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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75E59C it is the complementary color #8A1A63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75E59C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75E59C shade: #7AE597, #8BF7AA, #9CFFBD, #ADFFD0 and #BEFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75E59C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75E59C shade: #75E59C, #64D389, #53C176, #42AF63 and #319D50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75E59C shade: #75E49C, #75E47E, #8BE475, #A9E475 and #C6E475

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75E59C shade: #75E49C, #75E4BA, #75E4D8, #75D3E4 and #75B5E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75E59C shade matches the following richer shades: #75E49C and #68F298

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75E59C shade: #75E49C, #83D7A0, #90CAA4, #9DBDA8 and #AAB0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75E59C shade: #8CE475, #75E47D, #75E49A, #75E4B8 and #75E4D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75E59C shade: #30D76A, #53DE83, #75E49C, #98EBB5 and #BBF2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75E59C shade: #75E59C, #75A9E4 and #E4757D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75E59C shade: #75E59C, #9A75E4 and #E49A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75E59C shade: #75E59C, #75A9E4, #E475BF and #E4B175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75E59C shade: #75E59C, #7588E4, #E475BF and #E4D275

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 32 / 10

HEX #75E59C

RGB 117 229 156

HSL 140.89, 0.68%, 0.68%

LAB 83.03, -47.97, 25.99

 

Complementary color

CMYK 0 / 81 / 28 / 46

HEX #8A1A63

RGB 138 26 99

HSL 320.89, 0.68%, 0.32%

LAB 31.9, 51.81, -14.54

 

CMYK 47 / 0 / 34 / 10

HEX #7AE597

RGB 122 229 151

HSL 136.26, 0.67%, 0.69%

LAB 83.13, -47.57, 28.72

 

CMYK 44 / 0 / 31 / 3

HEX #8BF7AA

RGB 139 247 170

HSL 137.22, 0.87%, 0.76%

LAB 89.35, -47.37, 27.55

 

CMYK 39 / 0 / 26 / 0

HEX #9CFFBD

RGB 156 255 189

HSL 140, 1%, 0.81%

LAB 92.69, -42.8, 22.59

 

CMYK 32 / 0 / 18 / 0

HEX #ADFFD0

RGB 173 255 208

HSL 145.61, 1%, 0.84%

LAB 93.87, -34.45, 14.63

 

CMYK 25 / 0 / 11 / 0

HEX #BEFFE3

RGB 190 255 227

HSL 154.15, 1%, 0.87%

LAB 95.17, -25.79, 6.84

 

CMYK 49 / 0 / 32 / 10

HEX #75E59C

RGB 117 229 156

HSL 140.89, 0.68%, 0.68%

LAB 83.03, -47.97, 25.99

 

CMYK 53 / 0 / 35 / 17

HEX #64D389

RGB 100 211 137

HSL 140, 0.56%, 0.61%

LAB 76.74, -48.1, 27.22

 

CMYK 57 / 0 / 39 / 24

HEX #53C176

RGB 83 193 118

HSL 139.09, 0.47%, 0.54%

LAB 70.38, -48.12, 28.54

 

CMYK 62 / 0 / 43 / 31

HEX #42AF63

RGB 66 175 99

HSL 138.17, 0.45%, 0.47%

LAB 63.93, -47.99, 29.96

 

CMYK 69 / 0 / 49 / 38

HEX #319D50

RGB 49 157 80

HSL 137.22, 0.52%, 0.4%

LAB 57.41, -47.6, 31.48

 

CMYK 49 / 0 / 32 / 11

HEX #75E49C

RGB 117 228 156

HSL 141.08, 0.67%, 0.68%

LAB 82.74, -47.55, 25.59

 

CMYK 49 / 0 / 45 / 11

HEX #75E47E

RGB 117 228 126

HSL 124.86, 0.67%, 0.68%

LAB 82.26, -52.47, 40.11

 

