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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7629B8 it is the complementary color #89D647. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7629B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7629B8 shade: #7B29B3, #8C3BC6, #9D4DD9, #AE5FEC and #BF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7629B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7629B8 shade: #7629B8, #6517A5, #540592, #43007F and #32006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7629B8 shade: #7528B8, #9C28B8, #B828AC, #B82886 and #B8285F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7629B8 shade: #7528B8, #4F28B8 and #2828B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7629B8 shade matches the following richer shades: #7528B8, #7716CA and #7804DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7629B8 shade: #7528B8, #743AA5, #724C93, #715E81 and #70716F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7629B8 shade: #2828B8, #4E28B8, #7428B8, #9B28B8 and #B828AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7629B8 shade: #4A1974, #602096, #7528B8, #8A36D3 and #9E58DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7629B8 shade: #7629B8, #B8284E and #28B83B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7629B8 shade: #7629B8, #B87428 and #28B874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7629B8 shade: #7629B8, #B8284E, #6BB828 and #28B891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7629B8 shade: #7629B8, #B82D28, #6BB828 and #28B3B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 78 / 0 / 28

HEX #7629B8

RGB 118 41 184

HSL 272.31, 0.64%, 0.44%

LAB 35.79, 58.03, -60.97

 

Complementary color

CMYK 36 / 0 / 67 / 16

HEX #89D647

RGB 137 214 71

HSL 92.31, 0.64%, 0.56%

LAB 78.38, -46.74, 60.63

 

CMYK 31 / 77 / 0 / 30

HEX #7B29B3

RGB 123 41 179

HSL 275.65, 0.63%, 0.43%

LAB 36.08, 57.76, -57.5

 

CMYK 29 / 70 / 0 / 22

HEX #8C3BC6

RGB 140 59 198

HSL 274.96, 0.55%, 0.5%

LAB 42.43, 57.78, -58.25

 

CMYK 28 / 65 / 0 / 15

HEX #9D4DD9

RGB 157 77 217

HSL 274.29, 0.65%, 0.58%

LAB 48.87, 57.33, -58.69

 

CMYK 26 / 60 / 0 / 7

HEX #AE5FEC

RGB 174 95 236

HSL 273.62, 0.79%, 0.65%

LAB 55.32, 56.65, -58.93

 

CMYK 25 / 56 / 0 / 0

HEX #BF71FF

RGB 191 113 255

HSL 272.96, 1%, 0.72%

LAB 61.75, 55.85, -59.07

 

CMYK 36 / 78 / 0 / 28

HEX #7629B8

RGB 118 41 184

HSL 272.31, 0.64%, 0.44%

LAB 35.79, 58.03, -60.97

 

CMYK 39 / 86 / 0 / 35

HEX #6517A5

RGB 101 23 165

HSL 272.96, 0.76%, 0.37%

LAB 29.65, 57.25, -59.73

 

CMYK 42 / 97 / 0 / 43

HEX #540592

RGB 84 5 146

HSL 273.62, 0.93%, 0.3%

LAB 23.9, 55.07, -57.65

 

CMYK 47 / 100 / 0 / 50

HEX #43007F

RGB 67 0 127

HSL 271.65, 1%, 0.25%

LAB 18.91, 50.21, -54.03

 

CMYK 54 / 100 / 0 / 58

HEX #32006C

RGB 50 0 108

HSL 267.78, 1%, 0.21%

LAB 14.18, 44.16, -49.67

 

CMYK 36 / 78 / 0 / 28

HEX #7528B8

RGB 117 40 184

HSL 272.08, 0.64%, 0.44%

LAB 35.52, 58.24, -61.41

 

CMYK 15 / 78 / 0 / 28

HEX #9C28B8

RGB 156 40 184

HSL 288.33, 0.64%, 0.44%

LAB 41.29, 65.19, -51.79

 

CMYK 0 / 78 / 7 / 28

HEX #B828AC

RGB 184 40 172

HSL 305, 0.64%, 0.44%

LAB 45.2, 68.78, -38.18

 

CMYK 0 / 78 / 27 / 28

HEX #B82886

RGB 184 40 134

HSL 320.83, 0.64%, 0.44%

LAB 43.4, 63.58, -18.12

 

CMYK 0 / 78 / 48 / 28

HEX #B8285F

RGB 184 40 95

HSL 337.08, 0.64%, 0.44%

LAB 42.05, 59.49, 4.06

 

CMYK 36 / 78 / 0 / 28

HEX #7528B8

RGB 117 40 184

HSL 272.08, 0.64%, 0.44%

LAB 35.52, 58.24, -61.41

 

CMYK 57 / 78 / 0 / 28

HEX #4F28B8

RGB 79 40 184

HSL 256.25, 0.64%, 0.44%

LAB 30.97, 52.71, -69.04

 

CMYK 78 / 78 / 0 / 28

HEX #2828B8

RGB 40 40 184

HSL 240, 0.64%, 0.44%

LAB 27.92, 48.94, -74.18

 

CMYK 36 / 78 / 0 / 28

HEX #7528B8

RGB 117 40 184

HSL 272.08, 0.64%, 0.44%

LAB 35.52, 58.24, -61.41

 

CMYK 41 / 89 / 0 / 21

HEX #7716CA

RGB 119 22 202

HSL 272.33, 0.8%, 0.44%

LAB 35.52, 67.99, -71.98

 

CMYK 45 / 98 / 0 / 14

HEX #7804DC

RGB 120 4 220

HSL 272.22, 0.96%, 0.44%

LAB 36.46, 74.76, -80.85

 

CMYK 36 / 78 / 0 / 28

HEX #7528B8

RGB 117 40 184

HSL 272.08, 0.64%, 0.44%

LAB 35.52, 58.24, -61.41

 

