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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #758612 it is the complementary color #8A79ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #758612. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #758612 shade: #7A860D, #8B9820, #9CAA33, #ADBC46 and #BECE59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #758612. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #758612 shade: #758612, #647400, #536200, #425000 and #313E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #758612 shade: #758612, #867812, #865812, #863912 and #861A12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #758612 shade: #758612, #568612, #368612, #178612 and #12862C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #758612 shade matches the following richer shades: #758612 and #7E9305

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #758612 shade: #758612, #6C7A1E, #646D2B, #5B6137 and #525543

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #758612 shade: #865812, #867712, #778612, #588612 and #398612

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #758612 shade: #363E08, #55620D, #758612, #95AA17 and #B5CF1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #758612 shade: #758612, #128639 and #671286

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #758612 shade: #758612, #127786 and #861277

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #758612 shade: #758612, #128639, #211286 and #86125F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #758612 shade: #758612, #12865C, #211286 and #86123C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

Complementary color

CMYK 42 / 49 / 0 / 7

HEX #8A79ED

RGB 138 121 237

HSL 248.79, 0.76%, 0.7%

LAB 57.26, 34.23, -56.58

 

CMYK 9 / 0 / 90 / 47

HEX #7A860D

RGB 122 134 13

HSL 65.95, 0.82%, 0.29%

LAB 53.19, -18.6, 55.1

 

CMYK 9 / 0 / 79 / 40

HEX #8B9820

RGB 139 152 32

HSL 66.5, 0.65%, 0.36%

LAB 59.93, -19.67, 56.48

 

CMYK 8 / 0 / 70 / 33

HEX #9CAA33

RGB 156 170 51

HSL 67.06, 0.54%, 0.43%

LAB 66.56, -20.5, 56.61

 

CMYK 8 / 0 / 63 / 26

HEX #ADBC46

RGB 173 188 70

HSL 67.63, 0.47%, 0.51%

LAB 73.08, -21.14, 56.07

 

CMYK 8 / 0 / 57 / 19

HEX #BECE59

RGB 190 206 89

HSL 68.21, 0.54%, 0.58%

LAB 79.51, -21.65, 55.21

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 14 / 0 / 100 / 55

HEX #647400

RGB 100 116 0

HSL 68.28, 1%, 0.23%

LAB 45.91, -19.53, 51.23

 

CMYK 15 / 0 / 100 / 62

HEX #536200

RGB 83 98 0

HSL 69.18, 1%, 0.19%

LAB 38.85, -17.91, 45.36

 

CMYK 18 / 0 / 100 / 69

HEX #425000

RGB 66 80 0

HSL 70.5, 1%, 0.16%

LAB 31.57, -16.26, 39.29

 

CMYK 21 / 0 / 100 / 76

HEX #313E00

RGB 49 62 0

HSL 72.58, 1%, 0.12%

LAB 23.99, -14.56, 32.31

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 0 / 10 / 87 / 47

HEX #867812

RGB 134 120 18

HSL 52.76, 0.76%, 0.3%

LAB 50.15, -5.33, 51.86

 

CMYK 0 / 34 / 87 / 47

HEX #865812

RGB 134 88 18

HSL 36.21, 0.76%, 0.3%

LAB 41.36, 13.18, 44.44

 

CMYK 0 / 57 / 87 / 47

HEX #863912

RGB 134 57 18

HSL 20.17, 0.76%, 0.3%

LAB 34.06, 30.82, 38.13

 

CMYK 0 / 81 / 87 / 47

HEX #861A12

RGB 134 26 18

HSL 4.14, 0.76%, 0.3%

LAB 29.03, 44.35, 33.66

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 36 / 0 / 87 / 47

HEX #568612

RGB 86 134 18

HSL 84.83, 0.76%, 0.3%

LAB 50.77, -33.73, 50.95

 

CMYK 60 / 0 / 87 / 47

HEX #368612

RGB 54 134 18

HSL 101.38, 0.76%, 0.3%

LAB 49.35, -44.41, 49.15

 

CMYK 83 / 0 / 87 / 47

HEX #178612

RGB 23 134 18

HSL 117.41, 0.76%, 0.3%

LAB 48.61, -50.68, 48.21

 

CMYK 87 / 0 / 67 / 47

HEX #12862C

RGB 18 134 44

HSL 133.45, 0.76%, 0.3%

LAB 48.71, -49.11, 38.79

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 14 / 0 / 97 / 42

HEX #7E9305

RGB 126 147 5

HSL 68.87, 0.93%, 0.3%

LAB 57.38, -23.61, 59.89

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 11 / 0 / 75 / 52

HEX #6C7A1E

RGB 108 122 30

HSL 69.13, 0.61%, 0.3%

LAB 48.51, -17.98, 45.62

 