CMYK 39 / 0 / 49 / 11

HEX #8BE475

RGB 139 228 117

HSL 108.11, 0.67%, 0.68%

LAB 83.05, -47.32, 45.67

 

CMYK 26 / 0 / 49 / 11

HEX #A9E475

RGB 169 228 117

HSL 91.89, 0.67%, 0.68%

LAB 84.59, -37.3, 47.9

 

CMYK 13 / 0 / 49 / 11

HEX #C6E475

RGB 198 228 117

HSL 76.22, 0.67%, 0.68%

LAB 86.39, -26.62, 50.51

 

CMYK 49 / 0 / 32 / 11

HEX #75E49C

RGB 117 228 156

HSL 141.08, 0.67%, 0.68%

LAB 82.74, -47.55, 25.59

 

CMYK 49 / 0 / 18 / 11

HEX #75E4BA

RGB 117 228 186

HSL 157.3, 0.67%, 0.68%

LAB 83.34, -41.59, 10.79

 

CMYK 49 / 0 / 5 / 11

HEX #75E4D8

RGB 117 228 216

HSL 173.51, 0.67%, 0.68%

LAB 84.08, -34.68, -3.96

 

CMYK 49 / 7 / 0 / 11

HEX #75D3E4

RGB 117 211 228

HSL 189.19, 0.67%, 0.68%

LAB 79.6, -23.42, -17.03

 

CMYK 49 / 21 / 0 / 11

HEX #75B5E4

RGB 117 181 228

HSL 205.41, 0.67%, 0.68%

LAB 71.17, -7.82, -29.88

 

CMYK 49 / 0 / 32 / 11

HEX #75E49C

RGB 117 228 156

HSL 141.08, 0.67%, 0.68%

LAB 82.74, -47.55, 25.59

 

CMYK 57 / 0 / 37 / 5

HEX #68F298

RGB 104 242 152

HSL 140.87, 0.84%, 0.68%

LAB 86.36, -57, 32.42

 

CMYK 49 / 0 / 32 / 11

HEX #75E49C

RGB 117 228 156

HSL 141.08, 0.67%, 0.68%

LAB 82.74, -47.55, 25.59

 

CMYK 39 / 0 / 26 / 16

HEX #83D7A0

RGB 131 215 160

HSL 140.71, 0.51%, 0.68%

LAB 79.59, -37.33, 19.28

 

CMYK 29 / 0 / 19 / 21

HEX #90CAA4

RGB 144 202 164

HSL 140.69, 0.35%, 0.68%

LAB 76.59, -26.52, 13.05

 

CMYK 17 / 0 / 11 / 26

HEX #9DBDA8

RGB 157 189 168

HSL 140.63, 0.2%, 0.68%

LAB 73.8, -14.98, 7.03

 

CMYK 3 / 0 / 2 / 31

HEX #AAB0AC

RGB 170 176 172

HSL 140, 0.04%, 0.68%

LAB 71.27, -2.86, 1.3

 

CMYK 39 / 0 / 49 / 11

HEX #8CE475

RGB 140 228 117

HSL 107.57, 0.67%, 0.68%

LAB 83.1, -47, 45.73

 

CMYK 49 / 0 / 45 / 11

HEX #75E47D

RGB 117 228 125

HSL 124.32, 0.67%, 0.68%

LAB 82.24, -52.62, 40.58

 

CMYK 49 / 0 / 32 / 11

HEX #75E49A

RGB 117 228 154

HSL 140, 0.67%, 0.68%

LAB 82.7, -47.91, 26.57

 

CMYK 49 / 0 / 19 / 11

HEX #75E4B8

RGB 117 228 184

HSL 156.22, 0.67%, 0.68%

LAB 83.3, -42.02, 11.78

 

CMYK 49 / 0 / 6 / 11

HEX #75E4D6

RGB 117 228 214

HSL 172.43, 0.67%, 0.68%

LAB 84.03, -35.17, -2.98

 

