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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75B5D9 it is the complementary color #8A4A26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75B5D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75B5D9 shade: #7AB5D4, #8BC7E7, #9CD9FA, #ADEBFF and #BEFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75B5D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75B5D9 shade: #75B5D9, #64A3C6, #5391B3, #427FA0 and #316D8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75B5D9 shade: #72B3D8, #7298D8, #727DD8, #8472D8 and #9F72D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75B5D9 shade: #72B3D8, #7298D8, #727DD8 and #7272D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75B5D9 shade matches the following richer shades: #72B3D8, #64B8E7 and #55BCF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75B5D9 shade: #72B3D8, #81AFCA, #8FABBB, #9EA7AD and #ACA39E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75B5D9 shade: #72D8C5, #72D0D8, #72B5D8, #7299D8 and #727ED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75B5D9 shade: #3590C3, #52A2CF, #72B3D8, #93C5E1 and #B3D6EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75B5D9 shade: #75B5D9, #AA72D8 and #D8D372

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75B5D9 shade: #75B5D9, #D872B5 and #B5D872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75B5D9 shade: #75B5D9, #AA72D8, #D89672 and #A0D872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75B5D9 shade: #75B5D9, #C972D8, #D89672 and #82D872

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 17 / 0 / 15

HEX #75B5D9

RGB 117 181 217

HSL 201.6, 0.57%, 0.65%

LAB 70.76, -10.92, -24.5

 

Complementary color

CMYK 0 / 46 / 72 / 46

HEX #8A4A26

RGB 138 74 38

HSL 21.6, 0.57%, 0.35%

LAB 38.62, 24.01, 32.79

 

CMYK 42 / 15 / 0 / 17

HEX #7AB5D4

RGB 122 181 212

HSL 200.67, 0.51%, 0.65%

LAB 70.83, -11.05, -21.64

 

CMYK 40 / 14 / 0 / 9

HEX #8BC7E7

RGB 139 199 231

HSL 200.87, 0.66%, 0.73%

LAB 77.34, -11.22, -21.95

 

CMYK 38 / 13 / 0 / 2

HEX #9CD9FA

RGB 156 217 250

HSL 201.06, 0.9%, 0.8%

LAB 83.75, -11.36, -22.27

 

CMYK 32 / 8 / 0 / 0

HEX #ADEBFF

RGB 173 235 255

HSL 194.63, 1%, 0.84%

LAB 89.64, -14.83, -15.94

 

CMYK 25 / 1 / 0 / 0

HEX #BEFDFF

RGB 190 253 255

HSL 181.85, 1%, 0.87%

LAB 95.34, -19.07, -7.35

 

CMYK 46 / 17 / 0 / 15

HEX #75B5D9

RGB 117 181 217

HSL 201.6, 0.57%, 0.65%

LAB 70.76, -10.92, -24.5

 

CMYK 49 / 18 / 0 / 22

HEX #64A3C6

RGB 100 163 198

HSL 201.43, 0.46%, 0.58%

LAB 64.15, -10.61, -24.21

 

CMYK 54 / 19 / 0 / 30

HEX #5391B3

RGB 83 145 179

HSL 201.25, 0.39%, 0.51%

LAB 57.41, -10.22, -23.92

 

CMYK 59 / 21 / 0 / 37

HEX #427FA0

RGB 66 127 160

HSL 201.06, 0.42%, 0.44%

LAB 50.54, -9.7, -23.63

 

CMYK 65 / 23 / 0 / 45

HEX #316D8D

RGB 49 109 141

HSL 200.87, 0.48%, 0.37%

LAB 43.53, -8.97, -23.33

 

CMYK 47 / 17 / 0 / 15

HEX #72B3D8

RGB 114 179 216

HSL 201.76, 0.57%, 0.65%

LAB 70.02, -10.84, -25.1

 

CMYK 47 / 30 / 0 / 15

HEX #7298D8

RGB 114 152 216

HSL 217.65, 0.57%, 0.65%

LAB 62.5, 4.18, -36.72

 

