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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7564C2 it is the complementary color #8A9B3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7564C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7564C2 shade: #7A64BD, #8B76D0, #9C88E3, #AD9AF6 and #BEACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7564C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7564C2 shade: #7564C2, #6452AF, #53409C, #422E89 and #311C76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7564C2 shade: #7564C3, #8F64C3, #A864C3, #C264C3 and #C364AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7564C2 shade: #7564C3 and #6464C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7564C2 shade matches the following richer shades: #7564C3, #6A53D4, #5F42E5 and #5430F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7564C2 shade: #7564C3, #8076B1, #8B87A0, #97988F and #A2AA7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7564C2 shade: #6487C3, #646EC3, #7464C3, #8D64C3 and #A664C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7564C2 shade: #4C3B99, #5B47B7, #7564C3, #9082CE and #AAA0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7564C2 shade: #7564C2, #C364A0 and #7AC364

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7564C2 shade: #7564C2, #C37464 and #64C374

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7564C2 shade: #7564C2, #C364A0, #B3C364 and #64C387

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7564C2 shade: #7564C2, #C36484, #B3C364 and #64C3A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 48 / 0 / 24

HEX #7564C2

RGB 117 100 194

HSL 250.85, 0.44%, 0.58%

LAB 48, 29.42, -47.13

 

Complementary color

CMYK 11 / 0 / 61 / 39

HEX #8A9B3D

RGB 138 155 61

HSL 70.85, 0.44%, 0.42%

LAB 60.94, -19.87, 46.08

 

CMYK 35 / 47 / 0 / 26

HEX #7A64BD

RGB 122 100 189

HSL 254.83, 0.4%, 0.57%

LAB 48.17, 29.33, -43.94

 

CMYK 33 / 43 / 0 / 18

HEX #8B76D0

RGB 139 118 208

HSL 254, 0.49%, 0.64%

LAB 55.07, 28.36, -43.78

 

CMYK 31 / 40 / 0 / 11

HEX #9C88E3

RGB 156 136 227

HSL 253.19, 0.62%, 0.71%

LAB 61.85, 27.49, -43.65

 

CMYK 30 / 37 / 0 / 4

HEX #AD9AF6

RGB 173 154 246

HSL 252.39, 0.84%, 0.78%

LAB 68.5, 26.71, -43.57

 

CMYK 25 / 33 / 0 / 0

HEX #BEACFF

RGB 190 172 255

HSL 253.01, 1%, 0.84%

LAB 74.62, 23.62, -38.79

 

CMYK 40 / 48 / 0 / 24

HEX #7564C2

RGB 117 100 194

HSL 250.85, 0.44%, 0.58%

LAB 48, 29.42, -47.13

 

CMYK 43 / 53 / 0 / 31

HEX #6452AF

RGB 100 82 175

HSL 251.61, 0.37%, 0.5%

LAB 40.96, 30.62, -47.38

 

CMYK 47 / 59 / 0 / 39

HEX #53409C

RGB 83 64 156

HSL 252.39, 0.42%, 0.43%

LAB 33.79, 31.99, -47.65

 

CMYK 52 / 66 / 0 / 46

HEX #422E89

RGB 66 46 137

HSL 253.19, 0.5%, 0.36%

LAB 26.5, 33.52, -47.88

 

CMYK 58 / 76 / 0 / 54

HEX #311C76

RGB 49 28 118

HSL 254, 0.62%, 0.29%

LAB 19.19, 35.07, -47.9

 

CMYK 40 / 49 / 0 / 24

HEX #7564C3

RGB 117 100 195

HSL 250.74, 0.44%, 0.58%

LAB 48.05, 29.71, -47.61

 

CMYK 27 / 49 / 0 / 24

HEX #8F64C3

RGB 143 100 195

HSL 267.16, 0.44%, 0.58%

LAB 50.56, 36.56, -43.47

 

CMYK 14 / 49 / 0 / 24

HEX #A864C3

RGB 168 100 195

HSL 282.95, 0.44%, 0.58%

LAB 53.36, 43.55, -38.86

 

CMYK 1 / 49 / 0 / 24

HEX #C264C3

RGB 194 100 195

HSL 299.37, 0.44%, 0.58%

LAB 56.61, 50.98, -33.54

 

CMYK 0 / 49 / 13 / 24

HEX #C364AA

RGB 195 100 170

HSL 315.79, 0.44%, 0.58%

LAB 55.7, 46.97, -20.54

 

CMYK 40 / 49 / 0 / 24

HEX #7564C3

RGB 117 100 195

HSL 250.74, 0.44%, 0.58%

LAB 48.05, 29.71, -47.61

 

CMYK 49 / 49 / 0 / 24

HEX #6464C3

RGB 100 100 195

HSL 240, 0.44%, 0.58%

LAB 46.66, 25.62, -49.91

 

CMYK 40 / 49 / 0 / 24

HEX #7564C3

RGB 117 100 195

HSL 250.74, 0.44%, 0.58%

LAB 48.05, 29.71, -47.61

 

CMYK 50 / 61 / 0 / 17

HEX #6A53D4

RGB 106 83 212

HSL 250.7, 0.6%, 0.58%

LAB 44.24, 42.24, -63.58

 

CMYK 59 / 71 / 0 / 10

HEX #5F42E5

RGB 95 66 229

HSL 250.67, 0.76%, 0.58%

LAB 41.19, 54.83, -78.29

 

CMYK 66 / 81 / 0 / 3

HEX #5430F7

RGB 84 48 247

HSL 250.85, 0.93%, 0.58%

LAB 39.09, 67.18, -91.96

 

