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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76658F it is the complementary color #899A70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76658F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76658F shade: #7B658A, #8C779D, #9D89B0, #AE9BC3 and #BFADD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76658F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76658F shade: #76658F, #65537C, #544169, #432F56 and #321D43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76658F shade: #76658F, #81658F, #8C658F, #8F6586 and #8F657B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76658F shade: #76658F, #6B658F and #65658F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76658F shade matches the following richer shades: #76658F, #7251A3, #6E3DB6, #6B2ACA and #6716DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76658F shade: #76658F, #7A797B, #7D8D67, #81A153 and #85B43F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76658F shade: #656B8F, #6B658F, #76658F, #81658F and #8C658F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76658F shade: #4E435E, #625477, #76658F, #8B7BA2 and #A094B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76658F shade: #76658F, #8F6576 and #658F65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76658F shade: #76658F, #8F7665 and #658F76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76658F shade: #76658F, #8F6576, #7E8F65 and #658F7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76658F shade: #76658F, #8F6569, #7E8F65 and #658F8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

Complementary color

CMYK 11 / 0 / 27 / 40

HEX #899A70

RGB 137 154 112

HSL 84.29, 0.17%, 0.52%

LAB 61.31, -13.73, 20.1

 

CMYK 11 / 27 / 0 / 46

HEX #7B658A

RGB 123 101 138

HSL 275.68, 0.15%, 0.47%

LAB 46.11, 16.22, -17.13

 

CMYK 11 / 24 / 0 / 38

HEX #8C779D

RGB 140 119 157

HSL 273.16, 0.16%, 0.54%

LAB 53.17, 15.66, -17.42

 

CMYK 11 / 22 / 0 / 31

HEX #9D89B0

RGB 157 137 176

HSL 270.77, 0.2%, 0.61%

LAB 60.06, 15.15, -17.72

 

CMYK 11 / 21 / 0 / 24

HEX #AE9BC3

RGB 174 155 195

HSL 268.5, 0.25%, 0.69%

LAB 66.81, 14.69, -18.03

 

CMYK 11 / 19 / 0 / 16

HEX #BFADD6

RGB 191 173 214

HSL 266.34, 0.33%, 0.76%

LAB 73.43, 14.27, -18.35

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 19 / 33 / 0 / 51

HEX #65537C

RGB 101 83 124

HSL 266.34, 0.2%, 0.41%

LAB 38.57, 16.32, -20.44

 

CMYK 20 / 38 / 0 / 59

HEX #544169

RGB 84 65 105

HSL 268.5, 0.24%, 0.33%

LAB 31.08, 17.07, -20.32

 

CMYK 22 / 45 / 0 / 66

HEX #432F56

RGB 67 47 86

HSL 270.77, 0.29%, 0.26%

LAB 23.33, 17.95, -20.24

 

CMYK 25 / 57 / 0 / 74

HEX #321D43

RGB 50 29 67

HSL 273.16, 0.4%, 0.19%

LAB 15.29, 18.97, -20.18

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 10 / 29 / 0 / 44

HEX #81658F

RGB 129 101 143

HSL 280, 0.17%, 0.48%

LAB 46.92, 19.42, -18.83

 

CMYK 2 / 29 / 0 / 44

HEX #8C658F

RGB 140 101 143

HSL 295.71, 0.17%, 0.48%

LAB 48.09, 23.24, -16.93

 

CMYK 0 / 29 / 6 / 44

HEX #8F6586

RGB 143 101 134

HSL 312.86, 0.17%, 0.48%

LAB 48.09, 22.53, -11.54

 

CMYK 0 / 29 / 14 / 44

HEX #8F657B

RGB 143 101 123

HSL 328.57, 0.17%, 0.48%

LAB 47.72, 20.51, -5.52

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 25 / 29 / 0 / 44

HEX #6B658F

RGB 107 101 143

HSL 248.57, 0.17%, 0.48%

LAB 44.82, 12.02, -22.23

 

CMYK 29 / 29 / 0 / 44

HEX #65658F

RGB 101 101 143

HSL 240, 0.17%, 0.48%

LAB 44.31, 10.09, -23.06

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 30 / 50 / 0 / 36

HEX #7251A3

RGB 114 81 163

HSL 264.15, 0.34%, 0.48%

LAB 41.39, 31.53, -39.51

 

CMYK 40 / 66 / 0 / 29

HEX #6E3DB6

RGB 110 61 182

HSL 264.3, 0.5%, 0.48%

LAB 37.9, 46.85, -56.4

 

CMYK 47 / 79 / 0 / 21

HEX #6B2ACA

RGB 107 42 202

HSL 264.38, 0.66%, 0.48%

LAB 36.07, 60.28, -71.12

 

