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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76104A it is the complementary color #89EFB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76104A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76104A shade: #7B1045, #8C2258, #9D346B, #AE467E and #BF5891

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76104A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76104A shade: #76104A, #650037, #540024, #430011 and #320000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76104A shade: #740F49, #740F2E, #740F12 and #740F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76104A shade: #740F49, #740F64, #690F74, #4E0F74 and #330F74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76104A shade matches the following richer shades: #740F49 and #7F054A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76104A shade: #740F49, #691A47, #5F2546, #543044 and #493A43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76104A shade: #680F74, #740F65, #740F4A, #740F2F and #740F14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76104A shade: #2C061B, #500A32, #740F49, #981460 and #BD1976

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76104A shade: #76104A, #744E0F and #0F7374

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76104A shade: #76104A, #4A740F and #0F4A74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76104A shade: #76104A, #744E0F, #0F7439 and #0F3674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76104A shade: #76104A, #746C0F, #0F7439 and #0F1874

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 37 / 54

HEX #76104A

RGB 118 16 74

HSL 325.88, 0.76%, 0.26%

LAB 25.91, 46.33, -7.55

 

Complementary color

CMYK 43 / 0 / 24 / 6

HEX #89EFB5

RGB 137 239 181

HSL 145.88, 0.76%, 0.74%

LAB 87.19, -42.43, 18.92

 

CMYK 0 / 87 / 44 / 52

HEX #7B1045

RGB 123 16 69

HSL 330.28, 0.77%, 0.27%

LAB 26.77, 47.11, -2.79

 

CMYK 0 / 76 / 37 / 45

HEX #8C2258

RGB 140 34 88

HSL 329.43, 0.61%, 0.34%

LAB 32.75, 48.45, -6.09

 

CMYK 0 / 67 / 32 / 38

HEX #9D346B

RGB 157 52 107

HSL 328.57, 0.5%, 0.41%

LAB 39.05, 48.73, -8.47

 

CMYK 0 / 60 / 28 / 32

HEX #AE467E

RGB 174 70 126

HSL 327.69, 0.43%, 0.48%

LAB 45.48, 48.44, -10.25

 

CMYK 0 / 54 / 24 / 25

HEX #BF5891

RGB 191 88 145

HSL 326.8, 0.45%, 0.55%

LAB 51.95, 47.87, -11.65

 

CMYK 0 / 86 / 37 / 54

HEX #76104A

RGB 118 16 74

HSL 325.88, 0.76%, 0.26%

LAB 25.91, 46.33, -7.55

 

CMYK 0 / 100 / 46 / 60

HEX #650037

RGB 101 0 55

HSL 327.33, 1%, 0.2%

LAB 20.21, 43.62, -3.39

 

CMYK 0 / 100 / 57 / 67

HEX #540024

RGB 84 0 36

HSL 334.29, 1%, 0.16%

LAB 15.55, 37.55, 3

 

CMYK 0 / 100 / 75 / 74

HEX #430011

RGB 67 0 17

HSL 344.78, 1%, 0.13%

LAB 10.8, 31.48, 9.46

 

CMYK 0 / 100 / 100 / 80

HEX #320000

RGB 50 0 0

HSL 0, 1%, 0.1%

LAB 6.13, 24.68, 9.68

 

CMYK 0 / 87 / 37 / 55

HEX #740F49

RGB 116 15 73

HSL 325.54, 0.77%, 0.26%

LAB 25.37, 45.95, -7.74

 

CMYK 0 / 87 / 60 / 55

HEX #740F2E

RGB 116 15 46

HSL 341.58, 0.77%, 0.26%

LAB 24.49, 43.38, 9.46

 

CMYK 0 / 87 / 84 / 55

HEX #740F12

RGB 116 15 18

HSL 358.22, 0.77%, 0.26%

LAB 23.99, 41.9, 27.51

 

CMYK 0 / 87 / 87 / 55

HEX #740F0F

RGB 116 15 15

HSL 0, 0.77%, 0.26%

LAB 23.96, 41.81, 29.19

 

CMYK 0 / 87 / 37 / 55

HEX #740F49

RGB 116 15 73

HSL 325.54, 0.77%, 0.26%

LAB 25.37, 45.95, -7.74

 

CMYK 0 / 87 / 14 / 55

HEX #740F64

RGB 116 15 100

HSL 309.5, 0.77%, 0.26%

LAB 26.66, 49.55, -23.66

 

CMYK 9 / 87 / 0 / 55

HEX #690F74

RGB 105 15 116

HSL 293.47, 0.77%, 0.26%

LAB 25.58, 49.92, -35.85

 

CMYK 33 / 87 / 0 / 55

HEX #4E0F74

RGB 78 15 116

HSL 277.43, 0.77%, 0.26%

LAB 20.91, 44.99, -43.64

 

CMYK 56 / 87 / 0 / 55

HEX #330F74

RGB 51 15 116

HSL 261.39, 0.77%, 0.26%

LAB 17.02, 41.05, -50.17

 

CMYK 0 / 87 / 37 / 55

HEX #740F49

RGB 116 15 73

HSL 325.54, 0.77%, 0.26%

LAB 25.37, 45.95, -7.74

 

CMYK 0 / 96 / 42 / 50

HEX #7F054A

RGB 127 5 74

HSL 326.07, 0.92%, 0.26%

LAB 27.06, 50.78, -5.64

 

CMYK 0 / 87 / 37 / 55

HEX #740F49

RGB 116 15 73

HSL 325.54, 0.77%, 0.26%

LAB 25.37, 45.95, -7.74

 

