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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #758BA4 it is the complementary color #8A745B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #758BA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #758BA4 shade: #7A8B9F, #8B9DB2, #9CAFC5, #ADC1D8 and #BED3EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #758BA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #758BA4 shade: #758BA4, #647991, #53677E, #42556B and #314358

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #758BA4 shade: #748AA4, #747DA4, #7774A4, #8474A4 and #9174A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #758BA4 shade: #748AA4, #747DA4 and #7474A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #758BA4 shade matches the following richer shades: #748AA4, #6189B6, #4F88C9, #3C87DC and #2985EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #758BA4 shade: #748AA4, #868B91, #998D7F, #AB8E6C and #BE8F5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #758BA4 shade: #74A4A3, #7498A4, #748BA4, #747EA4 and #7674A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #758BA4 shade: #4E6177, #5E7690, #748AA4, #8D9FB4 and #A6B4C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #758BA4 shade: #758BA4, #9674A4 and #9EA474

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #758BA4 shade: #758BA4, #A4748B and #8BA474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #758BA4 shade: #758BA4, #9674A4, #A48D74 and #81A474

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #758BA4 shade: #758BA4, #A474A3, #A48D74 and #74A474

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 15 / 0 / 36

HEX #758BA4

RGB 117 139 164

HSL 211.91, 0.21%, 0.55%

LAB 57, -1.89, -15.81

 

Complementary color

CMYK 0 / 16 / 34 / 46

HEX #8A745B

RGB 138 116 91

HSL 31.91, 0.21%, 0.45%

LAB 50.27, 4.7, 17.02

 

CMYK 23 / 13 / 0 / 38

HEX #7A8B9F

RGB 122 139 159

HSL 212.43, 0.16%, 0.55%

LAB 57.18, -1.53, -12.65

 

CMYK 22 / 12 / 0 / 30

HEX #8B9DB2

RGB 139 157 178

HSL 212.31, 0.2%, 0.62%

LAB 64.01, -1.67, -13.02

 

CMYK 21 / 11 / 0 / 23

HEX #9CAFC5

RGB 156 175 197

HSL 212.2, 0.26%, 0.69%

LAB 70.7, -1.81, -13.4

 

CMYK 20 / 11 / 0 / 15

HEX #ADC1D8

RGB 173 193 216

HSL 212.09, 0.36%, 0.76%

LAB 77.27, -1.93, -13.78

 

CMYK 19 / 10 / 0 / 8

HEX #BED3EB

RGB 190 211 235

HSL 212, 0.53%, 0.83%

LAB 83.72, -2.06, -14.17

 

CMYK 29 / 15 / 0 / 36

HEX #758BA4

RGB 117 139 164

HSL 211.91, 0.21%, 0.55%

LAB 57, -1.89, -15.81

 

CMYK 31 / 17 / 0 / 43

HEX #647991

RGB 100 121 145

HSL 212, 0.18%, 0.48%

LAB 50.01, -1.7, -15.51

 

CMYK 34 / 18 / 0 / 51

HEX #53677E

RGB 83 103 126

HSL 212.09, 0.21%, 0.41%

LAB 42.83, -1.48, -15.24

 

CMYK 38 / 21 / 0 / 58

HEX #42556B

RGB 66 85 107

HSL 212.2, 0.24%, 0.34%

LAB 35.43, -1.22, -14.99

 

CMYK 44 / 24 / 0 / 65

HEX #314358

RGB 49 67 88

HSL 212.31, 0.28%, 0.27%

LAB 27.77, -0.87, -14.78

 

CMYK 29 / 16 / 0 / 36

HEX #748AA4

RGB 116 138 164

HSL 212.5, 0.21%, 0.55%

LAB 56.65, -1.62, -16.35

 

CMYK 29 / 24 / 0 / 36

HEX #747DA4

RGB 116 125 164

HSL 228.75, 0.21%, 0.55%

LAB 53.02, 5.92, -21.9

 

