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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7662F9 it is the complementary color #899D06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7662F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7662F9 shade: #7B62F4, #8C74FF, #9D86FF, #AE98FF and #BFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7662F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7662F9 shade: #7662F9, #6550E6, #543ED3, #432CC0 and #321AAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7662F9 shade: #7561F9, #9E61F9, #C761F9, #F061F9 and #F961D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7662F9 shade: #7561F9 and #6161F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7662F9 shade matches the following richer shades: #7561F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7662F9 shade: #7561F9, #7F6EEC, #897BDE, #9289D1 and #9C96C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7662F9 shade: #61A0F9, #6178F9, #7361F9, #9B61F9 and #C461F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7662F9 shade: #3011F6, #5239F7, #7561F9, #9889FA and #BBB1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7662F9 shade: #7662F9, #F961C9 and #8CF961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7662F9 shade: #7662F9, #F97361 and #61F973

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7662F9 shade: #7662F9, #F961C9, #E7F961 and #61F991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7662F9 shade: #7662F9, #F9619B, #E7F961 and #61F9BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 61 / 0 / 2

HEX #7662F9

RGB 118 98 249

HSL 247.95, 0.93%, 0.68%

LAB 51.18, 46.79, -73.14

 

Complementary color

CMYK 13 / 0 / 96 / 38

HEX #899D06

RGB 137 157 6

HSL 67.95, 0.93%, 0.32%

LAB 61.17, -23.77, 63.02

 

CMYK 50 / 60 / 0 / 4

HEX #7B62F4

RGB 123 98 244

HSL 250.27, 0.87%, 0.67%

LAB 51.24, 46.25, -70.24

 

CMYK 45 / 55 / 0 / 0

HEX #8C74FF

RGB 140 116 255

HSL 250.36, 1%, 0.73%

LAB 57.35, 42.58, -66.39

 

CMYK 38 / 47 / 0 / 0

HEX #9D86FF

RGB 157 134 255

HSL 251.4, 1%, 0.76%

LAB 62.88, 36.2, -57.46

 

CMYK 32 / 40 / 0 / 0

HEX #AE98FF

RGB 174 152 255

HSL 252.82, 1%, 0.8%

LAB 68.52, 30.35, -48.44

 

CMYK 25 / 33 / 0 / 0

HEX #BFAAFF

RGB 191 170 255

HSL 254.82, 1%, 0.83%

LAB 74.22, 25.01, -39.4

 

CMYK 53 / 61 / 0 / 2

HEX #7662F9

RGB 118 98 249

HSL 247.95, 0.93%, 0.68%

LAB 51.18, 46.79, -73.14

 

CMYK 56 / 65 / 0 / 10

HEX #6550E6

RGB 101 80 230

HSL 248.4, 0.75%, 0.61%

LAB 44.54, 48.43, -73.35

 

CMYK 60 / 71 / 0 / 17

HEX #543ED3

RGB 84 62 211

HSL 248.86, 0.63%, 0.54%

LAB 37.9, 50.13, -73.42

 

CMYK 65 / 77 / 0 / 25

HEX #432CC0

RGB 67 44 192

HSL 249.32, 0.63%, 0.46%

LAB 31.35, 51.73, -73.19

 

CMYK 71 / 85 / 0 / 32

HEX #321AAD

RGB 50 26 173

HSL 249.8, 0.74%, 0.39%

LAB 25.06, 52.83, -72.34

 

CMYK 53 / 61 / 0 / 2

HEX #7561F9

RGB 117 97 249

HSL 247.89, 0.93%, 0.68%

LAB 50.89, 47.18, -73.63

 

CMYK 37 / 61 / 0 / 2

HEX #9E61F9

RGB 158 97 249

HSL 264.08, 0.93%, 0.68%

LAB 54.72, 55.17, -67.24

 

CMYK 20 / 61 / 0 / 2

HEX #C761F9

RGB 199 97 249

HSL 280.26, 0.93%, 0.68%

LAB 59.46, 64.22, -59.36

 

CMYK 4 / 61 / 0 / 2

HEX #F061F9

RGB 240 97 249

HSL 296.45, 0.93%, 0.68%

LAB 64.89, 73.72, -50.39

 

CMYK 0 / 61 / 13 / 2

HEX #F961D9

RGB 249 97 217

HSL 312.63, 0.93%, 0.68%

LAB 64.72, 70.89, -32.78

 

CMYK 53 / 61 / 0 / 2

HEX #7561F9

RGB 117 97 249

HSL 247.89, 0.93%, 0.68%

LAB 50.89, 47.18, -73.63

 

CMYK 61 / 61 / 0 / 2

HEX #6161F9

RGB 97 97 249

HSL 240, 0.93%, 0.68%

LAB 49.41, 43.89, -76.09

 

CMYK 53 / 61 / 0 / 2

HEX #7561F9

RGB 117 97 249

HSL 247.89, 0.93%, 0.68%

LAB 50.89, 47.18, -73.63

 

CMYK 53 / 61 / 0 / 2

HEX #7561F9

RGB 117 97 249

HSL 247.89, 0.93%, 0.68%

LAB 50.89, 47.18, -73.63

 

CMYK 46 / 53 / 0 / 7

HEX #7F6EEC

RGB 127 110 236

HSL 248.1, 0.77%, 0.68%

LAB 53.73, 37.86, -61.74

 

