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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76428A it is the complementary color #89BD75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76428A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76428A shade: #7B4285, #8C5498, #9D66AB, #AE78BE and #BF8AD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76428A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76428A shade: #76428A, #653077, #541E64, #430C51 and #32003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76428A shade: #754289, #894289, #894277, #894263 and #894250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76428A shade: #754289, #624289, #4F4289 and #424289

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76428A shade matches the following richer shades: #754289, #7D319A, #8421AA, #8B10BB and #9300CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76428A shade: #754289, #6E5279, #676368, #5F7358 and #588447

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76428A shade: #4F4289, #624289, #754289, #884289 and #894277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76428A shade: #462752, #5E346D, #754289, #8D4FA5 and #A068B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76428A shade: #76428A, #894248 and #428958

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76428A shade: #76428A, #897542 and #428975

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76428A shade: #76428A, #894248, #568942 and #428983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76428A shade: #76428A, #895142, #568942 and #427A89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 52 / 0 / 46

HEX #76428A

RGB 118 66 138

HSL 283.33, 0.35%, 0.4%

LAB 37.08, 35.29, -31.2

 

Complementary color

CMYK 28 / 0 / 38 / 26

HEX #89BD75

RGB 137 189 117

HSL 103.33, 0.35%, 0.6%

LAB 71.55, -30.55, 31.06

 

CMYK 8 / 50 / 0 / 48

HEX #7B4285

RGB 123 66 133

HSL 291.04, 0.34%, 0.39%

LAB 37.48, 35.71, -27.46

 

CMYK 8 / 45 / 0 / 40

HEX #8C5498

RGB 140 84 152

HSL 289.41, 0.29%, 0.46%

LAB 44.49, 34.91, -27.85

 

CMYK 8 / 40 / 0 / 33

HEX #9D66AB

RGB 157 102 171

HSL 287.83, 0.29%, 0.54%

LAB 51.39, 34.11, -28.16

 

CMYK 8 / 37 / 0 / 25

HEX #AE78BE

RGB 174 120 190

HSL 286.29, 0.35%, 0.61%

LAB 58.18, 33.33, -28.44

 

CMYK 9 / 34 / 0 / 18

HEX #BF8AD1

RGB 191 138 209

HSL 284.79, 0.44%, 0.68%

LAB 64.85, 32.6, -28.7

 

CMYK 14 / 52 / 0 / 46

HEX #76428A

RGB 118 66 138

HSL 283.33, 0.35%, 0.4%

LAB 37.08, 35.29, -31.2

 

CMYK 15 / 60 / 0 / 53

HEX #653077

RGB 101 48 119

HSL 284.79, 0.43%, 0.33%

LAB 29.94, 36.06, -30.83

 

CMYK 16 / 70 / 0 / 61

HEX #541E64

RGB 84 30 100

HSL 286.29, 0.54%, 0.25%

LAB 22.77, 36.52, -30.2

 

CMYK 17 / 85 / 0 / 68

HEX #430C51

RGB 67 12 81

HSL 287.83, 0.74%, 0.18%

LAB 15.75, 36.07, -28.93

 

CMYK 19 / 100 / 0 / 76

HEX #32003E

RGB 50 0 62

HSL 288.39, 1%, 0.12%

LAB 9.21, 33.52, -26.4

 

CMYK 15 / 52 / 0 / 46

HEX #754289

RGB 117 66 137

HSL 283.1, 0.35%, 0.4%

LAB 36.9, 34.77, -30.88

 

CMYK 0 / 52 / 0 / 46

HEX #894289

RGB 137 66 137

HSL 300, 0.35%, 0.4%

LAB 39.62, 40.77, -26.43

 

CMYK 0 / 52 / 13 / 46

HEX #894277

RGB 137 66 119

HSL 315.21, 0.35%, 0.4%

LAB 38.81, 37.49, -16.61

 