CMYK 40 / 49 / 0 / 24

HEX #7564C3

RGB 117 100 195

HSL 250.74, 0.44%, 0.58%

LAB 48.05, 29.71, -47.61

 

CMYK 28 / 33 / 0 / 31

HEX #8076B1

RGB 128 118 177

HSL 250.17, 0.27%, 0.58%

LAB 52.64, 17.13, -29.92

 

CMYK 13 / 16 / 0 / 37

HEX #8B87A0

RGB 139 135 160

HSL 249.6, 0.12%, 0.58%

LAB 57.42, 6.68, -12.73

 

CMYK 1 / 0 / 6 / 40

HEX #97988F

RGB 151 152 143

HSL 66.67, 0.04%, 0.58%

LAB 62.52, -2.06, 4.6

 

CMYK 5 / 0 / 26 / 33

HEX #A2AA7D

RGB 162 170 125

HSL 70.67, 0.21%, 0.58%

LAB 67.96, -10.54, 22.31

 

CMYK 49 / 31 / 0 / 24

HEX #6487C3

RGB 100 135 195

HSL 217.89, 0.44%, 0.58%

LAB 56.07, 4.39, -35.04

 

CMYK 49 / 44 / 0 / 24

HEX #646EC3

RGB 100 110 195

HSL 233.68, 0.44%, 0.58%

LAB 49.25, 19.47, -45.78

 

CMYK 41 / 49 / 0 / 24

HEX #7464C3

RGB 116 100 195

HSL 250.11, 0.44%, 0.58%

LAB 47.97, 29.46, -47.76

 

CMYK 28 / 49 / 0 / 24

HEX #8D64C3

RGB 141 100 195

HSL 265.89, 0.44%, 0.58%

LAB 50.35, 36.01, -43.81

 

CMYK 15 / 49 / 0 / 24

HEX #A664C3

RGB 166 100 195

HSL 281.68, 0.44%, 0.58%

LAB 53.13, 42.98, -39.25

 

CMYK 50 / 61 / 0 / 40

HEX #4C3B99

RGB 76 59 153

HSL 250.85, 0.44%, 0.42%

LAB 31.73, 32.62, -49.2

 

CMYK 50 / 61 / 0 / 28

HEX #5B47B7

RGB 91 71 183

HSL 250.71, 0.44%, 0.5%

LAB 38.11, 37.66, -56.74

 

CMYK 40 / 49 / 0 / 24

HEX #7564C3

RGB 117 100 195

HSL 250.74, 0.44%, 0.58%

LAB 48.05, 29.71, -47.61

 

CMYK 30 / 37 / 0 / 19

HEX #9082CE

RGB 144 130 206

HSL 251.05, 0.44%, 0.66%

LAB 58.37, 22.23, -37.43

 

CMYK 22 / 27 / 0 / 15

HEX #AAA0DA

RGB 170 160 218

HSL 250.34, 0.44%, 0.74%

LAB 68.57, 15.72, -28.11

 

CMYK 40 / 48 / 0 / 24

HEX #7564C2

RGB 117 100 194

HSL 250.85, 0.44%, 0.58%

LAB 48, 29.42, -47.13

 

CMYK 0 / 49 / 18 / 24

HEX #C364A0

RGB 195 100 160

HSL 322.11, 0.44%, 0.58%

LAB 55.33, 45.39, -15.29

 

CMYK 37 / 0 / 49 / 24

HEX #7AC364

RGB 122 195 100

HSL 106.11, 0.44%, 0.58%

LAB 72.29, -40.72, 40.47

 

CMYK 40 / 48 / 0 / 24

HEX #7564C2

RGB 117 100 194

HSL 250.85, 0.44%, 0.58%

LAB 48, 29.42, -47.13

 

CMYK 0 / 41 / 49 / 24

HEX #C37464

RGB 195 116 100

HSL 10.11, 0.44%, 0.58%

LAB 57.09, 29.33, 22.15

 

CMYK 49 / 0 / 41 / 24

HEX #64C374

RGB 100 195 116

HSL 130.11, 0.44%, 0.58%

LAB 71.56, -45.01, 31.24

 

CMYK 40 / 48 / 0 / 24

HEX #7564C2

RGB 117 100 194

HSL 250.85, 0.44%, 0.58%

LAB 48, 29.42, -47.13

 

CMYK 0 / 49 / 18 / 24

HEX #C364A0

RGB 195 100 160

HSL 322.11, 0.44%, 0.58%

LAB 55.33, 45.39, -15.29

 

CMYK 8 / 0 / 49 / 24

HEX #B3C364

RGB 179 195 100

HSL 70.11, 0.44%, 0.58%

LAB 75.78, -19.66, 45.53

 

CMYK 49 / 0 / 31 / 24

HEX #64C387

RGB 100 195 135

HSL 142.11, 0.44%, 0.58%

LAB 71.89, -41.65, 21.7

 

CMYK 40 / 48 / 0 / 24

HEX #7564C2

RGB 117 100 194

HSL 250.85, 0.44%, 0.58%

LAB 48, 29.42, -47.13

 

CMYK 0 / 49 / 32 / 24

HEX #C36484

RGB 195 100 132

HSL 339.79, 0.44%, 0.58%

LAB 54.43, 41.44, -0.22

 

CMYK 8 / 0 / 49 / 24

HEX #B3C364

RGB 179 195 100

HSL 70.11, 0.44%, 0.58%

LAB 75.78, -19.66, 45.53

 

CMYK 49 / 0 / 16 / 24

HEX #64C3A3

RGB 100 195 163

HSL 159.79, 0.44%, 0.58%

LAB 72.48, -35.82, 7.48

 

Description

Color code: HEX #7564C2 | qconv.com Color code: HEX #7564C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 100 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 100 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 48 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 48% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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