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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #757DD5 it is the complementary color #8A822A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #757DD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #757DD5 shade: #7A7DD0, #8B8FE3, #9CA1F6, #ADB3FF and #BEC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #757DD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #757DD5 shade: #757DD5, #646BC2, #5359AF, #42479C and #313589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #757DD5 shade: #767ED5, #8876D5, #A176D5, #BB76D5 and #D476D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #757DD5 shade: #767ED5 and #7676D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #757DD5 shade matches the following richer shades: #767ED5, #6872E3 and #5966F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #757DD5 shade: #767ED5, #848AC6, #9396B8, #A1A2A9 and #B0AE9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #757DD5 shade: #76B0D5, #7697D5, #767ED5, #8776D5 and #A176D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #757DD5 shade: #3A45BE, #5660CB, #767ED5, #969CDE and #B5B9E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #757DD5 shade: #757DD5, #D576CA and #A4D576

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #757DD5 shade: #757DD5, #D5767E and #7ED576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #757DD5 shade: #757DD5, #D576CA, #D5CD76 and #76D581

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #757DD5 shade: #757DD5, #D576AD, #D5CD76 and #76D59D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 41 / 0 / 16

HEX #757DD5

RGB 117 125 213

HSL 235, 0.53%, 0.65%

LAB 55.33, 19.91, -46.3

 

Complementary color

CMYK 0 / 6 / 70 / 46

HEX #8A822A

RGB 138 130 42

HSL 55, 0.53%, 0.35%

LAB 53.53, -7.96, 46.62

 

CMYK 41 / 40 / 0 / 18

HEX #7A7DD0

RGB 122 125 208

HSL 237.91, 0.48%, 0.65%

LAB 55.44, 19.71, -43.28

 

CMYK 39 / 37 / 0 / 11

HEX #8B8FE3

RGB 139 143 227

HSL 237.27, 0.61%, 0.72%

LAB 62.24, 18.87, -43.13

 

CMYK 37 / 35 / 0 / 4

HEX #9CA1F6

RGB 156 161 246

HSL 236.67, 0.83%, 0.79%

LAB 68.9, 18.14, -43.02

 

CMYK 32 / 30 / 0 / 0

HEX #ADB3FF

RGB 173 179 255

HSL 235.61, 1%, 0.84%

LAB 75.04, 14.95, -38.23

 

CMYK 25 / 23 / 0 / 0

HEX #BEC5FF

RGB 190 197 255

HSL 233.54, 1%, 0.87%

LAB 80.79, 9.91, -29.25

 

CMYK 45 / 41 / 0 / 16

HEX #757DD5

RGB 117 125 213

HSL 235, 0.53%, 0.65%

LAB 55.33, 19.91, -46.3

 

CMYK 48 / 45 / 0 / 24

HEX #646BC2

RGB 100 107 194

HSL 235.53, 0.44%, 0.58%

LAB 48.41, 21, -46.55

 

CMYK 53 / 49 / 0 / 31

HEX #5359AF

RGB 83 89 175

HSL 236.09, 0.37%, 0.51%

LAB 41.34, 22.3, -46.85

 

CMYK 58 / 54 / 0 / 39

HEX #42479C

RGB 66 71 156

HSL 236.67, 0.41%, 0.44%

LAB 34.12, 23.89, -47.19

 

CMYK 64 / 61 / 0 / 46

HEX #313589

RGB 49 53 137

HSL 237.27, 0.47%, 0.36%

LAB 26.75, 25.86, -47.54

 

CMYK 45 / 41 / 0 / 16

HEX #767ED5

RGB 118 126 213

HSL 234.95, 0.53%, 0.65%

LAB 55.66, 19.56, -45.78

 

CMYK 36 / 45 / 0 / 16

HEX #8876D5

RGB 136 118 213

HSL 251.37, 0.53%, 0.65%

LAB 55.07, 28.89, -46.63

 

CMYK 24 / 45 / 0 / 16

HEX #A176D5

RGB 161 118 213

HSL 267.16, 0.53%, 0.65%

LAB 57.4, 35.69, -42.78

 

CMYK 12 / 45 / 0 / 16

HEX #BB76D5

RGB 187 118 213

HSL 283.58, 0.53%, 0.65%

LAB 60.18, 43.12, -38.22

 

CMYK 0 / 45 / 0 / 16

HEX #D476D5

RGB 212 118 213

HSL 299.37, 0.53%, 0.65%

LAB 63.14, 50.41, -33.38

 

CMYK 45 / 41 / 0 / 16

HEX #767ED5

RGB 118 126 213

HSL 234.95, 0.53%, 0.65%

LAB 55.66, 19.56, -45.78

 

CMYK 45 / 45 / 0 / 16

HEX #7676D5

RGB 118 118 213

HSL 240, 0.53%, 0.65%

LAB 53.61, 24.35, -49.03

 

CMYK 45 / 41 / 0 / 16

HEX #767ED5

RGB 118 126 213

HSL 234.95, 0.53%, 0.65%

LAB 55.66, 19.56, -45.78

 

CMYK 54 / 50 / 0 / 11

HEX #6872E3

RGB 104 114 227

HSL 235.12, 0.69%, 0.65%

LAB 52.42, 27.93, -58.88

 

CMYK 63 / 58 / 0 / 5

HEX #5966F1

RGB 89 102 241

HSL 234.87, 0.84%, 0.65%

LAB 49.47, 37.09, -71.55

 

CMYK 45 / 41 / 0 / 16

HEX #767ED5

RGB 118 126 213

HSL 234.95, 0.53%, 0.65%

LAB 55.66, 19.56, -45.78

 

