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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7564E7 it is the complementary color #8A9B18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7564E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7564E7 shade: #7A64E2, #8B76F5, #9C88FF, #AD9AFF and #BEACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7564E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7564E7 shade: #7564E7, #6452D4, #5340C1, #422EAE and #311C9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7564E7 shade: #7564E6, #9864E6, #BB64E6, #DE64E6 and #E664CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7564E7 shade: #7564E6 and #6464E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7564E7 shade matches the following richer shades: #7564E6 and #6A56F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7564E7 shade: #7564E6, #8073D8, #8A81CA, #958FBB and #A09EAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7564E7 shade: #649AE6, #6478E6, #7364E6, #9664E6 and #B964E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7564E7 shade: #3921D7, #5540E1, #7564E6, #9588EC and #B5ABF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7564E7 shade: #7564E7, #E664BD and #89E664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7564E7 shade: #7564E7, #E67364 and #64E673

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7564E7 shade: #7564E7, #E664BD, #D7E664 and #64E68D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7564E7 shade: #7564E7, #E66496, #D7E664 and #64E6B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 57 / 0 / 9

HEX #7564E7

RGB 117 100 231

HSL 247.79, 0.73%, 0.65%

LAB 50.29, 40.14, -64.51

 

Complementary color

CMYK 11 / 0 / 85 / 39

HEX #8A9B18

RGB 138 155 24

HSL 67.79, 0.73%, 0.35%

LAB 60.7, -21.93, 59.38

 

CMYK 46 / 56 / 0 / 11

HEX #7A64E2

RGB 122 100 226

HSL 250.48, 0.68%, 0.64%

LAB 50.39, 39.72, -61.53

 

CMYK 43 / 52 / 0 / 4

HEX #8B76F5

RGB 139 118 245

HSL 249.92, 0.86%, 0.71%

LAB 57.11, 38.42, -61.26

 

CMYK 39 / 47 / 0 / 0

HEX #9C88FF

RGB 156 136 255

HSL 250.08, 1%, 0.77%

LAB 63.26, 34.82, -56.86

 

CMYK 32 / 40 / 0 / 0

HEX #AD9AFF

RGB 173 154 255

HSL 251.29, 1%, 0.8%

LAB 68.91, 28.96, -47.83

 

CMYK 25 / 33 / 0 / 0

HEX #BEACFF

RGB 190 172 255

HSL 253.01, 1%, 0.84%

LAB 74.62, 23.62, -38.79

 

CMYK 49 / 57 / 0 / 9

HEX #7564E7

RGB 117 100 231

HSL 247.79, 0.73%, 0.65%

LAB 50.29, 40.14, -64.51

 

CMYK 53 / 61 / 0 / 17

HEX #6452D4

RGB 100 82 212

HSL 248.31, 0.6%, 0.58%

LAB 43.5, 41.69, -64.79

 

CMYK 57 / 67 / 0 / 24

HEX #5340C1

RGB 83 64 193

HSL 248.84, 0.51%, 0.5%

LAB 36.66, 43.37, -65

 

CMYK 62 / 74 / 0 / 32

HEX #422EAE

RGB 66 46 174

HSL 249.38, 0.58%, 0.43%

LAB 29.83, 45.1, -65

 

CMYK 68 / 82 / 0 / 39

HEX #311C9B

RGB 49 28 155

HSL 249.92, 0.69%, 0.36%

LAB 23.17, 46.56, -64.54

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 34 / 57 / 0 / 10

HEX #9864E6

RGB 152 100 230

HSL 264, 0.72%, 0.65%

LAB 53.5, 47.52, -58.63

 

CMYK 19 / 57 / 0 / 10

HEX #BB64E6

RGB 187 100 230

HSL 280.15, 0.72%, 0.65%

LAB 57.46, 55.98, -52.07

 

CMYK 3 / 57 / 0 / 10

HEX #DE64E6

RGB 222 100 230

HSL 296.31, 0.72%, 0.65%

LAB 61.96, 64.78, -44.65

 

CMYK 0 / 57 / 12 / 10

HEX #E664CB

RGB 230 100 203

HSL 312.46, 0.72%, 0.65%

LAB 61.87, 62.45, -29.54

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 57 / 65 / 0 / 4

HEX #6A56F5

RGB 106 86 245

HSL 247.55, 0.89%, 0.65%

LAB 47.38, 50.35, -77.14

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 41 / 47 / 0 / 15

HEX #8073D8

RGB 128 115 216

HSL 247.72, 0.56%, 0.65%

LAB 53.82, 29.45, -50.34

 

CMYK 32 / 36 / 0 / 21

HEX #8A81CA

RGB 138 129 202

HSL 247.4, 0.41%, 0.65%

LAB 57.43, 20.06, -36.67

 

CMYK 20 / 24 / 0 / 27

HEX #958FBB

RGB 149 143 187

HSL 248.18, 0.24%, 0.65%

LAB 61.33, 11.56, -22.09

 

