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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7591EC it is the complementary color #8A6E13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7591EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7591EC shade: #7A91E7, #8BA3FA, #9CB5FF, #ADC7FF and #BED9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7591EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7591EC shade: #7591EC, #647FD9, #536DC6, #425BB3 and #3149A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7591EC shade: #7390EC, #7773EC, #9873EC, #B873EC and #D973EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7591EC shade: #7390EC and #7373EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7591EC shade matches the following richer shades: #7390EC and #6789F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7591EC shade: #7390EC, #8096DF, #8D9DD2, #9AA4C5 and #A7ABB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7591EC shade: #73D1EC, #73B1EC, #7391EC, #7573EC and #9573EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7591EC shade: #2B56E2, #4F73E7, #7390EC, #98ADF0 and #BCCAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7591EC shade: #7591EC, #E673EC and #C1EC73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7591EC shade: #7591EC, #EC7391 and #91EC73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7591EC shade: #7591EC, #E673EC, #ECCD73 and #79EC73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7591EC shade: #7591EC, #EC73CD, #ECCD73 and #73EC91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 39 / 0 / 7

HEX #7591EC

RGB 117 145 236

HSL 225.88, 0.76%, 0.69%

LAB 61.73, 14.96, -49.01

 

Complementary color

CMYK 0 / 20 / 86 / 46

HEX #8A6E13

RGB 138 110 19

HSL 45.88, 0.76%, 0.31%

LAB 47.75, 2.27, 49.73

 

CMYK 47 / 37 / 0 / 9

HEX #7A91E7

RGB 122 145 231

HSL 227.34, 0.69%, 0.69%

LAB 61.79, 14.6, -46.13

 

CMYK 44 / 35 / 0 / 2

HEX #8BA3FA

RGB 139 163 250

HSL 227.03, 0.92%, 0.76%

LAB 68.45, 13.78, -45.99

 

CMYK 39 / 29 / 0 / 0

HEX #9CB5FF

RGB 156 181 255

HSL 224.85, 1%, 0.81%

LAB 74.4, 9.28, -39.31

 

CMYK 32 / 22 / 0 / 0

HEX #ADC7FF

RGB 173 199 255

HSL 220.98, 1%, 0.84%

LAB 80.15, 3.99, -30.34

 

CMYK 25 / 15 / 0 / 0

HEX #BED9FF

RGB 190 217 255

HSL 215.08, 1%, 0.87%

LAB 85.9, -0.77, -21.47

 

CMYK 50 / 39 / 0 / 7

HEX #7591EC

RGB 117 145 236

HSL 225.88, 0.76%, 0.69%

LAB 61.73, 14.96, -49.01

 

CMYK 54 / 41 / 0 / 15

HEX #647FD9

RGB 100 127 217

HSL 226.15, 0.61%, 0.62%

LAB 54.97, 16.04, -49.21

 

CMYK 58 / 45 / 0 / 22

HEX #536DC6

RGB 83 109 198

HSL 226.43, 0.5%, 0.55%

LAB 48.07, 17.34, -49.45

 

CMYK 63 / 49 / 0 / 30

HEX #425BB3

RGB 66 91 179

HSL 226.73, 0.46%, 0.48%

LAB 41.05, 18.94, -49.73

 

CMYK 69 / 54 / 0 / 37

HEX #3149A0

RGB 49 73 160

HSL 227.03, 0.53%, 0.41%

LAB 33.89, 20.95, -50.02

 

CMYK 51 / 39 / 0 / 7

HEX #7390EC

RGB 115 144 236

HSL 225.62, 0.76%, 0.69%

LAB 61.35, 15.1, -49.62

 

CMYK 50 / 51 / 0 / 7

HEX #7773EC

RGB 119 115 236

HSL 241.98, 0.76%, 0.69%

LAB 54.28, 33.21, -60.88

 

CMYK 36 / 51 / 0 / 7

HEX #9873EC

RGB 152 115 236

HSL 258.35, 0.76%, 0.69%

LAB 57.07, 40.75, -56.26

 

CMYK 22 / 51 / 0 / 7

HEX #B873EC

RGB 184 115 236

HSL 274.21, 0.76%, 0.69%

LAB 60.34, 48.84, -50.85

 

CMYK 8 / 51 / 0 / 7

HEX #D973EC

RGB 217 115 236

HSL 290.58, 0.76%, 0.69%

LAB 64.22, 57.56, -44.47

 

CMYK 51 / 39 / 0 / 7

HEX #7390EC

RGB 115 144 236

HSL 225.62, 0.76%, 0.69%

LAB 61.35, 15.1, -49.62

 

CMYK 51 / 51 / 0 / 7

HEX #7373EC

RGB 115 115 236

HSL 240, 0.76%, 0.69%

LAB 53.99, 32.37, -61.37

 

CMYK 51 / 39 / 0 / 7

HEX #7390EC

RGB 115 144 236

HSL 225.62, 0.76%, 0.69%

LAB 61.35, 15.1, -49.62

 

CMYK 58 / 45 / 0 / 3

HEX #6789F8

RGB 103 137 248

HSL 225.93, 0.91%, 0.69%

LAB 59.48, 20.6, -59.25

 

CMYK 51 / 39 / 0 / 7

HEX #7390EC

RGB 115 144 236

HSL 225.62, 0.76%, 0.69%

LAB 61.35, 15.1, -49.62

 

CMYK 43 / 33 / 0 / 13

HEX #8096DF

RGB 128 150 223

HSL 226.11, 0.6%, 0.69%

LAB 63.12, 10.85, -39.58

 