CMYK 0 / 52 / 28 / 46

HEX #894263

RGB 137 66 99

HSL 332.11, 0.35%, 0.4%

LAB 38.05, 34.3, -5.27

 

CMYK 0 / 52 / 42 / 46

HEX #894250

RGB 137 66 80

HSL 348.17, 0.35%, 0.4%

LAB 37.47, 31.76, 5.86

 

CMYK 15 / 52 / 0 / 46

HEX #754289

RGB 117 66 137

HSL 283.1, 0.35%, 0.4%

LAB 36.9, 34.77, -30.88

 

CMYK 28 / 52 / 0 / 46

HEX #624289

RGB 98 66 137

HSL 267.04, 0.35%, 0.4%

LAB 34.6, 29.21, -34.68

 

CMYK 42 / 52 / 0 / 46

HEX #4F4289

RGB 79 66 137

HSL 250.99, 0.35%, 0.4%

LAB 32.62, 23.98, -37.94

 

CMYK 52 / 52 / 0 / 46

HEX #424289

RGB 66 66 137

HSL 240, 0.35%, 0.4%

LAB 31.49, 20.74, -39.82

 

CMYK 15 / 52 / 0 / 46

HEX #754289

RGB 117 66 137

HSL 283.1, 0.35%, 0.4%

LAB 36.9, 34.77, -30.88

 

CMYK 19 / 68 / 0 / 40

HEX #7D319A

RGB 125 49 154

HSL 283.43, 0.52%, 0.4%

LAB 35.77, 49.36, -42.98

 

CMYK 22 / 81 / 0 / 33

HEX #8421AA

RGB 132 33 170

HSL 283.36, 0.67%, 0.4%

LAB 35.78, 60.24, -52.55

 

CMYK 26 / 91 / 0 / 27

HEX #8B10BB

RGB 139 16 187

HSL 283.16, 0.84%, 0.4%

LAB 36.83, 68.69, -60.91

 

CMYK 28 / 100 / 0 / 20

HEX #9300CB

RGB 147 0 203

HSL 283.45, 1%, 0.4%

LAB 38.75, 74.73, -67.1

 

CMYK 15 / 52 / 0 / 46

HEX #754289

RGB 117 66 137

HSL 283.1, 0.35%, 0.4%

LAB 36.9, 34.77, -30.88

 

CMYK 9 / 32 / 0 / 53

HEX #6E5279

RGB 110 82 121

HSL 283.08, 0.19%, 0.4%

LAB 39.12, 19.35, -17.66

 

CMYK 1 / 5 / 0 / 59

HEX #676368

RGB 103 99 104

HSL 288, 0.02%, 0.4%

LAB 42.47, 2.61, -2.27

 

CMYK 17 / 0 / 23 / 55

HEX #5F7358

RGB 95 115 88

HSL 104.44, 0.13%, 0.4%

LAB 46.18, -12.98, 12.55

 

CMYK 33 / 0 / 46 / 48

HEX #588447

RGB 88 132 71

HSL 103.28, 0.3%, 0.4%

LAB 50.72, -27.29, 28.15

 

CMYK 42 / 52 / 0 / 46

HEX #4F4289

RGB 79 66 137

HSL 250.99, 0.35%, 0.4%

LAB 32.62, 23.98, -37.94

 

CMYK 28 / 52 / 0 / 46

HEX #624289

RGB 98 66 137

HSL 267.04, 0.35%, 0.4%

LAB 34.6, 29.21, -34.68

 

CMYK 15 / 52 / 0 / 46

HEX #754289

RGB 117 66 137

HSL 283.1, 0.35%, 0.4%

LAB 36.9, 34.77, -30.88

 

CMYK 1 / 52 / 0 / 46

HEX #884289

RGB 136 66 137

HSL 299.15, 0.35%, 0.4%

LAB 39.47, 40.47, -26.66

 

