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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #762A51 it is the complementary color #89D5AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #762A51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #762A51 shade: #7B2A4C, #8C3C5F, #9D4E72, #AE6085 and #BF7298

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #762A51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #762A51 shade: #762A51, #65183E, #54062B, #430018 and #320005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #762A51 shade: #742950, #74293B and #742929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #762A51 shade: #742950, #742964, #712974, #5C2974 and #482974

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #762A51 shade matches the following richer shades: #742950, #811C50, #8E0F50 and #9B0251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #762A51 shade: #742950, #68354F, #5B424F, #4E4F4F and #415C4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #762A51 shade: #712974, #742964, #742950, #74293C and #742A29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #762A51 shade: #371326, #561E3B, #742950, #933364 and #B23E79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #762A51 shade: #762A51, #745C29 and #296E74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #762A51 shade: #762A51, #507429 and #295074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #762A51 shade: #762A51, #745C29, #29744D and #294174

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #762A51 shade: #762A51, #747329, #29744D and #292A74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 31 / 54

HEX #762A51

RGB 118 42 81

HSL 329.21, 0.48%, 0.31%

LAB 29.67, 37.49, -6.56

 

Complementary color

CMYK 36 / 0 / 18 / 16

HEX #89D5AE

RGB 137 213 174

HSL 149.21, 0.48%, 0.69%

LAB 79.59, -31.95, 11.92

 

CMYK 0 / 66 / 38 / 52

HEX #7B2A4C

RGB 123 42 76

HSL 334.81, 0.49%, 0.32%

LAB 30.37, 38.5, -2.13

 

CMYK 0 / 57 / 32 / 45

HEX #8C3C5F

RGB 140 60 95

HSL 333.75, 0.4%, 0.39%

LAB 37.18, 37.94, -4

 

CMYK 0 / 50 / 27 / 38

HEX #9D4E72

RGB 157 78 114

HSL 332.66, 0.34%, 0.46%

LAB 43.99, 37.15, -5.42

 

CMYK 0 / 45 / 24 / 32

HEX #AE6085

RGB 174 96 133

HSL 331.54, 0.33%, 0.53%

LAB 50.75, 36.31, -6.56

 

CMYK 0 / 40 / 20 / 25

HEX #BF7298

RGB 191 114 152

HSL 330.39, 0.38%, 0.6%

LAB 57.44, 35.47, -7.52

 

CMYK 0 / 64 / 31 / 54

HEX #762A51

RGB 118 42 81

HSL 329.21, 0.48%, 0.31%

LAB 29.67, 37.49, -6.56

 

CMYK 0 / 76 / 39 / 60

HEX #65183E

RGB 101 24 62

HSL 330.39, 0.62%, 0.25%

LAB 22.89, 37.51, -4.28

 

CMYK 0 / 93 / 49 / 67

HEX #54062B

RGB 84 6 43

HSL 331.54, 0.87%, 0.18%

LAB 16.45, 36.29, -0.81

 

CMYK 0 / 100 / 64 / 74

HEX #430018

RGB 67 0 24

HSL 338.51, 1%, 0.13%

LAB 10.99, 31.97, 4.98

 

CMYK 0 / 100 / 90 / 80

HEX #320005

RGB 50 0 5

HSL 354, 1%, 0.1%

LAB 6.22, 25.08, 7.79

 

CMYK 0 / 65 / 31 / 55

HEX #742950

RGB 116 41 80

HSL 328.8, 0.48%, 0.31%

LAB 29.1, 37.17, -6.79

 

CMYK 0 / 65 / 49 / 55

HEX #74293B

RGB 116 41 59

HSL 345.6, 0.48%, 0.31%

LAB 28.42, 34.61, 6.14

 

CMYK 0 / 65 / 65 / 55

HEX #742929

RGB 116 41 41

HSL 0, 0.48%, 0.31%

LAB 28, 33, 17.48

 

CMYK 0 / 65 / 31 / 55

HEX #742950

RGB 116 41 80

HSL 328.8, 0.48%, 0.31%

LAB 29.1, 37.17, -6.79

 

CMYK 0 / 65 / 14 / 55

HEX #742964

RGB 116 41 100

HSL 312.8, 0.48%, 0.31%

LAB 29.96, 40.25, -18.52

 

CMYK 3 / 65 / 0 / 55

HEX #712974

RGB 113 41 116

HSL 297.6, 0.48%, 0.31%

LAB 30.3, 42.29, -28.26

 

CMYK 21 / 65 / 0 / 55

HEX #5C2974

RGB 92 41 116

HSL 280.8, 0.48%, 0.31%

LAB 27.08, 36.66, -33.57

 

CMYK 38 / 65 / 0 / 55

HEX #482974

RGB 72 41 116

HSL 264.8, 0.48%, 0.31%

LAB 24.4, 31.56, -38.02

 

CMYK 0 / 65 / 31 / 55

HEX #742950

RGB 116 41 80

HSL 328.8, 0.48%, 0.31%

LAB 29.1, 37.17, -6.79

 

CMYK 0 / 78 / 38 / 49

HEX #811C50

RGB 129 28 80

HSL 329.11, 0.64%, 0.31%

LAB 29.61, 46.47, -5.78

 

CMYK 0 / 89 / 44 / 44

HEX #8E0F50

RGB 142 15 80

HSL 329.29, 0.81%, 0.31%

LAB 31.05, 53.32, -3.36

 

CMYK 0 / 99 / 48 / 39

HEX #9B0251

RGB 155 2 81

HSL 329.02, 0.97%, 0.31%

LAB 33.15, 58.5, -0.61

 

