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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #757879 it is the complementary color #8A8786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #757879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #757879 shade: #7A7874, #8B8A87, #9C9C9A, #ADAEAD and #BEC0C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #757879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #757879 shade: #757879, #646666, #535453, #424240 and #31302D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #757879 shade: #75797A, #75777A, #75767A, #75757A and #77757A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #757879 shade: #75797A, #75777A, #75767A and #75757A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #757879 shade matches the following richer shades: #75797A, #62828D, #4E8CA1, #3B96B4 and #279FC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #757879 shade: #75797A, #886F66, #9C6553, #AF5B40 and #C3522C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #757879 shade: #757A78, #757A7A, #75797A, #75777A and #75767A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #757879 shade: #4D4F50, #616465, #75797A, #8A8D8E and #9FA2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #757879 shade: #757879, #77757A and #7A7975

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #757879 shade: #757879, #7A7579 and #797A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #757879 shade: #757879, #77757A, #7A7675 and #787A75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #757879 shade: #757879, #79757A, #7A7675 and #767A75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 1 / 0 / 53

HEX #757879

RGB 117 120 121

HSL 195, 0.02%, 0.47%

LAB 50.21, -0.92, -0.95

 

Complementary color

CMYK 0 / 2 / 3 / 46

HEX #8A8786

RGB 138 135 134

HSL 15, 0.02%, 0.53%

LAB 56.54, 0.93, 0.92

 

CMYK 0 / 2 / 5 / 52

HEX #7A7874

RGB 122 120 116

HSL 40, 0.03%, 0.47%

LAB 50.49, -0.02, 2.46

 

CMYK 0 / 1 / 3 / 45

HEX #8B8A87

RGB 139 138 135

HSL 45, 0.02%, 0.54%

LAB 57.48, -0.21, 1.73

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9A

RGB 156 156 154

HSL 60, 0.01%, 0.61%

LAB 64.3, -0.38, 1.04

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAD

RGB 173 174 173

HSL 120, 0.01%, 0.68%

LAB 70.99, -0.54, 0.38

 

CMYK 1 / 0 / 0 / 25

HEX #BEC0C0

RGB 190 192 192

HSL 180, 0.02%, 0.75%

LAB 77.55, -0.69, -0.25

 

CMYK 3 / 1 / 0 / 53

HEX #757879

RGB 117 120 121

HSL 195, 0.02%, 0.47%

LAB 50.21, -0.92, -0.95

 

CMYK 2 / 0 / 0 / 60

HEX #646666

RGB 100 102 102

HSL 180, 0.01%, 0.4%

LAB 43.02, -0.77, -0.28

 

CMYK 1 / 0 / 1 / 67

HEX #535453

RGB 83 84 83

HSL 120, 0.01%, 0.33%

LAB 35.6, -0.61, 0.44

 

CMYK 0 / 0 / 3 / 74

HEX #424240

RGB 66 66 64

HSL 60, 0.02%, 0.25%

LAB 27.91, -0.44, 1.21

 

CMYK 0 / 2 / 8 / 81

HEX #31302D

RGB 49 48 45

HSL 45, 0.04%, 0.18%

LAB 19.87, -0.23, 2.07

 

CMYK 4 / 1 / 0 / 52

HEX #75797A

RGB 117 121 122

HSL 192, 0.02%, 0.47%

LAB 50.53, -1.29, -1.08

 

CMYK 4 / 2 / 0 / 52

HEX #75777A

RGB 117 119 122

HSL 216, 0.02%, 0.47%

LAB 49.95, -0.13, -1.91

 

CMYK 4 / 3 / 0 / 52

HEX #75767A

RGB 117 118 122

HSL 228, 0.02%, 0.47%

LAB 49.67, 0.45, -2.33

 

CMYK 4 / 4 / 0 / 52

HEX #75757A

RGB 117 117 122

HSL 240, 0.02%, 0.47%

LAB 49.39, 1.03, -2.75

 

CMYK 2 / 4 / 0 / 52

HEX #77757A

RGB 119 117 122

HSL 264, 0.02%, 0.47%

LAB 49.56, 1.78, -2.48

 

CMYK 4 / 1 / 0 / 52

HEX #75797A

RGB 117 121 122

HSL 192, 0.02%, 0.47%

LAB 50.53, -1.29, -1.08

 

CMYK 4 / 2 / 0 / 52

HEX #75777A

RGB 117 119 122

HSL 216, 0.02%, 0.47%

LAB 49.95, -0.13, -1.91

 

CMYK 4 / 3 / 0 / 52

HEX #75767A

RGB 117 118 122

HSL 228, 0.02%, 0.47%

LAB 49.67, 0.45, -2.33

 

CMYK 4 / 4 / 0 / 52

HEX #75757A

RGB 117 117 122

HSL 240, 0.02%, 0.47%

LAB 49.39, 1.03, -2.75

 

CMYK 4 / 1 / 0 / 52

HEX #75797A

RGB 117 121 122

HSL 192, 0.02%, 0.47%

LAB 50.53, -1.29, -1.08

 

CMYK 30 / 8 / 0 / 45

HEX #62828D

RGB 98 130 141

HSL 195.35, 0.18%, 0.47%

LAB 52.38, -8.54, -9.61

 

CMYK 52 / 13 / 0 / 37

HEX #4E8CA1

RGB 78 140 161

HSL 195.18, 0.35%, 0.47%

LAB 55.02, -14.01, -17.3

 

CMYK 67 / 17 / 0 / 29

HEX #3B96B4

RGB 59 150 180

HSL 194.88, 0.51%, 0.47%

LAB 58.07, -17.26, -23.55

 

