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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76635F it is the complementary color #899CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76635F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76635F shade: #7B635A, #8C756D, #9D8780, #AE9993 and #BFABA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76635F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76635F shade: #76635F, #65514C, #543F39, #432D26 and #321B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76635F shade: #76635F and #765F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76635F shade: #76635F, #76695F, #76705F, #76765F and #70765F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76635F shade matches the following richer shades: #76635F, #88584D, #994C3C, #AA412B and #BC361A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76635F shade: #76635F, #656E70, #547A81, #428593 and #3190A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76635F shade: #765F67, #765F61, #76635F, #76695F and #766F5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76635F shade: #493D3A, #5F504C, #76635F, #8D7671 and #A08C88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76635F shade: #76635F, #6E765F and #5F6476

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76635F shade: #76635F, #5F7663 and #635F76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76635F shade: #76635F, #6E765F, #5F7276 and #675F76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76635F shade: #76635F, #67765F, #5F7276 and #6F5F76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

Complementary color

CMYK 14 / 2 / 0 / 37

HEX #899CA0

RGB 137 156 160

HSL 190.43, 0.11%, 0.58%

LAB 63.04, -5.83, -4.36

 

CMYK 0 / 20 / 27 / 52

HEX #7B635A

RGB 123 99 90

HSL 16.36, 0.15%, 0.42%

LAB 44.05, 8.18, 8.76

 

CMYK 0 / 16 / 22 / 45

HEX #8C756D

RGB 140 117 109

HSL 15.48, 0.12%, 0.49%

LAB 51.15, 7.62, 7.75

 

CMYK 0 / 14 / 18 / 38

HEX #9D8780

RGB 157 135 128

HSL 14.48, 0.13%, 0.56%

LAB 58.09, 7.15, 6.83

 

CMYK 0 / 12 / 16 / 32

HEX #AE9993

RGB 174 153 147

HSL 13.33, 0.14%, 0.63%

LAB 64.87, 6.74, 5.99

 

CMYK 0 / 10 / 13 / 25

HEX #BFABA6

RGB 191 171 166

HSL 12, 0.16%, 0.7%

LAB 71.52, 6.37, 5.2

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 0 / 20 / 25 / 60

HEX #65514C

RGB 101 81 76

HSL 12, 0.14%, 0.35%

LAB 36.32, 7.46, 6.08

 

CMYK 0 / 25 / 32 / 67

HEX #543F39

RGB 84 63 57

HSL 13.33, 0.19%, 0.28%

LAB 28.73, 8.15, 7.21

 

CMYK 0 / 33 / 43 / 74

HEX #432D26

RGB 67 45 38

HSL 14.48, 0.28%, 0.21%

LAB 20.87, 9.06, 8.57

 

CMYK 0 / 46 / 62 / 80

HEX #321B13

RGB 50 27 19

HSL 15.48, 0.45%, 0.14%

LAB 12.67, 10.33, 10.23

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 0 / 19 / 19 / 54

HEX #765F5F

RGB 118 95 95

HSL 0, 0.11%, 0.42%

LAB 42.55, 9.31, 3.52

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 0 / 11 / 19 / 54

HEX #76695F

RGB 118 105 95

HSL 26.09, 0.11%, 0.42%

LAB 45.33, 3.34, 7.49

 

CMYK 0 / 5 / 19 / 54

HEX #76705F

RGB 118 112 95

HSL 44.35, 0.11%, 0.42%

LAB 47.32, -0.76, 10.3

 

CMYK 0 / 0 / 19 / 54

HEX #76765F

RGB 118 118 95

HSL 60, 0.11%, 0.42%

LAB 49.05, -4.22, 12.71

 

CMYK 5 / 0 / 19 / 54

HEX #70765F

RGB 112 118 95

HSL 75.65, 0.11%, 0.42%

LAB 48.55, -6.66, 11.93

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 0 / 35 / 43 / 47

HEX #88584D

RGB 136 88 77

HSL 11.19, 0.28%, 0.42%

LAB 42.38, 18.44, 14.54

 

CMYK 0 / 50 / 61 / 40

HEX #994C3C

RGB 153 76 60

HSL 10.32, 0.44%, 0.42%

LAB 41.64, 30.69, 24.25

 

CMYK 0 / 62 / 75 / 33

HEX #AA412B

RGB 170 65 43

HSL 10.39, 0.6%, 0.42%

LAB 42, 41.85, 35.21

 

