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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7579B7 it is the complementary color #8A8648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7579B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7579B7 shade: #7A79B2, #8B8BC5, #9C9DD8, #ADAFEB and #BEC1FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7579B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7579B7 shade: #7579B7, #6467A4, #535591, #42437E and #31316B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7579B7 shade: #7679B6, #8376B6, #9576B6, #A676B6 and #B676B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7579B7 shade: #7679B6 and #7676B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7579B7 shade matches the following richer shades: #7679B6, #656BC7, #545CD8, #434DE9 and #323EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7579B7 shade: #7679B6, #8688A5, #979795, #A8A684 and #B9B573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7579B7 shade: #769CB6, #768BB6, #767AB6, #8376B6 and #9476B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7579B7 shade: #4B4F8F, #5B5FA8, #7679B6, #9194C5 and #ACAED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7579B7 shade: #7579B7, #B676AE and #94B676

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7579B7 shade: #7579B7, #B6767A and #7AB676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7579B7 shade: #7579B7, #B676AE, #B6B276 and #76B67E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7579B7 shade: #7579B7, #B6769A, #B6B276 and #76B692

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 34 / 0 / 28

HEX #7579B7

RGB 117 121 183

HSL 236.36, 0.31%, 0.59%

LAB 52.81, 13.7, -33.18

 

Complementary color

CMYK 0 / 3 / 48 / 46

HEX #8A8648

RGB 138 134 72

HSL 56.36, 0.31%, 0.41%

LAB 54.99, -7.73, 33.72

 

CMYK 31 / 32 / 0 / 30

HEX #7A79B2

RGB 122 121 178

HSL 241.05, 0.27%, 0.59%

LAB 52.98, 13.8, -30.01

 

CMYK 29 / 29 / 0 / 23

HEX #8B8BC5

RGB 139 139 197

HSL 240, 0.33%, 0.66%

LAB 59.88, 13.22, -30.03

 

CMYK 28 / 27 / 0 / 15

HEX #9C9DD8

RGB 156 157 216

HSL 239, 0.43%, 0.73%

LAB 66.63, 12.72, -30.1

 

CMYK 26 / 26 / 0 / 8

HEX #ADAFEB

RGB 173 175 235

HSL 238.06, 0.61%, 0.8%

LAB 73.25, 12.26, -30.19

 

CMYK 25 / 24 / 0 / 0

HEX #BEC1FE

RGB 190 193 254

HSL 237.19, 0.97%, 0.87%

LAB 79.75, 11.85, -30.32

 

CMYK 36 / 34 / 0 / 28

HEX #7579B7

RGB 117 121 183

HSL 236.36, 0.31%, 0.59%

LAB 52.81, 13.7, -33.18

 

CMYK 39 / 37 / 0 / 36

HEX #6467A4

RGB 100 103 164

HSL 237.19, 0.26%, 0.52%

LAB 45.76, 14.44, -33.27

 

CMYK 43 / 41 / 0 / 43

HEX #535591

RGB 83 85 145

HSL 238.06, 0.27%, 0.45%

LAB 38.52, 15.34, -33.44

 

CMYK 48 / 47 / 0 / 51

HEX #42437E

RGB 66 67 126

HSL 239, 0.31%, 0.38%

LAB 31.06, 16.44, -33.68

 

CMYK 54 / 54 / 0 / 58

HEX #31316B

RGB 49 49 107

HSL 240, 0.37%, 0.31%

LAB 23.38, 17.86, -34.01

 

CMYK 35 / 34 / 0 / 29

HEX #7679B6

RGB 118 121 182

HSL 237.19, 0.3%, 0.59%

LAB 52.84, 13.71, -32.55

 

CMYK 28 / 35 / 0 / 29

HEX #8376B6

RGB 131 118 182

HSL 252.19, 0.3%, 0.59%

LAB 53.12, 19.32, -32.04

 