CMYK 54 / 90 / 0 / 13

HEX #6716DE

RGB 103 22 222

HSL 264.3, 0.82%, 0.48%

LAB 35.46, 70.87, -83.71

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 1 / 2 / 0 / 52

HEX #7A797B

RGB 122 121 123

HSL 270, 0.01%, 0.48%

LAB 50.97, 0.78, -0.96

 

CMYK 11 / 0 / 27 / 45

HEX #7D8D67

RGB 125 141 103

HSL 85.26, 0.16%, 0.48%

LAB 56.48, -12.88, 18.41

 

CMYK 20 / 0 / 48 / 37

HEX #81A153

RGB 129 161 83

HSL 84.62, 0.32%, 0.48%

LAB 62.32, -24.41, 36.83

 

CMYK 26 / 0 / 65 / 29

HEX #85B43F

RGB 133 180 63

HSL 84.1, 0.48%, 0.48%

LAB 68.01, -33.88, 52.79

 

CMYK 29 / 25 / 0 / 44

HEX #656B8F

RGB 101 107 143

HSL 231.43, 0.17%, 0.48%

LAB 46, 6.43, -20.46

 

CMYK 25 / 29 / 0 / 44

HEX #6B658F

RGB 107 101 143

HSL 248.57, 0.17%, 0.48%

LAB 44.82, 12.02, -22.23

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 10 / 29 / 0 / 44

HEX #81658F

RGB 129 101 143

HSL 280, 0.17%, 0.48%

LAB 46.92, 19.42, -18.83

 

CMYK 2 / 29 / 0 / 44

HEX #8C658F

RGB 140 101 143

HSL 295.71, 0.17%, 0.48%

LAB 48.09, 23.24, -16.93

 

CMYK 17 / 29 / 0 / 63

HEX #4E435E

RGB 78 67 94

HSL 264.44, 0.17%, 0.32%

LAB 30.5, 10.82, -14.24

 

CMYK 18 / 29 / 0 / 53

HEX #625477

RGB 98 84 119

HSL 264, 0.17%, 0.4%

LAB 38.32, 13.42, -17.76

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 14 / 24 / 0 / 36

HEX #8B7BA2

RGB 139 123 162

HSL 264.62, 0.17%, 0.56%

LAB 54.31, 14.09, -18.6

 

CMYK 11 / 17 / 0 / 30

HEX #A094B3

RGB 160 148 179

HSL 263.23, 0.17%, 0.64%

LAB 63.27, 10.55, -14.54

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 0 / 29 / 17 / 44

HEX #8F6576

RGB 143 101 118

HSL 335.71, 0.17%, 0.48%

LAB 47.57, 19.65, -2.75

 

CMYK 29 / 0 / 29 / 44

HEX #658F65

RGB 101 143 101

HSL 120, 0.17%, 0.48%

LAB 55.43, -23.24, 17.85

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 0 / 17 / 29 / 44

HEX #8F7665

RGB 143 118 101

HSL 24.29, 0.17%, 0.48%

LAB 51.54, 7.05, 13.01

 

CMYK 29 / 0 / 17 / 44

HEX #658F76

RGB 101 143 118

HSL 144.29, 0.17%, 0.48%

LAB 55.81, -19.95, 8.72

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 0 / 29 / 17 / 44

HEX #8F6576

RGB 143 101 118

HSL 335.71, 0.17%, 0.48%

LAB 47.57, 19.65, -2.75

 

CMYK 12 / 0 / 29 / 44

HEX #7E8F65

RGB 126 143 101

HSL 84.29, 0.17%, 0.48%

LAB 57.1, -13.87, 20.38

 

CMYK 29 / 0 / 12 / 44

HEX #658F7E

RGB 101 143 126

HSL 155.71, 0.17%, 0.48%

LAB 56.01, -18.25, 4.42

 

CMYK 17 / 29 / 0 / 44

HEX #76658F

RGB 118 101 143

HSL 264.29, 0.17%, 0.48%

LAB 45.83, 15.67, -20.6

 

CMYK 0 / 29 / 27 / 44

HEX #8F6569

RGB 143 101 105

HSL 354.29, 0.17%, 0.48%

LAB 47.19, 17.55, 4.51

 

CMYK 12 / 0 / 29 / 44

HEX #7E8F65

RGB 126 143 101

HSL 84.29, 0.17%, 0.48%

LAB 57.1, -13.87, 20.38

 

CMYK 29 / 0 / 3 / 44

HEX #658F8B

RGB 101 143 139

HSL 174.29, 0.17%, 0.48%

LAB 56.36, -15.26, -2.52

 

Description

Color code: HEX #76658F | qconv.com Color code: HEX #76658F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 101 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 101 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 29 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 29% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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