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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #759ED0 it is the complementary color #8A612F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #759ED0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #759ED0 shade: #7A9ECB, #8BB0DE, #9CC2F1, #ADD4FF and #BEE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #759ED0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #759ED0 shade: #759ED0, #648CBD, #537AAA, #426897 and #315684

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #759ED0 shade: #769ED0, #7686D0, #7E76D0, #9676D0 and #AE76D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #759ED0 shade: #769ED0, #7686D0 and #7676D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #759ED0 shade matches the following richer shades: #769ED0, #679DDF, #589BED and #499AFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #759ED0 shade: #769ED0, #85A0C1, #93A1B2, #A2A3A3 and #B1A494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #759ED0 shade: #76D0D0, #76B8D0, #76A0D0, #7688D0 and #7C76D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #759ED0 shade: #3E74B5, #5789C5, #769ED0, #94B4DA and #B3CAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #759ED0 shade: #759ED0, #B876D0 and #C4D076

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #759ED0 shade: #759ED0, #D076A0 and #A0D076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #759ED0 shade: #759ED0, #B876D0, #D0A676 and #8ED076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #759ED0 shade: #759ED0, #D076CD, #D0A676 and #76D079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 24 / 0 / 18

HEX #759ED0

RGB 117 158 208

HSL 212.97, 0.49%, 0.64%

LAB 63.99, -0.8, -29.94

 

Complementary color

CMYK 0 / 30 / 66 / 46

HEX #8A612F

RGB 138 97 47

HSL 32.97, 0.49%, 0.36%

LAB 44.46, 11.21, 34.49

 

CMYK 40 / 22 / 0 / 20

HEX #7A9ECB

RGB 122 158 203

HSL 213.33, 0.44%, 0.64%

LAB 64.08, -0.89, -27

 

CMYK 37 / 21 / 0 / 13

HEX #8BB0DE

RGB 139 176 222

HSL 213.25, 0.56%, 0.71%

LAB 70.74, -1.21, -27.16

 

CMYK 35 / 20 / 0 / 5

HEX #9CC2F1

RGB 156 194 241

HSL 213.18, 0.75%, 0.78%

LAB 77.28, -1.49, -27.34

 

CMYK 32 / 17 / 0 / 0

HEX #ADD4FF

RGB 173 212 255

HSL 211.46, 1%, 0.84%

LAB 83.54, -2.96, -25.15

 

CMYK 25 / 10 / 0 / 0

HEX #BEE6FF

RGB 190 230 255

HSL 203.08, 1%, 0.87%

LAB 89.28, -7.52, -16.37

 

CMYK 44 / 24 / 0 / 18

HEX #759ED0

RGB 117 158 208

HSL 212.97, 0.49%, 0.64%

LAB 63.99, -0.8, -29.94

 

CMYK 47 / 26 / 0 / 26

HEX #648CBD

RGB 100 140 189

HSL 213.03, 0.4%, 0.57%

LAB 57.21, -0.33, -29.84

 

CMYK 51 / 28 / 0 / 33

HEX #537AAA

RGB 83 122 170

HSL 213.1, 0.34%, 0.5%

LAB 50.29, 0.25, -29.78

 

CMYK 56 / 31 / 0 / 41

HEX #426897

RGB 66 104 151

HSL 213.18, 0.39%, 0.43%

LAB 43.2, 0.99, -29.74

 

CMYK 63 / 35 / 0 / 48

HEX #315684

RGB 49 86 132

HSL 213.25, 0.46%, 0.35%

LAB 35.94, 1.99, -29.74

 

CMYK 43 / 24 / 0 / 18

HEX #769ED0

RGB 118 158 208

HSL 213.33, 0.49%, 0.64%

LAB 64.05, -0.55, -29.85

 

CMYK 43 / 36 / 0 / 18

HEX #7686D0

RGB 118 134 208

HSL 229.33, 0.49%, 0.64%

LAB 57.52, 13.34, -40.03

 

