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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #756155 it is the complementary color #8A9EAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #756155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #756155 shade: #7A6150, #8B7363, #9C8576, #AD9789 and #BEA99C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #756155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #756155 shade: #756155, #644F42, #533D2F, #422B1C and #311909

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #756155 shade: #766155, #765955 and #765555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #756155 shade: #766155, #766A55, #767355, #707655 and #677655

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #756155 shade matches the following richer shades: #766155, #865D45, #975934, #A75524 and #B85113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #756155 shade: #766155, #656666, #556A76, #446E87 and #347297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #756155 shade: #76555B, #765855, #766155, #766A55 and #767355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #756155 shade: #463A33, #5E4E44, #766155, #8E7567 and #A18A7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #756155 shade: #756155, #637655 and #555676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #756155 shade: #756155, #557661 and #615576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #756155 shade: #756155, #637655, #556A76 and #685576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #756155 shade: #756155, #5A7655, #556A76 and #715576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 27 / 54

HEX #756155

RGB 117 97 85

HSL 22.5, 0.16%, 0.4%

LAB 42.74, 6.05, 9.85

 

Complementary color

CMYK 19 / 7 / 0 / 33

HEX #8A9EAA

RGB 138 158 170

HSL 202.5, 0.16%, 0.6%

LAB 63.97, -4.38, -8.61

 

CMYK 0 / 20 / 34 / 52

HEX #7A6150

RGB 122 97 80

HSL 24.29, 0.21%, 0.4%

LAB 43.16, 7.46, 13.53

 

CMYK 0 / 17 / 29 / 45

HEX #8B7363

RGB 139 115 99

HSL 24, 0.17%, 0.47%

LAB 50.28, 6.83, 12.37

 

CMYK 0 / 15 / 24 / 39

HEX #9C8576

RGB 156 133 118

HSL 23.68, 0.16%, 0.54%

LAB 57.22, 6.31, 11.32

 

CMYK 0 / 13 / 21 / 32

HEX #AD9789

RGB 173 151 137

HSL 23.33, 0.18%, 0.61%

LAB 64.02, 5.86, 10.37

 

CMYK 0 / 11 / 18 / 25

HEX #BEA99C

RGB 190 169 156

HSL 22.94, 0.21%, 0.68%

LAB 70.68, 5.47, 9.48

 

CMYK 0 / 17 / 27 / 54

HEX #756155

RGB 117 97 85

HSL 22.5, 0.16%, 0.4%

LAB 42.74, 6.05, 9.85

 

CMYK 0 / 21 / 34 / 61

HEX #644F42

RGB 100 79 66

HSL 22.94, 0.2%, 0.33%

LAB 35.39, 6.68, 11.02

 

CMYK 0 / 27 / 43 / 67

HEX #533D2F

RGB 83 61 47

HSL 23.33, 0.28%, 0.25%

LAB 27.8, 7.5, 12.38

 

CMYK 0 / 35 / 58 / 74

HEX #422B1C

RGB 66 43 28

HSL 23.68, 0.4%, 0.18%

LAB 19.92, 8.61, 14.02

 

CMYK 0 / 49 / 82 / 81

HEX #311909

RGB 49 25 9

HSL 24, 0.69%, 0.11%

LAB 11.74, 10.24, 14.03

 

CMYK 0 / 18 / 28 / 54

HEX #766155

RGB 118 97 85

HSL 21.82, 0.16%, 0.4%

LAB 42.85, 6.48, 10.01

 

CMYK 0 / 25 / 28 / 54

HEX #765955

RGB 118 89 85

HSL 7.27, 0.16%, 0.4%

LAB 40.66, 11.29, 6.93

 

CMYK 0 / 28 / 28 / 54

HEX #765555

RGB 118 85 85

HSL 0, 0.16%, 0.4%

LAB 39.59, 13.71, 5.4

 

CMYK 0 / 18 / 28 / 54

HEX #766155

RGB 118 97 85

HSL 21.82, 0.16%, 0.4%

LAB 42.85, 6.48, 10.01

 

CMYK 0 / 10 / 28 / 54

HEX #766A55

RGB 118 106 85

HSL 38.18, 0.16%, 0.4%

LAB 45.38, 1.14, 13.53

 

CMYK 0 / 3 / 28 / 54

HEX #767355

RGB 118 115 85

HSL 54.55, 0.16%, 0.4%

LAB 47.97, -4.08, 17.06

 

CMYK 5 / 0 / 28 / 54

HEX #707655

RGB 112 118 85

HSL 70.91, 0.16%, 0.4%

LAB 48.33, -8.3, 17.47

 

CMYK 13 / 0 / 28 / 54

HEX #677655

RGB 103 118 85

HSL 87.27, 0.16%, 0.4%

LAB 47.62, -11.99, 16.38

 

CMYK 0 / 18 / 28 / 54

HEX #766155

RGB 118 97 85

HSL 21.82, 0.16%, 0.4%

LAB 42.85, 6.48, 10.01

 

CMYK 0 / 31 / 49 / 47

HEX #865D45

RGB 134 93 69

HSL 22.15, 0.32%, 0.4%

LAB 43.25, 13.72, 20.46

 

CMYK 0 / 41 / 66 / 41

HEX #975934

RGB 151 89 52

HSL 22.42, 0.49%, 0.4%

LAB 44.19, 22.01, 31.91

 

CMYK 0 / 49 / 78 / 35

HEX #A75524

RGB 167 85 36

HSL 22.44, 0.65%, 0.4%

LAB 45.41, 30.2, 42.26

 

CMYK 0 / 56 / 90 / 28

HEX #B85113

RGB 184 81 19

HSL 22.55, 0.81%, 0.4%

LAB 47.13, 38.66, 51.82

 