CMYK 18 / 35 / 0 / 29

HEX #9576B6

RGB 149 118 182

HSL 269.06, 0.3%, 0.59%

LAB 54.79, 24.85, -29.32

 

CMYK 9 / 35 / 0 / 29

HEX #A676B6

RGB 166 118 182

HSL 285, 0.3%, 0.59%

LAB 56.53, 30.25, -26.49

 

CMYK 0 / 35 / 1 / 29

HEX #B676B5

RGB 182 118 181

HSL 300.94, 0.3%, 0.59%

LAB 58.26, 35.22, -23.09

 

CMYK 35 / 34 / 0 / 29

HEX #7679B6

RGB 118 121 182

HSL 237.19, 0.3%, 0.59%

LAB 52.84, 13.71, -32.55

 

CMYK 35 / 35 / 0 / 29

HEX #7676B6

RGB 118 118 182

HSL 240, 0.3%, 0.59%

LAB 52.05, 15.51, -33.8

 

CMYK 35 / 34 / 0 / 29

HEX #7679B6

RGB 118 121 182

HSL 237.19, 0.3%, 0.59%

LAB 52.84, 13.71, -32.55

 

CMYK 49 / 46 / 0 / 22

HEX #656BC7

RGB 101 107 199

HSL 236.33, 0.47%, 0.59%

LAB 48.77, 22.78, -48.85

 

CMYK 61 / 57 / 0 / 15

HEX #545CD8

RGB 84 92 216

HSL 236.36, 0.63%, 0.59%

LAB 44.94, 34.13, -64.81

 

CMYK 71 / 67 / 0 / 9

HEX #434DE9

RGB 67 77 233

HSL 236.39, 0.79%, 0.59%

LAB 41.82, 46.56, -79.6

 

CMYK 80 / 75 / 0 / 2

HEX #323EFA

RGB 50 62 250

HSL 236.4, 0.95%, 0.59%

LAB 39.62, 59.09, -92.83

 

CMYK 35 / 34 / 0 / 29

HEX #7679B6

RGB 118 121 182

HSL 237.19, 0.3%, 0.59%

LAB 52.84, 13.71, -32.55

 

CMYK 19 / 18 / 0 / 35

HEX #8688A5

RGB 134 136 165

HSL 236.13, 0.15%, 0.59%

LAB 57.46, 5.55, -15.58

 

CMYK 0 / 0 / 1 / 41

HEX #979795

RGB 151 151 149

HSL 60, 0.01%, 0.59%

LAB 62.41, -0.38, 1.04

 

CMYK 0 / 1 / 21 / 34

HEX #A8A684

RGB 168 166 132

HSL 56.67, 0.17%, 0.59%

LAB 67.47, -5.04, 17.91

 

CMYK 0 / 2 / 38 / 27

HEX #B9B573

RGB 185 181 115

HSL 56.57, 0.33%, 0.59%

LAB 72.63, -8.49, 34.15

 

CMYK 35 / 14 / 0 / 29

HEX #769CB6

RGB 118 156 182

HSL 204.38, 0.3%, 0.59%

LAB 62.51, -6.51, -17.66

 

CMYK 35 / 24 / 0 / 29

HEX #768BB6

RGB 118 139 182

HSL 220.31, 0.3%, 0.59%

LAB 57.75, 3.12, -24.95

 

CMYK 35 / 33 / 0 / 29

HEX #767AB6

RGB 118 122 182

HSL 236.25, 0.3%, 0.59%

LAB 53.11, 13.12, -32.14

 

CMYK 28 / 35 / 0 / 29

HEX #8376B6

RGB 131 118 182

HSL 252.19, 0.3%, 0.59%

LAB 53.12, 19.32, -32.04

 

CMYK 19 / 35 / 0 / 29

HEX #9476B6

RGB 148 118 182

HSL 268.13, 0.3%, 0.59%

LAB 54.69, 24.53, -29.48

 

