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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75E982 it is the complementary color #8A167D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75E982. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75E982 shade: #7AE97D, #8BFB90, #9CFFA3, #ADFFB6 and #BEFFC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75E982. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75E982 shade: #75E982, #64D76F, #53C55C, #42B349 and #31A136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75E982 shade: #76E983, #88E976, #A7E976, #C6E976 and #E5E976

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75E982 shade: #76E983, #76E9A2, #76E9C1, #76E9E0 and #76D3E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75E982 shade matches the following richer shades: #76E983 and #69F679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75E982 shade: #76E983, #83DC8D, #8FD097, #9CC3A0 and #A9B6AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75E982 shade: #A8E976, #89E976, #76E981, #76E9A0 and #76E9BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75E982 shade: #2EDE42, #52E462, #76E983, #99EFA3 and #BDF4C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75E982 shade: #75E982, #76C7E9 and #E97698

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75E982 shade: #75E982, #8176E9 and #E98176

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75E982 shade: #75E982, #76C7E9, #E976DE and #E99876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75E982 shade: #75E982, #76A4E9, #E976DE and #E9BB76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 44 / 9

HEX #75E982

RGB 117 233 130

HSL 126.72, 0.73%, 0.69%

LAB 83.79, -53.89, 40.1

 

Complementary color

CMYK 0 / 84 / 9 / 46

HEX #8A167D

RGB 138 22 125

HSL 306.72, 0.73%, 0.31%

LAB 32.83, 56.52, -29.65

 

CMYK 48 / 0 / 46 / 9

HEX #7AE97D

RGB 122 233 125

HSL 121.62, 0.72%, 0.7%

LAB 83.91, -53.27, 42.73

 

CMYK 45 / 0 / 43 / 2

HEX #8BFB90

RGB 139 251 144

HSL 122.68, 0.93%, 0.76%

LAB 90.09, -53.18, 41.48

 

CMYK 39 / 0 / 36 / 0

HEX #9CFFA3

RGB 156 255 163

HSL 124.24, 1%, 0.81%

LAB 92.23, -47.16, 35.06

 

CMYK 32 / 0 / 29 / 0

HEX #ADFFB6

RGB 173 255 182

HSL 126.59, 1%, 0.84%

LAB 93.36, -39.04, 27.18

 

CMYK 25 / 0 / 21 / 0

HEX #BEFFC9

RGB 190 255 201

HSL 130.15, 1%, 0.87%

LAB 94.6, -30.57, 19.38

 

CMYK 50 / 0 / 44 / 9

HEX #75E982

RGB 117 233 130

HSL 126.72, 0.73%, 0.69%

LAB 83.79, -53.89, 40.1

 

CMYK 53 / 0 / 48 / 16

HEX #64D76F

RGB 100 215 111

HSL 125.74, 0.59%, 0.62%

LAB 77.55, -53.88, 41.41

 

CMYK 58 / 0 / 53 / 23

HEX #53C55C

RGB 83 197 92

HSL 124.74, 0.5%, 0.55%

LAB 71.24, -53.72, 42.74

 

CMYK 63 / 0 / 59 / 30

HEX #42B349

RGB 66 179 73

HSL 123.72, 0.46%, 0.48%

LAB 64.87, -53.32, 44.04

 

CMYK 70 / 0 / 66 / 37

HEX #31A136

RGB 49 161 54

HSL 122.68, 0.53%, 0.41%

LAB 58.42, -52.54, 45.2

 

CMYK 49 / 0 / 44 / 9

HEX #76E983

RGB 118 233 131

HSL 126.78, 0.72%, 0.69%

LAB 83.84, -53.48, 39.68

 

CMYK 42 / 0 / 49 / 9

HEX #88E976

RGB 136 233 118

HSL 110.61, 0.72%, 0.69%

LAB 84.39, -50.19, 46.81

 