CMYK 27 / 29 / 0 / 36

HEX #7774A4

RGB 119 116 164

HSL 243.75, 0.21%, 0.55%

LAB 50.8, 12.2, -25.3

 

CMYK 20 / 29 / 0 / 36

HEX #8474A4

RGB 132 116 164

HSL 260, 0.21%, 0.55%

LAB 51.92, 16.35, -23.47

 

CMYK 12 / 29 / 0 / 36

HEX #9174A4

RGB 145 116 164

HSL 276.25, 0.21%, 0.55%

LAB 53.16, 20.65, -21.47

 

CMYK 29 / 16 / 0 / 36

HEX #748AA4

RGB 116 138 164

HSL 212.5, 0.21%, 0.55%

LAB 56.65, -1.62, -16.35

 

CMYK 29 / 24 / 0 / 36

HEX #747DA4

RGB 116 125 164

HSL 228.75, 0.21%, 0.55%

LAB 53.02, 5.92, -21.9

 

CMYK 29 / 29 / 0 / 36

HEX #7474A4

RGB 116 116 164

HSL 240, 0.21%, 0.55%

LAB 50.55, 11.27, -25.7

 

CMYK 29 / 16 / 0 / 36

HEX #748AA4

RGB 116 138 164

HSL 212.5, 0.21%, 0.55%

LAB 56.65, -1.62, -16.35

 

CMYK 47 / 25 / 0 / 29

HEX #6189B6

RGB 97 137 182

HSL 211.76, 0.37%, 0.55%

LAB 55.9, -1.43, -27.91

 

CMYK 61 / 32 / 0 / 21

HEX #4F88C9

RGB 79 136 201

HSL 211.97, 0.53%, 0.55%

LAB 55.57, 1.13, -39.29

 

CMYK 73 / 39 / 0 / 14

HEX #3C87DC

RGB 60 135 220

HSL 211.88, 0.7%, 0.55%

LAB 55.54, 5.22, -50.09

 

CMYK 83 / 44 / 0 / 7

HEX #2985EE

RGB 41 133 238

HSL 211.98, 0.85%, 0.55%

LAB 55.5, 11.02, -60.23

 

CMYK 29 / 16 / 0 / 36

HEX #748AA4

RGB 116 138 164

HSL 212.5, 0.21%, 0.55%

LAB 56.65, -1.62, -16.35

 

CMYK 8 / 4 / 0 / 43

HEX #868B91

RGB 134 139 145

HSL 212.73, 0.05%, 0.55%

LAB 57.63, -0.59, -3.84

 

CMYK 0 / 8 / 17 / 40

HEX #998D7F

RGB 153 141 127

HSL 32.31, 0.11%, 0.55%

LAB 59.3, 2.04, 9.08

 

CMYK 0 / 17 / 37 / 33

HEX #AB8E6C

RGB 171 142 108

HSL 32.38, 0.27%, 0.55%

LAB 60.86, 6, 22.21

 

CMYK 0 / 25 / 53 / 25

HEX #BE8F5A

RGB 190 143 90

HSL 31.8, 0.43%, 0.55%

LAB 62.79, 11.49, 34.93

 

CMYK 29 / 0 / 1 / 36

HEX #74A4A3

RGB 116 164 163

HSL 178.75, 0.21%, 0.55%

LAB 64.09, -16.16, -4.65

 

CMYK 29 / 7 / 0 / 36

HEX #7498A4

RGB 116 152 164

HSL 195, 0.21%, 0.55%

LAB 60.65, -9.46, -10.33

 

CMYK 29 / 15 / 0 / 36

HEX #748BA4

RGB 116 139 164

HSL 211.25, 0.21%, 0.55%

LAB 56.94, -2.19, -15.92

 

CMYK 29 / 23 / 0 / 36

HEX #747EA4

RGB 116 126 164

HSL 227.5, 0.21%, 0.55%

LAB 53.29, 5.33, -21.48

 

