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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755BB7 it is the complementary color #8AA448. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755BB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755BB7 shade: #7A5BB2, #8B6DC5, #9C7FD8, #AD91EB and #BEA3FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755BB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755BB7 shade: #755BB7, #6449A4, #533791, #42257E and #31136B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755BB7 shade: #755BB7, #8E5BB7, #A75BB7, #B75BAF and #B75B96

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755BB7 shade: #755BB7, #5D5BB7 and #5B5BB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755BB7 shade matches the following richer shades: #755BB7, #6D48CA, #6535DD and #5D23F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755BB7 shade: #755BB7, #7E6EA4, #868191, #8E947E and #96A76B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755BB7 shade: #5B74B7, #5B5BB7, #745BB7, #8C5BB7 and #A55BB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755BB7 shade: #503A86, #6147A2, #755BB7, #8D78C4 and #A695D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755BB7 shade: #755BB7, #B75B8C and #68B75B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755BB7 shade: #755BB7, #B7745B and #5BB774

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755BB7 shade: #755BB7, #B75B8C, #9FB75B and #5BB786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755BB7 shade: #755BB7, #B75B71, #9FB75B and #5BB7A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

Complementary color

CMYK 16 / 0 / 56 / 36

HEX #8AA448

RGB 138 164 72

HSL 76.96, 0.39%, 0.46%

LAB 63.69, -23.45, 44.04

 

CMYK 31 / 49 / 0 / 30

HEX #7A5BB2

RGB 122 91 178

HSL 261.38, 0.36%, 0.53%

LAB 45.41, 31.73, -41.92

 

CMYK 29 / 45 / 0 / 23

HEX #8B6DC5

RGB 139 109 197

HSL 260.45, 0.43%, 0.6%

LAB 52.35, 30.77, -41.81

 

CMYK 28 / 41 / 0 / 15

HEX #9C7FD8

RGB 156 127 216

HSL 259.55, 0.53%, 0.67%

LAB 59.16, 29.89, -41.73

 

CMYK 26 / 38 / 0 / 8

HEX #AD91EB

RGB 173 145 235

HSL 258.67, 0.69%, 0.75%

LAB 65.85, 29.09, -41.68

 

CMYK 25 / 36 / 0 / 0

HEX #BEA3FE

RGB 190 163 254

HSL 257.8, 0.98%, 0.82%

LAB 72.43, 28.37, -41.66

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 39 / 55 / 0 / 36

HEX #6449A4

RGB 100 73 164

HSL 257.8, 0.38%, 0.46%

LAB 38.12, 32.9, -45.4

 

CMYK 43 / 62 / 0 / 43

HEX #533791

RGB 83 55 145

HSL 258.67, 0.45%, 0.39%

LAB 30.92, 34.17, -45.59

 

CMYK 48 / 71 / 0 / 51

HEX #42257E

RGB 66 37 126

HSL 259.55, 0.55%, 0.32%

LAB 23.63, 35.46, -45.66

 

CMYK 54 / 82 / 0 / 58

HEX #31136B

RGB 49 19 107

HSL 260.45, 0.7%, 0.25%

LAB 16.41, 36.43, -45.34

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 22 / 50 / 0 / 28

HEX #8E5BB7

RGB 142 91 183

HSL 273.26, 0.39%, 0.54%

LAB 47.82, 38.49, -40.88

 

CMYK 9 / 50 / 0 / 28

HEX #A75BB7

RGB 167 91 183

HSL 289.57, 0.39%, 0.54%

LAB 50.82, 45.55, -35.94

 

CMYK 0 / 50 / 4 / 28

HEX #B75BAF

RGB 183 91 175

HSL 305.22, 0.39%, 0.54%

LAB 52.56, 48.69, -28.43

 

CMYK 0 / 50 / 18 / 28

HEX #B75B96

RGB 183 91 150

HSL 321.52, 0.39%, 0.54%

LAB 51.56, 44.55, -15.31

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 49 / 50 / 0 / 28

HEX #5D5BB7

RGB 93 91 183

HSL 241.3, 0.39%, 0.54%

LAB 43.11, 25.85, -48.67

 

CMYK 50 / 50 / 0 / 28

HEX #5B5BB7

RGB 91 91 183

HSL 240, 0.39%, 0.54%

LAB 42.95, 25.4, -48.93

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 46 / 64 / 0 / 21

HEX #6D48CA

RGB 109 72 202

HSL 257.08, 0.55%, 0.54%

LAB 41.45, 46.16, -62.32

 

CMYK 54 / 76 / 0 / 13

HEX #6535DD

RGB 101 53 221

HSL 257.14, 0.71%, 0.54%

LAB 38.78, 59.72, -77.67

 

