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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7651D0 it is the complementary color #89AE2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7651D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7651D0 shade: #7B51CB, #8C63DE, #9D75F1, #AE87FF and #BF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7651D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7651D0 shade: #7651D0, #653FBD, #542DAA, #431B97 and #320984

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7651D0 shade: #7752CF, #9852CF, #BA52CF, #CF52C3 and #CF52A1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7651D0 shade: #7752CF, #5552CF and #5252CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7651D0 shade matches the following richer shades: #7752CF, #6F41E1 and #682FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7651D0 shade: #7752CF, #7E64BE, #8676AC, #8D889A and #949988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7651D0 shade: #5272CF, #5452CF, #7652CF, #9752CF and #B852CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7651D0 shade: #4F2CA3, #5F35C3, #7752CF, #9073D8 and #AA93E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7651D0 shade: #7651D0, #CF5293 and #61CF52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7651D0 shade: #7651D0, #CF7652 and #52CF76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7651D0 shade: #7651D0, #CF5293, #ACCF52 and #52CF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7651D0 shade: #7651D0, #CF526D, #ACCF52 and #52CFB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 61 / 0 / 18

HEX #7651D0

RGB 118 81 208

HSL 257.48, 0.57%, 0.57%

LAB 44.65, 44.65, -60.57

 

Complementary color

CMYK 21 / 0 / 73 / 32

HEX #89AE2F

RGB 137 174 47

HSL 77.48, 0.57%, 0.43%

LAB 66.36, -30.58, 57.44

 

CMYK 39 / 60 / 0 / 20

HEX #7B51CB

RGB 123 81 203

HSL 260.66, 0.54%, 0.56%

LAB 44.81, 44.36, -57.4

 

CMYK 37 / 55 / 0 / 13

HEX #8C63DE

RGB 140 99 222

HSL 260, 0.65%, 0.63%

LAB 51.58, 43.22, -57.26

 

CMYK 35 / 51 / 0 / 5

HEX #9D75F1

RGB 157 117 241

HSL 259.35, 0.82%, 0.7%

LAB 58.27, 42.13, -57.1

 

CMYK 32 / 47 / 0 / 0

HEX #AE87FF

RGB 174 135 255

HSL 259.5, 1%, 0.76%

LAB 64.6, 39.87, -54.63

 

CMYK 25 / 40 / 0 / 0

HEX #BF99FF

RGB 191 153 255

HSL 262.35, 1%, 0.8%

LAB 70.23, 34.42, -45.64

 

CMYK 43 / 61 / 0 / 18

HEX #7651D0

RGB 118 81 208

HSL 257.48, 0.57%, 0.57%

LAB 44.65, 44.65, -60.57

 

CMYK 47 / 67 / 0 / 26

HEX #653FBD

RGB 101 63 189

HSL 258.1, 0.5%, 0.49%

LAB 37.83, 45.91, -60.67

 

CMYK 51 / 74 / 0 / 33

HEX #542DAA

RGB 84 45 170

HSL 258.72, 0.58%, 0.42%

LAB 31.03, 47.07, -60.58

 

CMYK 56 / 82 / 0 / 41

HEX #431B97

RGB 67 27 151

HSL 259.35, 0.7%, 0.35%

LAB 24.36, 47.8, -60.06

 

CMYK 62 / 93 / 0 / 48

HEX #320984

RGB 50 9 132

HSL 260, 0.87%, 0.28%

LAB 18.1, 47.34, -58.62

 

CMYK 43 / 60 / 0 / 19

HEX #7752CF

RGB 119 82 207

HSL 257.76, 0.57%, 0.57%

LAB 44.89, 44.02, -59.6

 

CMYK 27 / 60 / 0 / 19

HEX #9852CF

RGB 152 82 207

HSL 273.6, 0.57%, 0.57%

LAB 48.53, 51.46, -53.54

 

CMYK 10 / 60 / 0 / 19

HEX #BA52CF

RGB 186 82 207

HSL 289.92, 0.57%, 0.57%

LAB 52.93, 59.67, -46.27

 

CMYK 0 / 60 / 6 / 19

HEX #CF52C3

RGB 207 82 195

HSL 305.76, 0.57%, 0.57%

LAB 55.32, 62.86, -35.43

 

CMYK 0 / 60 / 22 / 19

HEX #CF52A1

RGB 207 82 161

HSL 322.08, 0.57%, 0.57%

LAB 53.89, 57.74, -17.9

 

CMYK 43 / 60 / 0 / 19

HEX #7752CF

RGB 119 82 207

HSL 257.76, 0.57%, 0.57%

LAB 44.89, 44.02, -59.6

 

CMYK 59 / 60 / 0 / 19

HEX #5552CF

RGB 85 82 207

HSL 241.44, 0.57%, 0.57%

LAB 41.95, 37.46, -64.49

 

CMYK 60 / 60 / 0 / 19

HEX #5252CF

RGB 82 82 207

HSL 240, 0.57%, 0.57%

LAB 41.74, 36.96, -64.85

 

CMYK 43 / 60 / 0 / 19

HEX #7752CF

RGB 119 82 207

HSL 257.76, 0.57%, 0.57%

LAB 44.89, 44.02, -59.6

 

CMYK 51 / 71 / 0 / 12

HEX #6F41E1

RGB 111 65 225

HSL 257.25, 0.73%, 0.57%

LAB 42.15, 56.52, -74.39

 

CMYK 57 / 81 / 0 / 5

HEX #682FF3

RGB 104 47 243

HSL 257.45, 0.89%, 0.57%

LAB 40.32, 68.37, -87.62

 

CMYK 43 / 60 / 0 / 19

HEX #7752CF

RGB 119 82 207

HSL 257.76, 0.57%, 0.57%

LAB 44.89, 44.02, -59.6

 