CMYK 8 / 9 / 0 / 32

HEX #A09EAD

RGB 160 158 173

HSL 248, 0.08%, 0.65%

LAB 65.71, 3.68, -7.52

 

CMYK 57 / 33 / 0 / 10

HEX #649AE6

RGB 100 154 230

HSL 215.08, 0.72%, 0.65%

LAB 62.96, 4.2, -43.82

 

CMYK 57 / 48 / 0 / 10

HEX #6478E6

RGB 100 120 230

HSL 230.77, 0.72%, 0.65%

LAB 53.87, 24.45, -58.25

 

CMYK 50 / 57 / 0 / 10

HEX #7364E6

RGB 115 100 230

HSL 246.92, 0.72%, 0.65%

LAB 50.06, 39.44, -64.33

 

CMYK 35 / 57 / 0 / 10

HEX #9664E6

RGB 150 100 230

HSL 263.08, 0.72%, 0.65%

LAB 53.29, 47.05, -58.97

 

CMYK 20 / 57 / 0 / 10

HEX #B964E6

RGB 185 100 230

HSL 279.23, 0.72%, 0.65%

LAB 57.21, 55.49, -52.47

 

CMYK 73 / 85 / 0 / 16

HEX #3921D7

RGB 57 33 215

HSL 247.91, 0.73%, 0.49%

LAB 31.49, 62.43, -86.39

 

CMYK 62 / 72 / 0 / 12

HEX #5540E1

RGB 85 64 225

HSL 247.83, 0.73%, 0.57%

LAB 39.64, 53.4, -78.6

 

CMYK 49 / 57 / 0 / 10

HEX #7564E6

RGB 117 100 230

HSL 247.85, 0.72%, 0.65%

LAB 50.23, 39.85, -64.06

 

CMYK 37 / 42 / 0 / 7

HEX #9588EC

RGB 149 136 236

HSL 247.8, 0.72%, 0.73%

LAB 61.7, 27.98, -48.91

 

CMYK 25 / 29 / 0 / 5

HEX #B5ABF2

RGB 181 171 242

HSL 248.45, 0.73%, 0.81%

LAB 73.13, 18.5, -34.13

 

CMYK 49 / 57 / 0 / 9

HEX #7564E7

RGB 117 100 231

HSL 247.79, 0.73%, 0.65%

LAB 50.29, 40.14, -64.51

 

CMYK 0 / 57 / 18 / 10

HEX #E664BD

RGB 230 100 189

HSL 318.92, 0.72%, 0.65%

LAB 61.32, 60.36, -22.44

 

CMYK 40 / 0 / 57 / 10

HEX #89E664

RGB 137 230 100

HSL 102.92, 0.72%, 0.65%

LAB 83.35, -50.72, 53.89

 

CMYK 49 / 57 / 0 / 9

HEX #7564E7

RGB 117 100 231

HSL 247.79, 0.73%, 0.65%

LAB 50.29, 40.14, -64.51

 

CMYK 0 / 50 / 57 / 10

HEX #E67364

RGB 230 115 100

HSL 6.92, 0.72%, 0.65%

LAB 61.66, 43.25, 29.05

 

CMYK 57 / 0 / 50 / 10

HEX #64E673

RGB 100 230 115

HSL 126.92, 0.72%, 0.65%

LAB 82.13, -59.06, 45.15

 

CMYK 49 / 57 / 0 / 9

HEX #7564E7

RGB 117 100 231

HSL 247.79, 0.73%, 0.65%

LAB 50.29, 40.14, -64.51

 

CMYK 0 / 57 / 18 / 10

HEX #E664BD

RGB 230 100 189

HSL 318.92, 0.72%, 0.65%

LAB 61.32, 60.36, -22.44

 

CMYK 7 / 0 / 57 / 10

HEX #D7E664

RGB 215 230 100

HSL 66.92, 0.72%, 0.65%

LAB 87.95, -22.45, 60.36

 

CMYK 57 / 0 / 39 / 10

HEX #64E68D

RGB 100 230 141

HSL 138.92, 0.72%, 0.65%

LAB 82.5, -55.07, 32.83

 

CMYK 49 / 57 / 0 / 9

HEX #7564E7

RGB 117 100 231

HSL 247.79, 0.73%, 0.65%

LAB 50.29, 40.14, -64.51

 

CMYK 0 / 57 / 35 / 10

HEX #E66496

RGB 230 100 150

HSL 336.92, 0.72%, 0.65%

LAB 60.01, 55.28, -1.96

 

CMYK 7 / 0 / 57 / 10

HEX #D7E664

RGB 215 230 100

HSL 66.92, 0.72%, 0.65%

LAB 87.95, -22.45, 60.36

 

CMYK 57 / 0 / 22 / 10

HEX #64E6B4

RGB 100 230 180

HSL 156.92, 0.72%, 0.65%

LAB 83.23, -47.51, 13.7

 

Description

Color code: HEX #7564E7 | qconv.com Color code: HEX #7564E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 100 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 100 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 57 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 57% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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