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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #756E0F it is the complementary color #8A91F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #756E0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #756E0F shade: #7A6E0A, #8B801D, #9C9230, #ADA443 and #BEB656

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #756E0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #756E0F shade: #756E0F, #645C00, #534A00, #423800 and #312600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #756E0F shade: #756E0F, #75520F, #75370F, #751B0F and #750F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #756E0F shade: #756E0F, #60750F, #45750F, #29750F and #0F7510

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #756E0F shade matches the following richer shades: #756E0F and #807704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #756E0F shade: #756E0F, #6A6519, #5F5B24, #55522F and #4A493A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #756E0F shade: #75360F, #75510F, #756C0F, #62750F and #47750F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #756E0F shade: #2C2905, #504C0A, #756E0F, #999013 and #BEB318

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #756E0F shade: #756E0F, #0F751B and #440F75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #756E0F shade: #756E0F, #0F756C and #6C0F75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #756E0F shade: #756E0F, #0F751B, #0F1775 and #750F69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #756E0F shade: #756E0F, #0F7539, #0F1775 and #750F4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

Complementary color

CMYK 43 / 40 / 0 / 6

HEX #8A91F0

RGB 138 145 240

HSL 235.88, 0.77%, 0.74%

LAB 63.3, 21.08, -48.65

 

CMYK 0 / 10 / 92 / 52

HEX #7A6E0A

RGB 122 110 10

HSL 53.57, 0.85%, 0.26%

LAB 46.06, -5.61, 49.98

 

CMYK 0 / 8 / 79 / 45

HEX #8B801D

RGB 139 128 29

HSL 54, 0.65%, 0.33%

LAB 52.97, -7.04, 51.12

 

CMYK 0 / 6 / 69 / 39

HEX #9C9230

RGB 156 146 48

HSL 54.44, 0.53%, 0.4%

LAB 59.74, -8.17, 50.94

 

CMYK 0 / 5 / 61 / 32

HEX #ADA443

RGB 173 164 67

HSL 54.91, 0.44%, 0.47%

LAB 66.4, -9.07, 50.16

 

CMYK 0 / 4 / 55 / 25

HEX #BEB656

RGB 190 182 86

HSL 55.38, 0.44%, 0.54%

LAB 72.94, -9.79, 49.11

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 0 / 8 / 100 / 61

HEX #645C00

RGB 100 92 0

HSL 55.2, 1%, 0.2%

LAB 38.49, -6.27, 45.77

 

CMYK 0 / 11 / 100 / 67

HEX #534A00

RGB 83 74 0

HSL 53.49, 1%, 0.16%

LAB 31.2, -4.18, 39.73

 

CMYK 0 / 15 / 100 / 74

HEX #423800

RGB 66 56 0

HSL 50.91, 1%, 0.13%

LAB 23.63, -1.95, 32.49

 

CMYK 0 / 22 / 100 / 81

HEX #312600

RGB 49 38 0

HSL 46.53, 1%, 0.1%

LAB 15.69, 0.5, 22.9

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 0 / 30 / 87 / 54

HEX #75520F

RGB 117 82 15

HSL 39.41, 0.77%, 0.26%

LAB 37.57, 8.53, 41.39

 

CMYK 0 / 53 / 87 / 54

HEX #75370F

RGB 117 55 15

HSL 23.53, 0.77%, 0.26%

LAB 30.76, 24.56, 35.46

 

CMYK 0 / 77 / 87 / 54

HEX #751B0F

RGB 117 27 15

HSL 7.06, 0.77%, 0.26%

LAB 25.56, 38.26, 30.8

 

CMYK 0 / 87 / 87 / 54

HEX #750F0F

RGB 117 15 15

HSL 0, 0.77%, 0.26%

LAB 24.19, 42.12, 29.48

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 18 / 0 / 87 / 54

HEX #60750F

RGB 96 117 15

HSL 72.35, 0.77%, 0.26%

LAB 45.97, -21.45, 47.8

 

CMYK 41 / 0 / 87 / 54

HEX #45750F

RGB 69 117 15

HSL 88.24, 0.77%, 0.26%

LAB 44.26, -32.7, 45.66

 

CMYK 65 / 0 / 87 / 54

HEX #29750F

RGB 41 117 15

HSL 104.71, 0.77%, 0.26%

LAB 43.11, -41.63, 44.19

 

CMYK 87 / 0 / 86 / 54

HEX #0F7510

RGB 15 117 16

HSL 120.59, 0.77%, 0.26%

LAB 42.55, -46.34, 43.2

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 0 / 7 / 97 / 50

HEX #807704

RGB 128 119 4

HSL 55.65, 0.94%, 0.26%

LAB 49.24, -7.92, 53.94

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 0 / 5 / 76 / 58

HEX #6A6519

RGB 106 101 25

HSL 56.3, 0.62%, 0.26%

LAB 41.91, -7.64, 41.14

 