CMYK 39 / 43 / 0 / 18

HEX #7E76D0

RGB 126 118 208

HSL 245.33, 0.49%, 0.64%

LAB 53.97, 24.91, -45.59

 

CMYK 28 / 43 / 0 / 18

HEX #9676D0

RGB 150 118 208

HSL 261.33, 0.49%, 0.64%

LAB 56.08, 31.39, -42.11

 

CMYK 16 / 43 / 0 / 18

HEX #AE76D0

RGB 174 118 208

HSL 277.33, 0.49%, 0.64%

LAB 58.52, 38.27, -38.12

 

CMYK 43 / 24 / 0 / 18

HEX #769ED0

RGB 118 158 208

HSL 213.33, 0.49%, 0.64%

LAB 64.05, -0.55, -29.85

 

CMYK 43 / 36 / 0 / 18

HEX #7686D0

RGB 118 134 208

HSL 229.33, 0.49%, 0.64%

LAB 57.52, 13.34, -40.03

 

CMYK 43 / 43 / 0 / 18

HEX #7676D0

RGB 118 118 208

HSL 240, 0.49%, 0.64%

LAB 53.34, 22.89, -46.62

 

CMYK 43 / 24 / 0 / 18

HEX #769ED0

RGB 118 158 208

HSL 213.33, 0.49%, 0.64%

LAB 64.05, -0.55, -29.85

 

CMYK 54 / 30 / 0 / 13

HEX #679DDF

RGB 103 157 223

HSL 213, 0.65%, 0.64%

LAB 63.61, 0.91, -38.91

 

CMYK 63 / 35 / 0 / 7

HEX #589BED

RGB 88 155 237

HSL 213.02, 0.81%, 0.64%

LAB 63.04, 3.61, -47.59

 

CMYK 71 / 39 / 0 / 1

HEX #499AFC

RGB 73 154 252

HSL 212.85, 0.97%, 0.64%

LAB 62.97, 6.97, -55.95

 

CMYK 43 / 24 / 0 / 18

HEX #769ED0

RGB 118 158 208

HSL 213.33, 0.49%, 0.64%

LAB 64.05, -0.55, -29.85

 

CMYK 31 / 17 / 0 / 24

HEX #85A0C1

RGB 133 160 193

HSL 213, 0.33%, 0.64%

LAB 64.95, -1.54, -20.04

 

CMYK 17 / 10 / 0 / 30

HEX #93A1B2

RGB 147 161 178

HSL 212.9, 0.17%, 0.64%

LAB 65.68, -1.3, -10.47

 

CMYK 1 / 0 / 0 / 36

HEX #A2A3A3

RGB 162 163 163

HSL 180, 0.01%, 0.64%

LAB 66.92, -0.35, -0.13

 

CMYK 0 / 7 / 16 / 31

HEX #B1A494

RGB 177 164 148

HSL 33.1, 0.16%, 0.64%

LAB 68.05, 1.99, 10

 

CMYK 43 / 0 / 0 / 18

HEX #76D0D0

RGB 118 208 208

HSL 180, 0.49%, 0.64%

LAB 78.18, -26.89, -8.43

 

CMYK 43 / 12 / 0 / 18

HEX #76B8D0

RGB 118 184 208

HSL 196, 0.49%, 0.64%

LAB 71.34, -14.72, -18.69

 

CMYK 43 / 23 / 0 / 18

HEX #76A0D0

RGB 118 160 208

HSL 212, 0.49%, 0.64%

LAB 64.6, -1.67, -29

 

CMYK 43 / 35 / 0 / 18

HEX #7688D0

RGB 118 136 208

HSL 228, 0.49%, 0.64%

LAB 58.05, 12.16, -39.19

 

CMYK 40 / 43 / 0 / 18

HEX #7C76D0

RGB 124 118 208

HSL 244, 0.49%, 0.64%

LAB 53.81, 24.4, -45.85

 

