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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #753AC9 it is the complementary color #8AC536. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #753AC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #753AC9 shade: #7A3AC4, #8B4CD7, #9C5EEA, #AD70FD and #BE82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #753AC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #753AC9 shade: #753AC9, #6428B6, #5316A3, #420490 and #31007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #753AC9 shade: #753AC9, #9C3AC9, #C23AC9, #C93AA9 and #C93A83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #753AC9 shade: #753AC9, #4F3AC9 and #3A3AC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #753AC9 shade matches the following richer shades: #753AC9, #7226DD and #6E12F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #753AC9 shade: #753AC9, #794FB5, #7C63A0, #80778C and #838B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #753AC9 shade: #3A4DC9, #4D3AC9, #733AC9, #993AC9 and #BF3AC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #753AC9 shade: #4F268B, #622FAB, #753AC9, #8C5BD2 and #A27BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #753AC9 shade: #753AC9, #C93A73 and #3AC93A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #753AC9 shade: #753AC9, #C9733A and #3AC973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #753AC9 shade: #753AC9, #C93A73, #90C93A and #3AC990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #753AC9 shade: #753AC9, #C93A49, #90C93A and #3AC9BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

Complementary color

CMYK 30 / 0 / 73 / 23

HEX #8AC536

RGB 138 197 54

HSL 84.76, 0.57%, 0.49%

LAB 73.29, -40.26, 61.79

 

CMYK 38 / 70 / 0 / 23

HEX #7A3AC4

RGB 122 58 196

HSL 267.83, 0.54%, 0.5%

LAB 39.83, 54.26, -61.41

 

CMYK 35 / 65 / 0 / 16

HEX #8B4CD7

RGB 139 76 215

HSL 267.19, 0.63%, 0.57%

LAB 46.4, 53.52, -61.64

 

CMYK 33 / 60 / 0 / 8

HEX #9C5EEA

RGB 156 94 234

HSL 266.57, 0.77%, 0.64%

LAB 52.96, 52.61, -61.7

 

CMYK 32 / 56 / 0 / 1

HEX #AD70FD

RGB 173 112 253

HSL 265.96, 0.97%, 0.72%

LAB 59.49, 51.64, -61.69

 

CMYK 25 / 49 / 0 / 0

HEX #BE82FF

RGB 190 130 255

HSL 268.8, 1%, 0.75%

LAB 65.07, 46.71, -53.79

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 45 / 78 / 0 / 29

HEX #6428B6

RGB 100 40 182

HSL 265.35, 0.64%, 0.44%

LAB 33.14, 55.07, -64.2

 

CMYK 49 / 87 / 0 / 36

HEX #5316A3

RGB 83 22 163

HSL 265.96, 0.76%, 0.36%

LAB 26.9, 54.75, -63.14

 

CMYK 54 / 97 / 0 / 44

HEX #420490

RGB 66 4 144

HSL 266.57, 0.95%, 0.29%

LAB 21.05, 53.07, -61.19

 

CMYK 61 / 100 / 0 / 51

HEX #31007D

RGB 49 0 125

HSL 263.52, 1%, 0.25%

LAB 16.17, 48.27, -57.36

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 22 / 71 / 0 / 21

HEX #9C3AC9

RGB 156 58 201

HSL 281.12, 0.57%, 0.51%

LAB 44.68, 62.06, -56.26

 

CMYK 3 / 71 / 0 / 21

HEX #C23AC9

RGB 194 58 201

HSL 297.06, 0.57%, 0.51%

LAB 50.35, 70, -46.85

 

CMYK 0 / 71 / 16 / 21

HEX #C93AA9

RGB 201 58 169

HSL 313.43, 0.57%, 0.51%

LAB 49.87, 66.66, -28.89

 

CMYK 0 / 71 / 35 / 21

HEX #C93A83

RGB 201 58 131

HSL 329.37, 0.57%, 0.51%

LAB 48.36, 61.85, -8.49

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 61 / 71 / 0 / 21

HEX #4F3AC9

RGB 79 58 201

HSL 248.81, 0.57%, 0.51%

LAB 35.8, 48.59, -71.09

 

CMYK 71 / 71 / 0 / 21

HEX #3A3AC9

RGB 58 58 201

HSL 240, 0.57%, 0.51%

LAB 34.28, 46.08, -73.65

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 48 / 83 / 0 / 13

HEX #7226DD

RGB 114 38 221

HSL 264.92, 0.73%, 0.51%

LAB 38.17, 67.25, -78.62

 

CMYK 54 / 93 / 0 / 5

HEX #6E12F1

RGB 110 18 241

HSL 264.75, 0.89%, 0.51%

LAB 38.02, 76.57, -90.28

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 33 / 56 / 0 / 29

HEX #794FB5

RGB 121 79 181

HSL 264.71, 0.41%, 0.51%

LAB 42.75, 39.22, -47.92

 

