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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7576AC it is the complementary color #8A8953. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7576AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7576AC shade: #7A76A7, #8B88BA, #9C9ACD, #ADACE0 and #BEBEF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7576AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7576AC shade: #7576AC, #646499, #535286, #424073 and #312E60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7576AC shade: #7576AC, #8375AC, #9275AC, #A175AC and #AC75A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7576AC shade: #7576AC and #7575AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7576AC shade matches the following richer shades: #7576AC, #6465BE, #5254D0, #4043E1 and #2E32F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7576AC shade: #7576AC, #87889B, #999989, #ABAA77 and #BCBB65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7576AC shade: #7595AC, #7586AC, #7577AC, #8275AC and #9175AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7576AC shade: #4E4F82, #5D5E9B, #7576AC, #8F90BC and #A9AACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7576AC shade: #7576AC, #AC75A3 and #8DAC75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7576AC shade: #7576AC, #AC7577 and #77AC75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7576AC shade: #7576AC, #AC75A3, #ACAA75 and #75AC7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7576AC shade: #7576AC, #AC7593, #ACAA75 and #75AC8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

Complementary color

CMYK 0 / 1 / 40 / 46

HEX #8A8953

RGB 138 137 83

HSL 58.91, 0.25%, 0.43%

LAB 56.01, -8.16, 29.08

 

CMYK 27 / 29 / 0 / 35

HEX #7A76A7

RGB 122 118 167

HSL 244.9, 0.22%, 0.56%

LAB 51.71, 12.72, -25.62

 

CMYK 25 / 27 / 0 / 27

HEX #8B88BA

RGB 139 136 186

HSL 243.6, 0.27%, 0.63%

LAB 58.64, 12.2, -25.71

 

CMYK 24 / 25 / 0 / 20

HEX #9C9ACD

RGB 156 154 205

HSL 242.35, 0.34%, 0.7%

LAB 65.43, 11.74, -25.84

 

CMYK 23 / 23 / 0 / 12

HEX #ADACE0

RGB 173 172 224

HSL 241.15, 0.46%, 0.78%

LAB 72.08, 11.33, -26

 

CMYK 22 / 22 / 0 / 5

HEX #BEBEF3

RGB 190 190 243

HSL 240, 0.69%, 0.85%

LAB 78.6, 10.95, -26.19

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 35 / 35 / 0 / 40

HEX #646499

RGB 100 100 153

HSL 240, 0.21%, 0.5%

LAB 44.41, 13.15, -28.88

 

CMYK 38 / 39 / 0 / 47

HEX #535286

RGB 83 82 134

HSL 241.15, 0.24%, 0.42%

LAB 37.11, 13.93, -28.97

 

CMYK 43 / 44 / 0 / 55

HEX #424073

RGB 66 64 115

HSL 242.35, 0.28%, 0.35%

LAB 29.57, 14.89, -29.15

 

CMYK 49 / 52 / 0 / 62

HEX #312E60

RGB 49 46 96

HSL 243.6, 0.35%, 0.28%

LAB 21.77, 16.12, -29.43

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 24 / 32 / 0 / 33

HEX #8375AC

RGB 131 117 172

HSL 255.27, 0.25%, 0.57%

LAB 52.43, 17.39, -27.34

 

CMYK 15 / 32 / 0 / 33

HEX #9275AC

RGB 146 117 172

HSL 271.64, 0.25%, 0.57%

LAB 53.83, 22.18, -25.07

 

CMYK 6 / 32 / 0 / 33

HEX #A175AC

RGB 161 117 172

HSL 288, 0.25%, 0.57%

LAB 55.36, 27.11, -22.58

 

CMYK 0 / 32 / 2 / 33

HEX #AC75A9

RGB 172 117 169

HSL 303.27, 0.25%, 0.57%

LAB 56.44, 30.19, -19.08

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 32 / 32 / 0 / 33

HEX #7575AC

RGB 117 117 172

HSL 240, 0.25%, 0.57%

LAB 51.25, 13.1, -29.27

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 47 / 47 / 0 / 25

HEX #6465BE

RGB 100 101 190

HSL 239.33, 0.41%, 0.57%

LAB 46.62, 23.46, -47.09

 

CMYK 61 / 60 / 0 / 18

HEX #5254D0

RGB 82 84 208

HSL 239.05, 0.57%, 0.57%

LAB 42.29, 36.07, -64.53

 

CMYK 72 / 70 / 0 / 12

HEX #4043E1

RGB 64 67 225

HSL 238.88, 0.73%, 0.57%

LAB 38.8, 49.4, -80.04

 

CMYK 81 / 79 / 0 / 5

HEX #2E32F3

RGB 46 50 243

HSL 238.78, 0.89%, 0.57%

LAB 36.62, 62.68, -93.88

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 13 / 12 / 0 / 39

HEX #87889B

RGB 135 136 155

HSL 237, 0.09%, 0.57%

LAB 57.2, 3.62, -10.22

 

