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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #753C59 it is the complementary color #8AC3A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #753C59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #753C59 shade: #7A3C54, #8B4E67, #9C607A, #AD728D and #BE84A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #753C59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #753C59 shade: #753C59, #642A46, #531833, #420620 and #31000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #753C59 shade: #753C59, #753C4A and #753C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #753C59 shade: #753C59, #753C69, #733C75, #633C75 and #543C75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #753C59 shade matches the following richer shades: #753C59, #842E5A, #921F5A, #A1115A and #AF025A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #753C59 shade: #753C59, #674B59, #585959, #4A6858 and #3C7658

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #753C59 shade: #723C75, #753C69, #753C5A, #753C4A and #753D3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #753C59 shade: #3F2030, #5A2E45, #753C59, #914A6E and #AA5A83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #753C59 shade: #753C59, #75633C and #3C7175

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #753C59 shade: #753C59, #5A753C and #3C5A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #753C59 shade: #753C59, #75633C, #3C7558 and #3C4E75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #753C59 shade: #753C59, #75743C, #3C7558 and #3C3D75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

Complementary color

CMYK 29 / 0 / 15 / 24

HEX #8AC3A6

RGB 138 195 166

HSL 149.47, 0.32%, 0.65%

LAB 74.31, -24.58, 8.7

 

CMYK 0 / 51 / 31 / 52

HEX #7A3C54

RGB 122 60 84

HSL 336.77, 0.34%, 0.36%

LAB 34, 29.91, -2

 

CMYK 0 / 44 / 26 / 45

HEX #8B4E67

RGB 139 78 103

HSL 335.41, 0.28%, 0.43%

LAB 41.08, 28.99, -3.24

 

CMYK 0 / 38 / 22 / 39

HEX #9C607A

RGB 156 96 122

HSL 334, 0.24%, 0.49%

LAB 48.06, 28.1, -4.25

 

CMYK 0 / 34 / 18 / 32

HEX #AD728D

RGB 173 114 141

HSL 332.54, 0.26%, 0.56%

LAB 54.91, 27.28, -5.12

 

CMYK 0 / 31 / 16 / 25

HEX #BE84A0

RGB 190 132 160

HSL 331.03, 0.31%, 0.63%

LAB 61.64, 26.53, -5.89

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 58 / 30 / 61

HEX #642A46

RGB 100 42 70

HSL 331.03, 0.41%, 0.28%

LAB 26.18, 29.65, -4.81

 

CMYK 0 / 71 / 39 / 67

HEX #531833

RGB 83 24 51

HSL 332.54, 0.55%, 0.21%

LAB 18.93, 30.19, -2.89

 

CMYK 0 / 91 / 52 / 74

HEX #420620

RGB 66 6 32

HSL 334, 0.83%, 0.14%

LAB 11.91, 29.82, 0.18

 

CMYK 0 / 100 / 73 / 81

HEX #31000D

RGB 49 0 13

HSL 344.08, 1%, 0.1%

LAB 6.16, 25.25, 4.3

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 49 / 37 / 54

HEX #753C4A

RGB 117 60 74

HSL 345.26, 0.32%, 0.35%

LAB 32.94, 26.58, 2.79

 

CMYK 0 / 49 / 49 / 54

HEX #753C3C

RGB 117 60 60

HSL 0, 0.32%, 0.35%

LAB 32.57, 24.85, 11.28

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 49 / 10 / 54

HEX #753C69

RGB 117 60 105

HSL 312.63, 0.32%, 0.35%

LAB 34.05, 31.57, -15.38

 

CMYK 2 / 49 / 0 / 54

HEX #733C75

RGB 115 60 117

HSL 297.89, 0.32%, 0.35%

LAB 34.32, 33.23, -22.56

 

CMYK 15 / 49 / 0 / 54

HEX #633C75

RGB 99 60 117

HSL 281.05, 0.32%, 0.35%

LAB 32.19, 28.12, -26.04

 

CMYK 28 / 49 / 0 / 54

HEX #543C75

RGB 84 60 117

HSL 265.26, 0.32%, 0.35%

LAB 30.4, 23.44, -28.98

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 65 / 32 / 48

HEX #842E5A

RGB 132 46 90

HSL 329.3, 0.48%, 0.35%

LAB 33.13, 41.4, -6.98

 

CMYK 0 / 79 / 38 / 43

HEX #921F5A

RGB 146 31 90

HSL 329.22, 0.65%, 0.35%

LAB 33.62, 51.35, -5.97

 

CMYK 0 / 89 / 44 / 37

HEX #A1115A

RGB 161 17 90

HSL 329.58, 0.81%, 0.35%

LAB 35.43, 58.6, -2.96

 

