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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755D46 it is the complementary color #8AA2B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755D46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755D46 shade: #7A5D41, #8B6F54, #9C8167, #AD937A and #BEA58D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755D46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755D46 shade: #755D46, #644B33, #533920, #42270D and #311500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755D46 shade: #755D46, #755146 and #754646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755D46 shade: #755D46, #756A46, #747546, #677546 and #5B7546

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755D46 shade matches the following richer shades: #755D46, #855D37, #945D28, #A35C18 and #B35C09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755D46 shade: #755D46, #665E56, #575E65, #485E74 and #385F83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755D46 shade: #754649, #755046, #755D46, #756A46 and #757546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755D46 shade: #423427, #5C4937, #755D46, #8F7256 and #A58669

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755D46 shade: #755D46, #557546 and #4A4675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755D46 shade: #755D46, #46755D and #5D4675

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755D46 shade: #755D46, #557546, #465F75 and #664675

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755D46 shade: #755D46, #477546, #465F75 and #754675

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

Complementary color

CMYK 25 / 12 / 0 / 27

HEX #8AA2B9

RGB 138 162 185

HSL 209.36, 0.25%, 0.63%

LAB 65.55, -3.1, -14.63

 

CMYK 0 / 24 / 47 / 52

HEX #7A5D41

RGB 122 93 65

HSL 29.47, 0.3%, 0.37%

LAB 41.76, 7.93, 20.61

 

CMYK 0 / 20 / 40 / 45

HEX #8B6F54

RGB 139 111 84

HSL 29.45, 0.25%, 0.44%

LAB 48.88, 7.11, 19.23

 

CMYK 0 / 17 / 34 / 39

HEX #9C8167

RGB 156 129 103

HSL 29.43, 0.21%, 0.51%

LAB 55.83, 6.44, 17.98

 

CMYK 0 / 15 / 29 / 32

HEX #AD937A

RGB 173 147 122

HSL 29.41, 0.24%, 0.58%

LAB 62.64, 5.87, 16.85

 

CMYK 0 / 13 / 26 / 25

HEX #BEA58D

RGB 190 165 141

HSL 29.39, 0.27%, 0.65%

LAB 69.31, 5.39, 15.81

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 25 / 49 / 61

HEX #644B33

RGB 100 75 51

HSL 29.39, 0.32%, 0.3%

LAB 33.94, 7.17, 18.36

 

CMYK 0 / 31 / 61 / 67

HEX #533920

RGB 83 57 32

HSL 29.41, 0.44%, 0.23%

LAB 26.36, 8.33, 20.02

 

CMYK 0 / 41 / 80 / 74

HEX #42270D

RGB 66 39 13

HSL 29.43, 0.67%, 0.15%

LAB 18.53, 9.95, 21.52

 

CMYK 0 / 57 / 100 / 81

HEX #311500

RGB 49 21 0

HSL 25.71, 1%, 0.1%

LAB 10.48, 12.25, 15.94

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 31 / 40 / 54

HEX #755146

RGB 117 81 70

HSL 14.04, 0.25%, 0.37%

LAB 38.04, 13.55, 12.5

 

CMYK 0 / 40 / 40 / 54

HEX #754646

RGB 117 70 70

HSL 0, 0.25%, 0.37%

LAB 35.21, 20.17, 8.58

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 9 / 40 / 54

HEX #756A46

RGB 117 106 70

HSL 45.96, 0.25%, 0.37%

LAB 44.99, -1.38, 21.79

 

CMYK 1 / 0 / 40 / 54

HEX #747546

RGB 116 117 70

HSL 61.28, 0.25%, 0.37%

LAB 48.11, -8.12, 25.8

 

CMYK 12 / 0 / 40 / 54

HEX #677546

RGB 103 117 70

HSL 77.87, 0.25%, 0.37%

LAB 47.04, -13.7, 24.21

 

CMYK 22 / 0 / 40 / 54

HEX #5B7546

RGB 91 117 70

HSL 93.19, 0.25%, 0.37%

LAB 46.16, -18.64, 22.91

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 30 / 59 / 48

HEX #855D37

RGB 133 93 55

HSL 29.23, 0.41%, 0.37%

LAB 42.9, 11.91, 28.12

 

CMYK 0 / 37 / 73 / 42

HEX #945D28

RGB 148 93 40

HSL 29.44, 0.57%, 0.37%

LAB 44.63, 17.65, 38.64

 

CMYK 0 / 44 / 85 / 36

HEX #A35C18

RGB 163 92 24

HSL 29.35, 0.74%, 0.37%

LAB 46.32, 24.22, 48.06

 

