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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75610A it is the complementary color #8A9EF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75610A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75610A shade: #7A6105, #8B7318, #9C852B, #AD973E and #BEA951

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75610A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75610A shade: #75610A, #644F00, #533D00, #422B00 and #311900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75610A shade: #75610A, #75440A, #75270A, #750A0A and #750A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75610A shade: #75610A, #6C750A, #4F750A, #32750A and #15750A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75610A shade matches the following richer shades: #75610A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75610A shade: #75610A, #6A5A14, #60541E, #564D29 and #4C4733

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75610A shade: #75260A, #75430A, #755F0A, #6E750A and #51750A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75610A shade: #292203, #4F4106, #75610A, #9B800D and #C1A010

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75610A shade: #75610A, #0A750A and #350A75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75610A shade: #75610A, #0A755F and #5F0A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75610A shade: #75610A, #0A750A, #0A1F75 and #750A75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75610A shade: #75610A, #0A752A, #0A1F75 and #750A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

Complementary color

CMYK 44 / 36 / 0 / 4

HEX #8A9EF5

RGB 138 158 245

HSL 228.79, 0.84%, 0.75%

LAB 66.86, 14.98, -45.77

 

CMYK 0 / 20 / 96 / 52

HEX #7A6105

RGB 122 97 5

HSL 47.18, 0.92%, 0.25%

LAB 42.3, 1.79, 48.25

 

CMYK 0 / 17 / 83 / 45

HEX #8B7318

RGB 139 115 24

HSL 47.48, 0.71%, 0.32%

LAB 49.27, 0.05, 49.5

 

CMYK 0 / 15 / 72 / 39

HEX #9C852B

RGB 156 133 43

HSL 47.79, 0.57%, 0.39%

LAB 56.11, -1.34, 49.36

 

CMYK 0 / 13 / 64 / 32

HEX #AD973E

RGB 173 151 62

HSL 48.11, 0.47%, 0.46%

LAB 62.81, -2.46, 48.53

 

CMYK 0 / 11 / 57 / 25

HEX #BEA951

RGB 190 169 81

HSL 48.44, 0.46%, 0.53%

LAB 69.41, -3.37, 47.42

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 0 / 21 / 100 / 61

HEX #644F00

RGB 100 79 0

HSL 47.4, 1%, 0.2%

LAB 34.6, 1.48, 43.01

 

CMYK 0 / 27 / 100 / 67

HEX #533D00

RGB 83 61 0

HSL 44.1, 1%, 0.16%

LAB 27.23, 3.91, 36.61

 

CMYK 0 / 35 / 100 / 74

HEX #422B00

RGB 66 43 0

HSL 39.09, 1%, 0.13%

LAB 19.58, 6.57, 28.14

 

CMYK 0 / 49 / 100 / 81

HEX #311900

RGB 49 25 0

HSL 30.61, 1%, 0.1%

LAB 11.61, 9.52, 17.51

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 0 / 42 / 91 / 54

HEX #75440A

RGB 117 68 10

HSL 32.52, 0.84%, 0.25%

LAB 33.85, 16.81, 40

 

CMYK 0 / 67 / 91 / 54

HEX #75270A

RGB 117 39 10

HSL 16.26, 0.84%, 0.25%

LAB 27.45, 32.9, 34.83

 

CMYK 0 / 91 / 91 / 54

HEX #750A0A

RGB 117 10 10

HSL 0, 0.84%, 0.25%

LAB 23.74, 43.16, 31.38

 

CMYK 0 / 91 / 91 / 54

HEX #750A0A

RGB 117 10 10

HSL 0, 0.84%, 0.25%

LAB 23.74, 43.16, 31.38

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 8 / 0 / 91 / 54

HEX #6C750A

RGB 108 117 10

HSL 65.05, 0.84%, 0.25%

LAB 46.89, -16.11, 50.11

 

CMYK 32 / 0 / 91 / 54

HEX #4F750A

RGB 79 117 10

HSL 81.31, 0.84%, 0.25%

LAB 44.81, -28.94, 47.55

 

CMYK 57 / 0 / 91 / 54

HEX #32750A

RGB 50 117 10

HSL 97.57, 0.84%, 0.25%

LAB 43.39, -39.36, 45.78

 

CMYK 82 / 0 / 91 / 54

HEX #15750A

RGB 21 117 10

HSL 113.83, 0.84%, 0.25%

LAB 42.62, -45.86, 44.81

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 0 / 15 / 81 / 58

HEX #6A5A14

RGB 106 90 20

HSL 48.84, 0.68%, 0.25%

LAB 38.6, -1.47, 39.98

 