CMYK 66 / 36 / 0 / 29

HEX #3E74B5

RGB 62 116 181

HSL 212.77, 0.49%, 0.48%

LAB 48.07, 3.16, -39.71

 

CMYK 56 / 30 / 0 / 23

HEX #5789C5

RGB 87 137 197

HSL 212.73, 0.49%, 0.56%

LAB 56.04, 0.87, -36.26

 

CMYK 43 / 24 / 0 / 18

HEX #769ED0

RGB 118 158 208

HSL 213.33, 0.49%, 0.64%

LAB 64.05, -0.55, -29.85

 

CMYK 32 / 17 / 0 / 15

HEX #94B4DA

RGB 148 180 218

HSL 212.57, 0.49%, 0.72%

LAB 72.23, -1.93, -22.65

 

CMYK 22 / 12 / 0 / 10

HEX #B3CAE5

RGB 179 202 229

HSL 212.4, 0.49%, 0.8%

LAB 80.45, -1.99, -15.95

 

CMYK 44 / 24 / 0 / 18

HEX #759ED0

RGB 117 158 208

HSL 212.97, 0.49%, 0.64%

LAB 63.99, -0.8, -29.94

 

CMYK 12 / 43 / 0 / 18

HEX #B876D0

RGB 184 118 208

HSL 284, 0.49%, 0.64%

LAB 59.62, 41.21, -36.31

 

CMYK 6 / 0 / 43 / 18

HEX #C4D076

RGB 196 208 118

HSL 68, 0.49%, 0.64%

LAB 80.83, -17.55, 43.17

 

CMYK 44 / 24 / 0 / 18

HEX #759ED0

RGB 117 158 208

HSL 212.97, 0.49%, 0.64%

LAB 63.99, -0.8, -29.94

 

CMYK 0 / 43 / 23 / 18

HEX #D076A0

RGB 208 118 160

HSL 332, 0.49%, 0.64%

LAB 60.7, 40.43, -7.06

 

CMYK 23 / 0 / 43 / 18

HEX #A0D076

RGB 160 208 118

HSL 92, 0.49%, 0.64%

LAB 78.4, -31.19, 39.61

 

CMYK 44 / 24 / 0 / 18

HEX #759ED0

RGB 117 158 208

HSL 212.97, 0.49%, 0.64%

LAB 63.99, -0.8, -29.94

 

CMYK 12 / 43 / 0 / 18

HEX #B876D0

RGB 184 118 208

HSL 284, 0.49%, 0.64%

LAB 59.62, 41.21, -36.31

 

CMYK 0 / 20 / 43 / 18

HEX #D0A676

RGB 208 166 118

HSL 32, 0.49%, 0.64%

LAB 70.86, 9.18, 30.69

 

CMYK 32 / 0 / 43 / 18

HEX #8ED076

RGB 142 208 118

HSL 104, 0.49%, 0.64%

LAB 77.38, -37.49, 38.11

 

CMYK 44 / 24 / 0 / 18

HEX #759ED0

RGB 117 158 208

HSL 212.97, 0.49%, 0.64%

LAB 63.99, -0.8, -29.94

 

CMYK 0 / 43 / 1 / 18

HEX #D076CD

RGB 208 118 205

HSL 302, 0.49%, 0.64%

LAB 62.32, 47.78, -30.21

 

CMYK 0 / 20 / 43 / 18

HEX #D0A676

RGB 208 166 118

HSL 32, 0.49%, 0.64%

LAB 70.86, 9.18, 30.69

 

CMYK 43 / 0 / 42 / 18

HEX #76D079

RGB 118 208 121

HSL 122, 0.49%, 0.64%

LAB 76.28, -44.65, 34.96

 

Description

Color code: HEX #759ED0 | qconv.com Color code: HEX #759ED0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 158 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 158 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 24 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 24% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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