CMYK 80 / 20 / 0 / 22

HEX #279FC7

RGB 39 159 199

HSL 195, 0.67%, 0.47%

LAB 61.09, -18.27, -29.64

 

CMYK 4 / 1 / 0 / 52

HEX #75797A

RGB 117 121 122

HSL 192, 0.02%, 0.47%

LAB 50.53, -1.29, -1.08

 

CMYK 0 / 18 / 25 / 47

HEX #886F66

RGB 136 111 102

HSL 15.88, 0.14%, 0.47%

LAB 48.96, 8.38, 8.71

 

CMYK 0 / 35 / 47 / 39

HEX #9C6553

RGB 156 101 83

HSL 14.79, 0.31%, 0.47%

LAB 48.26, 20.04, 19.33

 

CMYK 0 / 48 / 63 / 31

HEX #AF5B40

RGB 175 91 64

HSL 14.59, 0.46%, 0.47%

LAB 48.22, 31.79, 30.8

 

CMYK 0 / 58 / 77 / 24

HEX #C3522C

RGB 195 82 44

HSL 15.1, 0.63%, 0.47%

LAB 49.28, 43.12, 43.64

 

CMYK 4 / 0 / 2 / 52

HEX #757A78

RGB 117 122 120

HSL 156, 0.02%, 0.47%

LAB 50.75, -2.28, 0.43

 

CMYK 4 / 0 / 0 / 52

HEX #757A7A

RGB 117 122 122

HSL 180, 0.02%, 0.47%

LAB 50.81, -1.87, -0.66

 

CMYK 4 / 1 / 0 / 52

HEX #75797A

RGB 117 121 122

HSL 192, 0.02%, 0.47%

LAB 50.53, -1.29, -1.08

 

CMYK 4 / 2 / 0 / 52

HEX #75777A

RGB 117 119 122

HSL 216, 0.02%, 0.47%

LAB 49.95, -0.13, -1.91

 

CMYK 4 / 3 / 0 / 52

HEX #75767A

RGB 117 118 122

HSL 228, 0.02%, 0.47%

LAB 49.67, 0.45, -2.33

 

CMYK 4 / 1 / 0 / 69

HEX #4D4F50

RGB 77 79 80

HSL 200, 0.02%, 0.31%

LAB 33.45, -0.59, -0.88

 

CMYK 4 / 1 / 0 / 60

HEX #616465

RGB 97 100 101

HSL 195, 0.02%, 0.39%

LAB 42.15, -0.95, -0.98

 

CMYK 4 / 1 / 0 / 52

HEX #75797A

RGB 117 121 122

HSL 192, 0.02%, 0.47%

LAB 50.53, -1.29, -1.08

 

CMYK 3 / 1 / 0 / 44

HEX #8A8D8E

RGB 138 141 142

HSL 195, 0.02%, 0.55%

LAB 58.42, -0.9, -0.92

 

CMYK 2 / 0 / 0 / 36

HEX #9FA2A2

RGB 159 162 162

HSL 180, 0.02%, 0.63%

LAB 66.38, -1.07, -0.38

 

CMYK 3 / 1 / 0 / 53

HEX #757879

RGB 117 120 121

HSL 195, 0.02%, 0.47%

LAB 50.21, -0.92, -0.95

 

CMYK 2 / 4 / 0 / 52

HEX #77757A

RGB 119 117 122

HSL 264, 0.02%, 0.47%

LAB 49.56, 1.78, -2.48

 

CMYK 0 / 1 / 4 / 52

HEX #7A7975

RGB 122 121 117

HSL 48, 0.02%, 0.47%

LAB 50.8, -0.41, 2.32

 

CMYK 3 / 1 / 0 / 53

HEX #757879

RGB 117 120 121

HSL 195, 0.02%, 0.47%

LAB 50.21, -0.92, -0.95

 

CMYK 0 / 4 / 1 / 52

HEX #7A7579

RGB 122 117 121

HSL 312, 0.02%, 0.47%

LAB 49.79, 2.71, -1.52

 

CMYK 1 / 0 / 4 / 52

HEX #797A75

RGB 121 122 117

HSL 72, 0.02%, 0.47%

LAB 51, -1.36, 2.6

 

CMYK 3 / 1 / 0 / 53

HEX #757879

RGB 117 120 121

HSL 195, 0.02%, 0.47%

LAB 50.21, -0.92, -0.95

 

CMYK 2 / 4 / 0 / 52

HEX #77757A

RGB 119 117 122

HSL 264, 0.02%, 0.47%

LAB 49.56, 1.78, -2.48

 

CMYK 0 / 3 / 4 / 52

HEX #7A7675

RGB 122 118 117

HSL 12, 0.02%, 0.47%

LAB 49.95, 1.33, 1.09

 

CMYK 2 / 0 / 4 / 52

HEX #787A75

RGB 120 122 117

HSL 84, 0.02%, 0.47%

LAB 50.92, -1.75, 2.46

 

CMYK 3 / 1 / 0 / 53

HEX #757879

RGB 117 120 121

HSL 195, 0.02%, 0.47%

LAB 50.21, -0.92, -0.95

 

CMYK 1 / 4 / 0 / 52

HEX #79757A

RGB 121 117 122

HSL 288, 0.02%, 0.47%

LAB 49.73, 2.53, -2.21

 

CMYK 0 / 3 / 4 / 52

HEX #7A7675

RGB 122 118 117

HSL 12, 0.02%, 0.47%

LAB 49.95, 1.33, 1.09

 

CMYK 3 / 0 / 4 / 52

HEX #767A75

RGB 118 122 117

HSL 108, 0.02%, 0.47%

LAB 50.75, -2.51, 2.21

 

Description

Color code: HEX #757879 | qconv.com Color code: HEX #757879 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 120 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 120 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 1 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 1% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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