CMYK 48 / 45 / 0 / 44

HEX #4B4F8F

RGB 75 79 143

HSL 236.47, 0.31%, 0.43%

LAB 36.12, 16.43, -36.06

 

CMYK 46 / 43 / 0 / 34

HEX #5B5FA8

RGB 91 95 168

HSL 236.88, 0.31%, 0.51%

LAB 43.12, 18.21, -39.85

 

CMYK 35 / 34 / 0 / 29

HEX #7679B6

RGB 118 121 182

HSL 237.19, 0.3%, 0.59%

LAB 52.84, 13.71, -32.55

 

CMYK 26 / 25 / 0 / 23

HEX #9194C5

RGB 145 148 197

HSL 236.54, 0.31%, 0.67%

LAB 62.7, 9.85, -25.63

 

CMYK 18 / 18 / 0 / 17

HEX #ACAED3

RGB 172 174 211

HSL 236.92, 0.31%, 0.75%

LAB 72.06, 6.96, -18.93

 

CMYK 36 / 34 / 0 / 28

HEX #7579B7

RGB 117 121 183

HSL 236.36, 0.31%, 0.59%

LAB 52.81, 13.7, -33.18

 

CMYK 0 / 35 / 4 / 29

HEX #B676AE

RGB 182 118 174

HSL 307.5, 0.3%, 0.59%

LAB 58, 33.92, -19.49

 

CMYK 19 / 0 / 35 / 29

HEX #94B676

RGB 148 182 118

HSL 91.88, 0.3%, 0.59%

LAB 70.22, -23.03, 28.91

 

CMYK 36 / 34 / 0 / 28

HEX #7579B7

RGB 117 121 183

HSL 236.36, 0.31%, 0.59%

LAB 52.81, 13.7, -33.18

 

CMYK 0 / 35 / 33 / 29

HEX #B6767A

RGB 182 118 122

HSL 356.25, 0.3%, 0.59%

LAB 56.39, 25.65, 8.24

 

CMYK 33 / 0 / 35 / 29

HEX #7AB676

RGB 122 182 118

HSL 116.25, 0.3%, 0.59%

LAB 68.68, -32.21, 26.59

 

CMYK 36 / 34 / 0 / 28

HEX #7579B7

RGB 117 121 183

HSL 236.36, 0.31%, 0.59%

LAB 52.81, 13.7, -33.18

 

CMYK 0 / 35 / 4 / 29

HEX #B676AE

RGB 182 118 174

HSL 307.5, 0.3%, 0.59%

LAB 58, 33.92, -19.49

 

CMYK 0 / 2 / 35 / 29

HEX #B6B276

RGB 182 178 118

HSL 56.25, 0.3%, 0.59%

LAB 71.62, -7.77, 31.22

 

CMYK 35 / 0 / 31 / 29

HEX #76B67E

RGB 118 182 126

HSL 127.5, 0.3%, 0.59%

LAB 68.62, -32.17, 22.2

 

CMYK 36 / 34 / 0 / 28

HEX #7579B7

RGB 117 121 183

HSL 236.36, 0.31%, 0.59%

LAB 52.81, 13.7, -33.18

 

CMYK 0 / 35 / 15 / 29

HEX #B6769A

RGB 182 118 154

HSL 326.25, 0.3%, 0.59%

LAB 57.3, 30.43, -9

 

CMYK 0 / 2 / 35 / 29

HEX #B6B276

RGB 182 178 118

HSL 56.25, 0.3%, 0.59%

LAB 71.62, -7.77, 31.22

 

CMYK 35 / 0 / 20 / 29

HEX #76B692

RGB 118 182 146

HSL 146.25, 0.3%, 0.59%

LAB 69.03, -28.4, 11.92

 

Description

Color code: HEX #7579B7 | qconv.com Color code: HEX #7579B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 121 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 121 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 34 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 34% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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