CMYK 47 / 42 / 0 / 15

HEX #727DD8

RGB 114 125 216

HSL 233.53, 0.57%, 0.65%

LAB 55.28, 20.09, -48.09

 

CMYK 39 / 47 / 0 / 15

HEX #8472D8

RGB 132 114 216

HSL 250.59, 0.57%, 0.65%

LAB 53.92, 31.03, -50.17

 

CMYK 26 / 47 / 0 / 15

HEX #9F72D8

RGB 159 114 216

HSL 266.47, 0.57%, 0.65%

LAB 56.45, 38.11, -45.99

 

CMYK 47 / 17 / 0 / 15

HEX #72B3D8

RGB 114 179 216

HSL 201.76, 0.57%, 0.65%

LAB 70.02, -10.84, -25.1

 

CMYK 47 / 30 / 0 / 15

HEX #7298D8

RGB 114 152 216

HSL 217.65, 0.57%, 0.65%

LAB 62.5, 4.18, -36.72

 

CMYK 47 / 42 / 0 / 15

HEX #727DD8

RGB 114 125 216

HSL 233.53, 0.57%, 0.65%

LAB 55.28, 20.09, -48.09

 

CMYK 47 / 47 / 0 / 15

HEX #7272D8

RGB 114 114 216

HSL 240, 0.57%, 0.65%

LAB 52.48, 26.7, -52.56

 

CMYK 47 / 17 / 0 / 15

HEX #72B3D8

RGB 114 179 216

HSL 201.76, 0.57%, 0.65%

LAB 70.02, -10.84, -25.1

 

CMYK 57 / 20 / 0 / 9

HEX #64B8E7

RGB 100 184 231

HSL 201.53, 0.73%, 0.65%

LAB 71.39, -12.2, -31.22

 

CMYK 65 / 23 / 0 / 4

HEX #55BCF5

RGB 85 188 245

HSL 201.38, 0.89%, 0.65%

LAB 72.56, -12.68, -37.05

 

CMYK 47 / 17 / 0 / 15

HEX #72B3D8

RGB 114 179 216

HSL 201.76, 0.57%, 0.65%

LAB 70.02, -10.84, -25.1

 

CMYK 36 / 13 / 0 / 21

HEX #81AFCA

RGB 129 175 202

HSL 202.19, 0.41%, 0.65%

LAB 69.18, -8.61, -18.62

 

CMYK 24 / 9 / 0 / 27

HEX #8FABBB

RGB 143 171 187

HSL 201.82, 0.24%, 0.65%

LAB 68.43, -6, -11.38

 

CMYK 9 / 3 / 0 / 32

HEX #9EA7AD

RGB 158 167 173

HSL 204, 0.08%, 0.65%

LAB 67.96, -1.96, -4.19

 

CMYK 0 / 5 / 8 / 33

HEX #ACA39E

RGB 172 163 158

HSL 21.43, 0.08%, 0.65%

LAB 67.6, 2.36, 3.75

 

CMYK 47 / 0 / 9 / 15

HEX #72D8C5

RGB 114 216 197

HSL 168.82, 0.57%, 0.65%

LAB 80.02, -34.34, 0.16

 

CMYK 47 / 4 / 0 / 15

HEX #72D0D8

RGB 114 208 216

HSL 184.71, 0.57%, 0.65%

LAB 78.26, -25.77, -12.63

 

CMYK 47 / 16 / 0 / 15

HEX #72B5D8

RGB 114 181 216

HSL 200.59, 0.57%, 0.65%

LAB 70.58, -11.91, -24.24

 

CMYK 47 / 29 / 0 / 15

HEX #7299D8

RGB 114 153 216

HSL 217.06, 0.57%, 0.65%

LAB 62.77, 3.61, -36.29

 

CMYK 47 / 42 / 0 / 15

HEX #727ED8

RGB 114 126 216

HSL 232.94, 0.57%, 0.65%

LAB 55.54, 19.49, -47.68

 