CMYK 8 / 0 / 61 / 57

HEX #646D2B

RGB 100 109 43

HSL 68.18, 0.43%, 0.3%

LAB 43.98, -13.67, 34.96

 

CMYK 6 / 0 / 43 / 62

HEX #5B6137

RGB 91 97 55

HSL 68.57, 0.28%, 0.3%

LAB 39.66, -9.7, 23.14

 

CMYK 4 / 0 / 21 / 67

HEX #525543

RGB 82 85 67

HSL 70, 0.12%, 0.3%

LAB 35.39, -4.78, 10.12

 

CMYK 0 / 34 / 87 / 47

HEX #865812

RGB 134 88 18

HSL 36.21, 0.76%, 0.3%

LAB 41.36, 13.18, 44.44

 

CMYK 0 / 11 / 87 / 47

HEX #867712

RGB 134 119 18

HSL 52.24, 0.76%, 0.3%

LAB 49.86, -4.76, 51.62

 

CMYK 11 / 0 / 87 / 47

HEX #778612

RGB 119 134 18

HSL 67.76, 0.76%, 0.3%

LAB 52.97, -19.81, 53.71

 

CMYK 34 / 0 / 87 / 47

HEX #588612

RGB 88 134 18

HSL 83.79, 0.76%, 0.3%

LAB 50.88, -32.95, 51.1

 

CMYK 57 / 0 / 87 / 47

HEX #398612

RGB 57 134 18

HSL 99.83, 0.76%, 0.3%

LAB 49.45, -43.57, 49.28

 

CMYK 13 / 0 / 87 / 76

HEX #363E08

RGB 54 62 8

HSL 68.89, 0.77%, 0.14%

LAB 24.47, -11.53, 29.66

 

CMYK 13 / 0 / 87 / 62

HEX #55620D

RGB 85 98 13

HSL 69.18, 0.77%, 0.22%

LAB 39.06, -16.53, 42.05

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 12 / 0 / 86 / 33

HEX #95AA17

RGB 149 170 23

HSL 68.57, 0.76%, 0.38%

LAB 65.9, -24.66, 64.33

 

CMYK 13 / 0 / 86 / 19

HEX #B5CF1C

RGB 181 207 28

HSL 68.72, 0.76%, 0.46%

LAB 78.77, -28.94, 74.9

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 87 / 0 / 57 / 47

HEX #128639

RGB 18 134 57

HSL 140.17, 0.76%, 0.3%

LAB 48.85, -47.39, 32.69

 

CMYK 23 / 87 / 0 / 47

HEX #671286

RGB 103 18 134

HSL 283.97, 0.76%, 0.3%

LAB 26.84, 52.27, -45.24

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 87 / 11 / 0 / 47

HEX #127786

RGB 18 119 134

HSL 187.76, 0.76%, 0.3%

LAB 45.69, -21.16, -15.89

 

CMYK 0 / 87 / 11 / 47

HEX #861277

RGB 134 18 119

HSL 307.76, 0.76%, 0.3%

LAB 31.42, 55.67, -28.14

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 87 / 0 / 57 / 47

HEX #128639

RGB 18 134 57

HSL 140.17, 0.76%, 0.3%

LAB 48.85, -47.39, 32.69

 

CMYK 75 / 87 / 0 / 47

HEX #211286

RGB 33 18 134

HSL 247.76, 0.76%, 0.3%

LAB 17.82, 43.41, -60.4

 

CMYK 0 / 87 / 29 / 47

HEX #86125F

RGB 134 18 95

HSL 320.17, 0.76%, 0.3%

LAB 30.22, 52.38, -14.59

 

CMYK 13 / 0 / 87 / 47

HEX #758612

RGB 117 134 18

HSL 68.79, 0.76%, 0.3%

LAB 52.81, -20.7, 53.52

 

CMYK 87 / 0 / 31 / 47

HEX #12865C

RGB 18 134 92

HSL 158.28, 0.76%, 0.3%

LAB 49.44, -40.58, 14.28

 

CMYK 75 / 87 / 0 / 47

HEX #211286

RGB 33 18 134

HSL 247.76, 0.76%, 0.3%

LAB 17.82, 43.41, -60.4

 

CMYK 0 / 87 / 55 / 47

HEX #86123C

RGB 134 18 60

HSL 338.28, 0.76%, 0.3%

LAB 28.97, 48.8, 6.75

 

Description

Color code: HEX #758612 | qconv.com Color code: HEX #758612 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 134 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 134 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 87 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 87% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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