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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755A9F it is the complementary color #8AA560. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755A9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755A9F shade: #7A5A9A, #8B6CAD, #9C7EC0, #AD90D3 and #BEA2E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755A9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755A9F shade: #755A9F, #64488C, #533679, #422466 and #311253

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755A9F shade: #75599F, #88599F, #9B599F, #9F5991 and #9F597F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755A9F shade: #75599F, #62599F and #59599F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755A9F shade matches the following richer shades: #75599F, #7045B4, #6C31C8, #681DDC and #6309F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755A9F shade: #75599F, #796E8B, #7E8277, #829663 and #86AA4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755A9F shade: #59649F, #62599F, #74599F, #87599F and #9A599F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755A9F shade: #4E3C6B, #614B85, #75599F, #8A72B0 and #A08DBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755A9F shade: #755A9F, #9F5977 and #5B9F59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755A9F shade: #755A9F, #9F7459 and #599F74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755A9F shade: #755A9F, #9F5977, #859F59 and #599F82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755A9F shade: #755A9F, #9F5962, #859F59 and #599F97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 43 / 0 / 38

HEX #755A9F

RGB 117 90 159

HSL 263.48, 0.28%, 0.49%

LAB 43.65, 25.98, -33.52

 

Complementary color

CMYK 16 / 0 / 42 / 35

HEX #8AA560

RGB 138 165 96

HSL 83.48, 0.28%, 0.51%

LAB 64.29, -21.3, 32.68

 

CMYK 21 / 42 / 0 / 40

HEX #7A5A9A

RGB 122 90 154

HSL 270, 0.26%, 0.48%

LAB 43.92, 26.25, -30.09

 

CMYK 20 / 38 / 0 / 32

HEX #8B6CAD

RGB 139 108 173

HSL 268.62, 0.28%, 0.55%

LAB 50.96, 25.45, -30.15

 

CMYK 19 / 34 / 0 / 25

HEX #9C7EC0

RGB 156 126 192

HSL 267.27, 0.34%, 0.62%

LAB 57.84, 24.72, -30.24

 

CMYK 18 / 32 / 0 / 17

HEX #AD90D3

RGB 173 144 211

HSL 265.97, 0.43%, 0.7%

LAB 64.59, 24.06, -30.35

 

CMYK 17 / 30 / 0 / 10

HEX #BEA2E6

RGB 190 162 230

HSL 264.71, 0.58%, 0.77%

LAB 71.21, 23.45, -30.49

 

CMYK 26 / 43 / 0 / 38

HEX #755A9F

RGB 117 90 159

HSL 263.48, 0.28%, 0.49%

LAB 43.65, 25.98, -33.52

 

CMYK 29 / 49 / 0 / 45

HEX #64488C

RGB 100 72 140

HSL 264.71, 0.32%, 0.42%

LAB 36.44, 26.93, -33.58

 

CMYK 31 / 55 / 0 / 53

HEX #533679

RGB 83 54 121

HSL 265.97, 0.38%, 0.34%

LAB 29.05, 27.98, -33.66

 

CMYK 35 / 65 / 0 / 60

HEX #422466

RGB 66 36 102

HSL 267.27, 0.48%, 0.27%

LAB 21.5, 29.08, -33.68

 

CMYK 41 / 78 / 0 / 67

HEX #311253

RGB 49 18 83

HSL 268.62, 0.64%, 0.2%

LAB 13.89, 29.97, -33.45

 

CMYK 26 / 44 / 0 / 38

HEX #75599F

RGB 117 89 159

HSL 264, 0.28%, 0.49%

LAB 43.4, 26.58, -33.91

 

CMYK 14 / 44 / 0 / 38

HEX #88599F

RGB 136 89 159

HSL 280.29, 0.28%, 0.49%

LAB 45.47, 32.35, -30.52

 

CMYK 3 / 44 / 0 / 38

HEX #9B599F

RGB 155 89 159

HSL 296.57, 0.28%, 0.49%

LAB 47.77, 38.26, -26.76

 

