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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75EE38 it is the complementary color #8A11C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75EE38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75EE38 shade: #7AEE33, #8BFF46, #9CFF59, #ADFF6C and #BEFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75EE38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75EE38 shade: #75EE38, #64DC25, #53CA12, #42B800 and #31A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75EE38 shade: #76ED39, #A6ED39, #D7ED39, #EDD339 and #EDA339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75EE38 shade: #76ED39, #45ED39, #39ED5E, #39ED8F and #39EDBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75EE38 shade matches the following richer shades: #76ED39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75EE38 shade: #76ED39, #7BDC4B, #81CB5C, #87B96D and #8DA87F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75EE38 shade: #D8ED39, #A8ED39, #78ED39, #48ED39 and #39ED5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75EE38 shade: #4DC411, #5CEA14, #76ED39, #90F15F and #AAF485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75EE38 shade: #75EE38, #39EDD2 and #ED39C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75EE38 shade: #75EE38, #3978ED and #ED3978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75EE38 shade: #75EE38, #39EDD2, #AE39ED and #ED3954

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75EE38 shade: #75EE38, #39D2ED, #AE39ED and #ED5439

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 76 / 7

HEX #75EE38

RGB 117 238 56

HSL 99.89, 0.84%, 0.58%

LAB 84.6, -63.25, 71.79

 

Complementary color

CMYK 31 / 91 / 0 / 22

HEX #8A11C7

RGB 138 17 199

HSL 279.89, 0.84%, 0.42%

LAB 37.71, 70.71, -66.52

 

CMYK 49 / 0 / 79 / 7

HEX #7AEE33

RGB 122 238 51

HSL 97.22, 0.85%, 0.57%

LAB 84.75, -62.11, 73.46

 

CMYK 45 / 0 / 73 / 0

HEX #8BFF46

RGB 139 255 70

HSL 97.62, 1%, 0.64%

LAB 90.53, -62.36, 73.42

 

CMYK 39 / 0 / 65 / 0

HEX #9CFF59

RGB 156 255 89

HSL 95.78, 1%, 0.67%

LAB 91.37, -55.79, 67.67

 

CMYK 32 / 0 / 58 / 0

HEX #ADFF6C

RGB 173 255 108

HSL 93.47, 1%, 0.71%

LAB 92.35, -48.6, 61.19

 

CMYK 25 / 0 / 50 / 0

HEX #BEFF7F

RGB 190 255 127

HSL 90.47, 1%, 0.75%

LAB 93.45, -40.89, 54.25

 

CMYK 51 / 0 / 76 / 7

HEX #75EE38

RGB 117 238 56

HSL 99.89, 0.84%, 0.58%

LAB 84.6, -63.25, 71.79

 

CMYK 55 / 0 / 83 / 14

HEX #64DC25

RGB 100 220 37

HSL 99.34, 0.72%, 0.5%

LAB 78.48, -62.39, 71.08

 

CMYK 59 / 0 / 91 / 21

HEX #53CA12

RGB 83 202 18

HSL 98.8, 0.84%, 0.43%

LAB 72.31, -61.16, 69.26

 

CMYK 64 / 0 / 100 / 28

HEX #42B800

RGB 66 184 0

HSL 98.48, 1%, 0.36%

LAB 66.09, -59.51, 66.2

 

CMYK 70 / 0 / 100 / 35

HEX #31A600

RGB 49 166 0

HSL 102.29, 1%, 0.33%

LAB 59.82, -57.2, 61.05

 

CMYK 50 / 0 / 76 / 7

HEX #76ED39

RGB 118 237 57

HSL 99.67, 0.83%, 0.58%

LAB 84.34, -62.55, 71.25

 

CMYK 30 / 0 / 76 / 7

HEX #A6ED39

RGB 166 237 57

HSL 83.67, 0.83%, 0.58%

LAB 86.49, -47.08, 74.06

 

CMYK 9 / 0 / 76 / 7

HEX #D7ED39

RGB 215 237 57

HSL 67.33, 0.83%, 0.58%

LAB 89.54, -28.27, 78

 

CMYK 0 / 11 / 76 / 7

HEX #EDD339

RGB 237 211 57

HSL 51.33, 0.83%, 0.58%

LAB 84.43, -6.45, 73.94

 

CMYK 0 / 31 / 76 / 7

HEX #EDA339

RGB 237 163 57

HSL 35.33, 0.83%, 0.58%

LAB 72.56, 18.55, 62.78

 

CMYK 50 / 0 / 76 / 7

HEX #76ED39

RGB 118 237 57

HSL 99.67, 0.83%, 0.58%

LAB 84.34, -62.55, 71.25

 

CMYK 71 / 0 / 76 / 7

HEX #45ED39

RGB 69 237 57

HSL 116, 0.83%, 0.58%

LAB 82.98, -73.54, 69.48

 

CMYK 76 / 0 / 60 / 7

HEX #39ED5E

RGB 57 237 94

HSL 132.33, 0.83%, 0.58%

LAB 83.04, -72.01, 55.56

 

CMYK 76 / 0 / 40 / 7

HEX #39ED8F

RGB 57 237 143

HSL 148.67, 0.83%, 0.58%

LAB 83.66, -64.73, 33.18

 

CMYK 76 / 0 / 19 / 7

HEX #39EDBF

RGB 57 237 191

HSL 164.67, 0.83%, 0.58%

LAB 84.59, -54.62, 9.74

 

CMYK 50 / 0 / 76 / 7

HEX #76ED39

RGB 118 237 57

HSL 99.67, 0.83%, 0.58%

LAB 84.34, -62.55, 71.25

 