CMYK 0 / 71 / 86 / 26

HEX #BC361A

RGB 188 54 26

HSL 10.37, 0.76%, 0.42%

LAB 43.37, 52.24, 46.34

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 10 / 2 / 0 / 56

HEX #656E70

RGB 101 110 112

HSL 190.91, 0.05%, 0.42%

LAB 45.76, -2.96, -2.29

 

CMYK 35 / 5 / 0 / 49

HEX #547A81

RGB 84 122 129

HSL 189.33, 0.21%, 0.42%

LAB 48.75, -11.43, -8.09

 

CMYK 55 / 10 / 0 / 42

HEX #428593

RGB 66 133 147

HSL 190.37, 0.38%, 0.42%

LAB 51.88, -17.09, -14.01

 

CMYK 70 / 12 / 0 / 36

HEX #3190A4

RGB 49 144 164

HSL 190.43, 0.54%, 0.42%

LAB 55.36, -20.77, -18.6

 

CMYK 0 / 19 / 13 / 54

HEX #765F67

RGB 118 95 103

HSL 339.13, 0.11%, 0.42%

LAB 42.79, 10.74, -1.02

 

CMYK 0 / 19 / 18 / 54

HEX #765F61

RGB 118 95 97

HSL 354.78, 0.11%, 0.42%

LAB 42.61, 9.66, 2.38

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 0 / 11 / 19 / 54

HEX #76695F

RGB 118 105 95

HSL 26.09, 0.11%, 0.42%

LAB 45.33, 3.34, 7.49

 

CMYK 0 / 6 / 19 / 54

HEX #766F5F

RGB 118 111 95

HSL 41.74, 0.11%, 0.42%

LAB 47.04, -0.18, 9.89

 

CMYK 0 / 16 / 21 / 71

HEX #493D3A

RGB 73 61 58

HSL 12, 0.11%, 0.26%

LAB 26.9, 4.64, 3.78

 

CMYK 0 / 16 / 20 / 63

HEX #5F504C

RGB 95 80 76

HSL 12.63, 0.11%, 0.34%

LAB 35.38, 5.5, 4.66

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 0 / 16 / 20 / 45

HEX #8D7671

RGB 141 118 113

HSL 10.71, 0.11%, 0.5%

LAB 51.62, 8.1, 6.08

 

CMYK 0 / 13 / 15 / 37

HEX #A08C88

RGB 160 140 136

HSL 10, 0.11%, 0.58%

LAB 59.9, 6.82, 4.88

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 7 / 0 / 19 / 54

HEX #6E765F

RGB 110 118 95

HSL 80.87, 0.11%, 0.42%

LAB 48.38, -7.47, 11.68

 

CMYK 19 / 15 / 0 / 54

HEX #5F6476

RGB 95 100 118

HSL 226.96, 0.11%, 0.42%

LAB 42.54, 2.24, -10.74

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 19 / 0 / 16 / 54

HEX #5F7663

RGB 95 118 99

HSL 130.43, 0.11%, 0.42%

LAB 47.35, -12.52, 7.71

 

CMYK 16 / 19 / 0 / 54

HEX #635F76

RGB 99 95 118

HSL 250.43, 0.11%, 0.42%

LAB 41.45, 6.71, -12.37

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 7 / 0 / 19 / 54

HEX #6E765F

RGB 110 118 95

HSL 80.87, 0.11%, 0.42%

LAB 48.38, -7.47, 11.68

 

CMYK 19 / 3 / 0 / 54

HEX #5F7276

RGB 95 114 118

HSL 190.43, 0.11%, 0.42%

LAB 46.68, -6.07, -4.56

 

CMYK 13 / 19 / 0 / 54

HEX #675F76

RGB 103 95 118

HSL 260.87, 0.11%, 0.42%

LAB 41.81, 8.15, -11.79

 

CMYK 0 / 16 / 19 / 54

HEX #76635F

RGB 118 99 95

HSL 10.43, 0.11%, 0.42%

LAB 43.66, 6.91, 5.1

 

CMYK 13 / 0 / 19 / 54

HEX #67765F

RGB 103 118 95

HSL 99.13, 0.11%, 0.42%

LAB 47.84, -10.24, 10.83

 

CMYK 19 / 3 / 0 / 54

HEX #5F7276

RGB 95 114 118

HSL 190.43, 0.11%, 0.42%

LAB 46.68, -6.07, -4.56

 

CMYK 6 / 19 / 0 / 54

HEX #6F5F76

RGB 111 95 118

HSL 281.74, 0.11%, 0.42%

LAB 42.57, 11.08, -10.56

 

Description

Color code: HEX #76635F | qconv.com Color code: HEX #76635F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 99 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 99 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 19 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 19% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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