CMYK 61 / 85 / 0 / 6

HEX #5D23F0

RGB 93 35 240

HSL 256.98, 0.87%, 0.54%

LAB 37.52, 70.84, -90.6

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 23 / 33 / 0 / 36

HEX #7E6EA4

RGB 126 110 164

HSL 257.78, 0.23%, 0.54%

LAB 49.82, 18, -26.77

 

CMYK 8 / 11 / 0 / 43

HEX #868191

RGB 134 129 145

HSL 258.75, 0.07%, 0.54%

LAB 54.88, 5.12, -7.92

 

CMYK 4 / 0 / 15 / 42

HEX #8E947E

RGB 142 148 126

HSL 76.36, 0.09%, 0.54%

LAB 60.28, -6.27, 10.9

 

CMYK 10 / 0 / 36 / 35

HEX #96A76B

RGB 150 167 107

HSL 77, 0.25%, 0.54%

LAB 65.89, -16.18, 29.1

 

CMYK 50 / 37 / 0 / 28

HEX #5B74B7

RGB 91 116 183

HSL 223.7, 0.39%, 0.54%

LAB 49.66, 9.89, -38.26

 

CMYK 50 / 50 / 0 / 28

HEX #5B5BB7

RGB 91 91 183

HSL 240, 0.39%, 0.54%

LAB 42.95, 25.4, -48.93

 

CMYK 37 / 50 / 0 / 28

HEX #745BB7

RGB 116 91 183

HSL 256.3, 0.39%, 0.54%

LAB 45.1, 31.48, -45.37

 

CMYK 23 / 50 / 0 / 28

HEX #8C5BB7

RGB 140 91 183

HSL 271.96, 0.39%, 0.54%

LAB 47.59, 37.93, -41.25

 

CMYK 10 / 50 / 0 / 28

HEX #A55BB7

RGB 165 91 183

HSL 288.26, 0.39%, 0.54%

LAB 50.57, 44.98, -36.35

 

CMYK 40 / 57 / 0 / 47

HEX #503A86

RGB 80 58 134

HSL 257.37, 0.4%, 0.38%

LAB 30.53, 28.39, -39.44

 

CMYK 40 / 56 / 0 / 36

HEX #6147A2

RGB 97 71 162

HSL 257.14, 0.39%, 0.46%

LAB 37.22, 32.8, -45.67

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 28 / 39 / 0 / 23

HEX #8D78C4

RGB 141 120 196

HSL 256.58, 0.39%, 0.62%

LAB 55.16, 24.65, -36.81

 

CMYK 20 / 28 / 0 / 18

HEX #A695D0

RGB 166 149 208

HSL 257.29, 0.39%, 0.7%

LAB 65.09, 18.38, -27.97

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 0 / 50 / 23 / 28

HEX #B75B8C

RGB 183 91 140

HSL 328.04, 0.39%, 0.54%

LAB 51.2, 43.04, -9.92

 

CMYK 43 / 0 / 50 / 28

HEX #68B75B

RGB 104 183 91

HSL 111.52, 0.39%, 0.54%

LAB 67.7, -42.43, 39.09

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 0 / 37 / 50 / 28

HEX #B7745B

RGB 183 116 91

HSL 16.3, 0.39%, 0.54%

LAB 55.39, 23.62, 24.76

 

CMYK 50 / 0 / 37 / 28

HEX #5BB774

RGB 91 183 116

HSL 136.3, 0.39%, 0.54%

LAB 67.54, -42.31, 25.89

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 0 / 50 / 23 / 28

HEX #B75B8C

RGB 183 91 140

HSL 328.04, 0.39%, 0.54%

LAB 51.2, 43.04, -9.92

 

CMYK 13 / 0 / 50 / 28

HEX #9FB75B

RGB 159 183 91

HSL 75.65, 0.39%, 0.54%

LAB 70.87, -22.58, 43.67

 

CMYK 50 / 0 / 27 / 28

HEX #5BB786

RGB 91 183 134

HSL 148.04, 0.39%, 0.54%

LAB 67.88, -38.87, 16.68

 

CMYK 36 / 50 / 0 / 28

HEX #755BB7

RGB 117 91 183

HSL 256.96, 0.39%, 0.54%

LAB 45.2, 31.74, -45.21

 

CMYK 0 / 50 / 38 / 28

HEX #B75B71

RGB 183 91 113

HSL 345.65, 0.39%, 0.54%

LAB 50.38, 39.48, 4.98

 

CMYK 13 / 0 / 50 / 28

HEX #9FB75B

RGB 159 183 91

HSL 75.65, 0.39%, 0.54%

LAB 70.87, -22.58, 43.67

 

CMYK 50 / 0 / 11 / 28

HEX #5BB7A2

RGB 91 183 162

HSL 166.3, 0.39%, 0.54%

LAB 68.53, -32.59, 2.28

 

Description

Color code: HEX #755BB7 | qconv.com Color code: HEX #755BB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 91 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 91 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 50 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 50% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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