 / 79 / 0 / 13

HEX #D32FDE

RGB 211 47 222

HSL 296.23, 0.73%, 0.53%

LAB 53.12, 80.06, -54.28

 

CMYK 0 / 79 / 16 / 13

HEX #DE2FBB

RGB 222 47 187

HSL 312, 0.73%, 0.53%

LAB 53.11, 77.13, -34.08

 

CMYK 0 / 79 / 37 / 13

HEX #DE2F8B

RGB 222 47 139

HSL 328.46, 0.73%, 0.53%

LAB 51.18, 71.51, -8.71

 

CMYK 48 / 79 / 0 / 13

HEX #742FDE

RGB 116 47 222

HSL 263.66, 0.73%, 0.53%

LAB 39.61, 64.48, -76.81

 

CMYK 69 / 79 / 0 / 13

HEX #452FDE

RGB 69 47 222

HSL 247.54, 0.73%, 0.53%

LAB 35.15, 59.34, -84.33

 

CMYK 79 / 79 / 0 / 13

HEX #2F2FDE

RGB 47 47 222

HSL 240, 0.73%, 0.53%

LAB 33.8, 57.78, -86.61

 

CMYK 48 / 79 / 0 / 13

HEX #742FDE

RGB 116 47 222

HSL 263.66, 0.73%, 0.53%

LAB 39.61, 64.48, -76.81

 

CMYK 54 / 88 / 0 / 5

HEX #701CF2

RGB 112 28 242

HSL 263.55, 0.89%, 0.53%

LAB 39.05, 74.87, -89.14

 

CMYK 48 / 79 / 0 / 13

HEX #742FDE

RGB 116 47 222

HSL 263.66, 0.73%, 0.53%

LAB 39.61, 64.48, -76.81

 

CMYK 41 / 67 / 0 / 20

HEX #7843CB

RGB 120 67 203

HSL 263.38, 0.57%, 0.53%

LAB 41.72, 51.22, -62.42

 

CMYK 32 / 53 / 0 / 28

HEX #7C56B7

RGB 124 86 183

HSL 263.51, 0.4%, 0.53%

LAB 44.74, 36.49, -45.89

 

CMYK 22 / 36 / 0 / 36

HEX #8069A4

RGB 128 105 164

HSL 263.39, 0.24%, 0.53%

LAB 48.73, 21.61, -28.45

 

CMYK 8 / 14 / 0 / 43

HEX #857D91

RGB 133 125 145

HSL 264, 0.08%, 0.53%

LAB 53.71, 7.09, -9.69

 

CMYK 79 / 67 / 0 / 13

HEX #2F49DE

RGB 47 73 222

HSL 231.09, 0.73%, 0.53%

LAB 38.97, 43.31, -78.06

 

CMYK 69 / 79 / 0 / 13

HEX #442FDE

RGB 68 47 222

HSL 247.2, 0.73%, 0.53%

LAB 35.07, 59.25, -84.46

 

CMYK 49 / 79 / 0 / 13

HEX #722FDE

RGB 114 47 222

HSL 262.97, 0.73%, 0.53%

LAB 39.39, 64.22, -77.2

 

CMYK 27 / 79 / 0 / 13

HEX #A12FDE

RGB 161 47 222

HSL 279.09, 0.73%, 0.53%

LAB 45.47, 71.24, -67

 

CMYK 6 / 79 / 0 / 13

HEX #D02FDE

RGB 208 47 222

HSL 295.2, 0.73%, 0.53%

LAB 52.64, 79.51, -55.08

 

CMYK 51 / 85 / 0 / 36

HEX #4F19A2

RGB 79 25 162

HSL 263.65, 0.73%, 0.37%

LAB 26.64, 52.99, -62.98

 

CMYK 52 / 85 / 0 / 22

HEX #601EC6

RGB 96 30 198

HSL 263.57, 0.74%, 0.45%

LAB 32.9, 62.27, -74.05

 

CMYK 48 / 79 / 0 / 13

HEX #742FDE

RGB 116 47 222

HSL 263.66, 0.73%, 0.53%

LAB 39.61, 64.48, -76.81

 

CMYK 39 / 64 / 0 / 11

HEX #8C53E4

RGB 140 83 228

HSL 263.59, 0.73%, 0.61%

LAB 48.71, 53.4, -65.27

 

CMYK 30 / 49 / 0 / 9

HEX #A477E9

RGB 164 119 233

HSL 263.68, 0.72%, 0.69%

LAB 58.95, 40.77, -51.53

 

CMYK 48 / 78 / 0 / 13

HEX #7530DF

RGB 117 48 223

HSL 263.66, 0.73%, 0.53%

LAB 39.95, 64.47, -76.82

 

CMYK 0 / 79 / 46 / 13

HEX #DE2F78

RGB 222 47 120

HSL 334.97, 0.73%, 0.53%

LAB 50.59, 69.74, 1.89

 

CMYK 77 / 0 / 79 / 13

HEX #32DE2F

RGB 50 222 47

HSL 118.97, 0.73%, 0.53%

LAB 77.95, -72.46, 67.52

 

CMYK 48 / 78 / 0 / 13

HEX #7530DF

RGB 117 48 223

HSL 263.66, 0.73%, 0.53%

LAB 39.95, 64.47, -76.82

 

CMYK 0 / 49 / 79 / 13

HEX #DE722F

RGB 222 114 47

HSL 22.97, 0.73%, 0.53%

LAB 59.68, 37.74, 53.88

 

CMYK 79 / 0 / 49 / 13

HEX #2FDE72

RGB 47 222 114

HSL 142.97, 0.73%, 0.53%

LAB 78.5, -65.64, 40.86

 

CMYK 48 / 78 / 0 / 13

HEX #7530DF

RGB 117 48 223

HSL 263.66, 0.73%, 0.53%

LAB 39.95, 64.47, -76.82

 

CMYK 0 / 79 / 46 / 13

HEX #DE2F78

RGB 222 47 120

HSL 334.97, 0.73%, 0.53%

LAB 50.59, 69.74, 1.89

 

CMYK 30 / 0 / 79 / 13

HEX #9BDE2F

RGB 155 222 47

HSL 82.97, 0.73%, 0.53%

LAB 81.52, -45.18, 72.14

 

CMYK 79 / 0 / 33 / 13

HEX #2FDE95

RGB 47 222 149

HSL 154.97, 0.73%, 0.53%

LAB 79.05, -59.28, 23.9

 

CMYK 48 / 78 / 0 / 13

HEX #7530DF

RGB 117 48 223

HSL 263.66, 0.73%, 0.53%

LAB 39.95, 64.47, -76.82

 

CMYK 0 / 79 / 69 / 13

HEX #DE2F44

RGB 222 47 68

HSL 352.8, 0.73%, 0.53%

LAB 49.47, 66.3, 31.85

 

CMYK 30 / 0 / 79 / 13

HEX #9BDE2F

RGB 155 222 47

HSL 82.97, 0.73%, 0.53%

LAB 81.52, -45.18, 72.14

 

CMYK 79 / 0 / 9 / 13

HEX #2FDECA

RGB 47 222 202

HSL 173.14, 0.73%, 0.53%

LAB 80.24, -46.64, -2.38

 

Description

Color code: HEX #7530DF | qconv.com Color code: HEX #7530DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 48 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 48 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 78 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 78% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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