CMYK 78 / 0 / 51 / 16

HEX #30D76A

RGB 48 215 106

HSL 140.84, 0.68%, 0.52%

LAB 76.23, -64.39, 41.92

 

CMYK 63 / 0 / 41 / 13

HEX #53DE83

RGB 83 222 131

HSL 140.72, 0.68%, 0.6%

LAB 79.45, -57.25, 33.79

 

CMYK 49 / 0 / 32 / 11

HEX #75E49C

RGB 117 228 156

HSL 141.08, 0.67%, 0.68%

LAB 82.74, -47.55, 25.59

 

CMYK 35 / 0 / 23 / 8

HEX #98EBB5

RGB 152 235 181

HSL 140.96, 0.67%, 0.76%

LAB 86.72, -36.45, 18.37

 

CMYK 23 / 0 / 15 / 5

HEX #BBF2CE

RGB 187 242 206

HSL 140.73, 0.68%, 0.84%

LAB 91.02, -24.45, 11.73

 

CMYK 49 / 0 / 32 / 10

HEX #75E59C

RGB 117 229 156

HSL 140.89, 0.68%, 0.68%

LAB 83.03, -47.97, 25.99

 

CMYK 49 / 26 / 0 / 11

HEX #75A9E4

RGB 117 169 228

HSL 211.89, 0.67%, 0.68%

LAB 67.84, -1.22, -35.02

 

CMYK 0 / 49 / 45 / 11

HEX #E4757D

RGB 228 117 125

HSL 355.68, 0.67%, 0.68%

LAB 62.25, 43.72, 15.61

 

CMYK 49 / 0 / 32 / 10

HEX #75E59C

RGB 117 229 156

HSL 140.89, 0.68%, 0.68%

LAB 83.03, -47.97, 25.99

 

CMYK 32 / 49 / 0 / 11

HEX #9A75E4

RGB 154 117 228

HSL 260, 0.67%, 0.68%

LAB 57.26, 38.07, -51.47

 

CMYK 0 / 32 / 49 / 11

HEX #E49A75

RGB 228 154 117

HSL 20, 0.67%, 0.68%

LAB 70.1, 23.6, 30.63

 

CMYK 49 / 0 / 32 / 10

HEX #75E59C

RGB 117 229 156

HSL 140.89, 0.68%, 0.68%

LAB 83.03, -47.97, 25.99

 

CMYK 49 / 26 / 0 / 11

HEX #75A9E4

RGB 117 169 228

HSL 211.89, 0.67%, 0.68%

LAB 67.84, -1.22, -35.02

 

CMYK 0 / 49 / 16 / 11

HEX #E475BF

RGB 228 117 191

HSL 320, 0.67%, 0.68%

LAB 64.14, 52.06, -19.29

 

CMYK 0 / 22 / 49 / 11

HEX #E4B175

RGB 228 177 117

HSL 32.43, 0.67%, 0.68%

LAB 75.59, 11.33, 37.7

 

CMYK 49 / 0 / 32 / 10

HEX #75E59C

RGB 117 229 156

HSL 140.89, 0.68%, 0.68%

LAB 83.03, -47.97, 25.99

 

CMYK 49 / 40 / 0 / 11

HEX #7588E4

RGB 117 136 228

HSL 229.73, 0.67%, 0.68%

LAB 58.97, 17.84, -48.95

 

CMYK 0 / 49 / 16 / 11

HEX #E475BF

RGB 228 117 191

HSL 320, 0.67%, 0.68%

LAB 64.14, 52.06, -19.29

 

CMYK 0 / 8 / 49 / 11

HEX #E4D275

RGB 228 210 117

HSL 50.27, 0.67%, 0.68%

LAB 83.9, -5.89, 48.02

 

Description

Color code: HEX #75E59C | qconv.com Color code: HEX #75E59C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 229 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 229 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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