CMYK 0 / 13 / 69 / 62

HEX #60541E

RGB 96 84 30

HSL 49.09, 0.52%, 0.25%

LAB 35.83, -2.22, 32.4

 

CMYK 0 / 10 / 52 / 66

HEX #564D29

RGB 86 77 41

HSL 48, 0.35%, 0.25%

LAB 32.8, -1.86, 22.6

 

CMYK 0 / 7 / 33 / 70

HEX #4C4733

RGB 76 71 51

HSL 48, 0.2%, 0.25%

LAB 30.11, -1.56, 12.81

 

CMYK 0 / 68 / 91 / 54

HEX #75260A

RGB 117 38 10

HSL 15.7, 0.84%, 0.25%

LAB 27.27, 33.38, 34.67

 

CMYK 0 / 43 / 91 / 54

HEX #75430A

RGB 117 67 10

HSL 31.96, 0.84%, 0.25%

LAB 33.6, 17.41, 39.8

 

CMYK 0 / 19 / 91 / 54

HEX #755F0A

RGB 117 95 10

HSL 47.66, 0.84%, 0.25%

LAB 41.2, 0.64, 45.88

 

CMYK 6 / 0 / 91 / 54

HEX #6E750A

RGB 110 117 10

HSL 63.93, 0.84%, 0.25%

LAB 47.05, -15.18, 50.32

 

CMYK 31 / 0 / 91 / 54

HEX #51750A

RGB 81 117 10

HSL 80.19, 0.84%, 0.25%

LAB 44.93, -28.11, 47.7

 

CMYK 0 / 17 / 93 / 84

HEX #292203

RGB 41 34 3

HSL 48.95, 0.86%, 0.09%

LAB 13.36, -1.07, 18.46

 

CMYK 0 / 18 / 92 / 69

HEX #4F4106

RGB 79 65 6

HSL 48.49, 0.86%, 0.17%

LAB 28, -0.47, 34.62

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 0 / 17 / 92 / 39

HEX #9B800D

RGB 155 128 13

HSL 48.59, 0.85%, 0.33%

LAB 54.49, -0.07, 57.41

 

CMYK 0 / 17 / 92 / 24

HEX #C1A010

RGB 193 160 16

HSL 48.81, 0.85%, 0.41%

LAB 66.91, -0.18, 68.08

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 91 / 0 / 91 / 54

HEX #0A750A

RGB 10 117 10

HSL 120, 0.84%, 0.25%

LAB 42.47, -47.14, 44.63

 

CMYK 55 / 91 / 0 / 54

HEX #350A75

RGB 53 10 117

HSL 264.11, 0.84%, 0.25%

LAB 16.79, 43.33, -51.19

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 91 / 0 / 19 / 54

HEX #0A755F

RGB 10 117 95

HSL 167.66, 0.84%, 0.25%

LAB 43.67, -33.16, 4.39

 

CMYK 19 / 91 / 0 / 54

HEX #5F0A75

RGB 95 10 117

HSL 287.66, 0.84%, 0.25%

LAB 23.45, 49.42, -40.02

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 91 / 0 / 91 / 54

HEX #0A750A

RGB 10 117 10

HSL 120, 0.84%, 0.25%

LAB 42.47, -47.14, 44.63

 

CMYK 91 / 74 / 0 / 54

HEX #0A1F75

RGB 10 31 117

HSL 228.22, 0.84%, 0.25%

LAB 17.13, 28.57, -50.74

 

CMYK 0 / 91 / 0 / 54

HEX #750A75

RGB 117 10 117

HSL 300, 0.84%, 0.25%

LAB 27.53, 53.47, -33.25

 

CMYK 0 / 17 / 91 / 54

HEX #75610A

RGB 117 97 10

HSL 48.79, 0.84%, 0.25%

LAB 41.77, -0.54, 46.34

 

CMYK 91 / 0 / 64 / 54

HEX #0A752A

RGB 10 117 42

HSL 137.94, 0.84%, 0.25%

LAB 42.69, -44.37, 32.95

 

CMYK 91 / 74 / 0 / 54

HEX #0A1F75

RGB 10 31 117

HSL 228.22, 0.84%, 0.25%

LAB 17.13, 28.57, -50.74

 

CMYK 0 / 91 / 27 / 54

HEX #750A55

RGB 117 10 85

HSL 317.94, 0.84%, 0.25%

LAB 25.73, 48.74, -15.22

 

Description

Color code: HEX #75610A | qconv.com Color code: HEX #75610A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 97 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 97 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 91 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 91% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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