CMYK 0 / 44 / 9 / 38

HEX #9F5991

RGB 159 89 145

HSL 312, 0.28%, 0.49%

LAB 47.7, 36.92, -18.51

 

CMYK 0 / 44 / 20 / 38

HEX #9F597F

RGB 159 89 127

HSL 327.43, 0.28%, 0.49%

LAB 47.04, 33.89, -8.73

 

CMYK 26 / 44 / 0 / 38

HEX #75599F

RGB 117 89 159

HSL 264, 0.28%, 0.49%

LAB 43.4, 26.58, -33.91

 

CMYK 38 / 44 / 0 / 38

HEX #62599F

RGB 98 89 159

HSL 247.71, 0.28%, 0.49%

LAB 41.6, 21.12, -36.88

 

CMYK 44 / 44 / 0 / 38

HEX #59599F

RGB 89 89 159

HSL 240, 0.28%, 0.49%

LAB 40.85, 18.7, -38.12

 

CMYK 26 / 44 / 0 / 38

HEX #75599F

RGB 117 89 159

HSL 264, 0.28%, 0.49%

LAB 43.4, 26.58, -33.91

 

CMYK 38 / 62 / 0 / 29

HEX #7045B4

RGB 112 69 180

HSL 263.24, 0.45%, 0.49%

LAB 39.57, 42.44, -52.5

 

CMYK 46 / 76 / 0 / 22

HEX #6C31C8

RGB 108 49 200

HSL 263.44, 0.61%, 0.49%

LAB 37.03, 56.99, -68.38

 

CMYK 53 / 87 / 0 / 14

HEX #681DDC

RGB 104 29 220

HSL 263.56, 0.77%, 0.49%

LAB 35.96, 68.71, -81.73

 

CMYK 59 / 96 / 0 / 6

HEX #6309F0

RGB 99 9 240

HSL 263.38, 0.93%, 0.49%

LAB 36.25, 76.91, -92.68

 

CMYK 26 / 44 / 0 / 38

HEX #75599F

RGB 117 89 159

HSL 264, 0.28%, 0.49%

LAB 43.4, 26.58, -33.91

 

CMYK 13 / 21 / 0 / 45

HEX #796E8B

RGB 121 110 139

HSL 262.76, 0.12%, 0.49%

LAB 48.36, 10.35, -14.32

 

CMYK 3 / 0 / 8 / 49

HEX #7E8277

RGB 126 130 119

HSL 81.82, 0.04%, 0.49%

LAB 53.74, -3.63, 5.43

 

CMYK 13 / 0 / 34 / 41

HEX #829663

RGB 130 150 99

HSL 83.53, 0.2%, 0.49%

LAB 59.4, -16.31, 24.62

 

CMYK 21 / 0 / 54 / 33

HEX #86AA4F

RGB 134 170 79

HSL 83.74, 0.37%, 0.49%

LAB 65.26, -27.3, 42.44

 

CMYK 44 / 37 / 0 / 38

HEX #59649F

RGB 89 100 159

HSL 230.57, 0.28%, 0.49%

LAB 43.86, 11.79, -33.36

 

CMYK 38 / 44 / 0 / 38

HEX #62599F

RGB 98 89 159

HSL 247.71, 0.28%, 0.49%

LAB 41.6, 21.12, -36.88

 

CMYK 27 / 44 / 0 / 38

HEX #74599F

RGB 116 89 159

HSL 263.14, 0.28%, 0.49%

LAB 43.3, 26.28, -34.08

 

CMYK 15 / 44 / 0 / 38

HEX #87599F

RGB 135 89 159

HSL 279.43, 0.28%, 0.49%

LAB 45.36, 32.04, -30.71

 

CMYK 3 / 44 / 0 / 38

HEX #9A599F

RGB 154 89 159

HSL 295.71, 0.28%, 0.49%

LAB 47.65, 37.94, -26.97

 