CMYK 0 / 75 / 32 / 59

HEX #691A47

RGB 105 26 71

HSL 325.82, 0.6%, 0.26%

LAB 24.31, 39.09, -8.2

 

CMYK 0 / 61 / 26 / 63

HEX #5F2546

RGB 95 37 70

HSL 325.86, 0.44%, 0.26%

LAB 24.32, 30.55, -7.69

 

CMYK 0 / 43 / 19 / 67

HEX #543044

RGB 84 48 68

HSL 326.67, 0.27%, 0.26%

LAB 25, 19.62, -5.49

 

CMYK 0 / 21 / 8 / 71

HEX #493A43

RGB 73 58 67

HSL 324, 0.11%, 0.26%

LAB 26.3, 8.39, -3.05

 

CMYK 10 / 87 / 0 / 55

HEX #680F74

RGB 104 15 116

HSL 292.87, 0.77%, 0.26%

LAB 25.4, 49.72, -36.16

 

CMYK 0 / 87 / 13 / 55

HEX #740F65

RGB 116 15 101

HSL 308.91, 0.77%, 0.26%

LAB 26.72, 49.71, -24.23

 

CMYK 0 / 87 / 36 / 55

HEX #740F4A

RGB 116 15 74

HSL 324.95, 0.77%, 0.26%

LAB 25.41, 46.06, -8.35

 

CMYK 0 / 87 / 59 / 55

HEX #740F2F

RGB 116 15 47

HSL 340.99, 0.77%, 0.26%

LAB 24.51, 43.46, 8.81

 

CMYK 0 / 87 / 83 / 55

HEX #740F14

RGB 116 15 20

HSL 357.03, 0.77%, 0.26%

LAB 24.02, 41.97, 26.3

 

CMYK 0 / 86 / 39 / 83

HEX #2C061B

RGB 44 6 27

HSL 326.84, 0.76%, 0.1%

LAB 6.73, 21.66, -4.21

 

CMYK 0 / 88 / 38 / 69

HEX #500A32

RGB 80 10 50

HSL 325.71, 0.78%, 0.18%

LAB 16.27, 34.72, -6.23

 

CMYK 0 / 87 / 37 / 55

HEX #740F49

RGB 116 15 73

HSL 325.54, 0.77%, 0.26%

LAB 25.37, 45.95, -7.74

 

CMYK 0 / 87 / 37 / 40

HEX #981460

RGB 152 20 96

HSL 325.45, 0.77%, 0.34%

LAB 34.03, 56.43, -9.12

 

CMYK 0 / 87 / 38 / 26

HEX #BD1976

RGB 189 25 118

HSL 325.98, 0.77%, 0.42%

LAB 42.49, 66.53, -9.56

 

CMYK 0 / 86 / 37 / 54

HEX #76104A

RGB 118 16 74

HSL 325.88, 0.76%, 0.26%

LAB 25.91, 46.33, -7.55

 

CMYK 0 / 33 / 87 / 55

HEX #744E0F

RGB 116 78 15

HSL 37.43, 0.77%, 0.26%

LAB 36.36, 10.46, 40.3

 

CMYK 87 / 1 / 0 / 55

HEX #0F7374

RGB 15 115 116

HSL 180.59, 0.77%, 0.26%

LAB 43.69, -25.4, -8.17

 

CMYK 0 / 86 / 37 / 54

HEX #76104A

RGB 118 16 74

HSL 325.88, 0.76%, 0.26%

LAB 25.91, 46.33, -7.55

 

CMYK 36 / 0 / 87 / 55

HEX #4A740F

RGB 74 116 15

HSL 84.95, 0.77%, 0.26%

LAB 44.21, -30.3, 45.71

 

CMYK 87 / 36 / 0 / 55

HEX #0F4A74

RGB 15 74 116

HSL 204.95, 0.77%, 0.26%

LAB 30.06, -1.7, -29.17

 

CMYK 0 / 86 / 37 / 54

HEX #76104A

RGB 118 16 74

HSL 325.88, 0.76%, 0.26%

LAB 25.91, 46.33, -7.55

 

CMYK 0 / 33 / 87 / 55

HEX #744E0F

RGB 116 78 15

HSL 37.43, 0.77%, 0.26%

LAB 36.36, 10.46, 40.3

 

CMYK 87 / 0 / 51 / 55

HEX #0F7439

RGB 15 116 57

HSL 144.95, 0.77%, 0.26%

LAB 42.59, -41.19, 25

 

CMYK 87 / 53 / 0 / 55

HEX #0F3674

RGB 15 54 116

HSL 216.83, 0.77%, 0.26%

LAB 23.67, 12.1, -39.39

 

CMYK 0 / 86 / 37 / 54

HEX #76104A

RGB 118 16 74

HSL 325.88, 0.76%, 0.26%

LAB 25.91, 46.33, -7.55

 

CMYK 0 / 7 / 87 / 55

HEX #746C0F

RGB 116 108 15

HSL 55.25, 0.77%, 0.26%

LAB 44.9, -7.22, 47.57

 

CMYK 87 / 0 / 51 / 55

HEX #0F7439

RGB 15 116 57

HSL 144.95, 0.77%, 0.26%

LAB 42.59, -41.19, 25

 

CMYK 87 / 79 / 0 / 55

HEX #0F1874

RGB 15 24 116

HSL 234.65, 0.77%, 0.26%

LAB 15.57, 33.01, -52.67

 

Description

Color code: HEX #76104A | qconv.com Color code: HEX #76104A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 16 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 16 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 37 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 37% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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