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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75EA6F it is the complementary color #8A1590. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75EA6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75EA6F shade: #7AEA6A, #8BFC7D, #9CFF90, #ADFFA3 and #BEFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75EA6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75EA6F shade: #75EA6F, #64D85C, #53C649, #42B436 and #31A223

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75EA6F shade: #76EA70, #97EA70, #B8EA70, #D9EA70 and #EADA70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75EA6F shade: #76EA70, #70EA8B, #70EAAC, #70EACD and #70E6EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75EA6F shade matches the following richer shades: #76EA70 and #6AF762

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75EA6F shade: #76EA70, #82DD7D, #8ED08A, #99C297 and #A5B5A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75EA6F shade: #B7EA70, #96EA70, #76EA70, #70EA8A and #70EAAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75EA6F shade: #30E027, #53E54C, #76EA70, #98EF94 and #BBF4B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75EA6F shade: #75EA6F, #70D8EA and #EA70A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75EA6F shade: #75EA6F, #7076EA and #EA7076

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75EA6F shade: #75EA6F, #70D8EA, #E470EA and #EA8270

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75EA6F shade: #75EA6F, #70B3EA, #E470EA and #EAA770

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 53 / 8

HEX #75EA6F

RGB 117 234 111

HSL 117.07, 0.75%, 0.68%

LAB 83.85, -56.85, 49.26

 

Complementary color

CMYK 4 / 85 / 0 / 44

HEX #8A1590

RGB 138 21 144

HSL 297.07, 0.75%, 0.32%

LAB 33.89, 59.8, -39.78

 

CMYK 48 / 0 / 55 / 8

HEX #7AEA6A

RGB 122 234 106

HSL 112.5, 0.75%, 0.67%

LAB 83.98, -56.09, 51.76

 

CMYK 45 / 0 / 50 / 1

HEX #8BFC7D

RGB 139 252 125

HSL 113.39, 0.95%, 0.74%

LAB 90.13, -56.12, 50.58

 

CMYK 39 / 0 / 44 / 0

HEX #9CFF90

RGB 156 255 144

HSL 113.51, 1%, 0.78%

LAB 91.95, -49.92, 44.01

 

CMYK 32 / 0 / 36 / 0

HEX #ADFFA3

RGB 173 255 163

HSL 113.48, 1%, 0.82%

LAB 93.04, -42.01, 36.27

 

CMYK 25 / 0 / 29 / 0

HEX #BEFFB6

RGB 190 255 182

HSL 113.42, 1%, 0.86%

LAB 94.25, -33.69, 28.54

 

CMYK 50 / 0 / 53 / 8

HEX #75EA6F

RGB 117 234 111

HSL 117.07, 0.75%, 0.68%

LAB 83.85, -56.85, 49.26

 

CMYK 54 / 0 / 57 / 15

HEX #64D85C

RGB 100 216 92

HSL 116.13, 0.61%, 0.6%

LAB 77.63, -56.69, 50.46

 

CMYK 58 / 0 / 63 / 22

HEX #53C649

RGB 83 198 73

HSL 115.2, 0.52%, 0.53%

LAB 71.36, -56.33, 51.55

 

CMYK 63 / 0 / 70 / 29

HEX #42B436

RGB 66 180 54

HSL 114.29, 0.54%, 0.46%

LAB 65.02, -55.66, 52.39

 

CMYK 70 / 0 / 78 / 36

HEX #31A223

RGB 49 162 35

HSL 113.39, 0.64%, 0.39%

LAB 58.62, -54.52, 52.7

 

CMYK 50 / 0 / 52 / 8

HEX #76EA70

RGB 118 234 112

HSL 117.05, 0.74%, 0.68%

LAB 83.9, -56.46, 48.86

 

CMYK 35 / 0 / 52 / 8

HEX #97EA70

RGB 151 234 112

HSL 100.82, 0.74%, 0.68%

LAB 85.3, -46.62, 50.88

 