CMYK 34 / 47 / 0 / 25

HEX #7E64BE

RGB 126 100 190

HSL 257.33, 0.41%, 0.57%

LAB 48.6, 30.67, -43.81

 

CMYK 22 / 31 / 0 / 33

HEX #8676AC

RGB 134 118 172

HSL 257.78, 0.25%, 0.57%

LAB 52.95, 17.74, -26.51

 

CMYK 8 / 12 / 0 / 40

HEX #8D889A

RGB 141 136 154

HSL 256.67, 0.08%, 0.57%

LAB 57.66, 5.49, -8.9

 

CMYK 3 / 0 / 11 / 40

HEX #949988

RGB 148 153 136

HSL 77.65, 0.08%, 0.57%

LAB 62.39, -4.99, 8.31

 

CMYK 60 / 45 / 0 / 19

HEX #5272CF

RGB 82 114 207

HSL 224.64, 0.57%, 0.57%

LAB 49.9, 17.07, -51.68

 

CMYK 59 / 60 / 0 / 19

HEX #5452CF

RGB 84 82 207

HSL 240.96, 0.57%, 0.57%

LAB 41.88, 37.3, -64.61

 

CMYK 43 / 60 / 0 / 19

HEX #7652CF

RGB 118 82 207

HSL 257.28, 0.57%, 0.57%

LAB 44.79, 43.81, -59.76

 

CMYK 27 / 60 / 0 / 19

HEX #9752CF

RGB 151 82 207

HSL 273.12, 0.57%, 0.57%

LAB 48.41, 51.23, -53.74

 

CMYK 11 / 60 / 0 / 19

HEX #B852CF

RGB 184 82 207

HSL 288.96, 0.57%, 0.57%

LAB 52.65, 59.18, -46.72

 

CMYK 52 / 73 / 0 / 36

HEX #4F2CA3

RGB 79 44 163

HSL 257.65, 0.57%, 0.41%

LAB 29.68, 44.79, -58.58

 

CMYK 51 / 73 / 0 / 24

HEX #5F35C3

RGB 95 53 195

HSL 257.75, 0.57%, 0.49%

LAB 35.83, 51.77, -67.49

 

CMYK 43 / 60 / 0 / 19

HEX #7752CF

RGB 119 82 207

HSL 257.76, 0.57%, 0.57%

LAB 44.89, 44.02, -59.6

 

CMYK 33 / 47 / 0 / 15

HEX #9073D8

RGB 144 115 216

HSL 257.23, 0.56%, 0.65%

LAB 55.23, 33.53, -48.03

 

CMYK 24 / 35 / 0 / 12

HEX #AA93E1

RGB 170 147 225

HSL 257.69, 0.57%, 0.73%

LAB 65.63, 24.7, -36.53

 

CMYK 43 / 61 / 0 / 18

HEX #7651D0

RGB 118 81 208

HSL 257.48, 0.57%, 0.57%

LAB 44.65, 44.65, -60.57

 

CMYK 0 / 60 / 29 / 19

HEX #CF5293

RGB 207 82 147

HSL 328.8, 0.57%, 0.57%

LAB 53.39, 55.89, -10.42

 

CMYK 53 / 0 / 60 / 19

HEX #61CF52

RGB 97 207 82

HSL 112.8, 0.57%, 0.57%

LAB 74.68, -55.18, 51.5

 

CMYK 43 / 61 / 0 / 18

HEX #7651D0

RGB 118 81 208

HSL 257.48, 0.57%, 0.57%

LAB 44.65, 44.65, -60.57

 

CMYK 0 / 43 / 60 / 19

HEX #CF7652

RGB 207 118 82

HSL 17.28, 0.57%, 0.57%

LAB 58.82, 31.52, 34.78

 

CMYK 60 / 0 / 43 / 19

HEX #52CF76

RGB 82 207 118

HSL 137.28, 0.57%, 0.57%

LAB 74.65, -53.9, 34.12

 

CMYK 43 / 61 / 0 / 18

HEX #7651D0

RGB 118 81 208

HSL 257.48, 0.57%, 0.57%

LAB 44.65, 44.65, -60.57

 

CMYK 0 / 60 / 29 / 19

HEX #CF5293

RGB 207 82 147

HSL 328.8, 0.57%, 0.57%

LAB 53.39, 55.89, -10.42

 

CMYK 17 / 0 / 60 / 19

HEX #ACCF52

RGB 172 207 82

HSL 76.8, 0.57%, 0.57%

LAB 78.46, -29.85, 56.78

 

CMYK 60 / 0 / 31 / 19

HEX #52CF8F

RGB 82 207 143

HSL 149.28, 0.57%, 0.57%

LAB 75.08, -49.33, 21.73

 

CMYK 43 / 61 / 0 / 18

HEX #7651D0

RGB 118 81 208

HSL 257.48, 0.57%, 0.57%

LAB 44.65, 44.65, -60.57

 

CMYK 0 / 60 / 47 / 19

HEX #CF526D

RGB 207 82 109

HSL 347.04, 0.57%, 0.57%

LAB 52.29, 51.69, 10.59

 

CMYK 17 / 0 / 60 / 19

HEX #ACCF52

RGB 172 207 82

HSL 76.8, 0.57%, 0.57%

LAB 78.46, -29.85, 56.78

 

CMYK 60 / 0 / 13 / 19

HEX #52CFB4

RGB 82 207 180

HSL 167.04, 0.57%, 0.57%

LAB 75.89, -41.05, 3.13

 

Description

Color code: HEX #7651D0 | qconv.com Color code: HEX #7651D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 81 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 81 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 61 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 61% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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