CMYK 0 / 65 / 31 / 55

HEX #742950

RGB 116 41 80

HSL 328.8, 0.48%, 0.31%

LAB 29.1, 37.17, -6.79

 

CMYK 0 / 49 / 24 / 59

HEX #68354F

RGB 104 53 79

HSL 329.41, 0.32%, 0.31%

LAB 29.55, 26.33, -5.66

 

CMYK 0 / 27 / 13 / 64

HEX #5B424F

RGB 91 66 79

HSL 328.8, 0.16%, 0.31%

LAB 31.08, 13.18, -3.57

 

CMYK 1 / 0 / 0 / 69

HEX #4E4F4F

RGB 78 79 79

HSL 180, 0.01%, 0.31%

LAB 33.51, -0.4, -0.15

 

CMYK 29 / 0 / 15 / 64

HEX #415C4E

RGB 65 92 78

HSL 148.89, 0.17%, 0.31%

LAB 36.61, -13.43, 4.83

 

CMYK 3 / 65 / 0 / 55

HEX #712974

RGB 113 41 116

HSL 297.6, 0.48%, 0.31%

LAB 30.3, 42.29, -28.26

 

CMYK 0 / 65 / 14 / 55

HEX #742964

RGB 116 41 100

HSL 312.8, 0.48%, 0.31%

LAB 29.96, 40.25, -18.52

 

CMYK 0 / 65 / 31 / 55

HEX #742950

RGB 116 41 80

HSL 328.8, 0.48%, 0.31%

LAB 29.1, 37.17, -6.79

 

CMYK 0 / 65 / 48 / 55

HEX #74293C

RGB 116 41 60

HSL 344.8, 0.48%, 0.31%

LAB 28.45, 34.71, 5.51

 

CMYK 0 / 64 / 65 / 55

HEX #742A29

RGB 116 42 41

HSL 0.8, 0.48%, 0.31%

LAB 28.19, 32.5, 17.72

 

CMYK 0 / 65 / 31 / 78

HEX #371326

RGB 55 19 38

HSL 328.33, 0.49%, 0.15%

LAB 12.08, 20.57, -4.31

 

CMYK 0 / 65 / 31 / 66

HEX #561E3B

RGB 86 30 59

HSL 328.93, 0.48%, 0.23%

LAB 20.91, 29.37, -5.46

 

CMYK 0 / 65 / 31 / 55

HEX #742950

RGB 116 41 80

HSL 328.8, 0.48%, 0.31%

LAB 29.1, 37.17, -6.79

 

CMYK 0 / 65 / 32 / 42

HEX #933364

RGB 147 51 100

HSL 329.38, 0.48%, 0.39%

LAB 36.91, 45.2, -7.43

 

CMYK 0 / 65 / 32 / 30

HEX #B23E79

RGB 178 62 121

HSL 329.48, 0.48%, 0.47%

LAB 44.65, 52.56, -8.38

 

CMYK 0 / 64 / 31 / 54

HEX #762A51

RGB 118 42 81

HSL 329.21, 0.48%, 0.31%

LAB 29.67, 37.49, -6.56

 

CMYK 0 / 21 / 65 / 55

HEX #745C29

RGB 116 92 41

HSL 40.8, 0.48%, 0.31%

LAB 40.45, 3.46, 32.44

 

CMYK 65 / 5 / 0 / 55

HEX #296E74

RGB 41 110 116

HSL 184.8, 0.48%, 0.31%

LAB 42.59, -19.34, -9.76

 

CMYK 0 / 64 / 31 / 54

HEX #762A51

RGB 118 42 81

HSL 329.21, 0.48%, 0.31%

LAB 29.67, 37.49, -6.56

 

CMYK 31 / 0 / 65 / 55

HEX #507429

RGB 80 116 41

HSL 88.8, 0.48%, 0.31%

LAB 44.74, -26.13, 36.38

 

CMYK 65 / 31 / 0 / 55

HEX #295074

RGB 41 80 116

HSL 208.8, 0.48%, 0.31%

LAB 32.85, -1.64, -24.72

 

CMYK 0 / 64 / 31 / 54

HEX #762A51

RGB 118 42 81

HSL 329.21, 0.48%, 0.31%

LAB 29.67, 37.49, -6.56

 

CMYK 0 / 21 / 65 / 55

HEX #745C29

RGB 116 92 41

HSL 40.8, 0.48%, 0.31%

LAB 40.45, 3.46, 32.44

 

CMYK 65 / 0 / 34 / 55

HEX #29744D

RGB 41 116 77

HSL 148.8, 0.48%, 0.31%

LAB 43.5, -32.89, 14.9

 

CMYK 65 / 44 / 0 / 55

HEX #294174

RGB 41 65 116

HSL 220.8, 0.48%, 0.31%

LAB 28.15, 8.31, -32.15

 

CMYK 0 / 64 / 31 / 54

HEX #762A51

RGB 118 42 81

HSL 329.21, 0.48%, 0.31%

LAB 29.67, 37.49, -6.56

 

CMYK 0 / 1 / 65 / 55

HEX #747329

RGB 116 115 41

HSL 59.2, 0.48%, 0.31%

LAB 47.15, -9.83, 39.79

 

CMYK 65 / 0 / 34 / 55

HEX #29744D

RGB 41 116 77

HSL 148.8, 0.48%, 0.31%

LAB 43.5, -32.89, 14.9

 

CMYK 65 / 64 / 0 / 55

HEX #292A74

RGB 41 42 116

HSL 239.2, 0.48%, 0.31%

LAB 21.54, 24.23, -42.81

 

Description

Color code: HEX #762A51 | qconv.com Color code: HEX #762A51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 42 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 42 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 31 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 31% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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