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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7596D9 it is the complementary color #8A6926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7596D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7596D9 shade: #7A96D4, #8BA8E7, #9CBAFA, #ADCCFF and #BEDEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7596D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7596D9 shade: #7596D9, #6484C6, #5372B3, #4260A0 and #314E8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7596D9 shade: #7294D8, #7279D8, #8872D8, #A372D8 and #BF72D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7596D9 shade: #7294D8, #7279D8 and #7272D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7596D9 shade matches the following richer shades: #7294D8, #648FE7 and #558AF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7596D9 shade: #7294D8, #8199CA, #8F9EBB, #9EA3AD and #ACA89E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7596D9 shade: #72CBD8, #72AFD8, #7294D8, #7279D8 and #8772D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7596D9 shade: #3564C3, #527BCF, #7294D8, #93ADE1 and #B3C5EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7596D9 shade: #7596D9, #CB72D8 and #BDD872

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7596D9 shade: #7596D9, #D87294 and #94D872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7596D9 shade: #7596D9, #CB72D8, #D8B672 and #80D872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7596D9 shade: #7596D9, #D872C7, #D8B672 and #72D883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

Complementary color

CMYK 0 / 24 / 72 / 46

HEX #8A6926

RGB 138 105 38

HSL 40.2, 0.57%, 0.35%

LAB 46.51, 5.97, 41.19

 

CMYK 42 / 29 / 0 / 17

HEX #7A96D4

RGB 122 150 212

HSL 221.33, 0.51%, 0.65%

LAB 62.26, 6.18, -34.84

 

CMYK 40 / 27 / 0 / 9

HEX #8BA8E7

RGB 139 168 231

HSL 221.09, 0.66%, 0.73%

LAB 68.94, 5.65, -34.86

 

CMYK 38 / 26 / 0 / 2

HEX #9CBAFA

RGB 156 186 250

HSL 220.85, 0.9%, 0.8%

LAB 75.51, 5.2, -34.91

 

CMYK 32 / 20 / 0 / 0

HEX #ADCCFF

RGB 173 204 255

HSL 217.32, 1%, 0.84%

LAB 81.45, 1.3, -28.35

 

CMYK 25 / 13 / 0 / 0

HEX #BEDEFF

RGB 190 222 255

HSL 210.46, 1%, 0.87%

LAB 87.2, -3.38, -19.51

 

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

CMYK 49 / 33 / 0 / 22

HEX #6484C6

RGB 100 132 198

HSL 220.41, 0.46%, 0.58%

LAB 55.37, 7.08, -37.83

 

CMYK 54 / 36 / 0 / 30

HEX #5372B3

RGB 83 114 179

HSL 220.63, 0.39%, 0.51%

LAB 48.42, 7.96, -37.93

 

CMYK 59 / 40 / 0 / 37

HEX #4260A0

RGB 66 96 160

HSL 220.85, 0.42%, 0.44%

LAB 41.31, 9.07, -38.07

 

CMYK 65 / 45 / 0 / 45

HEX #314E8D

RGB 49 78 141

HSL 221.09, 0.48%, 0.37%

LAB 34.03, 10.52, -38.26

 

CMYK 47 / 31 / 0 / 15

HEX #7294D8

RGB 114 148 216

HSL 220, 0.57%, 0.65%

LAB 61.41, 6.49, -38.43

 

CMYK 47 / 44 / 0 / 15

HEX #7279D8

RGB 114 121 216

HSL 235.88, 0.57%, 0.65%

LAB 54.25, 22.49, -49.73

 

CMYK 37 / 47 / 0 / 15

HEX #8872D8

RGB 136 114 216

HSL 252.94, 0.57%, 0.65%

LAB 54.27, 32.04, -49.6

 

CMYK 25 / 47 / 0 / 15

HEX #A372D8

RGB 163 114 216

HSL 268.82, 0.57%, 0.65%

LAB 56.86, 39.2, -45.32

 

CMYK 12 / 47 / 0 / 15

HEX #BF72D8

RGB 191 114 216

HSL 285.29, 0.57%, 0.65%

LAB 59.95, 47, -40.24

 

CMYK 47 / 31 / 0 / 15

HEX #7294D8

RGB 114 148 216

HSL 220, 0.57%, 0.65%

LAB 61.41, 6.49, -38.43

 

CMYK 47 / 44 / 0 / 15

HEX #7279D8

RGB 114 121 216

HSL 235.88, 0.57%, 0.65%

LAB 54.25, 22.49, -49.73

 

CMYK 47 / 47 / 0 / 15

HEX #7272D8

RGB 114 114 216

HSL 240, 0.57%, 0.65%

LAB 52.48, 26.7, -52.56

 

CMYK 47 / 31 / 0 / 15

HEX #7294D8

RGB 114 148 216

HSL 220, 0.57%, 0.65%

LAB 61.41, 6.49, -38.43

 

CMYK 57 / 38 / 0 / 9

HEX #648FE7

RGB 100 143 231

HSL 220.31, 0.73%, 0.65%

LAB 60, 10.95, -49.04

 

CMYK 65 / 44 / 0 / 4

HEX #558AF5

RGB 85 138 245

HSL 220.13, 0.89%, 0.65%

LAB 58.7, 15.86, -58.91

 