CMYK 0 / 0 / 10 / 40

HEX #999989

RGB 153 153 137

HSL 60, 0.07%, 0.57%

LAB 62.81, -2.93, 8.41

 

CMYK 0 / 1 / 30 / 33

HEX #ABAA77

RGB 171 170 119

HSL 58.85, 0.24%, 0.57%

LAB 68.56, -7.83, 26.49

 

CMYK 0 / 1 / 46 / 26

HEX #BCBB65

RGB 188 187 101

HSL 59.31, 0.39%, 0.57%

LAB 74.3, -11.87, 43.41

 

CMYK 32 / 13 / 0 / 33

HEX #7595AC

RGB 117 149 172

HSL 205.09, 0.25%, 0.57%

LAB 60.12, -5.49, -15.65

 

CMYK 32 / 22 / 0 / 33

HEX #7586AC

RGB 117 134 172

HSL 221.45, 0.25%, 0.57%

LAB 55.9, 3.06, -22.08

 

CMYK 32 / 31 / 0 / 33

HEX #7577AC

RGB 117 119 172

HSL 237.82, 0.25%, 0.57%

LAB 51.79, 11.9, -28.43

 

CMYK 24 / 32 / 0 / 33

HEX #8275AC

RGB 130 117 172

HSL 254.18, 0.25%, 0.57%

LAB 52.34, 17.08, -27.49

 

CMYK 16 / 32 / 0 / 33

HEX #9175AC

RGB 145 117 172

HSL 270.55, 0.25%, 0.57%

LAB 53.73, 21.86, -25.22

 

CMYK 40 / 39 / 0 / 49

HEX #4E4F82

RGB 78 79 130

HSL 238.85, 0.25%, 0.41%

LAB 35.64, 13.19, -28.85

 

CMYK 40 / 39 / 0 / 39

HEX #5D5E9B

RGB 93 94 155

HSL 239.03, 0.25%, 0.49%

LAB 42.31, 15.43, -33.41

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 24 / 23 / 0 / 26

HEX #8F90BC

RGB 143 144 188

HSL 238.67, 0.25%, 0.65%

LAB 61.15, 9.32, -22.97

 

CMYK 17 / 16 / 0 / 20

HEX #A9AACB

RGB 169 170 203

HSL 238.24, 0.25%, 0.73%

LAB 70.52, 6.43, -16.88

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 0 / 32 / 5 / 33

HEX #AC75A3

RGB 172 117 163

HSL 309.82, 0.25%, 0.57%

LAB 56.23, 29.06, -15.95

 

CMYK 18 / 0 / 32 / 33

HEX #8DAC75

RGB 141 172 117

HSL 93.82, 0.25%, 0.57%

LAB 66.86, -20.77, 24.91

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 0 / 32 / 31 / 33

HEX #AC7577

RGB 172 117 119

HSL 357.82, 0.25%, 0.57%

LAB 54.89, 21.91, 7.69

 

CMYK 31 / 0 / 32 / 33

HEX #77AC75

RGB 119 172 117

HSL 117.82, 0.25%, 0.57%

LAB 65.52, -28.61, 22.88

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 0 / 32 / 5 / 33

HEX #AC75A3

RGB 172 117 163

HSL 309.82, 0.25%, 0.57%

LAB 56.23, 29.06, -15.95

 

CMYK 0 / 1 / 32 / 33

HEX #ACAA75

RGB 172 170 117

HSL 57.82, 0.25%, 0.57%

LAB 68.61, -7.69, 27.64

 

CMYK 32 / 0 / 26 / 33

HEX #75AC7F

RGB 117 172 127

HSL 130.91, 0.25%, 0.57%

LAB 65.61, -27.52, 17.53

 

CMYK 32 / 31 / 0 / 33

HEX #7576AC

RGB 117 118 172

HSL 238.91, 0.25%, 0.57%

LAB 51.52, 12.5, -28.85

 

CMYK 0 / 32 / 15 / 33

HEX #AC7593

RGB 172 117 147

HSL 327.27, 0.25%, 0.57%

LAB 55.68, 26.23, -7.48

 

CMYK 0 / 1 / 32 / 33

HEX #ACAA75

RGB 172 170 117

HSL 57.82, 0.25%, 0.57%

LAB 68.61, -7.69, 27.64

 

CMYK 32 / 0 / 17 / 33

HEX #75AC8F

RGB 117 172 143

HSL 148.36, 0.25%, 0.57%

LAB 65.96, -24.4, 9.22

 

Description

Color code: HEX #7576AC | qconv.com Color code: HEX #7576AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 118 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 118 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 31 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 31% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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