CMYK 50 / 0 / 76 / 7

HEX #76ED39

RGB 118 237 57

HSL 99.67, 0.83%, 0.58%

LAB 84.34, -62.55, 71.25

 

CMYK 44 / 0 / 66 / 14

HEX #7BDC4B

RGB 123 220 75

HSL 100.14, 0.67%, 0.58%

LAB 79.56, -53.41, 60.1

 

CMYK 36 / 0 / 55 / 20

HEX #81CB5C

RGB 129 203 92

HSL 100, 0.52%, 0.58%

LAB 74.92, -42.83, 47.58

 

CMYK 27 / 0 / 41 / 27

HEX #87B96D

RGB 135 185 109

HSL 99.47, 0.35%, 0.58%

LAB 70.14, -30.49, 33.36

 

CMYK 16 / 0 / 24 / 34

HEX #8DA87F

RGB 141 168 127

HSL 99.51, 0.19%, 0.58%

LAB 65.9, -17.13, 18.17

 

CMYK 9 / 0 / 76 / 7

HEX #D8ED39

RGB 216 237 57

HSL 67, 0.83%, 0.58%

LAB 89.61, -27.87, 78.09

 

CMYK 29 / 0 / 76 / 7

HEX #A8ED39

RGB 168 237 57

HSL 83, 0.83%, 0.58%

LAB 86.6, -46.36, 74.2

 

CMYK 49 / 0 / 76 / 7

HEX #78ED39

RGB 120 237 57

HSL 99, 0.83%, 0.58%

LAB 84.41, -61.99, 71.35

 

CMYK 70 / 0 / 76 / 7

HEX #48ED39

RGB 72 237 57

HSL 115, 0.83%, 0.58%

LAB 83.04, -73.03, 69.56

 

CMYK 76 / 0 / 62 / 7

HEX #39ED5A

RGB 57 237 90

HSL 131, 0.83%, 0.58%

LAB 83.01, -72.46, 57.22

 

CMYK 61 / 0 / 91 / 23

HEX #4DC411

RGB 77 196 17

HSL 99.89, 0.84%, 0.42%

LAB 70.24, -60.61, 67.61

 

CMYK 61 / 0 / 91 / 8

HEX #5CEA14

RGB 92 234 20

HSL 99.81, 0.84%, 0.5%

LAB 82.47, -69.64, 77.54

 

CMYK 50 / 0 / 76 / 7

HEX #76ED39

RGB 118 237 57

HSL 99.67, 0.83%, 0.58%

LAB 84.34, -62.55, 71.25

 

CMYK 40 / 0 / 61 / 5

HEX #90F15F

RGB 144 241 95

HSL 99.86, 0.84%, 0.66%

LAB 86.83, -53.48, 60.12

 

CMYK 30 / 0 / 45 / 4

HEX #AAF485

RGB 170 244 133

HSL 100, 0.83%, 0.74%

LAB 89.37, -42.2, 46.17

 

CMYK 51 / 0 / 76 / 7

HEX #75EE38

RGB 117 238 56

HSL 99.89, 0.84%, 0.58%

LAB 84.6, -63.25, 71.79

 

CMYK 76 / 0 / 11 / 7

HEX #39EDD2

RGB 57 237 210

HSL 171, 0.83%, 0.58%

LAB 85.04, -49.9, 0.43

 

CMYK 0 / 76 / 19 / 7

HEX #ED39C0

RGB 237 57 192

HSL 315, 0.83%, 0.58%

LAB 56.82, 78.42, -31.01

 

CMYK 51 / 0 / 76 / 7

HEX #75EE38

RGB 117 238 56

HSL 99.89, 0.84%, 0.58%

LAB 84.6, -63.25, 71.79

 

CMYK 76 / 49 / 0 / 7

HEX #3978ED

RGB 57 120 237

HSL 219, 0.83%, 0.58%

LAB 52.31, 20.24, -64.79

 

CMYK 0 / 76 / 49 / 7

HEX #ED3978

RGB 237 57 120

HSL 339, 0.83%, 0.58%

LAB 54.33, 70.85, 7.62

 

CMYK 51 / 0 / 76 / 7

HEX #75EE38

RGB 117 238 56

HSL 99.89, 0.84%, 0.58%

LAB 84.6, -63.25, 71.79

 

CMYK 76 / 0 / 11 / 7

HEX #39EDD2

RGB 57 237 210

HSL 171, 0.83%, 0.58%

LAB 85.04, -49.9, 0.43

 

CMYK 27 / 76 / 0 / 7

HEX #AE39ED

RGB 174 57 237

HSL 279, 0.83%, 0.58%

LAB 49.54, 73.13, -68.81

 

CMYK 0 / 76 / 65 / 7

HEX #ED3954

RGB 237 57 84

HSL 351, 0.83%, 0.58%

LAB 53.57, 68.44, 28.09

 

CMYK 51 / 0 / 76 / 7

HEX #75EE38

RGB 117 238 56

HSL 99.89, 0.84%, 0.58%

LAB 84.6, -63.25, 71.79

 

CMYK 76 / 11 / 0 / 7

HEX #39D2ED

RGB 57 210 237

HSL 189, 0.83%, 0.58%

LAB 77.92, -30.07, -24.54

 

CMYK 27 / 76 / 0 / 7

HEX #AE39ED

RGB 174 57 237

HSL 279, 0.83%, 0.58%

LAB 49.54, 73.13, -68.81

 

CMYK 0 / 65 / 76 / 7

HEX #ED5439

RGB 237 84 57

HSL 9, 0.83%, 0.58%

LAB 56.72, 57.55, 46.9

 

Description

Color code: HEX #75EE38 | qconv.com Color code: HEX #75EE38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 238 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 238 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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