CMYK 0 / 52 / 13 / 46

HEX #894277

RGB 137 66 119

HSL 315.21, 0.35%, 0.4%

LAB 38.81, 37.49, -16.61

 

CMYK 15 / 52 / 0 / 68

HEX #462752

RGB 70 39 82

HSL 283.26, 0.36%, 0.24%

LAB 21.44, 23.1, -20.52

 

CMYK 14 / 52 / 0 / 57

HEX #5E346D

RGB 94 52 109

HSL 284.21, 0.35%, 0.32%

LAB 29.26, 29.42, -25.63

 

CMYK 15 / 52 / 0 / 46

HEX #754289

RGB 117 66 137

HSL 283.1, 0.35%, 0.4%

LAB 36.9, 34.77, -30.88

 

CMYK 15 / 52 / 0 / 35

HEX #8D4FA5

RGB 141 79 165

HSL 283.26, 0.35%, 0.48%

LAB 44.19, 40.76, -36.05

 

CMYK 12 / 43 / 0 / 29

HEX #A068B6

RGB 160 104 182

HSL 283.08, 0.35%, 0.56%

LAB 52.68, 36.24, -32.52

 

CMYK 14 / 52 / 0 / 46

HEX #76428A

RGB 118 66 138

HSL 283.33, 0.35%, 0.4%

LAB 37.08, 35.29, -31.2

 

CMYK 0 / 52 / 47 / 46

HEX #894248

RGB 137 66 72

HSL 354.93, 0.35%, 0.4%

LAB 37.27, 30.86, 10.62

 

CMYK 52 / 0 / 36 / 46

HEX #428958

RGB 66 137 88

HSL 138.59, 0.35%, 0.4%

LAB 51.56, -33.89, 19.63

 

CMYK 14 / 52 / 0 / 46

HEX #76428A

RGB 118 66 138

HSL 283.33, 0.35%, 0.4%

LAB 37.08, 35.29, -31.2

 

CMYK 0 / 15 / 52 / 46

HEX #897542

RGB 137 117 66

HSL 43.1, 0.35%, 0.4%

LAB 50.02, 0.76, 30.83

 

CMYK 52 / 0 / 15 / 46

HEX #428975

RGB 66 137 117

HSL 163.1, 0.35%, 0.4%

LAB 52.21, -27.45, 3.93

 

CMYK 14 / 52 / 0 / 46

HEX #76428A

RGB 118 66 138

HSL 283.33, 0.35%, 0.4%

LAB 37.08, 35.29, -31.2

 

CMYK 0 / 52 / 47 / 46

HEX #894248

RGB 137 66 72

HSL 354.93, 0.35%, 0.4%

LAB 37.27, 30.86, 10.62

 

CMYK 37 / 0 / 52 / 46

HEX #568942

RGB 86 137 66

HSL 103.1, 0.35%, 0.4%

LAB 52.13, -31.09, 32.53

 

CMYK 52 / 0 / 4 / 46

HEX #428983

RGB 66 137 131

HSL 174.93, 0.35%, 0.4%

LAB 52.61, -23.79, -3.62

 

CMYK 14 / 52 / 0 / 46

HEX #76428A

RGB 118 66 138

HSL 283.33, 0.35%, 0.4%

LAB 37.08, 35.29, -31.2

 

CMYK 0 / 41 / 52 / 46

HEX #895142

RGB 137 81 66

HSL 12.68, 0.35%, 0.4%

LAB 40.57, 21.75, 18.8

 

CMYK 37 / 0 / 52 / 46

HEX #568942

RGB 86 137 66

HSL 103.1, 0.35%, 0.4%

LAB 52.13, -31.09, 32.53

 

CMYK 52 / 11 / 0 / 46

HEX #427A89

RGB 66 122 137

HSL 192.68, 0.35%, 0.4%

LAB 48.11, -14.05, -13.86

 

Description

Color code: HEX #76428A | qconv.com Color code: HEX #76428A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 66 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 66 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 52 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 52% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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