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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #753AAA it is the complementary color #8AC555. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #753AAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #753AAA shade: #7A3AA5, #8B4CB8, #9C5ECB, #AD70DE and #BE82F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #753AAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #753AAA shade: #753AAA, #642897, #531684, #420471 and #31005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #753AAA shade: #753AAA, #943AAA, #AA3AA3, #AA3A85 and #AA3A66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #753AAA shade: #753AAA, #573AAA and #3A3AAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #753AAA shade matches the following richer shades: #753AAA, #7627BD, #7715D0 and #7802E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #753AAA shade: #753AAA, #744D98, #735F85, #727273 and #718460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #753AAA shade: #3A3CAA, #563AAA, #743AAA, #923AAA and #AA3AA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #753AAA shade: #4B256D, #60308C, #753AAA, #8A4CC1 and #9E6BCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #753AAA shade: #753AAA, #AA3A5A and #3AAA47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #753AAA shade: #753AAA, #AA743A and #3AAA74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #753AAA shade: #753AAA, #AA3A5A, #70AA3A and #3AAA8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #753AAA shade: #753AAA, #AA3C3A, #70AA3A and #3AA9AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

Complementary color

CMYK 30 / 0 / 57 / 23

HEX #8AC555

RGB 138 197 85

HSL 91.61, 0.49%, 0.55%

LAB 73.54, -37.8, 49.32

 

CMYK 26 / 65 / 0 / 35

HEX #7A3AA5

RGB 122 58 165

HSL 275.89, 0.48%, 0.44%

LAB 37.63, 46.82, -46.66

 

CMYK 24 / 59 / 0 / 28

HEX #8B4CB8

RGB 139 76 184

HSL 275, 0.43%, 0.51%

LAB 44.4, 46.1, -46.92

 

CMYK 23 / 54 / 0 / 20

HEX #9C5ECB

RGB 156 94 203

HSL 274.13, 0.51%, 0.58%

LAB 51.13, 45.26, -47.06

 

CMYK 22 / 50 / 0 / 13

HEX #AD70DE

RGB 173 112 222

HSL 273.27, 0.63%, 0.65%

LAB 57.8, 44.39, -47.14

 

CMYK 21 / 46 / 0 / 5

HEX #BE82F1

RGB 190 130 241

HSL 272.43, 0.8%, 0.73%

LAB 64.37, 43.53, -47.2

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 34 / 74 / 0 / 41

HEX #642897

RGB 100 40 151

HSL 272.43, 0.58%, 0.37%

LAB 30.55, 47.38, -49.76

 

CMYK 37 / 83 / 0 / 48

HEX #531684

RGB 83 22 132

HSL 273.27, 0.71%, 0.3%

LAB 23.93, 47.18, -48.86

 

CMYK 42 / 96 / 0 / 56

HEX #420471

RGB 66 4 113

HSL 274.13, 0.93%, 0.23%

LAB 17.63, 45.7, -47.14

 

CMYK 48 / 100 / 0 / 63

HEX #31005E

RGB 49 0 94

HSL 271.28, 1%, 0.18%

LAB 12.36, 40.67, -43.39

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 13 / 66 / 0 / 33

HEX #943AAA

RGB 148 58 170

HSL 288.21, 0.49%, 0.45%

LAB 41.57, 54.03, -43.12

 

CMYK 0 / 66 / 4 / 33

HEX #AA3AA3

RGB 170 58 163

HSL 303.75, 0.49%, 0.45%

LAB 44.54, 58.12, -34.03

 

CMYK 0 / 66 / 22 / 33

HEX #AA3A85

RGB 170 58 133

HSL 319.82, 0.49%, 0.45%

LAB 43.16, 53.49, -18.09

 

CMYK 0 / 66 / 40 / 33

HEX #AA3A66

RGB 170 58 102

HSL 336.43, 0.49%, 0.45%

LAB 42.05, 49.59, -0.64

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 49 / 66 / 0 / 33

HEX #573AAA

RGB 87 58 170

HSL 255.54, 0.49%, 0.45%

LAB 33.89, 40.58, -55.9

 

CMYK 66 / 66 / 0 / 33

HEX #3A3AAA

RGB 58 58 170

HSL 240, 0.49%, 0.45%

LAB 31.41, 35.66, -60.04

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 38 / 79 / 0 / 26

HEX #7627BD

RGB 118 39 189

HSL 271.6, 0.66%, 0.45%

LAB 35.94, 59.93, -63.67

 

CMYK 43 / 90 / 0 / 18

HEX #7715D0

RGB 119 21 208

HSL 271.44, 0.82%, 0.45%

LAB 36.01, 69.51, -74.66

 

