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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #757798 it is the complementary color #8A8867. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #757798. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #757798 shade: #7A7793, #8B89A6, #9C9BB9, #ADADCC and #BEBFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #757798. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #757798 shade: #757798, #646585, #535372, #42415F and #312F4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #757798 shade: #757799, #7C7599, #867599, #907599 and #997598

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #757798 shade: #757799 and #757599

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #757798 shade matches the following richer shades: #757799, #6166AC, #4E54BF, #3A43D3 and #2732E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #757798 shade: #757799, #888885, #9B9972, #AFAA5E and #C2BB4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #757798 shade: #758A99, #758199, #757799, #7C7599 and #857599

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #757798 shade: #4F516B, #616383, #757799, #8C8EAA and #A4A5BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #757798 shade: #757798, #997594 and #859975

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #757798 shade: #757798, #997577 and #779975

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #757798 shade: #757798, #997594, #999675 and #759979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #757798 shade: #757798, #997589, #999675 and #759984

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

Complementary color

CMYK 0 / 1 / 25 / 46

HEX #8A8867

RGB 138 136 103

HSL 56.57, 0.15%, 0.47%

LAB 56.08, -4.93, 18.04

 

CMYK 17 / 19 / 0 / 42

HEX #7A7793

RGB 122 119 147

HSL 246.43, 0.11%, 0.52%

LAB 51.2, 7.21, -14.73

 

CMYK 16 / 17 / 0 / 35

HEX #8B89A6

RGB 139 137 166

HSL 244.14, 0.14%, 0.59%

LAB 58.16, 6.87, -15.04

 

CMYK 16 / 16 / 0 / 27

HEX #9C9BB9

RGB 156 155 185

HSL 242, 0.18%, 0.67%

LAB 64.97, 6.57, -15.37

 

CMYK 15 / 15 / 0 / 20

HEX #ADADCC

RGB 173 173 204

HSL 240, 0.23%, 0.74%

LAB 71.64, 6.29, -15.71

 

CMYK 15 / 14 / 0 / 13

HEX #BEBFDF

RGB 190 191 223

HSL 238.18, 0.34%, 0.81%

LAB 78.19, 6.03, -16.05

 

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

CMYK 25 / 24 / 0 / 48

HEX #646585

RGB 100 101 133

HSL 238.18, 0.14%, 0.46%

LAB 43.81, 7.13, -17.84

 

CMYK 27 / 27 / 0 / 55

HEX #535372

RGB 83 83 114

HSL 240, 0.16%, 0.39%

LAB 36.44, 7.59, -17.68

 

CMYK 31 / 32 / 0 / 63

HEX #42415F

RGB 66 65 95

HSL 242, 0.19%, 0.31%

LAB 28.81, 8.15, -17.58

 

CMYK 36 / 38 / 0 / 70

HEX #312F4C

RGB 49 47 76

HSL 244.14, 0.24%, 0.24%

LAB 20.86, 8.85, -17.58

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 19 / 24 / 0 / 40

HEX #7C7599

RGB 124 117 153

HSL 251.67, 0.15%, 0.53%

LAB 51.05, 10.49, -18.46

 

CMYK 12 / 24 / 0 / 40

HEX #867599

RGB 134 117 153

HSL 268.33, 0.15%, 0.53%

LAB 51.94, 13.88, -17.01

 

CMYK 6 / 24 / 0 / 40

HEX #907599

RGB 144 117 153

HSL 285, 0.15%, 0.53%

LAB 52.9, 17.35, -15.47

 

CMYK 0 / 24 / 1 / 40

HEX #997598

RGB 153 117 152

HSL 301.67, 0.15%, 0.53%

LAB 53.77, 20.32, -13.47

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 24 / 24 / 0 / 40

HEX #757599

RGB 117 117 153

HSL 240, 0.15%, 0.53%

LAB 50.46, 8.17, -19.41

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 44 / 41 / 0 / 33

HEX #6166AC

RGB 97 102 172

HSL 236, 0.31%, 0.53%

LAB 45.67, 16.62, -38.14

 

CMYK 59 / 56 / 0 / 25

HEX #4E54BF

RGB 78 84 191

HSL 236.81, 0.47%, 0.53%

LAB 40.77, 29.73, -57.16

 

CMYK 73 / 68 / 0 / 17

HEX #3A43D3

RGB 58 67 211

HSL 236.47, 0.63%, 0.53%

LAB 37.15, 44.15, -74.73

 

CMYK 83 / 78 / 0 / 10

HEX #2732E6

RGB 39 50 230

HSL 236.54, 0.79%, 0.53%

LAB 34.85, 58.37, -89.44

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 0 / 0 / 2 / 47

HEX #888885

RGB 136 136 133

HSL 60, 0.01%, 0.53%

LAB 56.62, -0.58, 1.6

 