CMYK 0 / 18 / 28 / 54

HEX #766155

RGB 118 97 85

HSL 21.82, 0.16%, 0.4%

LAB 42.85, 6.48, 10.01

 

CMYK 1 / 0 / 0 / 60

HEX #656666

RGB 101 102 102

HSL 180, 0%, 0.4%

LAB 43.11, -0.39, -0.14

 

CMYK 28 / 10 / 0 / 54

HEX #556A76

RGB 85 106 118

HSL 201.82, 0.16%, 0.4%

LAB 43.58, -4.78, -9.26

 

CMYK 50 / 19 / 0 / 47

HEX #446E87

RGB 68 110 135

HSL 202.39, 0.33%, 0.4%

LAB 44.42, -7.29, -18.3

 

CMYK 66 / 25 / 0 / 41

HEX #347297

RGB 52 114 151

HSL 202.42, 0.49%, 0.4%

LAB 45.63, -7.92, -25.99

 

CMYK 0 / 28 / 23 / 54

HEX #76555B

RGB 118 85 91

HSL 349.09, 0.16%, 0.4%

LAB 39.75, 14.68, 1.93

 

CMYK 0 / 25 / 28 / 54

HEX #765855

RGB 118 88 85

HSL 5.45, 0.16%, 0.4%

LAB 40.39, 11.9, 6.55

 

CMYK 0 / 18 / 28 / 54

HEX #766155

RGB 118 97 85

HSL 21.82, 0.16%, 0.4%

LAB 42.85, 6.48, 10.01

 

CMYK 0 / 10 / 28 / 54

HEX #766A55

RGB 118 106 85

HSL 38.18, 0.16%, 0.4%

LAB 45.38, 1.14, 13.53

 

CMYK 0 / 3 / 28 / 54

HEX #767355

RGB 118 115 85

HSL 54.55, 0.16%, 0.4%

LAB 47.97, -4.08, 17.06

 

CMYK 0 / 17 / 27 / 73

HEX #463A33

RGB 70 58 51

HSL 22.11, 0.16%, 0.24%

LAB 25.46, 3.97, 6.31

 

CMYK 0 / 17 / 28 / 63

HEX #5E4E44

RGB 94 78 68

HSL 23.08, 0.16%, 0.32%

LAB 34.49, 4.94, 8.41

 

CMYK 0 / 18 / 28 / 54

HEX #766155

RGB 118 97 85

HSL 21.82, 0.16%, 0.4%

LAB 42.85, 6.48, 10.01

 

CMYK 0 / 18 / 27 / 44

HEX #8E7567

RGB 142 117 103

HSL 21.54, 0.16%, 0.48%

LAB 51.21, 7.51, 11.38

 

CMYK 0 / 14 / 22 / 37

HEX #A18A7D

RGB 161 138 125

HSL 21.67, 0.16%, 0.56%

LAB 59.19, 6.55, 10.17

 

CMYK 0 / 17 / 27 / 54

HEX #756155

RGB 117 97 85

HSL 22.5, 0.16%, 0.4%

LAB 42.74, 6.05, 9.85

 

CMYK 16 / 0 / 28 / 54

HEX #637655

RGB 99 118 85

HSL 94.55, 0.16%, 0.4%

LAB 47.32, -13.59, 15.93

 

CMYK 28 / 27 / 0 / 54

HEX #555676

RGB 85 86 118

HSL 238.18, 0.16%, 0.4%

LAB 37.65, 7.46, -18.28

 

CMYK 0 / 17 / 27 / 54

HEX #756155

RGB 117 97 85

HSL 22.5, 0.16%, 0.4%

LAB 42.74, 6.05, 9.85

 

CMYK 28 / 0 / 18 / 54

HEX #557661

RGB 85 118 97

HSL 141.82, 0.16%, 0.4%

LAB 46.65, -16.56, 7.8

 

CMYK 18 / 28 / 0 / 54

HEX #615576

RGB 97 85 118

HSL 261.82, 0.16%, 0.4%

LAB 38.46, 12.2, -16.95

 

CMYK 0 / 17 / 27 / 54

HEX #756155

RGB 117 97 85

HSL 22.5, 0.16%, 0.4%

LAB 42.74, 6.05, 9.85

 

CMYK 16 / 0 / 28 / 54

HEX #637655

RGB 99 118 85

HSL 94.55, 0.16%, 0.4%

LAB 47.32, -13.59, 15.93

 

CMYK 28 / 10 / 0 / 54

HEX #556A76

RGB 85 106 118

HSL 201.82, 0.16%, 0.4%

LAB 43.58, -4.78, -9.26

 

CMYK 12 / 28 / 0 / 54

HEX #685576

RGB 104 85 118

HSL 274.55, 0.16%, 0.4%

LAB 39.15, 14.68, -15.82

 

CMYK 0 / 17 / 27 / 54

HEX #756155

RGB 117 97 85

HSL 22.5, 0.16%, 0.4%

LAB 42.74, 6.05, 9.85

 

CMYK 24 / 0 / 28 / 54

HEX #5A7655

RGB 90 118 85

HSL 110.91, 0.16%, 0.4%

LAB 46.69, -17.09, 14.97

 

CMYK 28 / 10 / 0 / 54

HEX #556A76

RGB 85 106 118

HSL 201.82, 0.16%, 0.4%

LAB 43.58, -4.78, -9.26

 

CMYK 4 / 28 / 0 / 54

HEX #715576

RGB 113 85 118

HSL 290.91, 0.16%, 0.4%

LAB 40.11, 17.93, -14.28

 

Description

Color code: HEX #756155 | qconv.com Color code: HEX #756155 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 97 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 97 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 27 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 27% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - BHLDN Wedding Dresse...
Link: http://www.bhldn.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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