CMYK 47 / 99 / 0 / 11

HEX #7802E2

RGB 120 2 226

HSL 271.61, 0.98%, 0.45%

LAB 36.98, 76.26, -83.43

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 24 / 49 / 0 / 40

HEX #744D98

RGB 116 77 152

HSL 271.2, 0.33%, 0.45%

LAB 40.06, 31.67, -35.01

 

CMYK 14 / 29 / 0 / 48

HEX #735F85

RGB 115 95 133

HSL 271.58, 0.17%, 0.45%

LAB 43.54, 15.92, -18.14

 

CMYK 1 / 1 / 0 / 55

HEX #727273

RGB 114 114 115

HSL 240, 0%, 0.45%

LAB 48.07, 0.21, -0.56

 

CMYK 14 / 0 / 27 / 48

HEX #718460

RGB 113 132 96

HSL 91.67, 0.16%, 0.45%

LAB 52.79, -13.86, 17.22

 

CMYK 66 / 65 / 0 / 33

HEX #3A3CAA

RGB 58 60 170

HSL 238.93, 0.49%, 0.45%

LAB 31.88, 34.4, -59.27

 

CMYK 49 / 66 / 0 / 33

HEX #563AAA

RGB 86 58 170

HSL 255, 0.49%, 0.45%

LAB 33.79, 40.39, -56.06

 

CMYK 32 / 66 / 0 / 33

HEX #743AAA

RGB 116 58 170

HSL 271.07, 0.49%, 0.45%

LAB 37.19, 46.64, -50.39

 

CMYK 14 / 66 / 0 / 33

HEX #923AAA

RGB 146 58 170

HSL 287.14, 0.49%, 0.45%

LAB 41.28, 53.56, -43.6

 

CMYK 0 / 66 / 3 / 33

HEX #AA3AA5

RGB 170 58 165

HSL 302.68, 0.49%, 0.45%

LAB 44.64, 58.46, -35.06

 

CMYK 31 / 66 / 0 / 57

HEX #4B256D

RGB 75 37 109

HSL 271.67, 0.49%, 0.29%

LAB 23.42, 32.71, -35.09

 

CMYK 31 / 66 / 0 / 45

HEX #60308C

RGB 96 48 140

HSL 271.3, 0.49%, 0.37%

LAB 30.63, 39.81, -42.9

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 28 / 61 / 0 / 24

HEX #8A4CC1

RGB 138 76 193

HSL 271.79, 0.49%, 0.53%

LAB 44.83, 47.97, -51.49

 

CMYK 23 / 48 / 0 / 20

HEX #9E6BCC

RGB 158 107 204

HSL 271.55, 0.49%, 0.61%

LAB 54.18, 38.9, -42.79

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 0 / 66 / 47 / 33

HEX #AA3A5A

RGB 170 58 90

HSL 342.86, 0.49%, 0.45%

LAB 41.71, 48.35, 6.35

 

CMYK 66 / 0 / 58 / 33

HEX #3AAA47

RGB 58 170 71

HSL 126.96, 0.49%, 0.45%

LAB 61.74, -51.98, 41.28

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 0 / 32 / 66 / 33

HEX #AA743A

RGB 170 116 58

HSL 31.07, 0.49%, 0.45%

LAB 53.32, 15.4, 39.86

 

CMYK 66 / 0 / 32 / 33

HEX #3AAA74

RGB 58 170 116

HSL 151.07, 0.49%, 0.45%

LAB 62.43, -44.32, 18.81

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 0 / 66 / 47 / 33

HEX #AA3A5A

RGB 170 58 90

HSL 342.86, 0.49%, 0.45%

LAB 41.71, 48.35, 6.35

 

CMYK 34 / 0 / 66 / 33

HEX #70AA3A

RGB 112 170 58

HSL 91.07, 0.49%, 0.45%

LAB 63.75, -37.61, 49.98

 

CMYK 66 / 0 / 18 / 33

HEX #3AAA8B

RGB 58 170 139

HSL 163.39, 0.49%, 0.45%

LAB 62.94, -39.04, 6.81

 

CMYK 31 / 66 / 0 / 33

HEX #753AAA

RGB 117 58 170

HSL 271.61, 0.49%, 0.45%

LAB 37.32, 46.86, -50.18

 

CMYK 0 / 65 / 66 / 33

HEX #AA3C3A

RGB 170 60 58

HSL 1.07, 0.49%, 0.45%

LAB 41.35, 44.94, 25.69

 

CMYK 34 / 0 / 66 / 33

HEX #70AA3A

RGB 112 170 58

HSL 91.07, 0.49%, 0.45%

LAB 63.75, -37.61, 49.98

 

CMYK 66 / 1 / 0 / 33

HEX #3AA9AA

RGB 58 169 170

HSL 180.54, 0.49%, 0.45%

LAB 63.49, -30.2, -9.71

 

Description

Color code: HEX #753AAA | qconv.com Color code: HEX #753AAA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 58 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 58 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 66 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 66% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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