CMYK 21 / 0 / 52 / 8

HEX #B8EA70

RGB 184 234 112

HSL 84.59, 0.74%, 0.68%

LAB 87.1, -35.15, 53.46

 

CMYK 7 / 0 / 52 / 8

HEX #D9EA70

RGB 217 234 112

HSL 68.36, 0.74%, 0.68%

LAB 89.28, -22.61, 56.58

 

CMYK 0 / 7 / 52 / 8

HEX #EADA70

RGB 234 218 112

HSL 52.13, 0.74%, 0.68%

LAB 86.41, -7.95, 53.53

 

CMYK 50 / 0 / 52 / 8

HEX #76EA70

RGB 118 234 112

HSL 117.05, 0.74%, 0.68%

LAB 83.9, -56.46, 48.86

 

CMYK 52 / 0 / 41 / 8

HEX #70EA8B

RGB 112 234 139

HSL 133.28, 0.74%, 0.68%

LAB 84.05, -54.16, 35.93

 

CMYK 52 / 0 / 26 / 8

HEX #70EAAC

RGB 112 234 172

HSL 149.51, 0.74%, 0.68%

LAB 84.62, -48.25, 19.88

 

CMYK 52 / 0 / 12 / 8

HEX #70EACD

RGB 112 234 205

HSL 165.74, 0.74%, 0.68%

LAB 85.35, -41.12, 3.67

 

CMYK 52 / 2 / 0 / 8

HEX #70E6EA

RGB 112 230 234

HSL 181.97, 0.74%, 0.68%

LAB 84.99, -32.11, -12.15

 

CMYK 50 / 0 / 52 / 8

HEX #76EA70

RGB 118 234 112

HSL 117.05, 0.74%, 0.68%

LAB 83.9, -56.46, 48.86

 

CMYK 57 / 0 / 60 / 3

HEX #6AF762

RGB 106 247 98

HSL 116.78, 0.9%, 0.68%

LAB 87.23, -65.89, 58.91

 

CMYK 50 / 0 / 52 / 8

HEX #76EA70

RGB 118 234 112

HSL 117.05, 0.74%, 0.68%

LAB 83.9, -56.46, 48.86

 

CMYK 41 / 0 / 43 / 13

HEX #82DD7D

RGB 130 221 125

HSL 116.88, 0.59%, 0.68%

LAB 80.71, -46.04, 38.73

 

CMYK 32 / 0 / 34 / 18

HEX #8ED08A

RGB 142 208 138

HSL 116.57, 0.43%, 0.68%

LAB 77.7, -34.56, 28.3

 

CMYK 21 / 0 / 22 / 24

HEX #99C297

RGB 153 194 151

HSL 117.21, 0.26%, 0.68%

LAB 74.57, -21.98, 17.26

 

CMYK 9 / 0 / 9 / 29

HEX #A5B5A5

RGB 165 181 165

HSL 120, 0.1%, 0.68%

LAB 72.07, -8.6, 6.26

 

CMYK 22 / 0 / 52 / 8

HEX #B7EA70

RGB 183 234 112

HSL 85.08, 0.74%, 0.68%

LAB 87.04, -35.51, 53.38

 

CMYK 36 / 0 / 52 / 8

HEX #96EA70

RGB 150 234 112

HSL 101.31, 0.74%, 0.68%

LAB 85.25, -46.94, 50.81

 

CMYK 50 / 0 / 52 / 8

HEX #76EA70

RGB 118 234 112

HSL 117.05, 0.74%, 0.68%

LAB 83.9, -56.46, 48.86

 

CMYK 52 / 0 / 41 / 8

HEX #70EA8A

RGB 112 234 138

HSL 132.79, 0.74%, 0.68%

LAB 84.03, -54.32, 36.41

 

CMYK 52 / 0 / 27 / 8

HEX #70EAAB

RGB 112 234 171

HSL 149.02, 0.74%, 0.68%

LAB 84.6, -48.44, 20.37

 