CMYK 73 / 26 / 0 / 24

HEX #3590C3

RGB 53 144 195

HSL 201.55, 0.57%, 0.49%

LAB 56.73, -9.81, -34.15

 

CMYK 60 / 22 / 0 / 19

HEX #52A2CF

RGB 82 162 207

HSL 201.6, 0.57%, 0.57%

LAB 63.46, -11.14, -30.34

 

CMYK 47 / 17 / 0 / 15

HEX #72B3D8

RGB 114 179 216

HSL 201.76, 0.57%, 0.65%

LAB 70.02, -10.84, -25.1

 

CMYK 35 / 12 / 0 / 12

HEX #93C5E1

RGB 147 197 225

HSL 201.54, 0.57%, 0.73%

LAB 77.02, -9.57, -19.17

 

CMYK 24 / 9 / 0 / 8

HEX #B3D6EA

RGB 179 214 234

HSL 201.82, 0.57%, 0.81%

LAB 83.77, -7.18, -13.64

 

CMYK 46 / 17 / 0 / 15

HEX #75B5D9

RGB 117 181 217

HSL 201.6, 0.57%, 0.65%

LAB 70.76, -10.92, -24.5

 

CMYK 21 / 47 / 0 / 15

HEX #AA72D8

RGB 170 114 216

HSL 272.94, 0.57%, 0.65%

LAB 57.6, 41.12, -44.11

 

CMYK 0 / 2 / 47 / 15

HEX #D8D372

RGB 216 211 114

HSL 57.06, 0.57%, 0.65%

LAB 83.13, -11.5, 48.3

 

CMYK 46 / 17 / 0 / 15

HEX #75B5D9

RGB 117 181 217

HSL 201.6, 0.57%, 0.65%

LAB 70.76, -10.92, -24.5

 

CMYK 0 / 47 / 16 / 15

HEX #D872B5

RGB 216 114 181

HSL 320.59, 0.57%, 0.65%

LAB 61.63, 48.27, -17.58

 

CMYK 16 / 0 / 47 / 15

HEX #B5D872

RGB 181 216 114

HSL 80.59, 0.57%, 0.65%

LAB 81.92, -27.67, 46.24

 

CMYK 46 / 17 / 0 / 15

HEX #75B5D9

RGB 117 181 217

HSL 201.6, 0.57%, 0.65%

LAB 70.76, -10.92, -24.5

 

CMYK 21 / 47 / 0 / 15

HEX #AA72D8

RGB 170 114 216

HSL 272.94, 0.57%, 0.65%

LAB 57.6, 41.12, -44.11

 

CMYK 0 / 31 / 47 / 15

HEX #D89672

RGB 216 150 114

HSL 21.18, 0.57%, 0.65%

LAB 67.74, 20.66, 28.92

 

CMYK 26 / 0 / 47 / 15

HEX #A0D872

RGB 160 216 114

HSL 92.94, 0.57%, 0.65%

LAB 80.63, -35.39, 44.36

 

CMYK 46 / 17 / 0 / 15

HEX #75B5D9

RGB 117 181 217

HSL 201.6, 0.57%, 0.65%

LAB 70.76, -10.92, -24.5

 

CMYK 7 / 47 / 0 / 15

HEX #C972D8

RGB 201 114 216

HSL 291.18, 0.57%, 0.65%

LAB 61.14, 49.83, -38.29

 

CMYK 0 / 31 / 47 / 15

HEX #D89672

RGB 216 150 114

HSL 21.18, 0.57%, 0.65%

LAB 67.74, 20.66, 28.92

 

CMYK 40 / 0 / 47 / 15

HEX #82D872

RGB 130 216 114

HSL 110.59, 0.57%, 0.65%

LAB 79.08, -45.42, 42.11

 

Description

Color code: HEX #75B5D9 | qconv.com Color code: HEX #75B5D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 181 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 181 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 17 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 17% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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