CMYK 28 / 0 / 49 / 9

HEX #A7E976

RGB 167 233 118

HSL 94.43, 0.72%, 0.69%

LAB 85.91, -40.13, 49.01

 

CMYK 15 / 0 / 49 / 9

HEX #C6E976

RGB 198 233 118

HSL 78.26, 0.72%, 0.69%

LAB 87.77, -28.88, 51.7

 

CMYK 2 / 0 / 49 / 9

HEX #E5E976

RGB 229 233 118

HSL 62.09, 0.72%, 0.69%

LAB 89.97, -16.89, 54.86

 

CMYK 49 / 0 / 44 / 9

HEX #76E983

RGB 118 233 131

HSL 126.78, 0.72%, 0.69%

LAB 83.84, -53.48, 39.68

 

CMYK 49 / 0 / 30 / 9

HEX #76E9A2

RGB 118 233 162

HSL 142.96, 0.72%, 0.69%

LAB 84.35, -48.31, 24.7

 

CMYK 49 / 0 / 17 / 9

HEX #76E9C1

RGB 118 233 193

HSL 159.13, 0.72%, 0.69%

LAB 84.99, -42.05, 9.46

 

CMYK 49 / 0 / 4 / 9

HEX #76E9E0

RGB 118 233 224

HSL 175.3, 0.72%, 0.69%

LAB 85.76, -34.83, -5.7

 

CMYK 49 / 9 / 0 / 9

HEX #76D3E9

RGB 118 211 233

HSL 191.48, 0.72%, 0.69%

LAB 79.8, -21.86, -19.39

 

CMYK 49 / 0 / 44 / 9

HEX #76E983

RGB 118 233 131

HSL 126.78, 0.72%, 0.69%

LAB 83.84, -53.48, 39.68

 

CMYK 57 / 0 / 51 / 4

HEX #69F679

RGB 105 246 121

HSL 126.81, 0.89%, 0.69%

LAB 87.14, -63.04, 48.52

 

CMYK 49 / 0 / 44 / 9

HEX #76E983

RGB 118 233 131

HSL 126.78, 0.72%, 0.69%

LAB 83.84, -53.48, 39.68

 

CMYK 40 / 0 / 36 / 14

HEX #83DC8D

RGB 131 220 141

HSL 126.74, 0.56%, 0.69%

LAB 80.7, -42.87, 30.66

 

CMYK 31 / 0 / 27 / 18

HEX #8FD097

RGB 143 208 151

HSL 127.38, 0.41%, 0.69%

LAB 77.98, -32.08, 21.9

 

CMYK 20 / 0 / 18 / 24

HEX #9CC3A0

RGB 156 195 160

HSL 126.15, 0.25%, 0.69%

LAB 75.22, -19.86, 13.38

 

CMYK 7 / 0 / 7 / 29

HEX #A9B6AA

RGB 169 182 170

HSL 124.62, 0.08%, 0.69%

LAB 72.76, -6.8, 4.55

 

CMYK 28 / 0 / 49 / 9

HEX #A8E976

RGB 168 233 118

HSL 93.91, 0.72%, 0.69%

LAB 85.96, -39.78, 49.09

 

CMYK 41 / 0 / 49 / 9

HEX #89E976

RGB 137 233 118

HSL 110.09, 0.72%, 0.69%

LAB 84.43, -49.89, 46.87

 

CMYK 49 / 0 / 45 / 9

HEX #76E981

RGB 118 233 129

HSL 125.74, 0.72%, 0.69%

LAB 83.82, -53.77, 40.63

 

CMYK 49 / 0 / 31 / 9

HEX #76E9A0

RGB 118 233 160

HSL 141.91, 0.72%, 0.69%

LAB 84.31, -48.68, 25.68

 

CMYK 49 / 0 / 18 / 9

HEX #76E9BF

RGB 118 233 191

HSL 158.09, 0.72%, 0.69%

LAB 84.94, -42.49, 10.45

 