CMYK 47 / 31 / 0 / 15

HEX #7294D8

RGB 114 148 216

HSL 220, 0.57%, 0.65%

LAB 61.41, 6.49, -38.43

 

CMYK 36 / 24 / 0 / 21

HEX #8199CA

RGB 129 153 202

HSL 220.27, 0.41%, 0.65%

LAB 63.11, 3.59, -27.91

 

CMYK 24 / 16 / 0 / 27

HEX #8F9EBB

RGB 143 158 187

HSL 219.55, 0.24%, 0.65%

LAB 64.87, 1.15, -16.74

 

CMYK 9 / 6 / 0 / 32

HEX #9EA3AD

RGB 158 163 173

HSL 220, 0.08%, 0.65%

LAB 66.89, 0.23, -5.79

 

CMYK 0 / 2 / 8 / 33

HEX #ACA89E

RGB 172 168 158

HSL 42.86, 0.08%, 0.65%

LAB 68.93, -0.37, 5.66

 

CMYK 47 / 6 / 0 / 15

HEX #72CBD8

RGB 114 203 216

HSL 187.65, 0.57%, 0.65%

LAB 76.83, -23.29, -14.77

 

CMYK 47 / 19 / 0 / 15

HEX #72AFD8

RGB 114 175 216

HSL 204.12, 0.57%, 0.65%

LAB 68.89, -8.68, -26.82

 

CMYK 47 / 31 / 0 / 15

HEX #7294D8

RGB 114 148 216

HSL 220, 0.57%, 0.65%

LAB 61.41, 6.49, -38.43

 

CMYK 47 / 44 / 0 / 15

HEX #7279D8

RGB 114 121 216

HSL 235.88, 0.57%, 0.65%

LAB 54.25, 22.49, -49.73

 

CMYK 38 / 47 / 0 / 15

HEX #8772D8

RGB 135 114 216

HSL 252.35, 0.57%, 0.65%

LAB 54.18, 31.79, -49.74

 

CMYK 73 / 49 / 0 / 24

HEX #3564C3

RGB 53 100 195

HSL 220.14, 0.57%, 0.49%

LAB 43.96, 16.91, -54.4

 

CMYK 60 / 41 / 0 / 19

HEX #527BCF

RGB 82 123 207

HSL 220.32, 0.57%, 0.57%

LAB 52.36, 11.53, -47.76

 

CMYK 47 / 31 / 0 / 15

HEX #7294D8

RGB 114 148 216

HSL 220, 0.57%, 0.65%

LAB 61.41, 6.49, -38.43

 

CMYK 35 / 23 / 0 / 12

HEX #93ADE1

RGB 147 173 225

HSL 220, 0.57%, 0.73%

LAB 70.54, 3.42, -29.06

 

CMYK 24 / 16 / 0 / 8

HEX #B3C5EA

RGB 179 197 234

HSL 220.36, 0.57%, 0.81%

LAB 79.3, 1.81, -20.36

 

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

CMYK 6 / 47 / 0 / 15

HEX #CB72D8

RGB 203 114 216

HSL 292.35, 0.57%, 0.65%

LAB 61.38, 50.4, -37.89

 

CMYK 13 / 0 / 47 / 15

HEX #BDD872

RGB 189 216 114

HSL 75.88, 0.57%, 0.65%

LAB 82.46, -24.62, 47.02

 

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

CMYK 0 / 47 / 31 / 15

HEX #D87294

RGB 216 114 148

HSL 340, 0.57%, 0.65%

LAB 60.58, 43.61, -0.21

 

CMYK 31 / 0 / 47 / 15

HEX #94D872

RGB 148 216 114

HSL 100, 0.57%, 0.65%

LAB 79.97, -39.56, 43.4

 

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

CMYK 6 / 47 / 0 / 15

HEX #CB72D8

RGB 203 114 216

HSL 292.35, 0.57%, 0.65%

LAB 61.38, 50.4, -37.89

 

CMYK 0 / 16 / 47 / 15

HEX #D8B672

RGB 216 182 114

HSL 40, 0.57%, 0.65%

LAB 75.62, 3.5, 39.03

 

CMYK 41 / 0 / 47 / 15

HEX #80D872

RGB 128 216 114

HSL 111.76, 0.57%, 0.65%

LAB 78.99, -46.04, 41.98

 

CMYK 46 / 31 / 0 / 15

HEX #7596D9

RGB 117 150 217

HSL 220.2, 0.57%, 0.65%

LAB 62.17, 6.36, -37.78

 

CMYK 0 / 47 / 8 / 15

HEX #D872C7

RGB 216 114 199

HSL 310, 0.57%, 0.65%

LAB 62.3, 51.16, -26.76

 

CMYK 0 / 16 / 47 / 15

HEX #D8B672

RGB 216 182 114

HSL 40, 0.57%, 0.65%

LAB 75.62, 3.5, 39.03

 

CMYK 47 / 0 / 39 / 15

HEX #72D883

RGB 114 216 131

HSL 130, 0.57%, 0.65%

LAB 78.65, -47.59, 32.93

 

Description

Color code: HEX #7596D9 | qconv.com Color code: HEX #7596D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 150 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 150 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 31 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 31% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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