CMYK 38 / 45 / 0 / 13

HEX #897BDE

RGB 137 123 222

HSL 248.48, 0.6%, 0.68%

LAB 56.84, 28.67, -48.88

 

CMYK 30 / 34 / 0 / 18

HEX #9289D1

RGB 146 137 209

HSL 247.5, 0.44%, 0.68%

LAB 60.43, 19.5, -35.88

 

CMYK 20 / 23 / 0 / 23

HEX #9C96C4

RGB 156 150 196

HSL 247.83, 0.28%, 0.68%

LAB 64.05, 11.89, -22.93

 

CMYK 61 / 36 / 0 / 2

HEX #61A0F9

RGB 97 160 249

HSL 215.13, 0.93%, 0.68%

LAB 65.38, 6.25, -50.45

 

CMYK 61 / 52 / 0 / 2

HEX #6178F9

RGB 97 120 249

HSL 230.92, 0.93%, 0.68%

LAB 54.88, 30.1, -67.22

 

CMYK 54 / 61 / 0 / 2

HEX #7361F9

RGB 115 97 249

HSL 247.11, 0.93%, 0.68%

LAB 50.73, 46.83, -73.89

 

CMYK 38 / 61 / 0 / 2

HEX #9B61F9

RGB 155 97 249

HSL 262.89, 0.93%, 0.68%

LAB 54.4, 54.54, -67.76

 

CMYK 21 / 61 / 0 / 2

HEX #C461F9

RGB 196 97 249

HSL 279.08, 0.93%, 0.68%

LAB 59.09, 63.53, -59.98

 

CMYK 80 / 93 / 0 / 4

HEX #3011F6

RGB 48 17 246

HSL 248.12, 0.93%, 0.52%

LAB 33.31, 74.86, -101.07

 

CMYK 67 / 77 / 0 / 3

HEX #5239F7

RGB 82 57 247

HSL 247.89, 0.92%, 0.6%

LAB 40.3, 63.05, -89.96

 

CMYK 53 / 61 / 0 / 2

HEX #7561F9

RGB 117 97 249

HSL 247.89, 0.93%, 0.68%

LAB 50.89, 47.18, -73.63

 

CMYK 39 / 45 / 0 / 2

HEX #9889FA

RGB 152 137 250

HSL 247.96, 0.92%, 0.76%

LAB 62.9, 31.93, -54.71

 

CMYK 26 / 30 / 0 / 1

HEX #BBB1FC

RGB 187 177 252

HSL 248, 0.93%, 0.84%

LAB 75.47, 19.28, -35.86

 

CMYK 53 / 61 / 0 / 2

HEX #7662F9

RGB 118 98 249

HSL 247.95, 0.93%, 0.68%

LAB 51.18, 46.79, -73.14

 

CMYK 0 / 61 / 19 / 2

HEX #F961C9

RGB 249 97 201

HSL 318.95, 0.93%, 0.68%

LAB 64.08, 68.63, -24.76

 

CMYK 44 / 0 / 61 / 2

HEX #8CF961

RGB 140 249 97

HSL 103.03, 0.93%, 0.68%

LAB 89.01, -57.68, 61.67

 

CMYK 53 / 61 / 0 / 2

HEX #7662F9

RGB 118 98 249

HSL 247.95, 0.93%, 0.68%

LAB 51.18, 46.79, -73.14

 

CMYK 0 / 54 / 61 / 2

HEX #F97361

RGB 249 115 97

HSL 7.11, 0.93%, 0.68%

LAB 64.37, 49.94, 34.75

 

CMYK 61 / 0 / 54 / 2

HEX #61F973

RGB 97 249 115

HSL 127.11, 0.93%, 0.68%

LAB 87.74, -66.63, 51.96

 

CMYK 53 / 61 / 0 / 2

HEX #7662F9

RGB 118 98 249

HSL 247.95, 0.93%, 0.68%

LAB 51.18, 46.79, -73.14

 

CMYK 0 / 61 / 19 / 2

HEX #F961C9

RGB 249 97 201

HSL 318.95, 0.93%, 0.68%

LAB 64.08, 68.63, -24.76

 

CMYK 7 / 0 / 61 / 2

HEX #E7F961

RGB 231 249 97

HSL 67.11, 0.93%, 0.68%

LAB 94.14, -25.4, 68.76

 

CMYK 61 / 0 / 42 / 2

HEX #61F991

RGB 97 249 145

HSL 138.95, 0.93%, 0.68%

LAB 88.13, -62.29, 38.19

 

CMYK 53 / 61 / 0 / 2

HEX #7662F9

RGB 118 98 249

HSL 247.95, 0.93%, 0.68%

LAB 51.18, 46.79, -73.14

 

CMYK 0 / 61 / 38 / 2

HEX #F9619B

RGB 249 97 155

HSL 337.11, 0.93%, 0.68%

LAB 62.55, 63.02, -0.79

 

CMYK 7 / 0 / 61 / 2

HEX #E7F961

RGB 231 249 97

HSL 67.11, 0.93%, 0.68%

LAB 94.14, -25.4, 68.76

 

CMYK 61 / 0 / 23 / 2

HEX #61F9BF

RGB 97 249 191

HSL 157.11, 0.93%, 0.68%

LAB 88.95, -53.61, 16.03

 

Description

Color code: HEX #7662F9 | qconv.com Color code: HEX #7662F9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 98 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 98 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 61 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 61% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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