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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75FAC4 it is the complementary color #8A053B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75FAC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75FAC4 shade: #7AFABF, #8BFFD2, #9CFFE5, #ADFFF8 and #BEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75FAC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75FAC4 shade: #75FAC4, #64E8B1, #53D69E, #42C48B and #31B278

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75FAC4 shade: #75FAC4, #75FAA0, #75FA7C, #91FA75 and #B5FA75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75FAC4 shade: #75FAC4, #75FAE7, #75E8FA, #75C4FA and #75A0FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75FAC4 shade matches the following richer shades: #75FAC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75FAC4 shade: #75FAC4, #80EEC1, #8CE2BF, #97D7BD and #A3CBBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75FAC4 shade: #75FA7B, #75FA9F, #75FAC2, #75FAE6 and #75EAFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75FAC4 shade: #25F7A2, #4DF8B3, #75FAC4, #9DFBD5 and #C4FCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75FAC4 shade: #75FAC4, #7591FA and #FA8D75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75FAC4 shade: #75FAC4, #C275FA and #FAC275

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75FAC4 shade: #75FAC4, #7591FA, #FA75AC and #FADD75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75FAC4 shade: #75FAC4, #8075FA, #FA75AC and #EEFA75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

Complementary color

CMYK 0 / 96 / 57 / 46

HEX #8A053B

RGB 138 5 59

HSL 335.64, 0.93%, 0.28%

LAB 28.97, 52.19, 7.55

 

CMYK 51 / 0 / 24 / 2

HEX #7AFABF

RGB 122 250 191

HSL 152.34, 0.93%, 0.73%

LAB 89.98, -48.9, 17.6

 

CMYK 45 / 0 / 18 / 0

HEX #8BFFD2

RGB 139 255 210

HSL 156.72, 1%, 0.77%

LAB 92.43, -43.15, 11.36

 

CMYK 39 / 0 / 10 / 0

HEX #9CFFE5

RGB 156 255 229

HSL 164.24, 1%, 0.81%

LAB 93.56, -34.87, 3.28

 

CMYK 32 / 0 / 3 / 0

HEX #ADFFF8

RGB 173 255 248

HSL 174.88, 1%, 0.84%

LAB 94.82, -26.25, -4.6

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 57 / 0 / 24 / 9

HEX #64E8B1

RGB 100 232 177

HSL 155, 0.74%, 0.65%

LAB 83.76, -49, 16.01

 

CMYK 61 / 0 / 26 / 16

HEX #53D69E

RGB 83 214 158

HSL 154.35, 0.62%, 0.58%

LAB 77.52, -48.92, 17.19

 

CMYK 66 / 0 / 29 / 23

HEX #42C48B

RGB 66 196 139

HSL 153.69, 0.52%, 0.51%

LAB 71.22, -48.69, 18.48

 

CMYK 72 / 0 / 33 / 30

HEX #31B278

RGB 49 178 120

HSL 153.02, 0.57%, 0.45%

LAB 64.84, -48.23, 19.9

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 53 / 0 / 36 / 2

HEX #75FAA0

RGB 117 250 160

HSL 139.4, 0.93%, 0.72%

LAB 89.25, -55.85, 32.32

 

CMYK 53 / 0 / 50 / 2

HEX #75FA7C

RGB 117 250 124

HSL 123.16, 0.93%, 0.72%

LAB 88.74, -61.29, 49.16

 

CMYK 42 / 0 / 53 / 2

HEX #91FA75

RGB 145 250 117

HSL 107.37, 0.93%, 0.72%

LAB 89.71, -54.52, 53.8

 

CMYK 28 / 0 / 53 / 2

HEX #B5FA75

RGB 181 250 117

HSL 91.13, 0.93%, 0.72%

LAB 91.45, -42.86, 56.29

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 53 / 0 / 8 / 2

HEX #75FAE7

RGB 117 250 231

HSL 171.43, 0.93%, 0.72%

LAB 90.74, -41.08, -2.04

 

CMYK 53 / 7 / 0 / 2

HEX #75E8FA

RGB 117 232 250

HSL 188.12, 0.93%, 0.72%

LAB 86.2, -27.84, -18.73

 

CMYK 53 / 22 / 0 / 2

HEX #75C4FA

RGB 117 196 250

HSL 204.36, 0.93%, 0.72%

LAB 76.17, -9.53, -34.05

 

CMYK 53 / 36 / 0 / 2

HEX #75A0FA

RGB 117 160 250

HSL 220.6, 0.93%, 0.72%

LAB 66.39, 10.5, -49.33

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 46 / 0 / 19 / 7

HEX #80EEC1

RGB 128 238 193

HSL 155.45, 0.76%, 0.72%

LAB 86.79, -41.88, 12.09

 