CMYK 79 / 0 / 70 / 13

HEX #2EDE42

RGB 46 222 66

HSL 126.82, 0.73%, 0.53%

LAB 78, -71.58, 61.28

 

CMYK 64 / 0 / 57 / 11

HEX #52E462

RGB 82 228 98

HSL 126.58, 0.73%, 0.61%

LAB 80.83, -64.43, 51.36

 

CMYK 49 / 0 / 44 / 9

HEX #76E983

RGB 118 233 131

HSL 126.78, 0.72%, 0.69%

LAB 83.84, -53.48, 39.68

 

CMYK 36 / 0 / 32 / 6

HEX #99EFA3

RGB 153 239 163

HSL 126.98, 0.73%, 0.77%

LAB 87.56, -41.1, 28.79

 

CMYK 23 / 0 / 20 / 4

HEX #BDF4C3

RGB 189 244 195

HSL 126.55, 0.71%, 0.85%

LAB 91.44, -26.73, 18.03

 

CMYK 50 / 0 / 44 / 9

HEX #75E982

RGB 117 233 130

HSL 126.72, 0.73%, 0.69%

LAB 83.79, -53.89, 40.1

 

CMYK 49 / 15 / 0 / 9

HEX #76C7E9

RGB 118 199 233

HSL 197.74, 0.72%, 0.69%

LAB 76.42, -15.73, -24.52

 

CMYK 0 / 49 / 35 / 9

HEX #E97698

RGB 233 118 152

HSL 342.26, 0.72%, 0.69%

LAB 63.79, 47.92, 2.45

 

CMYK 50 / 0 / 44 / 9

HEX #75E982

RGB 117 233 130

HSL 126.72, 0.73%, 0.69%

LAB 83.79, -53.89, 40.1

 

CMYK 45 / 49 / 0 / 9

HEX #8176E9

RGB 129 118 233

HSL 245.74, 0.72%, 0.69%

LAB 55.59, 32.75, -57.06

 

CMYK 0 / 45 / 49 / 9

HEX #E98176

RGB 233 129 118

HSL 5.74, 0.72%, 0.69%

LAB 65.23, 38.79, 23.74

 

CMYK 50 / 0 / 44 / 9

HEX #75E982

RGB 117 233 130

HSL 126.72, 0.73%, 0.69%

LAB 83.79, -53.89, 40.1

 

CMYK 49 / 15 / 0 / 9

HEX #76C7E9

RGB 118 199 233

HSL 197.74, 0.72%, 0.69%

LAB 76.42, -15.73, -24.52

 

CMYK 0 / 49 / 5 / 9

HEX #E976DE

RGB 233 118 222

HSL 305.74, 0.72%, 0.69%

LAB 66.18, 58.02, -33.49

 

CMYK 0 / 35 / 49 / 9

HEX #E99876

RGB 233 152 118

HSL 17.74, 0.72%, 0.69%

LAB 70.24, 26.74, 30.38

 

CMYK 50 / 0 / 44 / 9

HEX #75E982

RGB 117 233 130

HSL 126.72, 0.73%, 0.69%

LAB 83.79, -53.89, 40.1

 

CMYK 49 / 30 / 0 / 9

HEX #76A4E9

RGB 118 164 233

HSL 216, 0.72%, 0.69%

LAB 66.74, 3.3, -39.48

 

CMYK 0 / 49 / 5 / 9

HEX #E976DE

RGB 233 118 222

HSL 305.74, 0.72%, 0.69%

LAB 66.18, 58.02, -33.49

 

CMYK 0 / 20 / 49 / 9

HEX #E9BB76

RGB 233 187 118

HSL 36, 0.72%, 0.69%

LAB 78.56, 8.16, 41.04

 

Description

Color code: HEX #75E982 | qconv.com Color code: HEX #75E982 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 233 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 233 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 44 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 44% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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