CMYK 79 / 0 / 83 / 12

HEX #30E027

RGB 48 224 39

HSL 117.08, 0.75%, 0.52%

LAB 78.51, -73.74, 70.17

 

CMYK 64 / 0 / 67 / 10

HEX #53E54C

RGB 83 229 76

HSL 117.25, 0.75%, 0.6%

LAB 80.96, -66.9, 60.81

 

CMYK 50 / 0 / 52 / 8

HEX #76EA70

RGB 118 234 112

HSL 117.05, 0.74%, 0.68%

LAB 83.9, -56.46, 48.86

 

CMYK 36 / 0 / 38 / 6

HEX #98EF94

RGB 152 239 148

HSL 117.36, 0.74%, 0.76%

LAB 87.26, -43.75, 35.95

 

CMYK 23 / 0 / 25 / 4

HEX #BBF4B8

RGB 187 244 184

HSL 117, 0.73%, 0.84%

LAB 91.11, -29.23, 23.2

 

CMYK 50 / 0 / 53 / 8

HEX #75EA6F

RGB 117 234 111

HSL 117.07, 0.75%, 0.68%

LAB 83.85, -56.85, 49.26

 

CMYK 52 / 8 / 0 / 8

HEX #70D8EA

RGB 112 216 234

HSL 188.85, 0.74%, 0.68%

LAB 81.01, -25.35, -18.11

 

CMYK 0 / 52 / 29 / 8

HEX #EA70A7

RGB 234 112 167

HSL 332.95, 0.74%, 0.68%

LAB 63.24, 53.01, -6.92

 

CMYK 50 / 0 / 53 / 8

HEX #75EA6F

RGB 117 234 111

HSL 117.07, 0.75%, 0.68%

LAB 83.85, -56.85, 49.26

 

CMYK 52 / 50 / 0 / 8

HEX #7076EA

RGB 112 118 234

HSL 237.05, 0.74%, 0.68%

LAB 54.39, 29.34, -59.62

 

CMYK 0 / 52 / 50 / 8

HEX #EA7076

RGB 234 112 118

HSL 357.05, 0.74%, 0.68%

LAB 61.99, 47.67, 19.39

 

CMYK 50 / 0 / 53 / 8

HEX #75EA6F

RGB 117 234 111

HSL 117.07, 0.75%, 0.68%

LAB 83.85, -56.85, 49.26

 

CMYK 52 / 8 / 0 / 8

HEX #70D8EA

RGB 112 216 234

HSL 188.85, 0.74%, 0.68%

LAB 81.01, -25.35, -18.11

 

CMYK 3 / 52 / 0 / 8

HEX #E470EA

RGB 228 112 234

HSL 297.05, 0.74%, 0.68%

LAB 64.98, 61.56, -42.07

 

CMYK 0 / 44 / 52 / 8

HEX #EA8270

RGB 234 130 112

HSL 8.85, 0.74%, 0.68%

LAB 65.46, 38.12, 27.42

 

CMYK 50 / 0 / 53 / 8

HEX #75EA6F

RGB 117 234 111

HSL 117.07, 0.75%, 0.68%

LAB 83.85, -56.85, 49.26

 

CMYK 52 / 24 / 0 / 8

HEX #70B3EA

RGB 112 179 234

HSL 207.05, 0.74%, 0.68%

LAB 70.61, -6.11, -34.02

 

CMYK 3 / 52 / 0 / 8

HEX #E470EA

RGB 228 112 234

HSL 297.05, 0.74%, 0.68%

LAB 64.98, 61.56, -42.07

 

CMYK 0 / 29 / 52 / 8

HEX #EAA770

RGB 234 167 112

HSL 27.05, 0.74%, 0.68%

LAB 73.74, 18.63, 38.09

 

Description

Color code: HEX #75EA6F | qconv.com Color code: HEX #75EA6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 234 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 234 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 53 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 53% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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