CMYK 0 / 4 / 62 / 63

HEX #5F5B24

RGB 95 91 36

HSL 55.93, 0.45%, 0.26%

LAB 37.92, -6.39, 31.6

 

CMYK 0 / 4 / 45 / 67

HEX #55522F

RGB 85 82 47

HSL 55.26, 0.29%, 0.26%

LAB 34.34, -4.66, 20.96

 

CMYK 0 / 1 / 22 / 71

HEX #4A493A

RGB 74 73 58

HSL 56.25, 0.12%, 0.26%

LAB 30.7, -2.55, 9.15

 

CMYK 0 / 54 / 87 / 54

HEX #75360F

RGB 117 54 15

HSL 22.94, 0.77%, 0.26%

LAB 30.53, 25.13, 35.27

 

CMYK 0 / 31 / 87 / 54

HEX #75510F

RGB 117 81 15

HSL 38.82, 0.77%, 0.26%

LAB 37.3, 9.13, 41.16

 

CMYK 0 / 8 / 87 / 54

HEX #756C0F

RGB 117 108 15

HSL 54.71, 0.77%, 0.26%

LAB 45, -6.74, 47.69

 

CMYK 16 / 0 / 87 / 54

HEX #62750F

RGB 98 117 15

HSL 71.18, 0.77%, 0.26%

LAB 46.11, -20.55, 47.99

 

CMYK 39 / 0 / 87 / 54

HEX #47750F

RGB 71 117 15

HSL 87.06, 0.77%, 0.26%

LAB 44.37, -31.94, 45.79

 

CMYK 0 / 7 / 89 / 83

HEX #2C2905

RGB 44 41 5

HSL 55.38, 0.8%, 0.1%

LAB 16.17, -3.93, 21.33

 

CMYK 0 / 5 / 88 / 69

HEX #504C0A

RGB 80 76 10

HSL 56.57, 0.78%, 0.18%

LAB 31.57, -6.54, 36.25

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 0 / 6 / 88 / 40

HEX #999013

RGB 153 144 19

HSL 55.97, 0.78%, 0.34%

LAB 58.76, -9.63, 59.45

 

CMYK 0 / 6 / 87 / 25

HEX #BEB318

RGB 190 179 24

HSL 56.02, 0.78%, 0.42%

LAB 71.73, -11.35, 70.24

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 87 / 0 / 77 / 54

HEX #0F751B

RGB 15 117 27

HSL 127.06, 0.77%, 0.26%

LAB 42.62, -45.54, 39.53

 

CMYK 42 / 87 / 0 / 54

HEX #440F75

RGB 68 15 117

HSL 271.18, 0.77%, 0.26%

LAB 19.45, 43.64, -46.73

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 87 / 0 / 8 / 54

HEX #0F756C

RGB 15 117 108

HSL 174.71, 0.77%, 0.26%

LAB 44.1, -28.94, -2.76

 

CMYK 8 / 87 / 0 / 54

HEX #6C0F75

RGB 108 15 117

HSL 294.71, 0.77%, 0.26%

LAB 26.2, 50.69, -35.47

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 87 / 0 / 77 / 54

HEX #0F751B

RGB 15 117 27

HSL 127.06, 0.77%, 0.26%

LAB 42.62, -45.54, 39.53

 

CMYK 87 / 80 / 0 / 54

HEX #0F1775

RGB 15 23 117

HSL 235.29, 0.77%, 0.26%

LAB 15.48, 33.98, -53.46

 

CMYK 0 / 87 / 10 / 54

HEX #750F69

RGB 117 15 105

HSL 307.06, 0.77%, 0.26%

LAB 27.14, 50.54, -26.15

 

CMYK 0 / 6 / 87 / 54

HEX #756E0F

RGB 117 110 15

HSL 55.88, 0.77%, 0.26%

LAB 45.59, -7.87, 48.19

 

CMYK 87 / 0 / 51 / 54

HEX #0F7539

RGB 15 117 57

HSL 144.71, 0.77%, 0.26%

LAB 42.94, -41.56, 25.44

 

CMYK 87 / 80 / 0 / 54

HEX #0F1775

RGB 15 23 117

HSL 235.29, 0.77%, 0.26%

LAB 15.48, 33.98, -53.46

 

CMYK 0 / 87 / 37 / 54

HEX #750F4A

RGB 117 15 74

HSL 325.29, 0.77%, 0.26%

LAB 25.62, 46.32, -8.02

 

Description

Color code: HEX #756E0F | qconv.com Color code: HEX #756E0F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 110 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 110 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 87 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 87% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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