CMYK 23 / 38 / 0 / 37

HEX #7C63A0

RGB 124 99 160

HSL 264.59, 0.24%, 0.51%

LAB 46.64, 22.96, -29.38

 

CMYK 9 / 15 / 0 / 45

HEX #80778C

RGB 128 119 140

HSL 265.71, 0.08%, 0.51%

LAB 51.47, 7.73, -10.16

 

CMYK 6 / 0 / 14 / 45

HEX #838B78

RGB 131 139 120

HSL 85.26, 0.08%, 0.51%

LAB 56.73, -6.57, 9.17

 

CMYK 71 / 62 / 0 / 21

HEX #3A4DC9

RGB 58 77 201

HSL 232.03, 0.57%, 0.51%

LAB 38.59, 34.53, -66.57

 

CMYK 62 / 71 / 0 / 21

HEX #4D3AC9

RGB 77 58 201

HSL 247.97, 0.57%, 0.51%

LAB 35.64, 48.32, -71.37

 

CMYK 43 / 71 / 0 / 21

HEX #733AC9

RGB 115 58 201

HSL 263.92, 0.57%, 0.51%

LAB 39.39, 54.24, -65.07

 

CMYK 24 / 71 / 0 / 21

HEX #993AC9

RGB 153 58 201

HSL 279.86, 0.57%, 0.51%

LAB 44.26, 61.46, -56.96

 

CMYK 5 / 71 / 0 / 21

HEX #BF3AC9

RGB 191 58 201

HSL 295.8, 0.57%, 0.51%

LAB 49.88, 69.36, -47.63

 

CMYK 43 / 73 / 0 / 45

HEX #4F268B

RGB 79 38 139

HSL 264.36, 0.57%, 0.35%

LAB 26.48, 41.15, -49.09

 

CMYK 43 / 73 / 0 / 33

HEX #622FAB

RGB 98 47 171

HSL 264.68, 0.57%, 0.43%

LAB 33.07, 48.75, -57.77

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 33 / 57 / 0 / 18

HEX #8C5BD2

RGB 140 91 210

HSL 264.71, 0.57%, 0.59%

LAB 49.14, 44.57, -54.35

 

CMYK 26 / 44 / 0 / 14

HEX #A27BDB

RGB 162 123 219

HSL 264.38, 0.57%, 0.67%

LAB 58.94, 34.58, -43.73

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 0 / 71 / 43 / 21

HEX #C93A73

RGB 201 58 115

HSL 336.08, 0.57%, 0.51%

LAB 47.86, 60.18, 0.48

 

CMYK 71 / 0 / 71 / 21

HEX #3AC93A

RGB 58 201 58

HSL 120, 0.57%, 0.51%

LAB 71.54, -63.98, 57.6

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 0 / 43 / 71 / 21

HEX #C9733A

RGB 201 115 58

HSL 23.92, 0.57%, 0.51%

LAB 57.06, 29.19, 45.12

 

CMYK 71 / 0 / 43 / 21

HEX #3AC973

RGB 58 201 115

HSL 143.92, 0.57%, 0.51%

LAB 72.17, -56.61, 32.32

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 0 / 71 / 43 / 21

HEX #C93A73

RGB 201 58 115

HSL 336.08, 0.57%, 0.51%

LAB 47.86, 60.18, 0.48

 

CMYK 28 / 0 / 71 / 21

HEX #90C93A

RGB 144 201 58

HSL 83.92, 0.57%, 0.51%

LAB 74.83, -39.55, 62

 

CMYK 71 / 0 / 28 / 21

HEX #3AC990

RGB 58 201 144

HSL 156.08, 0.57%, 0.51%

LAB 72.68, -50.9, 17.82

 

CMYK 42 / 71 / 0 / 21

HEX #753AC9

RGB 117 58 201

HSL 264.76, 0.57%, 0.51%

LAB 39.62, 54.6, -64.69

 

CMYK 0 / 71 / 64 / 21

HEX #C93A49

RGB 201 58 73

HSL 353.71, 0.57%, 0.51%

LAB 46.88, 56.87, 24.76

 

CMYK 28 / 0 / 71 / 21

HEX #90C93A

RGB 144 201 58

HSL 83.92, 0.57%, 0.51%

LAB 74.83, -39.55, 62

 

CMYK 71 / 0 / 7 / 21

HEX #3AC9BB

RGB 58 201 187

HSL 174.13, 0.57%, 0.51%

LAB 73.71, -40.32, -3.9

 

Description

Color code: HEX #753AC9 | qconv.com Color code: HEX #753AC9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 58 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 58 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 71 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 71% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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