CMYK 38 / 0 / 15 / 11

HEX #8CE2BF

RGB 140 226 191

HSL 155.58, 0.6%, 0.72%

LAB 83.82, -33.73, 8.97

 

CMYK 30 / 0 / 12 / 16

HEX #97D7BD

RGB 151 215 189

HSL 155.63, 0.44%, 0.72%

LAB 81.21, -25.75, 6.35

 

CMYK 20 / 0 / 8 / 20

HEX #A3CBBB

RGB 163 203 187

HSL 156, 0.28%, 0.72%

LAB 78.51, -16.44, 3.61

 

CMYK 53 / 0 / 51 / 2

HEX #75FA7B

RGB 117 250 123

HSL 122.71, 0.93%, 0.72%

LAB 88.73, -61.42, 49.61

 

CMYK 53 / 0 / 36 / 2

HEX #75FA9F

RGB 117 250 159

HSL 138.95, 0.93%, 0.72%

LAB 89.23, -56.02, 32.8

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC2

RGB 117 250 194

HSL 154.74, 0.93%, 0.72%

LAB 89.88, -49.4, 15.88

 

CMYK 53 / 0 / 8 / 2

HEX #75FAE6

RGB 117 250 230

HSL 170.98, 0.93%, 0.72%

LAB 90.72, -41.32, -1.56

 

CMYK 53 / 6 / 0 / 2

HEX #75EAFA

RGB 117 234 250

HSL 187.22, 0.93%, 0.72%

LAB 86.77, -28.8, -17.88

 

CMYK 85 / 0 / 34 / 3

HEX #25F7A2

RGB 37 247 162

HSL 155.71, 0.93%, 0.56%

LAB 86.76, -66.55, 27.69

 

CMYK 69 / 0 / 28 / 3

HEX #4DF8B3

RGB 77 248 179

HSL 155.79, 0.92%, 0.64%

LAB 87.95, -59.06, 20.74

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 37 / 0 / 15 / 2

HEX #9DFBD5

RGB 157 251 213

HSL 155.74, 0.92%, 0.8%

LAB 92.12, -36.12, 9.47

 

CMYK 22 / 0 / 9 / 1

HEX #C4FCE6

RGB 196 252 230

HSL 156.43, 0.9%, 0.88%

LAB 94.77, -21.95, 4.77

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 53 / 42 / 0 / 2

HEX #7591FA

RGB 117 145 250

HSL 227.37, 0.93%, 0.72%

LAB 62.45, 19.26, -55.57

 

CMYK 0 / 44 / 53 / 2

HEX #FA8D75

RGB 250 141 117

HSL 10.83, 0.93%, 0.72%

LAB 69.94, 38.95, 30.93

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 22 / 53 / 0 / 2

HEX #C275FA

RGB 194 117 250

HSL 274.74, 0.93%, 0.72%

LAB 62.59, 53.44, -54.96

 

CMYK 0 / 22 / 53 / 2

HEX #FAC275

RGB 250 194 117

HSL 34.74, 0.93%, 0.72%

LAB 81.94, 11.3, 46.1

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 53 / 42 / 0 / 2

HEX #7591FA

RGB 117 145 250

HSL 227.37, 0.93%, 0.72%

LAB 62.45, 19.26, -55.57

 

CMYK 0 / 53 / 31 / 2

HEX #FA75AC

RGB 250 117 172

HSL 335.19, 0.93%, 0.72%

LAB 66.54, 56.37, -4.63

 

CMYK 0 / 12 / 53 / 2

HEX #FADD75

RGB 250 221 117

HSL 46.92, 0.93%, 0.72%

LAB 88.6, -2.6, 54.12

 

CMYK 53 / 0 / 22 / 2

HEX #75FAC4

RGB 117 250 196

HSL 155.64, 0.93%, 0.72%

LAB 89.92, -48.98, 14.91

 

CMYK 49 / 53 / 0 / 2

HEX #8075FA

RGB 128 117 250

HSL 244.96, 0.93%, 0.72%

LAB 56.3, 38.06, -65.38

 

CMYK 0 / 53 / 31 / 2

HEX #FA75AC

RGB 250 117 172

HSL 335.19, 0.93%, 0.72%

LAB 66.54, 56.37, -4.63

 

CMYK 5 / 0 / 53 / 2

HEX #EEFA75

RGB 238 250 117

HSL 65.41, 0.93%, 0.72%

LAB 95.09, -21.66, 61.46

 

Description

Color code: HEX #75FAC4 | qconv.com Color code: HEX #75FAC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 250 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 250 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 22 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 22% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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