CMYK 0 / 1 / 26 / 39

HEX #9B9972

RGB 155 153 114

HSL 57.07, 0.17%, 0.53%

LAB 62.48, -5.79, 20.82

 

CMYK 0 / 3 / 46 / 31

HEX #AFAA5E

RGB 175 170 94

HSL 56.3, 0.34%, 0.53%

LAB 68.51, -9.08, 39.61

 

CMYK 0 / 4 / 61 / 24

HEX #C2BB4B

RGB 194 187 75

HSL 56.47, 0.49%, 0.53%

LAB 74.52, -11.5, 55.97

 

CMYK 24 / 10 / 0 / 40

HEX #758A99

RGB 117 138 153

HSL 205, 0.15%, 0.53%

LAB 56.35, -4.03, -10.49

 

CMYK 24 / 16 / 0 / 40

HEX #758199

RGB 117 129 153

HSL 220, 0.15%, 0.53%

LAB 53.8, 1.12, -14.33

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 19 / 24 / 0 / 40

HEX #7C7599

RGB 124 117 153

HSL 251.67, 0.15%, 0.53%

LAB 51.05, 10.49, -18.46

 

CMYK 13 / 24 / 0 / 40

HEX #857599

RGB 133 117 153

HSL 266.67, 0.15%, 0.53%

LAB 51.85, 13.54, -17.16

 

CMYK 26 / 24 / 0 / 58

HEX #4F516B

RGB 79 81 107

HSL 235.71, 0.15%, 0.36%

LAB 35.22, 5.6, -15.23

 

CMYK 26 / 24 / 0 / 49

HEX #616383

RGB 97 99 131

HSL 236.47, 0.15%, 0.45%

LAB 42.92, 6.84, -18.03

 

CMYK 24 / 22 / 0 / 40

HEX #757799

RGB 117 119 153

HSL 236.67, 0.15%, 0.53%

LAB 51.01, 6.99, -18.57

 

CMYK 18 / 16 / 0 / 33

HEX #8C8EAA

RGB 140 142 170

HSL 236, 0.15%, 0.61%

LAB 59.73, 5.26, -14.95

 

CMYK 13 / 12 / 0 / 26

HEX #A4A5BC

RGB 164 165 188

HSL 237.5, 0.15%, 0.69%

LAB 68.34, 4.3, -11.92

 

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

CMYK 0 / 24 / 3 / 40

HEX #997594

RGB 153 117 148

HSL 308.33, 0.15%, 0.53%

LAB 53.64, 19.54, -11.35

 

CMYK 13 / 0 / 24 / 40

HEX #859975

RGB 133 153 117

HSL 93.33, 0.15%, 0.53%

LAB 60.83, -13.93, 16.62

 

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

CMYK 0 / 24 / 22 / 40

HEX #997577

RGB 153 117 119

HSL 356.67, 0.15%, 0.53%

LAB 52.76, 14.42, 4.35

 

CMYK 22 / 0 / 24 / 40

HEX #779975

RGB 119 153 117

HSL 116.67, 0.15%, 0.53%

LAB 59.88, -19.09, 15.16

 

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

CMYK 0 / 24 / 3 / 40

HEX #997594

RGB 153 117 148

HSL 308.33, 0.15%, 0.53%

LAB 53.64, 19.54, -11.35

 

CMYK 0 / 2 / 24 / 40

HEX #999675

RGB 153 150 117

HSL 55, 0.15%, 0.53%

LAB 61.54, -4.52, 17.85

 

CMYK 24 / 0 / 21 / 40

HEX #759979

RGB 117 153 121

HSL 126.67, 0.15%, 0.53%

LAB 59.84, -19.07, 12.84

 

CMYK 23 / 22 / 0 / 40

HEX #757798

RGB 117 119 152

HSL 236.57, 0.15%, 0.53%

LAB 50.97, 6.74, -18.04

 

CMYK 0 / 24 / 10 / 40

HEX #997589

RGB 153 117 137

HSL 326.67, 0.15%, 0.53%

LAB 53.28, 17.48, -5.45

 

CMYK 0 / 2 / 24 / 40

HEX #999675

RGB 153 150 117

HSL 55, 0.15%, 0.53%

LAB 61.54, -4.52, 17.85

 

CMYK 24 / 0 / 14 / 40

HEX #759984

RGB 117 153 132

HSL 145, 0.15%, 0.53%

LAB 60.1, -16.91, 7.01

 

Description

Color code: HEX #757798 | qconv.com Color code: HEX #757798 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 119 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 119 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 22 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 22% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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