CMYK 0 / 99 / 49 / 31

HEX #AF025A

RGB 175 2 90

HSL 329.48, 0.98%, 0.35%

LAB 37.65, 63.86, 0.64

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 27 / 14 / 60

HEX #674B59

RGB 103 75 89

HSL 330, 0.16%, 0.35%

LAB 35.28, 14.34, -3.59

 

CMYK 1 / 0 / 0 / 65

HEX #585959

RGB 88 89 89

HSL 180, 0.01%, 0.35%

LAB 37.74, -0.4, -0.14

 

CMYK 29 / 0 / 15 / 59

HEX #4A6858

RGB 74 104 88

HSL 148, 0.17%, 0.35%

LAB 41.31, -14.71, 5.5

 

CMYK 49 / 0 / 25 / 54

HEX #3C7658

RGB 60 118 88

HSL 148.97, 0.33%, 0.35%

LAB 45.11, -26.56, 10.77

 

CMYK 3 / 49 / 0 / 54

HEX #723C75

RGB 114 60 117

HSL 296.84, 0.32%, 0.35%

LAB 34.18, 32.91, -22.79

 

CMYK 0 / 49 / 10 / 54

HEX #753C69

RGB 117 60 105

HSL 312.63, 0.32%, 0.35%

LAB 34.05, 31.57, -15.38

 

CMYK 0 / 49 / 23 / 54

HEX #753C5A

RGB 117 60 90

HSL 328.42, 0.32%, 0.35%

LAB 33.46, 28.97, -6.73

 

CMYK 0 / 49 / 37 / 54

HEX #753C4A

RGB 117 60 74

HSL 345.26, 0.32%, 0.35%

LAB 32.94, 26.58, 2.79

 

CMYK 0 / 48 / 49 / 54

HEX #753D3C

RGB 117 61 60

HSL 1.05, 0.32%, 0.35%

LAB 32.8, 24.27, 11.6

 

CMYK 0 / 49 / 24 / 75

HEX #3F2030

RGB 63 32 48

HSL 329.03, 0.33%, 0.19%

LAB 17, 17.49, -4.02

 

CMYK 0 / 49 / 23 / 65

HEX #5A2E45

RGB 90 46 69

HSL 328.64, 0.32%, 0.27%

LAB 25.43, 23.41, -5.42

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 49 / 24 / 43

HEX #914A6E

RGB 145 74 110

HSL 329.58, 0.32%, 0.43%

LAB 41.28, 34.47, -7.18

 

CMYK 0 / 47 / 23 / 33

HEX #AA5A83

RGB 170 90 131

HSL 329.25, 0.32%, 0.51%

LAB 48.88, 37.82, -8.22

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 15 / 49 / 54

HEX #75633C

RGB 117 99 60

HSL 41.05, 0.32%, 0.35%

LAB 42.81, 1.54, 24.76

 

CMYK 49 / 3 / 0 / 54

HEX #3C7175

RGB 60 113 117

HSL 184.21, 0.32%, 0.35%

LAB 44.31, -16.46, -7.7

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 23 / 0 / 49 / 54

HEX #5A753C

RGB 90 117 60

HSL 88.42, 0.32%, 0.35%

LAB 45.94, -20.44, 28.17

 

CMYK 49 / 23 / 0 / 54

HEX #3C5A75

RGB 60 90 117

HSL 208.42, 0.32%, 0.35%

LAB 37.04, -3, -18.76

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 15 / 49 / 54

HEX #75633C

RGB 117 99 60

HSL 41.05, 0.32%, 0.35%

LAB 42.81, 1.54, 24.76

 

CMYK 49 / 0 / 25 / 54

HEX #3C7558

RGB 60 117 88

HSL 149.47, 0.32%, 0.35%

LAB 44.78, -26.07, 10.31

 

CMYK 49 / 33 / 0 / 54

HEX #3C4E75

RGB 60 78 117

HSL 221.05, 0.32%, 0.35%

LAB 33.34, 4.61, -24.51

 

CMYK 0 / 49 / 24 / 54

HEX #753C59

RGB 117 60 89

HSL 329.47, 0.32%, 0.35%

LAB 33.42, 28.8, -6.14

 

CMYK 0 / 1 / 49 / 54

HEX #75743C

RGB 117 116 60

HSL 58.95, 0.32%, 0.35%

LAB 47.75, -8.26, 30.88

 

CMYK 49 / 0 / 25 / 54

HEX #3C7558

RGB 60 117 88

HSL 149.47, 0.32%, 0.35%

LAB 44.78, -26.07, 10.31

 

CMYK 49 / 48 / 0 / 54

HEX #3C3D75

RGB 60 61 117

HSL 238.95, 0.32%, 0.35%

LAB 28.33, 15.89, -32.41

 

Description

Color code: HEX #753C59 | qconv.com Color code: HEX #753C59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 60 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 60 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 24 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 24% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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