CMYK 33 / 30 / 0 / 22

HEX #848AC6

RGB 132 138 198

HSL 234.55, 0.37%, 0.65%

LAB 59.12, 12.02, -31.81

 

CMYK 20 / 18 / 0 / 28

HEX #9396B8

RGB 147 150 184

HSL 235.14, 0.21%, 0.65%

LAB 62.91, 6.23, -18

 

CMYK 5 / 4 / 0 / 34

HEX #A1A2A9

RGB 161 162 169

HSL 232.5, 0.04%, 0.65%

LAB 66.74, 1.01, -3.75

 

CMYK 0 / 1 / 12 / 31

HEX #B0AE9B

RGB 176 174 155

HSL 54.29, 0.12%, 0.65%

LAB 70.78, -2.64, 10.01

 

CMYK 45 / 17 / 0 / 16

HEX #76B0D5

RGB 118 176 213

HSL 203.37, 0.53%, 0.65%

LAB 69.26, -9.09, -24.6

 

CMYK 45 / 29 / 0 / 16

HEX #7697D5

RGB 118 151 213

HSL 219.16, 0.53%, 0.65%

LAB 62.33, 4.87, -35.3

 

CMYK 45 / 41 / 0 / 16

HEX #767ED5

RGB 118 126 213

HSL 234.95, 0.53%, 0.65%

LAB 55.66, 19.56, -45.78

 

CMYK 37 / 45 / 0 / 16

HEX #8776D5

RGB 135 118 213

HSL 250.74, 0.53%, 0.65%

LAB 54.98, 28.63, -46.77

 

CMYK 24 / 45 / 0 / 16

HEX #A176D5

RGB 161 118 213

HSL 267.16, 0.53%, 0.65%

LAB 57.4, 35.69, -42.78

 

CMYK 69 / 64 / 0 / 25

HEX #3A45BE

RGB 58 69 190

HSL 235, 0.53%, 0.49%

LAB 35.74, 35.7, -64.82

 

CMYK 58 / 53 / 0 / 20

HEX #5660CB

RGB 86 96 203

HSL 234.87, 0.53%, 0.57%

LAB 45.16, 27.71, -56.99

 

CMYK 45 / 41 / 0 / 16

HEX #767ED5

RGB 118 126 213

HSL 234.95, 0.53%, 0.65%

LAB 55.66, 19.56, -45.78

 

CMYK 32 / 30 / 0 / 13

HEX #969CDE

RGB 150 156 222

HSL 235, 0.52%, 0.73%

LAB 66.16, 13.06, -34.17

 

CMYK 22 / 20 / 0 / 9

HEX #B5B9E8

RGB 181 185 232

HSL 235.29, 0.53%, 0.81%

LAB 76.28, 8.45, -23.87

 

CMYK 45 / 41 / 0 / 16

HEX #757DD5

RGB 117 125 213

HSL 235, 0.53%, 0.65%

LAB 55.33, 19.91, -46.3

 

CMYK 0 / 45 / 5 / 16

HEX #D576CA

RGB 213 118 202

HSL 306.95, 0.53%, 0.65%

LAB 62.82, 48.75, -27.7

 

CMYK 23 / 0 / 45 / 16

HEX #A4D576

RGB 164 213 118

HSL 90.95, 0.53%, 0.65%

LAB 80.06, -32.09, 41.75

 

CMYK 45 / 41 / 0 / 16

HEX #757DD5

RGB 117 125 213

HSL 235, 0.53%, 0.65%

LAB 55.33, 19.91, -46.3

 

CMYK 0 / 45 / 41 / 16

HEX #D5767E

RGB 213 118 126

HSL 354.95, 0.53%, 0.65%

LAB 60.44, 37.86, 12.2

 

CMYK 41 / 0 / 45 / 16

HEX #7ED576

RGB 126 213 118

HSL 114.95, 0.53%, 0.65%

LAB 78.07, -44.83, 38.83

 

CMYK 45 / 41 / 0 / 16

HEX #757DD5

RGB 117 125 213

HSL 235, 0.53%, 0.65%

LAB 55.33, 19.91, -46.3

 

CMYK 0 / 45 / 5 / 16

HEX #D576CA

RGB 213 118 202

HSL 306.95, 0.53%, 0.65%

LAB 62.82, 48.75, -27.7

 

CMYK 0 / 4 / 45 / 16

HEX #D5CD76

RGB 213 205 118

HSL 54.95, 0.53%, 0.65%

LAB 81.36, -9.28, 44.12

 

CMYK 45 / 0 / 39 / 16

HEX #76D581

RGB 118 213 129

HSL 126.95, 0.53%, 0.65%

LAB 77.89, -45.54, 32.98

 

CMYK 45 / 41 / 0 / 16

HEX #757DD5

RGB 117 125 213

HSL 235, 0.53%, 0.65%

LAB 55.33, 19.91, -46.3

 

CMYK 0 / 45 / 19 / 16

HEX #D576AD

RGB 213 118 173

HSL 325.26, 0.53%, 0.65%

LAB 61.76, 44.04, -12.86

 

CMYK 0 / 4 / 45 / 16

HEX #D5CD76

RGB 213 205 118

HSL 54.95, 0.53%, 0.65%

LAB 81.36, -9.28, 44.12

 

CMYK 45 / 0 / 26 / 16

HEX #76D59D

RGB 118 213 157

HSL 144.63, 0.53%, 0.65%

LAB 78.39, -40.61, 19.11

 

Description

Color code: HEX #757DD5 | qconv.com Color code: HEX #757DD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 125 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 125 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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