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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76039F it is the complementary color #89FC60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76039F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76039F shade: #7B039A, #8C15AD, #9D27C0, #AE39D3 and #BF4BE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76039F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76039F shade: #76039F, #65008C, #540079, #430066 and #320053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76039F shade: #76039F, #9F039E, #9F0374, #9F034A and #9F0320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76039F shade: #76039F, #4C039F, #22039F and #03039F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76039F shade matches the following richer shades: #76039F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76039F shade: #76039F, #701092, #6A1D85, #632A78 and #5D386B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76039F shade: #22039F, #4C039F, #76039F, #9F039F and #9F0376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76039F shade: #3A014F, #580277, #76039F, #9404C8 and #B204F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76039F shade: #76039F, #9F030D and #039F37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76039F shade: #76039F, #9F7603 and #039F76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76039F shade: #76039F, #9F030D, #2D9F03 and #039F95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76039F shade: #76039F, #9F2703, #2D9F03 and #037B9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

Complementary color

CMYK 46 / 0 / 62 / 1

HEX #89FC60

RGB 137 252 96

HSL 104.23, 0.96%, 0.68%

LAB 89.76, -59.8, 62.88

 

CMYK 20 / 98 / 0 / 40

HEX #7B039A

RGB 123 3 154

HSL 287.68, 0.96%, 0.31%

LAB 30.9, 62.11, -50.86

 

CMYK 19 / 88 / 0 / 32

HEX #8C15AD

RGB 140 21 173

HSL 286.97, 0.78%, 0.38%

LAB 36.23, 65.29, -53.56

 

CMYK 18 / 80 / 0 / 25

HEX #9D27C0

RGB 157 39 192

HSL 286.27, 0.66%, 0.45%

LAB 41.88, 67.16, -55.52

 

CMYK 18 / 73 / 0 / 17

HEX #AE39D3

RGB 174 57 211

HSL 285.58, 0.64%, 0.53%

LAB 47.79, 68.02, -56.87

 

CMYK 17 / 67 / 0 / 10

HEX #BF4BE6

RGB 191 75 230

HSL 284.9, 0.76%, 0.6%

LAB 53.84, 68.24, -57.82

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 28 / 100 / 0 / 45

HEX #65008C

RGB 101 0 140

HSL 283.29, 1%, 0.27%

LAB 25.74, 56.9, -50.79

 

CMYK 31 / 100 / 0 / 53

HEX #540079

RGB 84 0 121

HSL 281.65, 1%, 0.24%

LAB 21.08, 50.84, -46.54

 

CMYK 34 / 100 / 0 / 60

HEX #430066

RGB 67 0 102

HSL 279.41, 1%, 0.2%

LAB 16.27, 44.6, -42.18

 

CMYK 40 / 100 / 0 / 67

HEX #320053

RGB 50 0 83

HSL 276.14, 1%, 0.16%

LAB 11.29, 38.17, -37.69

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 0 / 98 / 1 / 38

HEX #9F039E

RGB 159 3 158

HSL 300.38, 0.96%, 0.32%

LAB 37.67, 68.52, -42.05

 

CMYK 0 / 98 / 27 / 38

HEX #9F0374

RGB 159 3 116

HSL 316.54, 0.96%, 0.32%

LAB 35.39, 62.83, -19.67

 

CMYK 0 / 98 / 53 / 38

HEX #9F034A

RGB 159 3 74

HSL 332.69, 0.96%, 0.32%

LAB 33.84, 58.74, 5.09

 

CMYK 0 / 98 / 80 / 38

HEX #9F0320

RGB 159 3 32

HSL 348.85, 0.96%, 0.32%

LAB 33.01, 56.49, 31.26

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 52 / 98 / 0 / 38

HEX #4C039F

RGB 76 3 159

HSL 268.08, 0.96%, 0.32%

LAB 24.02, 57.68, -65.49

 

CMYK 79 / 98 / 0 / 38

HEX #22039F

RGB 34 3 159

HSL 251.92, 0.96%, 0.32%

LAB 19.67, 55.32, -72.83

 

CMYK 98 / 98 / 0 / 38

HEX #03039F

RGB 3 3 159

HSL 240, 0.96%, 0.32%

LAB 18.31, 54.76, -75.14

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 23 / 89 / 0 / 43

HEX #701092

RGB 112 16 146

HSL 284.31, 0.8%, 0.32%

LAB 29.13, 56.67, -48.9

 