CMYK 33 / 25 / 0 / 18

HEX #8D9DD2

RGB 141 157 210

HSL 226.09, 0.43%, 0.69%

LAB 65.3, 6.83, -28.91

 

CMYK 22 / 17 / 0 / 23

HEX #9AA4C5

RGB 154 164 197

HSL 226.05, 0.27%, 0.69%

LAB 67.61, 3.62, -18.07

 

CMYK 9 / 7 / 0 / 28

HEX #A7ABB8

RGB 167 171 184

HSL 225.88, 0.11%, 0.69%

LAB 70.04, 1.18, -7.14

 

CMYK 51 / 11 / 0 / 7

HEX #73D1EC

RGB 115 209 236

HSL 193.39, 0.76%, 0.69%

LAB 79.21, -20.68, -21.89

 

CMYK 51 / 25 / 0 / 7

HEX #73B1EC

RGB 115 177 236

HSL 209.26, 0.76%, 0.69%

LAB 70.28, -3.76, -35.62

 

CMYK 51 / 39 / 0 / 7

HEX #7391EC

RGB 115 145 236

HSL 225.12, 0.76%, 0.69%

LAB 61.61, 14.51, -49.2

 

CMYK 50 / 51 / 0 / 7

HEX #7573EC

RGB 117 115 236

HSL 240.99, 0.76%, 0.69%

LAB 54.13, 32.79, -61.13

 

CMYK 37 / 51 / 0 / 7

HEX #9573EC

RGB 149 115 236

HSL 256.86, 0.76%, 0.69%

LAB 56.79, 40.02, -56.72

 

CMYK 81 / 62 / 0 / 11

HEX #2B56E2

RGB 43 86 226

HSL 225.9, 0.76%, 0.53%

LAB 42.25, 36.34, -74.97

 

CMYK 66 / 50 / 0 / 9

HEX #4F73E7

RGB 79 115 231

HSL 225.79, 0.76%, 0.61%

LAB 51.49, 24.16, -62.71

 

CMYK 51 / 39 / 0 / 7

HEX #7390EC

RGB 115 144 236

HSL 225.62, 0.76%, 0.69%

LAB 61.35, 15.1, -49.62

 

CMYK 37 / 28 / 0 / 6

HEX #98ADF0

RGB 152 173 240

HSL 225.68, 0.75%, 0.77%

LAB 71.46, 8.71, -35.8

 

CMYK 23 / 18 / 0 / 4

HEX #BCCAF5

RGB 188 202 245

HSL 225.26, 0.74%, 0.85%

LAB 81.58, 4.33, -22.74

 

CMYK 50 / 39 / 0 / 7

HEX #7591EC

RGB 117 145 236

HSL 225.88, 0.76%, 0.69%

LAB 61.73, 14.96, -49.01

 

CMYK 3 / 51 / 0 / 7

HEX #E673EC

RGB 230 115 236

HSL 297.02, 0.76%, 0.69%

LAB 65.86, 61.03, -41.78

 

CMYK 18 / 0 / 51 / 7

HEX #C1EC73

RGB 193 236 115

HSL 81.32, 0.76%, 0.69%

LAB 88.24, -32.45, 53.57

 

CMYK 50 / 39 / 0 / 7

HEX #7591EC

RGB 117 145 236

HSL 225.88, 0.76%, 0.69%

LAB 61.73, 14.96, -49.01

 

CMYK 0 / 51 / 39 / 7

HEX #EC7391

RGB 236 115 145

HSL 345.12, 0.76%, 0.69%

LAB 63.46, 49.6, 6.03

 

CMYK 39 / 0 / 51 / 7

HEX #91EC73

RGB 145 236 115

HSL 105.12, 0.76%, 0.69%

LAB 85.63, -49.03, 49.82

 

CMYK 50 / 39 / 0 / 7

HEX #7591EC

RGB 117 145 236

HSL 225.88, 0.76%, 0.69%

LAB 61.73, 14.96, -49.01

 

CMYK 3 / 51 / 0 / 7

HEX #E673EC

RGB 230 115 236

HSL 297.02, 0.76%, 0.69%

LAB 65.86, 61.03, -41.78

 

CMYK 0 / 13 / 51 / 7

HEX #ECCD73

RGB 236 205 115

HSL 44.63, 0.76%, 0.69%

LAB 83.3, -0.26, 48.43

 

CMYK 49 / 0 / 51 / 7

HEX #79EC73

RGB 121 236 115

HSL 117.02, 0.76%, 0.69%

LAB 84.63, -56.06, 48.38

 

CMYK 50 / 39 / 0 / 7

HEX #7591EC

RGB 117 145 236

HSL 225.88, 0.76%, 0.69%

LAB 61.73, 14.96, -49.01

 

CMYK 0 / 51 / 13 / 7

HEX #EC73CD

RGB 236 115 205

HSL 315.37, 0.76%, 0.69%

LAB 65.36, 57.58, -25.22

 

CMYK 0 / 13 / 51 / 7

HEX #ECCD73

RGB 236 205 115

HSL 44.63, 0.76%, 0.69%

LAB 83.3, -0.26, 48.43

 

CMYK 51 / 0 / 39 / 7

HEX #73EC91

RGB 115 236 145

HSL 134.88, 0.76%, 0.69%

LAB 84.83, -53.25, 33.98

 

Description

Color code: HEX #7591EC | qconv.com Color code: HEX #7591EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 145 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 145 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 39 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 39% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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