CMYK 28 / 29 / 0 / 36

HEX #7674A4

RGB 118 116 164

HSL 242.5, 0.21%, 0.55%

LAB 50.71, 11.89, -25.44

 

CMYK 34 / 18 / 0 / 53

HEX #4E6177

RGB 78 97 119

HSL 212.2, 0.21%, 0.39%

LAB 40.41, -1.38, -14.71

 

CMYK 35 / 18 / 0 / 44

HEX #5E7690

RGB 94 118 144

HSL 211.2, 0.21%, 0.47%

LAB 48.7, -2.06, -16.96

 

CMYK 29 / 16 / 0 / 36

HEX #748AA4

RGB 116 138 164

HSL 212.5, 0.21%, 0.55%

LAB 56.65, -1.62, -16.35

 

CMYK 22 / 12 / 0 / 29

HEX #8D9FB4

RGB 141 159 180

HSL 212.31, 0.21%, 0.63%

LAB 64.77, -1.68, -12.99

 

CMYK 15 / 8 / 0 / 23

HEX #A6B4C4

RGB 166 180 196

HSL 212, 0.2%, 0.71%

LAB 72.72, -1.53, -9.76

 

CMYK 29 / 15 / 0 / 36

HEX #758BA4

RGB 117 139 164

HSL 211.91, 0.21%, 0.55%

LAB 57, -1.89, -15.81

 

CMYK 9 / 29 / 0 / 36

HEX #9674A4

RGB 150 116 164

HSL 282.5, 0.21%, 0.55%

LAB 53.66, 22.33, -20.66

 

CMYK 4 / 0 / 29 / 36

HEX #9EA474

RGB 158 164 116

HSL 67.5, 0.21%, 0.55%

LAB 65.81, -10.22, 24.26

 

CMYK 29 / 15 / 0 / 36

HEX #758BA4

RGB 117 139 164

HSL 211.91, 0.21%, 0.55%

LAB 57, -1.89, -15.81

 

CMYK 0 / 29 / 15 / 36

HEX #A4748B

RGB 164 116 139

HSL 331.25, 0.21%, 0.55%

LAB 54.29, 22.5, -4.99

 

CMYK 15 / 0 / 29 / 36

HEX #8BA474

RGB 139 164 116

HSL 91.25, 0.21%, 0.55%

LAB 64.4, -17.58, 22.12

 

CMYK 29 / 15 / 0 / 36

HEX #758BA4

RGB 117 139 164

HSL 211.91, 0.21%, 0.55%

LAB 57, -1.89, -15.81

 

CMYK 9 / 29 / 0 / 36

HEX #9674A4

RGB 150 116 164

HSL 282.5, 0.21%, 0.55%

LAB 53.66, 22.33, -20.66

 

CMYK 0 / 14 / 29 / 36

HEX #A48D74

RGB 164 141 116

HSL 31.25, 0.21%, 0.55%

LAB 60.07, 4.75, 16.54

 

CMYK 21 / 0 / 29 / 36

HEX #81A474

RGB 129 164 116

HSL 103.75, 0.21%, 0.55%

LAB 63.74, -21.29, 21.11

 

CMYK 29 / 15 / 0 / 36

HEX #758BA4

RGB 117 139 164

HSL 211.91, 0.21%, 0.55%

LAB 57, -1.89, -15.81

 

CMYK 0 / 29 / 1 / 36

HEX #A474A3

RGB 164 116 163

HSL 301.25, 0.21%, 0.55%

LAB 55.1, 26.88, -17.74

 

CMYK 0 / 14 / 29 / 36

HEX #A48D74

RGB 164 141 116

HSL 31.25, 0.21%, 0.55%

LAB 60.07, 4.75, 16.54

 

CMYK 29 / 0 / 29 / 36

HEX #74A474

RGB 116 164 116

HSL 120, 0.21%, 0.55%

LAB 62.95, -25.9, 19.9

 

Description

Color code: HEX #758BA4 | qconv.com Color code: HEX #758BA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 139 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 139 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 15 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 15% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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