CMYK 0 / 49 / 95 / 30

HEX #B35C09

RGB 179 92 9

HSL 29.29, 0.9%, 0.37%

LAB 48.58, 30.78, 55.23

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 8 / 16 / 60

HEX #665E56

RGB 102 94 86

HSL 30, 0.09%, 0.37%

LAB 40.41, 1.69, 5.74

 

CMYK 14 / 7 / 0 / 60

HEX #575E65

RGB 87 94 101

HSL 210, 0.07%, 0.37%

LAB 39.53, -1.12, -4.93

 

CMYK 38 / 19 / 0 / 55

HEX #485E74

RGB 72 94 116

HSL 210, 0.23%, 0.37%

LAB 38.97, -2.28, -15.1

 

CMYK 57 / 27 / 0 / 49

HEX #385F83

RGB 56 95 131

HSL 208.8, 0.4%, 0.37%

LAB 39.01, -2.49, -24.29

 

CMYK 0 / 40 / 38 / 54

HEX #754649

RGB 117 70 73

HSL 356.17, 0.25%, 0.37%

LAB 35.29, 20.57, 6.79

 

CMYK 0 / 32 / 40 / 54

HEX #755046

RGB 117 80 70

HSL 12.77, 0.25%, 0.37%

LAB 37.77, 14.15, 12.13

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 9 / 40 / 54

HEX #756A46

RGB 117 106 70

HSL 45.96, 0.25%, 0.37%

LAB 44.99, -1.38, 21.79

 

CMYK 0 / 0 / 40 / 54

HEX #757546

RGB 117 117 70

HSL 60, 0.25%, 0.37%

LAB 48.19, -7.68, 25.93

 

CMYK 0 / 21 / 41 / 74

HEX #423427

RGB 66 52 39

HSL 28.89, 0.26%, 0.21%

LAB 22.86, 4.06, 10.6

 

CMYK 0 / 21 / 40 / 64

HEX #5C4937

RGB 92 73 55

HSL 29.19, 0.25%, 0.29%

LAB 32.52, 5.2, 13.83

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 0 / 20 / 40 / 44

HEX #8F7256

RGB 143 114 86

HSL 29.47, 0.25%, 0.45%

LAB 50.15, 7.34, 19.84

 

CMYK 0 / 19 / 36 / 35

HEX #A58669

RGB 165 134 105

HSL 29, 0.25%, 0.53%

LAB 58.1, 7.61, 20.08

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 27 / 0 / 40 / 54

HEX #557546

RGB 85 117 70

HSL 100.85, 0.25%, 0.37%

LAB 45.77, -21.01, 22.32

 

CMYK 37 / 40 / 0 / 54

HEX #4A4675

RGB 74 70 117

HSL 245.11, 0.25%, 0.37%

LAB 32.08, 13.92, -26.4

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 40 / 0 / 21 / 54

HEX #46755D

RGB 70 117 93

HSL 149.36, 0.25%, 0.37%

LAB 45.38, -21.92, 8.25

 

CMYK 21 / 40 / 0 / 54

HEX #5D4675

RGB 93 70 117

HSL 269.36, 0.25%, 0.37%

LAB 33.97, 20, -23.31

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 27 / 0 / 40 / 54

HEX #557546

RGB 85 117 70

HSL 100.85, 0.25%, 0.37%

LAB 45.77, -21.01, 22.32

 

CMYK 40 / 19 / 0 / 54

HEX #465F75

RGB 70 95 117

HSL 208.09, 0.25%, 0.37%

LAB 39.19, -3.21, -15.4

 

CMYK 13 / 40 / 0 / 54

HEX #664675

RGB 102 70 117

HSL 280.85, 0.25%, 0.37%

LAB 34.98, 23.03, -21.65

 

CMYK 0 / 21 / 40 / 54

HEX #755D46

RGB 117 93 70

HSL 29.36, 0.25%, 0.37%

LAB 41.3, 6.31, 16.92

 

CMYK 39 / 0 / 40 / 54

HEX #477546

RGB 71 117 70

HSL 118.72, 0.25%, 0.37%

LAB 44.95, -26.15, 21.09

 

CMYK 40 / 19 / 0 / 54

HEX #465F75

RGB 70 95 117

HSL 208.09, 0.25%, 0.37%

LAB 39.19, -3.21, -15.4

 

CMYK 0 / 40 / 0 / 54

HEX #754675

RGB 117 70 117

HSL 300, 0.25%, 0.37%

LAB 36.83, 28.15, -18.64

 

Description

Color code: HEX #755D46 | qconv.com Color code: HEX #755D46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 93 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 93 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 40 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 40% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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