CMYK 20 / 78 / 0 / 48

HEX #6A1D85

RGB 106 29 133

HSL 284.42, 0.64%, 0.32%

LAB 28.48, 49.09, -41.94

 

CMYK 18 / 65 / 0 / 53

HEX #632A78

RGB 99 42 120

HSL 283.85, 0.48%, 0.32%

LAB 28.55, 38.9, -33.7

 

CMYK 13 / 48 / 0 / 58

HEX #5D386B

RGB 93 56 107

HSL 283.53, 0.31%, 0.32%

LAB 29.95, 26.24, -23.27

 

CMYK 79 / 98 / 0 / 38

HEX #22039F

RGB 34 3 159

HSL 251.92, 0.96%, 0.32%

LAB 19.67, 55.32, -72.83

 

CMYK 52 / 98 / 0 / 38

HEX #4C039F

RGB 76 3 159

HSL 268.08, 0.96%, 0.32%

LAB 24.02, 57.68, -65.49

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 0 / 98 / 0 / 38

HEX #9F039F

RGB 159 3 159

HSL 300, 0.96%, 0.32%

LAB 37.73, 68.68, -42.55

 

CMYK 0 / 98 / 26 / 38

HEX #9F0376

RGB 159 3 118

HSL 315.77, 0.96%, 0.32%

LAB 35.49, 63.07, -20.79

 

CMYK 27 / 99 / 0 / 69

HEX #3A014F

RGB 58 1 79

HSL 283.85, 0.98%, 0.16%

LAB 12.52, 37.98, -32.88

 

CMYK 26 / 98 / 0 / 53

HEX #580277

RGB 88 2 119

HSL 284.1, 0.97%, 0.24%

LAB 21.76, 50.5, -44.11

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 26 / 98 / 0 / 22

HEX #9404C8

RGB 148 4 200

HSL 284.08, 0.96%, 0.4%

LAB 38.82, 73.85, -65.24

 

CMYK 26 / 98 / 0 / 6

HEX #B204F0

RGB 178 4 240

HSL 284.24, 0.97%, 0.48%

LAB 46.77, 84.84, -74.99

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 0 / 98 / 92 / 38

HEX #9F030D

RGB 159 3 13

HSL 356.15, 0.96%, 0.32%

LAB 32.84, 56.04, 41.47

 

CMYK 98 / 0 / 65 / 38

HEX #039F37

RGB 3 159 55

HSL 140, 0.96%, 0.32%

LAB 57.16, -56.92, 43.2

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 0 / 26 / 98 / 38

HEX #9F7603

RGB 159 118 3

HSL 44.23, 0.96%, 0.32%

LAB 52.21, 7.25, 57.78

 

CMYK 98 / 0 / 26 / 38

HEX #039F76

RGB 3 159 118

HSL 164.23, 0.96%, 0.32%

LAB 58.15, -45.26, 11.65

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 0 / 98 / 92 / 38

HEX #9F030D

RGB 159 3 13

HSL 356.15, 0.96%, 0.32%

LAB 32.84, 56.04, 41.47

 

CMYK 72 / 0 / 98 / 38

HEX #2D9F03

RGB 45 159 3

HSL 103.85, 0.96%, 0.32%

LAB 57.43, -55.63, 58.65

 

CMYK 98 / 0 / 6 / 38

HEX #039F95

RGB 3 159 149

HSL 176.15, 0.96%, 0.32%

LAB 58.96, -36.72, -4.69

 

CMYK 26 / 98 / 0 / 38

HEX #76039F

RGB 118 3 159

HSL 284.23, 0.96%, 0.32%

LAB 30.45, 62.35, -54.69

 

CMYK 0 / 75 / 98 / 38

HEX #9F2703

RGB 159 39 3

HSL 13.85, 0.96%, 0.32%

LAB 35.65, 47.8, 47.21

 

CMYK 72 / 0 / 98 / 38

HEX #2D9F03

RGB 45 159 3

HSL 103.85, 0.96%, 0.32%

LAB 57.43, -55.63, 58.65

 

CMYK 98 / 23 / 0 / 38

HEX #037B9F

RGB 3 123 159

HSL 193.85, 0.96%, 0.32%

LAB 47.87, -15.19, -27.3

 

Description

Color code: HEX #76039F | qconv.com Color code: HEX #76039F | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 3 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 3 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 98 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 98% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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