CMYK 27 / 44 / 0 / 58

HEX #4E3C6B

RGB 78 60 107

HSL 262.98, 0.28%, 0.33%

LAB 29.19, 18.82, -24.59

 

CMYK 27 / 44 / 0 / 48

HEX #614B85

RGB 97 75 133

HSL 262.76, 0.28%, 0.41%

LAB 36.49, 22.31, -29.23

 

CMYK 26 / 44 / 0 / 38

HEX #75599F

RGB 117 89 159

HSL 264, 0.28%, 0.49%

LAB 43.4, 26.58, -33.91

 

CMYK 22 / 35 / 0 / 31

HEX #8A72B0

RGB 138 114 176

HSL 263.23, 0.28%, 0.57%

LAB 52.48, 22.33, -29.53

 

CMYK 16 / 26 / 0 / 25

HEX #A08DBF

RGB 160 141 191

HSL 262.8, 0.28%, 0.65%

LAB 61.9, 17.15, -23.39

 

CMYK 26 / 43 / 0 / 38

HEX #755A9F

RGB 117 90 159

HSL 263.48, 0.28%, 0.49%

LAB 43.65, 25.98, -33.52

 

CMYK 0 / 44 / 25 / 38

HEX #9F5977

RGB 159 89 119

HSL 334.29, 0.28%, 0.49%

LAB 46.77, 32.65, -4.3

 

CMYK 43 / 0 / 44 / 38

HEX #5B9F59

RGB 91 159 89

HSL 118.29, 0.28%, 0.49%

LAB 59.65, -36.25, 29.9

 

CMYK 26 / 43 / 0 / 38

HEX #755A9F

RGB 117 90 159

HSL 263.48, 0.28%, 0.49%

LAB 43.65, 25.98, -33.52

 

CMYK 0 / 27 / 44 / 38

HEX #9F7459

RGB 159 116 89

HSL 23.14, 0.28%, 0.49%

LAB 52.49, 13.38, 21.55

 

CMYK 44 / 0 / 27 / 38

HEX #599F74

RGB 89 159 116

HSL 143.14, 0.28%, 0.49%

LAB 60.05, -32.06, 15.71

 

CMYK 26 / 43 / 0 / 38

HEX #755A9F

RGB 117 90 159

HSL 263.48, 0.28%, 0.49%

LAB 43.65, 25.98, -33.52

 

CMYK 0 / 44 / 25 / 38

HEX #9F5977

RGB 159 89 119

HSL 334.29, 0.28%, 0.49%

LAB 46.77, 32.65, -4.3

 

CMYK 16 / 0 / 44 / 38

HEX #859F59

RGB 133 159 89

HSL 82.29, 0.28%, 0.49%

LAB 62.09, -21.1, 33.49

 

CMYK 44 / 0 / 18 / 38

HEX #599F82

RGB 89 159 130

HSL 155.14, 0.28%, 0.49%

LAB 60.37, -29.08, 8.32

 

CMYK 26 / 43 / 0 / 38

HEX #755A9F

RGB 117 90 159

HSL 263.48, 0.28%, 0.49%

LAB 43.65, 25.98, -33.52

 

CMYK 0 / 44 / 38 / 38

HEX #9F5962

RGB 159 89 98

HSL 352.29, 0.28%, 0.49%

LAB 46.17, 29.78, 7.54

 

CMYK 16 / 0 / 44 / 38

HEX #859F59

RGB 133 159 89

HSL 82.29, 0.28%, 0.49%

LAB 62.09, -21.1, 33.49

 

CMYK 44 / 0 / 5 / 38

HEX #599F97

RGB 89 159 151

HSL 173.14, 0.28%, 0.49%

LAB 60.92, -24.06, -2.72

 

Description

Color code: HEX #755A9F | qconv.com Color code: HEX #755A9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 90 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 90 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 43 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 43% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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