CMYK 30 / 65 / 0 / 35

HEX #743AA5

RGB 116 58 165

HSL 272.52, 0.48%, 0.44%

LAB 36.85, 45.42, -47.95

 

CMYK 22 / 48 / 0 / 42

HEX #724C93

RGB 114 76 147

HSL 272.11, 0.32%, 0.44%

LAB 39.33, 30.44, -33.16

 

CMYK 12 / 27 / 0 / 49

HEX #715E81

RGB 113 94 129

HSL 272.57, 0.16%, 0.44%

LAB 42.92, 14.9, -16.7

 

CMYK 1 / 0 / 2 / 56

HEX #70716F

RGB 112 113 111

HSL 90, 0.01%, 0.44%

LAB 47.5, -0.79, 0.97

 

CMYK 78 / 78 / 0 / 28

HEX #2828B8

RGB 40 40 184

HSL 240, 0.64%, 0.44%

LAB 27.92, 48.94, -74.18

 

CMYK 58 / 78 / 0 / 28

HEX #4E28B8

RGB 78 40 184

HSL 255.83, 0.64%, 0.44%

LAB 30.87, 52.58, -69.21

 

CMYK 37 / 78 / 0 / 28

HEX #7428B8

RGB 116 40 184

HSL 271.67, 0.64%, 0.44%

LAB 35.38, 58.08, -61.64

 

CMYK 16 / 78 / 0 / 28

HEX #9B28B8

RGB 155 40 184

HSL 287.92, 0.64%, 0.44%

LAB 41.13, 65, -52.05

 

CMYK 0 / 78 / 5 / 28

HEX #B828AE

RGB 184 40 174

HSL 304.17, 0.64%, 0.44%

LAB 45.31, 69.09, -39.2

 

CMYK 36 / 78 / 0 / 55

HEX #4A1974

RGB 74 25 116

HSL 272.31, 0.65%, 0.28%

LAB 21.62, 40.44, -42.5

 

CMYK 36 / 79 / 0 / 41

HEX #602096

RGB 96 32 150

HSL 272.54, 0.65%, 0.36%

LAB 28.7, 49.84, -52.18

 

CMYK 36 / 78 / 0 / 28

HEX #7528B8

RGB 117 40 184

HSL 272.08, 0.64%, 0.44%

LAB 35.52, 58.24, -61.41

 

CMYK 35 / 74 / 0 / 17

HEX #8A36D3

RGB 138 54 211

HSL 272.1, 0.64%, 0.52%

LAB 42.38, 62.46, -65.87

 

CMYK 28 / 60 / 0 / 15

HEX #9E58DA

RGB 158 88 218

HSL 272.31, 0.64%, 0.6%

LAB 51.05, 52.36, -55.74

 

CMYK 36 / 78 / 0 / 28

HEX #7629B8

RGB 118 41 184

HSL 272.31, 0.64%, 0.44%

LAB 35.79, 58.03, -60.97

 

CMYK 0 / 78 / 58 / 28

HEX #B8284E

RGB 184 40 78

HSL 344.17, 0.64%, 0.44%

LAB 41.62, 58.16, 14.14

 

CMYK 78 / 0 / 68 / 28

HEX #28B83B

RGB 40 184 59

HSL 127.92, 0.64%, 0.44%

LAB 65.79, -61.18, 51.04

 

CMYK 36 / 78 / 0 / 28

HEX #7629B8

RGB 118 41 184

HSL 272.31, 0.64%, 0.44%

LAB 35.79, 58.03, -60.97

 

CMYK 0 / 37 / 78 / 28

HEX #B87428

RGB 184 116 40

HSL 31.67, 0.64%, 0.44%

LAB 54.9, 20.6, 50.51

 

CMYK 78 / 0 / 37 / 28

HEX #28B874

RGB 40 184 116

HSL 151.67, 0.64%, 0.44%

LAB 66.51, -52.59, 24.28

 

CMYK 36 / 78 / 0 / 28

HEX #7629B8

RGB 118 41 184

HSL 272.31, 0.64%, 0.44%

LAB 35.79, 58.03, -60.97

 

CMYK 0 / 78 / 58 / 28

HEX #B8284E

RGB 184 40 78

HSL 344.17, 0.64%, 0.44%

LAB 41.62, 58.16, 14.14

 

CMYK 42 / 0 / 78 / 28

HEX #6BB828

RGB 107 184 40

HSL 92.08, 0.64%, 0.44%

LAB 67.7, -46.55, 60.49

 

CMYK 78 / 0 / 21 / 28

HEX #28B891

RGB 40 184 145

HSL 163.75, 0.64%, 0.44%

LAB 67.11, -46.08, 9.4

 

CMYK 36 / 78 / 0 / 28

HEX #7629B8

RGB 118 41 184

HSL 272.31, 0.64%, 0.44%

LAB 35.79, 58.03, -60.97

 

CMYK 0 / 76 / 78 / 28

HEX #B82D28

RGB 184 45 40

HSL 2.08, 0.64%, 0.44%

LAB 41.56, 54.57, 37.18

 

CMYK 42 / 0 / 78 / 28

HEX #6BB828

RGB 107 184 40

HSL 92.08, 0.64%, 0.44%

LAB 67.7, -46.55, 60.49

 

CMYK 78 / 3 / 0 / 28

HEX #28B3B8

RGB 40 179 184

HSL 182.08, 0.64%, 0.44%

LAB 66.64, -33.09, -12.82

 

Description

Color code: HEX #7629B8 | qconv.com Color code: HEX #7629B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 41 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 41 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 78 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 78% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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